This series in which several volumes have been published has been developed specifically for amateur church musicians and instrumentalists and is well suited for use in liturgical services or small-scale concerts. Idiomatic instrumental arrangements and the stylistic variety of selected pieces offer organists and instrumentalists fast and impressive results. Included are pieces that are freely-composed or based on chorales both original works and arrangements.The editions include solo parts for instruments in C B-flat E-flat and F which can be played by violin flute oboe clarinet trumpet and horn in F. The range of the solo parts is in the middle register.The contents of the volumes correspond to the season of the church year.Advent / Christmas • Passion / Easter • Epiphany / Whitsun / Pentacost • Death and Eternity / Funeral Service • Praise and Thanks • Divine Service • Communion

Handel’s sonatas for one solo instrument and basso continuo are some of the finest examples found in the genre. The three oboe sonatas found in Barenreiter's edition are prime examples of this.The Urtext of the Halle Handel Complete Edition forms the basis for the new publication. As a scholarly critical edition it is concerned with the authentic sonatas written by Handel and not those often found in other collections which are either transcriptions of works originally composed for other instruments (e. g. the F major sonata which is often found in G major) or spurious compositions. All editorial additions are clearly indicated and as such players have a solidbasis for rendering performances true to the composer's intentions. The publication includes an informative historical as well as performance practice introduction by the noted Handel scholar Terence Best. It contains a score and two oboe/basso continuo parts.All of this adds up to a sure winner for oboists.- Authoritative edition based on the reliable Urtext of the Halle Handel Edition- Performance practice tips (English/German)- Score with two oboe/basso continuo parts- Introduction (English/German)

Organ score with solo parts In C B-Flat E-Flat F.The series ?Organ Plus One? contains pieces which are freely-composed or based on hymn tunes both original works as well as arrangements.The editions include solo parts in C Bb Eb and F which can be played by Violin Flute Oboe Clarinet Trumpet and Horn in F. The range of the solo instrument parts is in the middle register making this series particularly appealing to non-professional church musicians and instrumentalists.The hallmark of this edition flexible instrumentation with easy playability ensures that the pieces can easily be tackled and are fun to play for church services musical evenings and small concerts. Idiomatic instrumental arrangements and the stylistic variety of the pieces guarantee success for both organists and instrumentalists.The contents of the volumes correspond to the seasons of the church year:- Advent/Christmas- Passion/Easter- Epiphany/Whitsun/Pentecost- Death and Eternity/Funerals- Praise and Thanks- Divine Service- Communion- Special Services (baptisms/weddings)

The series ORGAN PLUS ONE contains pieces which are freely-composed or based on hymn tunes both original works as well as arrangements. The editions include solo parts in C Bb Eb and F which can be played by violin flute oboe clarinet trumpet and horn in F. The range of the solo instrument parts is in the middle register making this series particularly appealing to non-professional church musicians and instrumentalists. The hallmark of this edition flexible instrumentation with easy playability ensures that the pieces can easily be tackled and fun to play for church services musical evenings and small concerts. Idiomatic instrumentalarrangements and the stylistic variety of the pieces guarantee instant success for both organists and instrumentalists. The contents of the volumes correspond to the seasons of the church year:Advent / Christmas Passion / EasterEpiphany / Whitsun / PentecostDeath and Eternity / FuneralsPraise and ThanksDivine ServiceCommunionSpecial Services (baptisms / weddings)The complete series will comprise eight volumes.

Reformation/Hymns Martin Luthers-Original Works and Arrangements for Church Service and Concert.Organ Score with parts in C B-flat E-flat F. The Organ Plus One series was specially conceived for semi-professional church musicians and instrumentalists. It takes its bearings from the liturgical calendar and the pieces can be easily played in church services evening recitals or small concerts. Included are pieces which are freely-composed or based on chorales either original works or arrangements by the editor. In this volume the works relate to hymns of the Reformation including some composed by Martin Luther. Enclosed in each edition are solo parts for C B-flat E-flat and F which can be played by Violin Flute Oboe Clarinet Trumpet and Horn in F. For use in church services the chorale preludes are provided with accompaniments in the keys of the Lutheran hymnal.

Arranged here for flexible soloist and strings this haunting melody from Argentine tango composer Astor Piazzolla provides an impressive showcase for a violin flute or oboe soloist. Beautifully scored for string orchestra andcarefully paced.

