Arrangeur: Charles Salinger. Par TCHAIKOVSKY PYOTR ILYICH. One of the important works likely to appear on any clarinetist's audition list is Tchaikovsky's homage to his music idol, Mozart. To commemorate the 100th anniversary of Mozart's Don Giovanni, Tchaikovsky chose a number of the master's lesser-known pieces, wrapping them in his own signature arranging and orchestration. Clarinetist Charles Salinger has created his own transposition of the clarinet part for Clarinet in A, now an indispensable tool in the clarinetist's arsenal. Northeastern Music now makes this part readily available./ Répertoire / Clarinette en La

Exercices Caractéristiques-French clarinetist and composer Hyacinthe Klos? (1808-1880) is predominantly known for his design improvements to the Clarinet and Flute. However his passion for the Clarinet is also apparent in his aids to the learning of the instrument as in his book Studies and Exercises. With revisions made by clarinetist and composer Paul Jeanjean (1874-1928) Studies and Exercises Characteristic Studies for Clarinet covers in a variety of styles articulation breath control ornamentation range scales and arpeggios among other aspects. Containing input from two well-established clarinetists this study andexercise book cannot be missed by aspiring Clarinet players.

This is the sacred comedy among Manwell Davies' pieces of music-theatre. Brought on by a children's wind band in a 7/8 march the juggler presents himself at an abbey and is accepted by the abbot the only singing character.The other monks are the clarinettist percussionist and flautist all of whom play 'duets' with the juggler as he is put to mundane tasks; sweeping preparing food washing clothes all done with much horseplay. The same threemonks then present their offerings to the Virgin in the form of flamboyant instrumental arias. Left alone the juggler offers his own skills to the accompaniments of Renaissance dances for piano with cello (who also providesupport and commentary throughout). The other members of the community return and are appalled but the image of the Virgin suddenly springs to life as a violinist who plays her own solo acceptance. The abbot acknowledges herjudgement and the juggler is escorted boisterously out by the band.

This volume presents keyboard works and solos songs by Johannes Brahms arranged for solo clarinet with piano accompaniment. These nine works have been carefully chosen to stay within the abilities of the intermediate levelclarinetist. In most pieces the clarinet part makes only brief exxtensions into the altissimo register emphasizing instead notes in the lower two registers. As with all works of Brahms the accompanying parts (here the piano) areprominent and often are of equal importance with the solo part. For this reason the piano part will require a performer of equal ability to the clarinetist. The music presented here is of high quality and gives the intermediateclarinetist interesting literature to perform for contest or recitals. Includes a separate pull-out solo part.

Par SPOHR LOUIS. Louis Spohr?s technically, extremely demanding concertos have long been part of clarinetists? standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarinetist Johann Hermstedt, probably in the spring of 1810. Critics praised the concerto at its premiere, stating that it was ?undeniably one of the most accomplished works of art of its kind.? Emphasized was also the ?great and brilliant treatment of the solo instrument, combined with a very original orchestra accompaniment, where every part, even the timpani, is obbligato.? The concerto was even then a great success with the audience. For publication, Spohr supplemented the solo part with various ossia passages as simplifying alternatives. These can of course be found in the score as well as in the piano reduction presented in Ullrich Scheideler?s new critical Urtext edition in collaboration with G. Henle Verlag, now for the first time in a reliable edition. / Date parution : 2022-10-12/ Répertoire / Orchestre et Clarinette

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

Performed by Rick Trolsen trombone Accompaniment: Tim Laughlin's New Orleans All-Stars Many people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well as Joseph King Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a child of the Crescent City as is Harry Connick and Wynton Marsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades and steamboat gigs andasked them to put together a typical program of New Orleans Classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans. Listen can you hear that band? Audio samples galore await you down below. Includes newly engraved solo charts printed on acid-free ivory paper; and two compact discs featuring complete versions of each tune plus a recording of the accompaniments minus the soloist. Also includes slow-tempo versions of most up-tempo pieces for practice purposes.

Performed by Matt Perrine bass and Sousaphone Accompaniment: Tim Laughlin's New Orleans All-Stars Many people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well as Joseph King Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a 'child of the Crescent City' as is Harry Connick and Wynton Marsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades andsteamboat gigs and asked them to put together a typical program of New Orleans classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans.

A terrific tutor for the beginning clarinetist this book/CD pack teaches all the basics of playing and 5 hit songs: Chariots of Fire * Forrest Gump - Main Title (Feather Theme) * The Man from Snowy River (Main Title Theme) *Rock

40 Studies For Clarinet-Twenty five progressive studies that explore all facets of technique in a variety of styles. Many of these studies could be approached as unaccompanied pieces rather than simply technical works.Grades:1-6

A splendid collection of 18 compositions featuring the Clarinet by the incomparable and masterful Mozart. It was a fortunate coincidence that the Clarinet had just been perfected when the immensely prolific Mozart was at his most active since he wasted no time in establishing its place in orchestral chamber and solo repertoire. However there is no single work by Mozart for Clarinet and Piano hence this book is intended to present the range of styles and musical media that Mozart covered in a format which is convenient for performance. The book is progressive and the standard ranges from the near beginner to advanced recital repertoire hence the difficulty rating - itcan be bought at this stage and worked through slowly as the Clarinettist learns.

A folio of works by the great composers of the Classical and Romantic eras all arranged as sumptuous Clarinet solos with full Piano accompniments.

This creative collection of easy pieces is intended to open up the wealth of Romantic music to clarinettists in the early stages of their development. This volume includes well known and popular themes by the great composers of this era. The book concludes with short studies by Friedrich Demnitz - a famous clarinettist of the period.The pieces selected here have been sensitively arranged for clarinet and piano, so that they are satisfying and enjoyable to play. They are suitable for studying in lessons, as well as repertoire for recitals and concerts. Of course they may also be enjoyed when played at home, along with the accompaniment tracks on the CD. / Clarinette Et Piano