Choral (3-Part Mixed choir)

SKU: HL.109292

Discovery Level 2. Arranged by Emily Crocker. Discovery Choral. Concert, Folk, Young Choir, Youth Choir. Octavo. 12 pages. Published by Hal Leonard (HL.109292).

UPC: 884088791988. 6.75x10.5 inches.

This old American dance song features fun lyrics, delightful vocal interplay, a hoedown accompaniment and a few stomps and claps to add energy. Easily learned and a showstopper in performance! Available separately: 3-Part Mixed, 2-Part, VoiceTrax CD. Duration: ca. 1:30.

(SAB Choir)

SKU: HL.35029468

Together We Sing Series. Arranged by Steven Kupferschmid. Choral. Concert, Elementary, Folk, Light Concert, Young Choir. Octavo. 12 pages. Published by Shawnee Press (HL.35029468).

ISBN 9781480365704. UPC: 884088962036. 6.75x10.5 inches.

This lively, rhythmic, and humorous arrangement is pure fun from start to finish, not to mention easy to learn! Hand-clappin', hootin' and hollerin', and even some barking and howling fill the verses and choruses key change after key change. Add some foot-stompin' and a fiddle and you're ready to “bile them cabbage down!” Available separately: SAB, 2-Part, StudioTrax CD. Duration: ca. 2:10.

About Together We Sing

Shawnee Press: Together We Sing series

A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chichester Composed by L. J. White Alleluia Composed by William Boyce Author Of Life Divine Composed by Cecilia Mcdowall Be Still For The Presence Of The Lord Composed by David Evans; Arranged by Richard Shephard Bread Of The World Composed by Scottish Traditional; Arranged by Alan Bullard Brightest And Best Composed by Malcolm Archer Christ Is The World's True Light Composed by W. K. Stanton Christ The Lord Is Risen Again Composed by Richard Shephard Christians Shout For Joy And Gladness Composed by Johann Sebastian Bach Come Down, O Love Divine Composed by Hilary Tadman-robins Plainsong: Creator Of The Stars Arranged by John Scott Drop, Drop Slow Tears Composed by Kerry Andrew Evening Service In C Composed by Frank Henry Shera Fairest Lord Jesus Composed by Martin How Gabriel To Mary Came Composed by 14th Century Irish; Arranged by Alan Bullard Give Thanks To God Composed by Botswanan Traditional; Arranged by Alan Bullard God Be In My Head Composed by Armstrong Gibbs God In Mine Eternity Composed by Alan Bullard God So Loved The World Composed by Alan Bullard God That Madest Earth And Heaven Composed by Welsh Traditional; Arranged by David Thorne Hail, Virgin Mary (Ave Maria) Composed by Franz Liszt Hark, The Glad Sound Composed by David Thorne Harvest Carol Composed by Ian Ray He Is Risen Composed by Cecil Cope Hide Not Thy Face Composed by Richard Farrant see all... Holy, Holy, Holy, Holy Is The Lord Composed by Franz Schubert; Arranged by Alan Bullard Holy, Holy, Holy! Lord God Almighty Composed by Alan Smith Hosanna To The Son Of David Composed by Georg Philipp Telemann Irish Blessing Composed by Bob Chilcott Jesu, Lamb Of God, Redeemer (Ave Verum Corpus) Composed by Edward Elgar Jesus Christ The Apple Tree Composed by English Traditional; Arranged by Alan Bullard Jubilate (Let Us Praise You) Composed by Wolfgang Amadeus Mozart Lamb Of God (Agnus Dei) Composed by Samuel Webbe Let All Mortal Flesh Keep Silence Composed by Stephen Cleobury Like The Murmur Of The Dove's Song Composed by Alan Smith Lord, In Thy Mercy Composed by Felix Bartholdy Mendelssohn Magnificat And Nunc Dimittis In C Composed by F. H. Shera Never Weather-beaten Sail Composed by Thomas Campion; Arranged by Alan Bullard Now The Green Blade Riseth Composed by French Traditional; Arranged by Alan Bullard O Breath Of Life Composed by English Traditional; Arranged by Alan Bullard O For A Closer Walk With God Composed by Charles Villiers Stanford O God Of Mercy Composed by Simon Lole O God, Your Goodness Composed by Ludwig Van Beethoven O Praise God In His Holiness Composed by John Weldon Panis Angelicus Composed by Cesar Auguste Franck Peace Between Nations Composed by Christopher Wiggins Pie Jesu Composed by Gabriel Faure Praise To The Trinity Composed by Hildegard Of Bingen Psalm 150 Composed by Bob Chilcott Rejoice In The Lord Always Composed by Christopher Wiggins Shout For Joy Composed by African Traditional; Arranged by Alan Bullard Star Of Wonder Composed by Alan Bullard The Eternal Gifts Of Christ The King Composed by Guidetti/henry G. Ley The Heavens Sing Praises To God Composed by Ludwig Van Beethoven The Lord Ascendeth Composed by Michael Praetorius The Lord Bless You And Keep You Composed by John Rutter The Lord's My Shepherd Composed by Bob Chilcott The Peace Of God Composed by Alan Bullard The True And Living Bread Composed by David Blackwell There Is No Rose Composed by Andrew Smith Thou Visitest The Earth Composed by Maurice Greene To Be A Pilgrim Composed by Nick Burt Were You There? Composed by American Spiritual; Arranged by Peter Hunt Where All Charity And Love Are (Ubi Caritas) Arranged by Alan Bullard Wondrous Cross Composed by Philip Wilby The Oxford Book of Flexible Anthems by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Paperback. 296 pages. Published by Oxford University Press

Composed by Tim Knight (1959-). For unison voices with descant, organ. Easy anthem for Confirmation or Pentecost. Pentecost, Confirmation, Ordination. Octavo. Published by CanticaNOVA Publications

Composed by Mark A. Miller. Sacred anthem. General. Octavo. Published by Chorister's Guild (LO.CGA1472).