As a prestigious composer of the early 20th century Maurice Ravel's Pièce En Forme De Habanera For Oboe transcribed for the Oboe by Fernand Gillet or for Cor Anglais by G. A. Leduc contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies  Pièce En Forme De Habanera For Oboe clearly exemplifies these qualities through flourishing Oboe or Cor Anglais lines and evocative chordal and rhythmic Piano accompaniments. Moreover Habanera rhythms heard throughout the piece create furtherexcitement. All of these musical elements combine to create a highly enjoyable piece for the Oboe and Cor Anglais repertoire. In addition the clear print of separate solo and accompaniment parts in this edition make it an irresistible purchase for aspiring Oboe and Cor Anglais players.

The Oboe Sonata Op. 166 was the first of three Wind sonatas that Saint-Saëns wrote in his final year. Throughout his life he had been more familiar with Keyboard and Stringed instruments so thecomposer this time found himself in rather unfamiliar territory. Yet he instantly hit upon the inflections and special characteristics of these instruments. To ensure that the parts reflected the technical and tonal idiosyncrasiesof each instrument he asked advice of Wind soloists of his acquaintance before publication. His Sonata Op. 166 met with the highest approval of the oboist; a passage in a letter bears witness to this: ?It wentlike clockwork?. We were able to consult the autograph for the first time for this Urtext edition.

Sinfonia from the oratorio 'Solomon'-Handel's popular and much played piece Arrival Of The Queen Of Sheba arranged by Jerry Lanning for two Oboes and Piano.

(Solo Feature for Fl Ob Cl Alto or Trumpet)-Arranged here for flexible soloist and band this sensuous melody from Argentine tango composer Astor Piazzolla provides a stunning showcase for Flute Oboe Clarinet Alto Sax or Trumpet soloist. Beautifully scored for band andcarefully paced.

72 Solo Cantatas for Voice Melodic Instrument and Basso continuo.Cantatas for the Sundays after Trinity - High Voice. When Telemann issued his first annual cycle of printed cantatas Der Harmonische Gottesdienst (Hamburg 1725-6) he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring the 72 solo cantatas have remained very popular to the present day. These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice. Each series spreads the works over three volumes accompanied by separate parts for solo instrumentand continuo. The cantatas follow the order of the liturgical year beginning with the Christmas season and continuing with Easter and Trinity. Being practically minded Telemann arranged the ambitus of the vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’. Similarly the solo instruments are suitable for Violin Oboe Recorder or Flute. - Interesting solo cantatas for use in church services. - Urtext from the Telemann Edition. - Separate parts for instrument and continuo.

Original Works and Arrangements for Church Service and Concert-Original Works and Arrangements for Church Service and Concert.The ?Organ plus? one series was conceived primarily with semi-professional church musicians and instrumentalists in mind.Based on the liturgical year the pieces can be readily performed in church services evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales both original works and arrangements.Each edition includes solo parts for instruments in C B-flat E-flat and F which can be played by Violin Flute Oboe Clarinet Trumpet and Horn in F. The range of the solo instruments remains in the middle register.Among the piecesin this edition are John Alcock Fuga; Christlieb Siegmund Binder Prelude in F major; Jacques-Nicolas Lemmens Fanfare; Max Philipp Zeyhold Concerto in A major; Johann Sebastian Bach Was Gott tut das ist wohlgetan; Karl Hoyer Liebster Jesu wir sind hier; Carl Piutti Lobe den Herren den mächtigen König; and Carsten Klomp Grosser Gott wir loben dich.

pour Saxophone alto et Orchestre d'harmonie-Divertimento is an outstanding composition by Roger Boutry for Alto Saxophone and Wind Orchestra. This great work is really nice to play and will enlighten the audience. The Orchestra composition required is: 2 Flutes 2 Oboes 2 Bassoons 2 small Clarinets Clarinet I Clarinet II 1 Bass Clarinet 2 Alto Saxophones 2 Tenor Saxophones 1 Baritone Saxophone 4 Horns 4 Bb or C Trumpets 4 Trombone or 3 Trombone and an Euphonium 1 Bb or C Bass 1 Double Bass 1 Harp Timpani Drum and a Celesta. It is divided into three parts: I. “Allegro ma non troppo” is strongly rhythmic and syncopated.It includes a Cadenza by the Solo Saxophone and is written as a tribute to Jazz music. II. “Andante” also includes a Cadenza by the Solo Saxophone but at the end of the section. It is reminiscent of slower blues ballads. III. This part features few sections by the Solo Saxophone but is specially highlighted its ending in a bright and fast finale. This volume features the score and parts for all the instruments. Born in France in 1932 Roger Boutry received numerous prizes including those for Piano Composition and Conducting. He received the Grand Prix de Rome in 1954. His career was quite successful alternating between Harmony professor composer and conductor. He also received numerous prizes for his incredible compositions.