| Royal Coronation Dances Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Playing the Recorder: Folk Songs of Many Nations (an instructional method for all types of recorder) Flûte à Bec [Partition + CD] Music Minus One
For Recorder (soprano). Includes a high-quality printed music score and a compac...(+)
For Recorder (soprano).
Includes a high-quality
printed music score and a
compact disc containing
the accompaniments for
each piece. Published by
Music Minus One.
(1)$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Viola Position 1 Alto seul [Partition + CD] - Facile De Haske Publications
Viola - easy SKU: BT.DHP-1145555-400 Fingerings, scales and triads...(+)
Viola - easy SKU:
BT.DHP-1145555-400
Fingerings, scales and
triads. Composed by
Nico Dezaire. Tuition.
Book with CD. Composed
2014. 92 pages. De Haske
Publications #DHP
1145555-400. Published by
De Haske Publications
(BT.DHP-1145555-400).
ISBN 9789043135979.
English-German-French-Dut
ch. Position
1 covers the four
fingerings of the first
position. The connection
between these fingerings
and the different keys -
up to three sharps or
flats - is also dealt
with. The book features
38 exercises for the
various fingerings,
sevenscale and triad
exercises, and 68
attractive performance
pieces in a range of
musical styles. The
performance pieces can be
played with CD
accompaniment (demo and
play-along tracks are
featured on CDs 1 and 2)
or with piano
accompaniment. The
pianoaccompaniments can
be found on CD 2 in PDF
form.
In
Position 1 worden
alle vingerstellingen
binnen de 1e positie
geleerd aan de hand van
grepenschema?s,
oefeningen en
speelstukken. Verder
wordt het verband gelegd
tussen de verschillende
vingerstellingen in
toonladders en
drieklanken inde 1e
positie over 2 oktaven.
De 68 speelstukken kunnen
met cd-begeleiding worden
gespeeld, of met
live-pianobegeleidingen.
Deze worden als pdf
geleverd op de 2
bijbehorende cd?s. De
vertrouwde afwisseling
van nieuwe stukken,
arrangementen
vanklassieke thema?s en
volksliedjes ontbreekt
uiteraard niet! Lees hier
de boekbespreking uit
Arco.
In
Position 1 geht es
um die vier Griffarten
der ersten Lage. Diese
Griffarten werden auch
mit den verschiedenen
Tonarten - mit bis zu
drei Kreuzen oder Bs -
verknüpft. Das Buch
umfasst 38 Ã?bungen
für die verschiedenen
Griffarten,
siebenTonleiter- und
Dreiklangsübungen
sowie 68 reizvolle
Vortragsstücke in
einer ganzen Palette an
Musikstilen. Die
Vortragsstücke
können zu den
Begleitungen auf den
beiden CDs (die Demo- und
Mitspielversionen
enthalten), aber auch mit
einem Pianistengespielt
werden. Die
Klavierstimmen sind im
PDF-Format zum Ausdrucken
auf der CD 2
enthalten.
Posi
tion 1 couvre les
quatre doigtés de la
première position et
examine le rapport entre
ces doigtés et les
différentes
tonalités - jusquà
trois dièses ou
bémols. Cet ouvrage
contient 38 exercices
pour les divers
doigtés, 7exercices de
gammes et de triades, et
68 morceaux de concert
dans une diversité de
styles. Ces morceaux
peuvent être
exécutés avec
l´accompagnement du
CD, mais aussi
accompagnés au piano.
Des versions
intégrales et de
démonstration figurent
surles CD 1 et 2, ce
dernier comprenant aussi
les partitions du piano
sous forme de fichiers
PDF.
Position
1 affronta le quattro
diteggiature della prima
posizione. La
pubblicazione contiene 38
esercizi per le varie
posizioni, sette scale e
terze, come anche 68
accattivanti brani in
vari stili musicali da
suonare in pubblico.
