SKU: AP.20301US

ISBN 9783947998494. UPC: 038081558264. German.

It is not only the great success of Nathan Evans' re-release of The Wellerman on social media that is responsible for the great popularity of sea shanties and naval songs. Such songs create a unique mood, a touch of adventure and wanderlust for the big, wide world. Hardly anyone can elude it and with Vahid Matejko's Sea Shanty Play-Alongs there are now the most beautiful sea shanties and naval songs skillfully arranged as an instrumental play-along series for recorder, flute, clarinet, saxophone, trumpet (opt. baritone T.C.), trombone (opt. baritone B.C.), violin, and accordion (piano).
The varied arrangements have a wide stylistic range and offer echoes from rock, Latin, funk, big band to orchestral and Caribbean influences. Thus, each song has its own musical and instrumental appeal, to which the parts and/or solos specially composed by arranger Vahid Matejko also contribute. The original polyphonic choral vocals are replaced by polyphonic instrumental backings.
Each of the ten titles was recorded live by excellent professional musicians and is available in two different versions: — a demo-track which features a live flute performance by one of the most sought-after studio and live soloists in the German music scene, two-time Grammy-award winner and former lead flute, saxophone and clarinet player for the WDR-broadcast big band Heiner Wiberny and
— a minus-one mix for you to play-along.

SKU: BR.EB-8858

Egal ob im Gruppenunterricht, JeKi-Programmen, einem Anfangerensemble oder einer Blaserklasse, in Musikvereinen, Blasorchestern oder Musikschulen: Nach einer kurzen Impulsphase kann mit Addizio! eine Schulergruppe wie ein Ensemble geleitet wer. Music pedagogy. Score. 76 pages. Breitkopf and Haertel #EB 8858. Published by Breitkopf and Haertel (BR.EB-8858).

ISBN 9790004184486. 9 x 12 inches. German.

Addizio! ist ein instrumentaldidaktisches Ensemblematerial, das aus der Verbindung von Ensembledidaktik und instrumentaler Fachdidaktik entstanden und ideal fur die Altersstufen der 2.-6. Klasse geeignet ist. Egal ob im Gruppenunterricht, JeKi-Programmen, einem Anfangerensemble oder einer Blaserklasse, in Musikvereinen, Blasorchestern oder Musikschulen: Nach einer kurzen Impulsphase kann mit Addizio! eine Schulergruppe wie ein Ensemble geleitet werden. Speziell fur Blaserklassen ist Addizio! eine echte Alternative zu weitverbreiteten Konzepten wie etwa den Essential Elements. Die Satze von Addizio! entsprechen etwa dem Schwierigkeitsgrad von Blasorchester-Arrangements der Stufe 1. Die CD-ROM des Lehrerhandbuchs enthalt Zusatzstimmen fur Gitarre, Keyboard, Violine, Drumset, Klavier, ausserdem Vollpartituren, die Didaktische Ubersicht, die Grifftabellen zum Ausdrucken sowie die Griffbildzeichensatze.

Egal ob im Gruppenunterricht, JeKi-Programmen, einem Anfangerensemble oder einer Blaserklasse, in Musikvereinen, Blasorchestern oder Musikschulen: Nach einer kurzen Impulsphase kann mit Addizio! eine Schulergruppe wie ein Ensemble geleitet werden.Speziell fur Blaserklassen ist Addizio! eine echte Alternative zu weitverbreiteten Konzepten wie etwa den Essential Elements. Demotracks mit Noten finden Sie auf YouTube, viele weitere Materialien und Audiotracks als MP3-Download finden Sie auf www.addizio.de.

SKU: BR.EB-9074

ISBN 9790004179499. 9 x 12 inches.

World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109

World premiere: VIII version for violoncello Tokyo: October 14, 1989.

SKU: AP.20303US

ISBN 9783947998517. UPC: 038081558288. German.

It is not only the great success of Nathan Evans' re-release of The Wellerman on social media that is responsible for the great popularity of sea shanties and naval songs. Such songs create a unique mood, a touch of adventure and wanderlust for the big, wide world. Hardly anyone can elude it and with Vahid Matejko's Sea Shanty Play-Alongs there are now the most beautiful sea shanties and naval songs skillfully arranged as an instrumental play-along series for recorder, flute, clarinet, saxophone, trumpet (opt. baritone T.C.), trombone (opt. baritone B.C.), violin, and accordion (piano).
The varied arrangements have a wide stylistic range and offer echoes from rock, Latin, funk, big band to orchestral and Caribbean influences. Thus, each song has its own musical and instrumental appeal, to which the parts and/or solos specially composed by arranger Vahid Matejko also contribute. The original polyphonic choral vocals are replaced by polyphonic instrumental backings.
Each of the ten titles was recorded live by excellent professional musicians and is available in two different versions: ? a demo-track which features a live saxophone performance by one of the most sought-after studio and live soloists in the German music scene, two-time Grammy-award winner and former lead saxophone, flute and clarinet player for the WDR-broadcast big band Heiner Wiberny and
? a minus-one mix for you to play-along.

SKU: AP.20305US

ISBN 9783947998531. UPC: 038081558301. German.

It is not only the great success of Nathan Evans' re-release of The Wellerman on social media that is responsible for the great popularity of sea shanties and naval songs. Such songs create a unique mood, a touch of adventure and wanderlust for the big, wide world. Hardly anyone can elude it and with Vahid Matejko's Sea Shanty Play-Alongs there are now the most beautiful sea shanties and naval songs skillfully arranged as an instrumental play-along series for recorder, flute, clarinet, saxophone, trumpet (opt. baritone T.C.), trombone (opt. baritone B.C.), violin, and accordion (piano).
The varied arrangements have a wide stylistic range and offer echoes from rock, Latin, funk, big band to orchestral and Caribbean influences. Thus, each song has its own musical and instrumental appeal, to which the parts and/or solos specially composed by arranger Vahid Matejko also contribute. The original polyphonic choral vocals are replaced by polyphonic instrumental backings.
Each of the ten titles was recorded live by excellent professional musicians and is available in two different versions: — a demo-track which features a live trombone performance by Ludwig Nuss, lead trombonist and soloist of the famous WDR-broadcast big band and one of the best trombone players in the German music scene and
— a minus-one mix for you to play-along.
This edition is also suitable for Baritone B.C. players.