Easy-to-Use Drum Charts with Kit Legends and Lyric Cues. Composed by Various. Drum Book. Pop. Softcover. 336 pages. Published by Hal Leonard

(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lackowski. For Drumset. Artist/Personality; Book; DVD; Method/Instruction; Percussion - Drum Set Method or Collection. On the Beaten Path. Beginner. 136 pages. Published by Alfred Music Publishing

Composed by Various. Drum Book. Classical, Contest. Softcover. 80 pages. Published by Hal Leonard

(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lackowski. For Drumset. Artist/Personality; DVD; Method/Instruction; Percussion - Drum Set Method or Collection. On the Beaten Path. Beginner. Published by Alfred Music

(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lackowski. For Drumset. Book; CD; Method/Instruction; Percussion - Drum Set Method or Collection. Beginner. 48 pages. Published by Alfred Music Publishing

(An Inspiring Method to Playing the Drums, Guided by the Legends). Composed by Rich Lackowski. For Drumset. Artist/Personality; Book; CD; DVD; Method/Instruction; Percussion - Drum Set Method or Collection. On the Beaten Path. Beginner. Published by Alfred Music

The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich Lackowski. For Drum Set. Percussion - Drum Set Method or Collection. Instructional Book and Examples CD. 244 pages. Published by Alfred Publishing.

(The Drummer's Guide to the Genre and the Legends Who Defined It). By Rich Lackowski and John O'Reilly, Jr.. For Drumset. Artist/Personality; Book; CD; Method/Instruction; Percussion - Drum Set Method or Collection. On the Beaten Path. Jazz. 108 pages. Published by Alfred Music Publishing

Arranged by Tim Hale. For Drumline. Modern Christian, Christmas. Parts and Score. Duration 1'56 . Published by Word Music . Parts and Score. Modern Christian, Christmas.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 864 pages. Published by Hal Leonard.

Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.

Edited by Amy Appleby, Liz Seelhoff Byrum. For voice and piano. Format: piano/vocal/chords songbook (spiral bound). With vocal melody, piano accompaniment, lyrics, chord names, illustrations and introductory text. Children's and Folk. 240 pages. 9x12 inches. Published by Music Sales.

(groovy snare drum solos in four flavors). Composed by Danny Raymond. For solo snare drum. Medium to Medium-Advanced. Score. 16 pages. Published by Tapspace Publications

Arranged by Sammy Nestico. For Drums. Young Jazz (Jazz Ensemble). Size 9x12 inches. 24 pages. Published by Hal Leonard.

(Eight Favorite Pop Christmas Songs for the Beginning Pianist). Arranged by Gayle Kowalchyk and E. L. Lancaster. For Piano. Piano Collection. My First.... Pre-reading. Book. 24 pages. Published by Alfred Music Publishing

Why Charlie Watts Matters. By Charlie Watts and The Rolling Stones. Book. Biography/Composers & Musicians. Softcover. Published by Rowman & Littlefield

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(A Treasury of Favorite Songs to Play). By Various. For Piano/Keyboard. Easy Piano Songbook. Softcover. 82 pages. Published by Hal Leonard

Alto Saxophone

SKU: BT.MUSAM1007237

Book with Online Audio. Composed 2013. 80 pages. Wise Publications #MUSAM1007237. Published by Wise Publications (BT.MUSAM1007237).

ISBN 9781783052424.

< strong>Play-Along Alto Sax: Christmas Hits includes 31 festive favourites in melody line arrangements for Alto Saxophone.

The book comes complete with oneline audio giving access to 31 mp3 backing tracks and31 mp3 demo tracks.

Online audio is accessed at halleonard. com/mylibrary

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more.

SKU: PR.16500100F

Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F).

ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches.

Commissione d for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,”giving rise to the work’s title.
This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,” butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty” than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?” takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.”Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,”cons tantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.” This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key” of the hymn seems to shift — until the “Lord of all, toThee we praise” melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tune”heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty” with long spaces between them, but it soonchanges to a series of “Amen” cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth” contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sight”and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected.

Arranged by Dave Barduhn, Mark Taylor, Paul Lavender, Sammy Nestico. Collection for jazz band (Drum part). Series: Hal Leonard Young Jazz (Jazz Ensemble). 32 pages. Published by Hal Leonard.

By Various. For Ukulele. Ukulele. Softcover. 416 pages. Published by Hal Leonard

By Various. Band Folio. Size 6.6x5.1 inches. 32 pages. Published by Hal Leonard.

For Piano, Vocal, Guitar, Electronic Keyboard and All C Instruments. Composed by Various. Fake Book. Softcover. 232 pages. Published by Hal Leonard