| Johann Sebastian Bach:
Harpsichord Concerto No.3
in D major: Chamber
Ensemble: Harpsichord and Strings Barenreiter
D major BWV 1054-In early 1729 Bach became director of the so-called »Scottis...(+)
D major BWV 1054-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto BWV 1054 originated as a transcription of Bach’s Violin Concerto in E major BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234) where BWV 1054 forms the third item. Toaccommodate the upper limit of the harpsichord keyboard Bach decided to transpose the piece down a whole tone which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concerto owes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement a form otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226) two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
19.00 GBP - Sold by Musicroom UK |
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| Michael Lemma: Vivaldi
Concertos For Mandolin:
Mandolin Mandolin [Sheet music] - Intermediate Mel Bay
With Guitar Accompaniment-Duet arrangements of three well-known Vivaldi Concerto...(+)
With Guitar Accompaniment-Duet arrangements of three well-known Vivaldi Concertos arranged for mandolin and guitar: Concerto in A (RV82) Concerto in C (RV425) and Concerto in D (RV93). Each arrangement in this collection has been reduced from soloistwith string orchestra to a duet for mandolin and guitar. The mandolin performs the solo part and the guitar part is a reduction of the strings. In the guitar part chords have been added above the staff to allow forembellishment-a common practice of the Baroque era. Another C instrument such as flute violin or another guitar can be easily substituted for the mandolin. Musicians will find these accessible arrangements excellent forperformance in any setting from the recital hall to the local café. The score (guitar/mandolin) and mandolin solo part are available in hard copy while the guitar accompaniment part is available as a free internet download.The mandolin and guitar parts are presented in notation.
13.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Wolfgang Amadeus Mozart:
Requiem K.626: SATB:
Vocal Score Choral SATB SATB, Organ [Vocal Score] - Intermediate/advanced Barenreiter
Mozart?s Requiem has entered the realm of myth. This is surely the best-known o...(+)
Mozart?s Requiem has entered the realm of myth. This is surely the best-known of all sacred choral works and is performed all over the world. Now a new version for solo voices chorus and organ allows this legendary masterpiece to be performed without orchestra and thus without strain on the budget. The choral writing has been taken unaltered from the Urtext of the New Mozart Edition while the organ part by Martin Focke adheres strictly to the original orchestral writing. The result is a version as convincing as it is self-contained.Franz Xaver Süssmayr?s additions have been used to complete Mozart?s unfinished original.Self-contained version withorgan instead of orchestraIdeal for church services and concert performancesClear and well-presented organ partThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
16.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Johann Sebastian Bach:
Concerto For Harpsichord
In G Minor: Harpsichord:
Part Clavecin Et Instruments A Cordes Barenreiter
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish ...(+)
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor BWV 1058 is the last complete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. Ms. Bach 234). However it only came to occupy this position later when the manuscript wasbound. It stands at the very outset of the genesis of this group of works and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this case the original model the Concerto for Violin and Strings in A minor (BWV 1041) has survived thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score & parts (BA5230) two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Concerto For Harpsichord
In G Minor: Harpsichord:
Part Clavecin Et Instruments A Cordes Barenreiter
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish ...(+)
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor BWV 1058 is the last complete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. Ms. Bach 234). However it only came to occupy this position later when the manuscript wasbound. It stands at the very outset of the genesis of this group of works and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this case the original model the Concerto for Violin and Strings in A minor (BWV 1041) has survived thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score & parts (BA5230) two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Concerto For Harpsichord
In G Minor: Harpsichord:
Part Clavecin Et Instruments A Cordes Barenreiter
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish ...(+)
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor BWV 1058 is the last complete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. Ms. Bach 234). However it only came to occupy this position later when the manuscript wasbound. It stands at the very outset of the genesis of this group of works and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this case the original model the Concerto for Violin and Strings in A minor (BWV 1041) has survived thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score & parts (BA5230) two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Astorga: Stabat Mater
(King): Mixed Choir:
Vocal Score [Vocal Score] Oxford University Press
Composed during the early 1700s Emanuele d'Astorga's nine-movement Stabat Mater...(+)
Composed during the early 1700s Emanuele d'Astorga's nine-movement Stabat Mater was to become one of the most frequently performed choral works of the eighteenth century. Tinged with melancholy it features ornate solos duets and trios interspersed between beautiful imitative moments for full chorus. Robert King has consulted eighteenth-century sources for this edition which includes an organ reduction for rehearsal purposes. The orchestral score and parts are available on hire/rental.
