SKU: YM.GTL01092908

ISBN 9784636929089.

Hitomi Yaida is a singer song writer. She made a debut in 1999 and have build her career about 20 years. This has 10 new songs from on her full-CD Time Clipreleased on 2016 and her 5 hit songs written by 2015.
Shi Jing Tian Tong Shi Yi Wei Chuang Zuo Ge Shou . Yu 1999Nian Chu Dao ,Bing Yin Le Sheng Ya Chi Xu Liao 20Nian . Ben Shu Bao Han Liao 10Shou Lai Zi Ta 2016Nian Fa Xing De De Quan Chang Zhuan Ji Time Clip,Yi Ji Xie Yu 2015Nian De 5Shou Re Men Ge Qu .

1. Circle; 2. MOON; 3. SEKIRARA; 4. Tokyo Tower and an ant; 5. Melody which bring happiness; 6. between the World and I; 7. machine; 8. WAVE; 9. YOUR SONG; 10. It's Time; 11. My Sweet Darlin'; 12. Life's Like a Love Song; 13. Over the Distance; 14. Mawaru Sora; 15. Horizon, You and Me.

SKU: HL.776937

UPC: 019239427335. 1.0x0.7x0.5 inches.

SKU: HL.393871

UPC: 716408544236. 18.0x44.0x7.5 inches.

Transit Series Gig Bag designed to fit acoustic guitars! • Weather resistant blended fabric exterior • Thick rubber tread on bottom of the bag prevents wear and protects from small puddles to spilled drinks • 20mm thick foam padding covered with plush micro-fleece lining • Rigid interior construction within the frame of the bag for case-like protection • Adjustable, removable three-point interior padding system protects the headstock, neck and bottom/endpin • Large front zippered pocket with flap, features G-hook buckle and seatbelt loops for multiple connection points allowing you to fill the pocket to capacity and still secure it • Small pocket on front flap with soft lining for electronics provides quick access to phone, keys and small electronics • Molded, padded, contoured handle for a secure yet comfortable grip • Padded hideaway straps several D-rings for clipping accessories.

SKU: HL.393897

UPC: 716408543314. 17.0x50.0x4.5 inches.

Transit Series Gig Bag Designed to Fit Bass Guitars Weather Resistant Blended Fabric Exterior in Charcoal Black Thick Rubber Tread on Bottom of the Bag Prevents Wear and Protects from Small Puddles to Spilled Drinks 20mm Thick Foam Padding Covered with Plush Micro-Fleece Lining Rigid Interior Construction within the Frame of the Bag for Case-Like Protection Adjustable, Removable Three-Point Interior Padding System Protects the Headstock, Neck and Bottom/Endpin Large Front Zippered Pocket with Flap, Features G-Hook Buckle and Seatbelt Loops for Multiple Connection Points Allowing You to Fill the Pocket to Capacity and Still Secure It Small Pocket on Front Flap with Soft Lining for Electronics Provides Quick Access to Phone, Keys and Small Electronics Molded, Padded, Contoured Handle for a Secure Yet Comfortable Grip Padded Hideaway Straps Several D-Rings for Clipping Accessories.

SKU: CF.BAS5

ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

This series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

SKU: HL.1142646

Multi-layered semi-rigid construction with weather-resistant 1000D green nylon exterior fabric and soft interior lined with green micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/indentification • Removable, adjustable neck and support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keyring clip stores cables, strings, and other accessories; 17.5 x 16″ (445/406mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 48″/1219mm (L) x 18.5″/470mm (W) x 8.5″/mm (H), net weight; 12.2 lbs./5.5 kg • Interior dimensions: 44.5″/1130mm (overall length) x 13″/330mm (upper bout) x 14.6″/371mm (middle bout) x 16.5″/419mm (lower bout) x 6.5″/165mm (headstock width) x 5.5″/140mm (body height).

SKU: HL.1142648

Multi-layered semi-rigid construction with weather-resistant 1000D khaki nylon exterior fabric and soft interior lined with khaki micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/indentification • Removable, adjustable neck and support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keyring clip stores cables, strings, and other accessories; 17.5 x 16″ (445/406mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 48″/1219mm (L) x 18.5″/470mm (W) x 8.5″/mm (H), net weight; 12.2 lbs./5.5 kg • Interior dimensions: 44.5″/1130mm (overall length) x 13″/330mm (upper bout) x 14.6″/371mm (middle bout) x 16.5″/419mm (lower bout) x 6.5″/165mm (headstock width) x 5.5″/140mm (body height).

SKU: HL.364938

SKU: HL.301319

UPC: 809164222248. 9.5x9.0x3.5 inches.

