For The Intermediate Treble/Alto Recorder. Par PUSCOIU COSTEL. La musique contenue a été arrangée et composée spécialement pour l'enregistreur treble/alto. Les étudiants trouveront ces sélections non seulement instructives et utiles, mais aussi agréables et divertissantes - un excellent ouvrage pour le lecteur enregistreur treble/alto en voie de développement. Accompagnement au piano inclus pour chaque chanson. / Niveau : Débutant à Intermédiaire / Classic - Solos / Recueil / Flûte à Bec Alto

Media Type : Book Level : Intermediate Musical Genre : Classic Number of pages : 96 Well-known classical works for recorder students at all levels of ability, adapted and arranged especially for the recorder. The works are drawn from all periods, including Baroque, Classical, Romantic and Modern. The author has carefully placed the melodies in the best keys for easy recorder.

20 pièces pour Flûte à bec alto et Piano - avec CD. Peter Bowman and Kathryn Bennetts present the fourth and final volume in the Renaissance Recorder Anthology. Standard Renaissance works are included alongside lesser known works for treble (alto) recorder and piano (keyboard). The pieces are all of an intermediate to advanced level of difficulty (UKGrade 7-8 UK). Detailed information on the composers, dance forms and pieces is also included. / Niveau : Intermédiaire à Avancé / Recueil / Flûte à Bec

Media Type : Book Level : Beginning-Intermediate Musical Genre : Celtic/Irish Number of pages : 33 Turlough O'Carolan was born in County Meath, Ireland in 1670. He was trained as a youth to play the harp, and throughout his life composed a large number of songs. O'Carolan developed a personal style, containing melodic elements of Irish folk music, courtly harp music and Italian baroque music. O'Carolan's music was not published during his lifetime; therefore, various versions of his melodies have been handed down through the aural tradition. It is also not known how he accompanied his melodies. This collection presents 39 favorite O'Carolan melodies in easily playable, lively arrangements for alto (treble) recorder, with guitar chords above the staves. Included are four original melodies by Richard Voss inspired by and in the style of the early master.

Edited by Peter Bowman and Gudrun Heyens Ausgabe mit CD - +CD - Recorder and Keyboard Instrument - English - French - German author: Bowman, Peter author: Heyens, Gudrun Série: Schott Anthology Series Difficulté: intermediate to pages: 120 This anthology presents pieces by 17th and 18th century composers in a variety of different styles, providing an informed introduction to the musical forms of the Baroque period. The volume contains works by major composers such as Bach, Handel and Telemann, as well as lesser known composers including Caix d’Hervelois and Marcello. Insightful teaching notes and composer biographies accompany the works, as well as a CD of the pieces performed by Gudrun Heyens and Wolfgang Kostujak. Ideal for players and teachers looking to explore the repertoire for their instrument further, this collection provides pieces suitable for concerts, festivals and competitions. Suitable for students with 8 or more years playing experience (grades 7-8). Contenu - Handel: Andante (from Sonata in D minor) - Handel: A Tempo di Menuet (from Sonata in D minor) - Valentine: Adagio (from Sonata in G minor) - Valentine: Corrente (from Sonata in G minor) - Valentine: Adagio (from Sonata in G minor) - Valentine: Giga (from Sonata in G minor) - Parcham: Solo - Danican-Philidor: Le Tombeau (from Sixieme Ensemble de Pieces) - Danican-Philidor: Air tendre (from Sixieme Ensemble de Pieces) - Danican-Philidor: Le Badin (from Sixieme Ensemble de Pieces) - Marcello: Ciaconna (from Sonata No.12 in F major) - Graun: Adagio (from Sonata in C major) - Graun: Allegro (from Sonata in C major) - d'Hervelois: Muzette (from the Premiere Suite) - d'Hervelois: Marche du Czar (from the Premiere Suite) - Barsanti: Adagio (from Sonata in G minor) - Barsanti: Allegro (from Sonata in G minor)- Gavotta: Adagio (from Sonata in G minor) - Teleman: Air a L'Italien - Wassenaer: Grave (from Sonata Prima in F major) - Wassenaer: Allegro (from Sonata Prima in F major) - J.S. Bach: Giga (from BWV 997) - J.S. Bach: Double (from BWV 997)