7.95 GBP - Sold by Musicroom UK |
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| Henryk Mikolaj Górecki:
Symphony No. 3 'Symphony
of Sorrowful Songs' Op
36: PWM (Polskie Wydawnictwo Muzyczne)
The unprecedented commercial success of the CD of Henryk Miko aj Góreckis Thi...(+)
The unprecedented commercial success of the CD of Henryk Miko aj Góreckis Third Symphony in 1991 fifteen years after the date of its composition not only drew the Polish composer to the worlds attention arousing interest in his earlier works but also gave rise to a discussion about the state of culture in what might be described as a decadent period. So was the Third Symphony ahead of its time? Was it justifiable to regard the work as an end-of-the-seventies piece of aesthetical provocation? Should the wilful confusion of high and low aesthetic orders be considered a symbol of the end of post-Enlightenment utopia when the idea of progress in all fields including art constituted the fundamental criterion for evaluation? Attempts to answer these questions have given rise to a certain intellectual confusion leading occasionally to the advancing of false theses such as the attribution of Góreckis compositional output to the New Age spiritual landscape or the comparison of his compositional procedures with those of American minimalist composers. In fact the Third Symphony Symphony of Sorrowful Songs reflects both the composers individual exploration of technique and his attempt to determine his own Christian spiritual identity. The composition is a new manifestation of the sonoristic reductionism technique and the idea of simple music in line with Krzysztof Drobas designation of these phenomena according to which all details and modifications of tone colour are significant. By conferring on the three movements of the composition a form of mystery which negated a rational sense of time and made the work dissolve in a seemingly infinite continuum the composer managed to bring the Symphony within the sphere of folk ceremonial tradition. Anguish the principal theme of the composition presented here through both the mothers suffering after her sons death and the image of a woman prisoner in a Gestapo prison makes real sense only in the light of faith and the drama of Golgotha. Góreckis Third Symphony Symphony of Sorrowful Songs for soprano solo and orchestra dedicated to the composers wife was written in 1976. Commissioned by Südwestfunk in Baden-Baden it was premiered on 4 April 1977 during the 14th International Festival of Contemporary Art in Royan with Stefania Woytowicz as soloist. The same singer has made several recordings of the composition with different orchestras. The CD with Dawn Upshaw as soloist and the London Sinfonietta conducted by David Zinman won a Golden Disc award in 1991. The first movements outer sections (Lento sostenuto tranquillo ma cantabile) consist of an austere ten-part canon on strings. Its Aeolian theme was derived from a Kurpian song notated in Rev. Father W adys aw Skierkowskis collection. The canon is characterized by continual repetition of the theme (and its counterpoint) all its answers being tonal and thus not going beyond the notes of the scale. In this way a vibrating sound magma
65.95 GBP - Sold by Musicroom UK Shipment: (stock) information on site |
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| Felix Mendelssohn
Bartholdy: Six Seasonal
Motets Op.79: Mixed
Choir: Vocal Score [Vocal Score] Oxford University Press
The motets have both German and English texts and are adapted for an 8-part choi...(+)
The motets have both German and English texts and are adapted for an 8-part choir. Mendelssohn composed these motets during the mid-1840's for the Cathedral Choir of Berlin. The text of each was chosen with a particular church season or holy day in mind but most are suitable for more general use. They are meant to be sung unaccompanied. The editorial keyboard reduction printed below the vocal parts is intended only as a rehearsal aid although it will serve as a basis for a suitable organ accompaniment if needed.