The Oxford Book of Flexible Anthems composed by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Spiral-bound paperback. 296 pages. Published by Oxford University Press

Arranged by Craig Cassils. For SATB Recorders. (SATB). Recorder Reproducibles. Collection. 43 pages. Published by Themes & Variations (Canadian import).

By Earlene Rentz. For SAT (B) choir and piano. Sacred Anthem. Octavo. 11 pages. Published by Chorister's Guild

Choral (ChoirTrax CD)

SKU: HL.322532

Composed by David Rasbach. Brookfield Christmas Choral. Christmas, General Worship, Sacred. CD. Duration 270 seconds. Published by Brookfield Press (HL.322532).

UPC: 888680974718. 5.0x5.0x0.15 inches. Christina Rossetti/David Rasbach. I John 4:7-12.

One of our most treasured Christmas texts is adorned with delicate beauty in this fresh setting. An expressive piano part flows easily through the fabric of this choral tapestry. The sparkling flute obbligato is a shimmering addition to the anthem's possibilities. Capturing a classic Christmas sound, this piece is ideal for concert or sanctuary use. Score and Parts (fl, hp, vn 1-2, va, vc, db) available as a digital download.

Choral (ShowTrax CD)

SKU: HL.8754645

Arranged by Kirby Shaw. Disney Choral. CD. Published by Hal Leonard (HL.8754645).

UPC: 884088648077. 5.0x5.0x0.14 inches.

From Disney Channel artist Zendaya, this girl-power anthem encourages girls to look within to find their inner strength. The New Orleans style street beat energizes the track and this setting will be a super SSA showcase!

Composed by Brian Buda. Shawnee Sacred. Anthem, Christmas, Christmas Eve, Christmas Sacred, Sacred. Octavo. 8 pages. Published by Shawnee Press

Composed by Penny Rodriguez. Brookfield Choral Series. Anthem, Pentecost, Traditional, Sacred, Dedication, Worship. Octavo. 8 pages. Published by Brookfield Press (HL.8752161).

By Mary Mcdonald. For SATB choir and piano. Eastertide, General, Lent, Sacred. Sacred Anthem

Band Bass Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Percussion 5, Piccolo, String Bass and more.

SKU: PR.165000970

For Band. Composed by Dan Welcher. Folder. Premiered by the University of Texas Symphony Band, Scott S. Hanna, conductor, at Butler School of Music, UT/Austin, Austin, Texas. Contemporary. Set of Score and Parts. With Standard notation. Composed 14-Sep. 40 pages. Duration 7 minutes. Theodore Presser Company #165-00097. Published by Theodore Presser Company (PR.165000970).

ISBN 9781491100462. UPC: 680160626717. 9x12 inches.

Commissioned by a consortium of 20 high school and university bands coordinated by Scott Hanna of the University of Texas at Austin, Downshifting is inspired by Welcher’s joy of bicycle riding. Welcher explains in the program note: When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting... With three gears on the front sprocket and seven on the rear, it’s possible to keep one’s legs going at a constant speed (for me, q = 126) while the bike itself may be moving very slowly or very quickly. I determined to capitalize on this in writing Downshifting, which keeps the same mathematical inner pulse, ‘shifting’ (with a ratchet) as the terrain changes..
One of the joys of life for me is riding my 21-speed bicycle.  As a basically non-athletic person who nonetheless likes to stay in shape, I have found that riding my bike provides just the exercise I need.  The workout is strenuous, but pleasant—and the infinite variety of scenery I pass keeps me alert and wide awake.  When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting.With three gears on the front sprocket and seven on the rear, it’s possible to keep ones legs going at a constant speed (for me, that’s 126 to the quarter note) while the bike itself may be moving very slowly or very quickly.  I determined to capitalize on this in writing the music, which manages to keep the same mathematical inner pulse, “shifting” (with a ratchet) as the terrain changes.  So Downshifting begins with that steady pulse, on a grid of eighth notes in 2/4 to propel the little vehicle forward.  There’s a joyous little tune in our heads as we begin our ride.  As the initial thrill of riding on the flat gives way to monotony, we stay in that pulse for the first minute or so of the ride.  Then, as the first hill becomes visible, we shift the bike down: even though the eighths are equal, the pulse feels slower (and we’re now in 6/8 time).  Ultimately the compound meter shifts again as the climb begins, and we’re now plodding doggedly up the hill.  (The music reflects all of these changes, with subtitles such as “Working harder—Seeing the climb, ahead”, “Steady and committed…the climb begins!”, “Straining against the grade”, etc.).There are two hills, and two long climbs (but in different keys, reflecting the change in scenery).  When at last the summit of the second hill is reached (“Flying, Over the Top”), we coast at last down the other side at breakneck speed.  The initial joyous melody returns, but now in a spread-out coasting pulse.  At the end of the ride, we slow to a stop—then take one last sprint (shifting five times in the process) in order to end on a biker’s high.Downshifting was commissioned by a consortium of fourteen high school and college bands, overseen by my longtime colleague at the University of Texas, Scott Hanna.  The piece is dedicated to him (and to all bicycle enthusiasts).