SKU: BT.DHP-1216356-070
ISBN 9789043162210. English-German-French-Dutch.
This old New Zealand folk song, made popular worldwide by the Scottish singer Nathan Evans in 2021, is sure to put you in a good mood. This arrangement was made by the renowned German recorder soloist and teacher Ralf Bienioschek for his special ‘Ralf Bienioschek Signature Edition’ series. The arrangement is for a standard quartet of Soprano, Alto, Tenor and Bass Recorder, with additional parts provided for Great Bass Recorder or Sub Bass (Contrabass) Recorder. Optional parts for Melodica/Accordion/Keys, (Electric) Guitar, (Electric) Bass, (Electronic) Drum Set, Cajon and a playback (available via our website www.bandmusicshop.com) are also included. You can find a Score Play demo and a How to Play video on our YouTube channel Hal Leonard Europe Ensemble. There are several ways to play the song. In principle, many options are conceivable, e.g. - standard Recorder Quartet (expandable to quintet) with (or without) the Playback - with a band: Melodica/Accordion/Keys, E-Guitar, E-Bass, (E)-Drum Set - with an acoustic band: Melodica/Accordion, Western Guitar, Acoustic Bass, Cajon - or just the Melody part with (or without) the Playback. Have fun with the song and enjoy!Dit oude Nieuw-Zeelandse volkslied werd in 2021 over de hele wereld bekend in de versie van de Schotse zanger Nathan Evans. Je krijgt er gegarandeerd een goed humeur van! Dit arrangement werd geschreven door de gerenommeerde Duitse fluitsolist en -docent Ralf Bienioschek, speciaal voor zijn serie Ralf Bienioschek Signature Edition. Het arrangement is geschreven voor een standaardkwartet van sopraan-, alt-, tenor- en basblokfluit, met aanvullende partijen voor grootbasblokfluit en contrabasblokfluit. Er worden ook optionele partijen voor melodica/accordeon/keyboard, (elektrische) gitaar, (elektrische) basgitaar, (elektronisch) drumstel, cajon en een playbackversie (beschikbaar op onze website www.bandmusicshop.com) meegeleverd. Op ons YouTube-kanaal Hal Leonard Europe Ensemble zijn een demo met partituur en een How to play video te vinden. Er zijn verschillende bezettingen mogelijk om de song te spelen, bijvoorbeeld - standaard blokfluitkwartet (uit te breiden tot kwintet) met (of zonder) de playbackversie: - met een band: (e)-gitaar, baskeyboard/ e-basgitaar, (e)-drumset, cowbell - met een akoestische band: melodica/accordeon, westerngitaar, akoestische bas, cajon - of alleen de melodiepartij met (of zonder) de playbackversie. Heel veel speelplezier gewenst!Dieses alte neuseeländische Volkslied, das 2021 durch den schottischen Sänger Nathan Evans weltweit bekannt wurde, sorgt mit Sicherheit für gute Laune. Der renommierte deutsche Blockflötist und Lehrer Ralf Bienioschek hat dieses Arrangement für seine Serie Ralf Bienioschek Signature Edition“ erstellt. Das Arrangement ist für ein Standardquartett mit Sopran-, Alt-, Tenor- und Bassblockflöte gedacht, mit zusätzlichen Stimmen für Großbassblockflöte oder Subbassblockflöte. Optionale Stimmen für Melodica/Akkordeon/Keyboard, (E-)Gitarre, (E-)Bass, (elektronisches) Drumset, Cajón und ein Play-back (verfügbar auf unserer Website www.bandmusicshop.com) sind ebenfalls enthalten. Auf unserem YouTube-Kanal Hal Leonard Europe Ensemble finden Sie auch ein Score Play Demo“ (Partitur mit Probeaufnahme) und ein How to Play“-Video (Erklärvideo zu dem Arrangement). Es gibt unterschiedliche Besetzungsmöglichkeiten, um den Song zu spielen, z. B. - Standard Blockflötenquartett (erweiterbar zum Quintett) mit (oder ohne) Play-back - mit einer Band: Melodica/Akkordeon/Keyboard, E-Gitarre, E-Bass, (E)-Drumset - mit einer Akustikband: Melodica/Akkordeon, Westerngitarre, Akustikbass/Kontrabass, Cajón - oder einfach nur die Melodiestimme mit (oder ohne) Play-back. Viel Spaß beim Musizieren!Cette vieille chanson populaire néo-zélandaise, qui a recueilli un succès mondial en 2021 gr ce au chanteur écossais Nathan Evans, ne manquera pas de vous mettre de bonne humeur. Le présent arrangement a été réalisé par Ralf Bienioschek, célèbre soliste et professeur de fl te bec, pour sa série « Ralf Bienioschek Signature Edition ». Il est destiné un quatuor standard de Fl tes Soprano, Alto, Ténor et Grande Basse, des parties supplémentaires étant fournies pour Fl tes Basse et Soubasse. Des parties optionnelles pour Mélodica/Accordéon/Clavier, Guitare (Électrique), Basse (Électrique), Batterie (Électronique) et Cajón sont également incluses, ainsi qu’un play-back (tous disponibles sur notre site web www.bandmusicshop.com). Vous trouverez aussi une démo Score Play et une vidéo « How to Play » sur notre chaîne YouTube Hal Leonard Europe Ensemble. Cette pièce peut être interprétée de différentes manières. En principe, de nombreuses options s’offrent vous, par exemple : - quatuor de fl tes bec standard (possibilité de quintette) avec (ou sans) le play-back.- avec un groupe amplifié: Mélodica/Accordéon/Clavier, Guitare et Basse Électriques, Batterie (Électronique). - avec un groupe acoustique: Mélodica/Accordéon, Guitare Western, Basse Acoustique, Cajón. - Ou simplement la mélodie avec (ou sans) le play-back. J’espère que vous prendrez plaisir jouer cet arrangement!
SKU: HL.35028867
UPC: 884088888633. 5.25x7.5 inches.
From the composer of Festival of Carols and The Winter Rose comes a cantata that celebrates the legacy of early American carols and hymnody. Composed in the spirit of folk music, the cantata combines traditional sounds with more rustic elements creating a blend that is fresh and pleasing. Popular American carols like Away In a Manger and O Little Town of Bethlehem dance with traditional spirituals such as Children, Go Where I Send Thee and Go, Tell It on the Mountain. Sacred Harp tunes are re-tooled for Advent and stand alongside new versions of Shaker hymns and Appalachian melodies. Thoughtful narration weaves the movements together in a meaningful tapestry of song and Scripture. Two orchestral options are available allowing maximum flexibility in performance. A full line of support products is also available. Available separately: SATB, CD-ROM Full Orchestration (Score & Parts for Flute 1 & 2, alto recorder, Oboe/English Horn, Clarinet 1 & 2, Bassoon, Horn 1 & 2, Trumpet 1-3, Trombone 1 & 2, Bass Trombone/Tuba, Timpani, Percussion, Acoustic Guitar, Banjo, Harp, Piano, Synth, Solo fiddle, Violin 1 & 2, Viola, Cello, Double Bass), Printed Full Orchestration, Appalachian Consort Orchestration (Score & parts for Flute, Violin, Cello, Mandolin, Guitar, Percussion and Piano), StudioTrax CD (accompaniment only), SplitTrax CD, Listening CD, 10-Pack Listening CDs, Preview Pack (Book/CD combo), RehearsalTrax CDs (part predominant, reproducible), Digital Resource Kit (PowerPoint, Choir Devotionals, Poster, Program, Flyers, Children's Program PDFs). Duration: approx. 40 min.
SKU: HL.49005919
ISBN 9790001064163. UPC: 073999333930. 7.25x10.75x0.051 inches. German.
SKU: PE.EP68488A
ISBN 9790300758909. English.
At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor)
As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years? --Martin Litton, for JUST JAZZ (Feb 2011)
SKU: PE.EP68488
ISBN 9790300758893. English.
As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years?--Martin Litton, for JUST JAZZ (Feb 2011)
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