For the working horn player who is looking for the freedom to go wireless, the AirLine AWXm Wind Instrument system offers the latest in wireless technology by pairing the innovative ATX clip-on transmitter with the portable AR99m micro receiver. Small enough to fit into any gig bag, this system provides high definition sounds for wind instruemtns without the need of a beltpack or cable. Features: ATX-End Your Reach The ATX wireless transmitter enables easy, inconspicuous mounting while providing a secure connection to the bell of the instrument. The innovative clip design allows the performer to easily switch between instruemnts without the hassle of a wire or beltpack. Small enough to fit in the palm of your hand, the lightweight ATX transmitter features a rechargeable batery that provides up to 8 hours of continuous use, perfect for any extended performance. Clear as a Bell Designed specifically for live peroformance, the HM60 condenser microphone delivers the dynamic, natural sound of the instrument with a wide 20 Hz to 18 kHz frequency response. Able to handle high sound pressure levels (SPL) of up to 125 dB, the HM60 is well suited for close miking brass and woodwind instruments. The supercardioid polar pattern provides excellent isolation of the instrument while reducing pickup of unwanted ambient sounds. The unique 3-point halo isolation mount minimizes mechanical vibrations and keyclick noises. Micro and Multifunctional With True RF Diversity, the AR99m micro receiver ensures for maximum wireless clarity with an operating range up to 300'. With three output connections (1/4-inch, 1/8-inch, and XLR), the AR99m offers more compatibility while being a fraction of the size of other receivers. With a simple touch of a button, the AR99m analyzes the 100 available channels and selects the clearest channel for your area. Turn the AR99m into a dual channel system by connecting a Samson XPD Series USB Digital Wireless System (sold separately). Applications: • Club-date musicians • Wedding DJs and performers • House of worship • Education/corporate AV.

SKU: HL.1142643

Features: • Multi-layered semi-rigid construction with weather-resistant 10000D grey nylon exterior fabric and soft interior lined with grey micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/identification • Removable, adjustable neck support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keying clip stores cables, strings, and other accessories; 17.5 x 14.5″ (445/368mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 51.5/1308mm (L) x 17″/432mm (W) x 6″/152mm (H), net weight: 10.8 lbs./5 kg • Interior dimensions: 48″/1219mm (overall length) x 12.2″/310mm (upper bout) x 13.8″/351mm (middle bout) x 15″/381mm (lower bout) x 6″/152mm (headstock width) x 2.75″/70mm (body height).

SKU: HL.1142642

Features: • Multi-layered semi-rigid construction with weather-resistant 1000D green nylon exterior fabric and soft interior lined with green micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/identification • Removable, adjustable neck support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keying clip stores cables, strings, and other accessories; 17.5 x 14.5″ (445/368mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 51.5/1308mm (L) x 17″/432mm (W) x 6″/152mm (H), net weight: 10.8 lbs./5 kg • Interior dimensions: 48″/1219mm (overall length) x 12.2″/310mm (upper bout) x 13.8″/351mm (middle bout) x 15″/381mm (lower bout) x 6″/152mm (headstock width) x 2.75″/70mm (body height).

SKU: HL.1142650

Features: • Multi-layered semi-rigid construction with weather-resistant 1000D green nylon exterior fabric and soft interior lined with green micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/identification • Removable, adjustable neck support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keyring clip stores cables, strings, and other accessories; 16.5 x 13″ (419/330mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 46″/1168mm (L) x 16″/406mm (W) x 6″/152mm (H), net weight: 9.6 lbs./4.4 kg • Interior dimensions: 42.5″/1080mm (overall length) x 11.4″/290mm (upper bout) x 12.6″/320mm (middle bout) x 13.5″/343mm (lower bout) x 6″/152mm (headstock width) x 2.75″/70mm (body height).

SKU: HL.1142652

Features: • Multi-layered semi-rigid construction with weather-resistant 1000D khaki nylon exterior fabric and soft interior lined with khaki micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/identification • Removable, adjustable neck support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keyring clip stores cables, strings, and other accessories; 16.5 x 13″ (419/330mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 46″/1168mm (L) x 16″/406mm (W) x 6″/152mm (H), net weight: 9.6 lbs./4.4 kg • Interior dimensions: 42.5″/1080mm (overall length) x 11.4″/290mm (upper bout) x 12.6″/320mm (middle bout) x 13.5″/343mm (lower bout) x 6″/152mm (headstock width) x 2.75″/70mm (body height).

SKU: HL.1142651

Features: • Multi-layered semi-rigid construction with weather-resistant 1000D grey nylon exterior fabric and soft interior lined with grey micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/identification • Removable, adjustable neck support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keyring clip stores cables, strings, and other accessories; 16.5 x 13″ (419/330mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 46″/1168mm (L) x 16″/406mm (W) x 6″/152mm (H), net weight: 9.6 lbs./4.4 kg • Interior dimensions: 42.5″/1080mm (overall length) x 11.4″/290mm (upper bout) x 12.6″/320mm (middle bout) x 13.5″/343mm (lower bout) x 6″/152mm (headstock width) x 2.75″/70mm (body height).