Beautiful American Airs and Ballads. Par DIEHL MARCIA. This collection of 41 timeless melodies is tastefully arranged for soprano and tenor recorders with suggested breath marks and accompaniment chords. Selections include a variety of influences which provide a historical and aesthetic view of the American musical landscape. The works of both well-known, classically trained composers and unknown folk artists are featured in standard notation arrangements suitable for performance by intermediate players. The one thing these tunes have in common is their striking melodies, which in many cases have endured throughout the ages. / Date parution : 2022-10-12/ Recueil / Flûte à Bec

For this volume, Franz Vesters studies most suited to the treble recorder have been selected and adapted and will complement existing recorder studies. The studies span the period between 1700 und 1900 and feature pieces from the late Baroque, Classical and Romantic periods that extend the boundaries of the traditional recorder repertoire. A musically exciting and complementary to existing recorder studes. Advansed an professional players can use the collection to practise transposition and sight-reading.For treble (A) recorder. Easy to intermediate level. / Répertoire d'Examen / Etude / Flûte à Bec Alto

Partitur und Stimmen - P/ST - for recorder quartet s(t)a(b)a(b)t(b) Arrangers: Beutler, Irmhild / Rosin, Sylvia C. Estonian minimalist composer Arvo Pärt has adapted his celebrated work, Summa, for recorder quartet. Originally written for four solo a cappella voices, it is also available in arrangements for string quartet, string orchestra, and choir with organ. Summa bears the distinctive qualities of Pärt's music, masking its great collective complexity with simplicity in each part. This arrangement can be played by soprano/alto 1/alto 2/tenor instruments or tenor/bass 1/bass 2/great bass. Phrasing marks are consistent with those of the vocal arrangement. Universal Edition makes a significant addition to the recorder library with this edition. For intermediate to advanced players.

Par PART ARVO. Estonian minimalist composer Arvo Pärt has adapted his celebrated work, Summa, for recorder quartet. Originally written for four solo a cappella voices, it is also available in arrangements for string quartet, string orchestra, and choir with organ. Summa bears the distinctive qualities of Pärt's music, masking its great collective complexity with simplicity in each part. This arrangement can be played by soprano/alto 1/alto 2/tenor instruments or tenor/bass 1/bass 2/great bass. Phrasing marks are consistent with those of the vocal arrangement. Universal Edition makes a significant addition to the recorder library with this edition. For intermediate players./ Répertoire / 4 Flûtes à Bec

Blockflötentrios À La Carte. Ensemble Dreiklang is a versatile trio of recorder players based in Berlin and this collection of three favourite Latin-American pieces is the latest in their 'à la carte” series. These arrangements will be enjoyed immensely by intermediate players as a change from their usual baroque and renaissance fare, either as a trio or in a full recorder orchestra. The arrangements require soprano (descant), alto (treble) and bass instruments and the pieces are: 'La Paloma” (de Yradier), 'Carmela” (trad) and the evergreen 'Tango” by Albeniz. You might like to try other titles in the series such as 'Amazing Grace” and 'Rudolph the Red-nosed Reindeer”./ Recueil / 3 Flûtes à Becs SAB

Par KELLY BRYAN. Standard: Intermediate Edited by Ararah Ben-Tovim For Descant Recorder or Piccolo and Piano CONTENTS 1. Fanfare; 2. Bransle; 3. Air; 4. Jig; 5. Lament; 6. Song (i); 7. Song (ii); 8. Rigadoon

Ideal for intermediate bass guitar players, the book covers several styles of bass playing with example music in both the book and on the provided audio CD. Written as a practice aid for the improvisation part of the LCM Bass Guitar exam, the sections are expertly designed to progress at the perfect pace for the intermediate player. The CD backing tracks are all professionally recorded and cover a wide range of styles from the last three decades. The book enables the reader to develop bassline creation skills, explaining the necessary theory along the way using tablature, notation and diagrams. Whether or not you intend to take an LCM bass exams, this book is simply the best introduction to improvising bass guitar. / Exams / Etude / Guitare Basse