8.75 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.5 In F Minor: Chamber Harpsichord and Strings Barenreiter
F minor BWV 1056-In early 1729 Bach became director of the so-called 'Scottish C...(+)
F minor BWV 1056-In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor BWV 1056 is the fifth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model is nowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228) two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
14.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Harpsichord Concerto No.2
in E major: Harpsichord:
Part Clavecin Et Instruments A Cordes Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Harpsichord Concerto No.2
in E major: Harpsichord:
Part Clavecin Et Instruments A Cordes Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Harpsichord Concerto No.2
in E major: Harpsichord:
Part Clavecin Et Instruments A Cordes Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK |
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| Marc-Antoine Charpentier:
Messe de Minuit pour
Noël (Christmas Mass):
SATB: Soli, Mixted choir and accompaniment [Sheet music] Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier?s best-known composition after the Te Deum H 146. The special appeal of this ?Mass for the Midnight Service on Christmas Eve? lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier?s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups ? one group of two sopranos and two groups each comprising alto tenor and bass ? which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier?s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score
24.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Harpsichord Concerto No.2
in E major: Chamber
Ensemble: Harpsichord and Strings Barenreiter
E major BWV 1053-In early 1729 Bach became director of the so-called »Scottis...(+)
E major BWV 1053-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
20.00 GBP - Sold by Musicroom UK |
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| Gabriel Fauré: Requiem
(SATB/Chamber Group):
SATB: Score and Parts Choral SATB SATB, Strings [Score and Parts] Novello & Co Ltd.
This new edition of Gabriel Fauré's Requiem presents the work in a chamber edit...(+)
This new edition of Gabriel Fauré's Requiem presents the work in a chamber edition for the first time. Edited and arranged by David Hill for Violin Cello Harp and Organ this score is compatible with the Novello vocal score of the same work and all other major editions. It aims to convey the original chamber-music qualities of Fauré's original scoring and will enhance performances with keyboard reductions at minimal cost. It will be of great use to chamber and church choirs without the budget or space to perform this understated masterpiece with full orchestra yet who wish to convey the rich colours and textures ofFauré's most famous work. Gabriel Faure: Requiem is scored for Violin Cello Harp Organ and SATB voices (for SATB separate parts not included). In order to perform the work choir members would require NOV072304. 'Here is a visionary publication that will solve many problems. Most important this edition will work with existing versions even down to rehearsal marks.' - Andrew Fletcher Organists' Review
49.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Im Sommerwind (WEBERN
ANTON) Choral SATB Universal Edition
Par WEBERN ANTON. Composer and choir master Clytus Gottwald comments on his tran...(+)
Par WEBERN ANTON. Composer and choir master Clytus Gottwald comments on his transcription of Anton Webern’s Im Sommerwind (1904) as follows: “First of all I had to eliminate all those parts of the source material that had strictly instrumental designs, reducing the work – to quote Wolfgang Rihm – to its singable remnant. What was so surprising, however, was that such a reduction did not lead to a meaningless sequence of fragments, but that the fragments turned out to be – with regard to harmony and motifs – so closely related to each other that the result proved an impressive ‘work within a work’. The reduction uncovered something that could be called the ‘essence’ of the work.
In order to make the singable remnant singable, I used fragments from Bruno Wille’s poem Im Sommerwind, which Webern had used as a basis for his composition.”/ Répertoire / Choeur Mixte SATB
21.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Wolfgang Amadeus Mozart:
Mass in C major K.317:
SATB: Vocal Score Choral SATB satb (soli), SATB (chorus), Keyboard [Vocal Score] Barenreiter
Krönungsmesse-Composed in 1779 Mozart?s ?Coronation Mass? in C major K.317 i...(+)
Krönungsmesse-Composed in 1779 Mozart?s ?Coronation Mass? in C major K.317 is one of the most popular settings of the Ordinary thanks to its festive character and the wealth and variety of its musical ideas. This arrangement for solo voices chorus and organ is based on the Urtext of the New Mozart Edition and makes the work available in all its radiant beauty to choruses and church choirs with limited financial resources. The ?concertante? organ part prepared by Martin Focke from Mozart?s orchestral accompaniment does full justice to the beauty of the original.Self-contained version with organ instead of orchestraIdeal for church services and concertperformancesStraightforward and easy-to-play organ partThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
12.50 GBP - Sold by Musicroom UK |
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| Antonio Vivaldi: Gloria
RV 589 (PA): SATB: Vocal
Score Choral SATB [Vocal Score] Barenreiter
Antonio Vivaldi probably composed his famous Gloria in 1725. Although the exact ...(+)
Antonio Vivaldi probably composed his famous Gloria in 1725. Although the exact circumstances of its origin remain a riddle it was definitely conceived as a self-contained concert piece rather than as part of a complete setting of the Mass.The compositional fabric the festive character of the outside movements and the predominance of the strings in the middle movements make this masterpiece of Venetian sacred music a natural choice for an arrangement for solo voices choir and organ. Rather than imitating the orchestral writing Martin Focke?s arrangement offers a self-contained version tailor-made for this combination of instruments thereby making a pinnacleof European church music accessible to the often more modest resources of today?s churches.Standard work of the oratorio repertoireSelf-contained version for solo voices (SSA) choir (SATB) and organHighly supportive easy-to-play organ partIdeal for use in church servicesDuration: c. 30 mins.The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
14.50 GBP - Sold by Musicroom UK |
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| K. Lee Scott: Christmas
Cantata: Mixed Choir:
Vocal Score [Vocal Score] Hinshaw Music Inc.
