Baritone/Bass 47 Songs-47 songs. Contents: Bring Me My Bride (A Funny Thing Happened on the Way to the Forum) · C'est Moi (Camelot) · Colorado My Home (The Unsinkable Molly Brown) · Do I Love You Because You're Beautiful? (Cinderella) · Dulcinea (Man of La Mancha) · Epiphany (Sweeney Todd) · Everybody Says Don't (Anyone Can Whistle) · Fear No More (The Frogs) · Gonna Be Another Hot Day (110 in the Shade) · The Highest Judge of All (Carousel) · I Rise Again (On the Twentieth Century) · I'll Never Say No (The Unsinkable Molly Brown) · I've Come to Wive It Wealthily in Padua (Kiss Me Kate) · I've Heard It All Before (Shenandoah) · If Ever I Would Leave You (Camelot) · If I Loved You (Carousel) · TheImpossible Dream (Man of La Mancha) · In Praise of Women (A Little Night Music) · Is This What You Call Love (Passion) · Joey Joey Joey (The Most Happy Fella) · Lonely Room (Oklahoma!) · Lost in the Stars (Lost in the Stars) · The Man of La Mancha (I Don Quixote) (Man of La Mancha) · Me (Beauty and the Beast) · Meditation I (Shenandoah) · Meditation II (Shenandoah) · The Music of The Night (The Phantom of the Opera) · No One Has Ever Loved Me (Passion) · Oh What a Beautiful Mornin' (Oklahoma!) · Ol' Man River (Show Boat) · Pretty Women (Sweeney Todd) · A Quiet Girl (Wonderful Town) · The Road You Didn't Take (Follies) · September Song (Knickerbocker Holiday) · Soliloquy (Carousel) · Some Enchanted Evening (South Pacific) · Sorry-Grateful (Company) · The Surrey with the Fringe on Top (Oklahoma!) · They Call the Wind Maria (Paint Your Wagon) · This is the Life (Love Life) · This Nearly Was Mine (South Pacific) · Thousands of Miles (Lost in the Stars) · Try to Remember (The Fantasticks) · Were Thine That Special Face (Kiss Me Kate) · Where Is the Life That Late I Led (Kiss Me Kate) · With So Little to Be Sure Of (Anyone Can Whistle) · You Must Meet My Wife (A Little Night Music).

Family Jewels : best of ARC/DC. Paroles et partitions pour guitare (normes de notations et tablatures). / Guitare Tablatures / Partition

Appalachian Gospel Favorites-Appalachian Gospel Favorites. If you enjoyed singing Sheldon Curry's arrangement of Down to the River to Pray you'll absolutely love this collection! Containing five new arrangements (plus the title song) with the same Appalachian gospel flavor this collection is unbridled fun. Songs include: The Unclouded Day/Will the Circle Be Unbroken; O Come Angel Band (My Latest Sun Is Sinking Fast); We Shall Rise; Dear Little Stranger; Precious Memories. Available for SATB ChoirTrax CD Preview CD Instrumental Pak (score and parts for Rhythm (Number Charts included) Violin 1 & 2 Viola and Cello) and Preview Pak (one book and one Preview CD).

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

In the skilled hands of Mark Taylor this uptempo bebop classic becomes a showstopper! Listen for the masterful Bird sax soli as well as tight ensemble sounds all at a brisk pace. If your band is ready for something they can sinktheir teeth into this may be the perfect chart.

Arrangeur: Matt Cowe. Par WELLER PAUL. For the first time, this pocket-sized collection brings together all the big songs by The Jam and The Style Council alongside classics from Paul Weller's acclaimed solo albums. 78 classics are presented in chord songbook format with chord symbols, guitar chord boxes and complete lyrics, this is the ultimate Paul Weller songbook! / Niveau : Assez Facile / Pop & rock / Recueil / Piano, Chant et Guitare

Baritone or Bass Voice-The world's most trusted source for great theatre literature for singing actors. The online audio includes Piano accompaniments. The book features authentic editions of each song in the original keys. The songs have been carefully chosen for each voice type and are culled from a wide selection of classic and contemporary shows.