This is thirty minutes of grand and glorious music befitting the birth of the S...(+)
This is thirty minutes of grand and glorious music befitting the birth of the Son of God. Optional brass or orchestra parts available.Included In Cantata:1. Glory Be To God On High.2. The Incarnation.3. Love Came Down At Christmas.4. In The Beginning Was The Word.5. That Virgins Child.6. Exult O Morning Stars A Flame.7. See See The Word Is Incarnate.Instrumentations available: full orchestra (HMB220a) brass organ &timpani (HMB220b) organ version (a usable reduction for organ isprovided in the vocal score. This reduction is suitable only for organsolo and should not be used with the other versions that providetheir own parts. When performed as an organ solo the opening fanfaremay be adapted or omitted.Recording available: Christmastide (HS268cd)
9.99 GBP - Sold by Musicroom UK |
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| Henry Purcell: A Purcell
Anthology: SATB: Vocal
Album Choral SATB Oxford University Press
A Purcell Anthology sees for the first time all of the Henry Purcell's most popu...(+)
A Purcell Anthology sees for the first time all of the Henry Purcell's most popular anthems all in one book. The collection includes such famous pieces as Rejoice In The Lord Away and Hear My Prayer and covers a whole range of full verse and symphony anthems. The book contains completely new and specially prepared performing editions with fully realized organ parts and easily playable score reductions of the anthems with strings. Those choirs which care about giving first class performances will find the selection of pieces the immaculate editing and the authoritative information on performance practice indispensable.
23.75 GBP - Sold by Musicroom UK |
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| Lynn DeShazo: For the
Beauty of the Earth:
SATB: Vocal Score Choral SATB [Vocal Score] Integrity Music
Based on the familiar hymn and traditional text Lynn DeShazo has added an addit...(+)
Based on the familiar hymn and traditional text Lynn DeShazo has added an additional stanza and then woven it with a new refreshing melody making a bold and grateful statement about the gifts God has created for us. Availableseparately: SATB Full Orchestra score and parts (fl 1 2 ob cl 1 2 tpt 1 2 3 hn 1 2 [=asx] tbn 1 2 [=tsx/bar] tbn 3 perc 1 2 hp rhythm vn 1 vn 2 va [=cl 3] vc/bn [=bcl] b keyboard string reduction) CDAccompaniment Trax. Duration: ca. 4:40.
11.25 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: Mixed
Ensemble: Barenreiter
Nr. VI F major BWV 1057-In early 1729 Bach became director of the so-called »...(+)
Nr. VI F major BWV 1057-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
28.50 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Concerto For Harpsichord
No.5 In F Minor: Mixed
Ensemble: Clavecin et Instruments à
Cordes [Sheet music] Barenreiter
for Harpsichord and Strings-In early 1729 Bach became director of the so-called ...(+)
for Harpsichord and Strings-In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor BWV 1056 is the fifth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model is nowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228) two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
17.50 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Violin Concerto In D
Minor BWV 1043: String
Ensemble: String Orchestra Barenreiter
In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts t...(+)
In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition.The present expanded publication goes a step further in that it offers not only the two solo violin parts as presented in the New Bach Edition but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze.Manze also offers players enlightened comments (English/German) on historical performance practices dealing with how the instrument was held fingerings bowing shifting the use of open strings and much much more.
15.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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