Questipossono essere
eseguiti sia con lausilio
dei 2 CD inclusi (traccia
demo e traccia
play-along), sia con
l´accompagnamento di
un pianista. Le parti del
piano, contenute sul
secondo CD, sono
scaricabili in formato
PDF. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Celtic Autoharp Autoharp [Partition + Accès audio] Mel Bay
(35 Celtic tunes arranged for all standard Autoharps). Composed by Karen Mueller...(+)
(35 Celtic tunes arranged
for all standard
Autoharps). Composed by
Karen Mueller. For
autoharp.
Saddle-stitched. Multiple
Levels. Book and online
audio. Published by Mel
Bay Publications, Inc
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Of Castles And Kings Orchestre d'harmonie Walking Frog Records
Album for the Young. The Washington Winds, Edward S. Petersen, conductor....(+)
Album for the
Young. The Washington
Winds, Edward S.
Petersen, conductor. CD.
Composed 2013. Published
by Walking Frog Records
(CL.WFR380).
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Irish Dance Tunes For All Harps Harpe Hal Leonard
| | |
| Italian Folk Dances from the Viggiano Tradition for Harp Harpe Ut Orpheus
Harp SKU: UT.HS-231 Arranged by Sara Simari. Saddle stitching. Classical....(+)
Harp SKU:
UT.HS-231 Arranged by
Sara Simari. Saddle
stitching. Classical. Ut
Orpheus #HS 231.
Published by Ut Orpheus
(UT.HS-231). ISBN
9790215324558. 9 x 12
inches. Tarascon
e; Tarantella Capuanese;
Valzer; Polka di
Vittorio; Tarantella
Stiglianese
Th
e history of the
Viggianesi, strolling
musicians, winds over a
period of about four
centuries and esprimeun
‘unicum’
musically and
anthropologically. Heirs
of a travelling musical
tradition that from the
late Middle Ages
inhabited more than just
the streets of the
Kingdom of Sicily and
Naples, the harpists of
this extraordinary story
made their first
appearances as early as
the end of the 1600s
engaged in musical
practices at
shrines. Armed with an
urgent need to make a
living together with a
strong musical
inclination, adaptability
and versatility, the
groups of musicians,
almost always belonging
to the same family
circle, became the
promoters of the great
Italian musical tradition
(Southern in particular),
and with their harps on
their shoulders they
became the identification
symbol of a well-defined
and limited area of
Italy: the Agri Valley,
in Basilicata. From
the many documents
examined, a very wide and
varied musical repertoire
emerges mixing the
pastoral tradition with
classical tradition
(mainly opera, devotional
music with songs from the
cities (from the
Neapolitan tradition to
international
production). The pastoral
repertoire, the subject
of this publication,
consists of a strongly
characterized native
repertoire which the
Viggianesi had
consolidated in both
public and private ritual
occasions in their native
land, even if performing
in distant
lands.
This
collection is included
among the compulsory
pieces of The 7th
International Harp
Contest in Italy Suoni
D’Arpa, 2017,
Category A –
Associazione Italiana
dell’Arpa –
www.ass
ociazioneitalianarpa.it
a> $16.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Guide to Early Keyboard Music Clavecin EMB (Editio Musica Budapest)
Piano or Harpsichord SKU: BT.EMBZ20018 France 1. By Szilvia Elek_A...(+)
Piano or Harpsichord
SKU: BT.EMBZ20018
France 1. By
Szilvia Elek_Anikó
Horváth. By Szilvia
Elek. Classical. Book
Only. Composed 2020. 108
pages. Editio Musica
Budapest #EMBZ20018.
Published by Editio
Musica Budapest
(BT.EMBZ20018).
Hungarian-English-Germ
an-French. This
brand-new series is
intended as a guide to
the keyboard music of the
16th to 19th centuries
for pupils of the piano
and the harpsichord, as
well as of other early
keyboard instruments.
Each volume contains
pieces by well-known and
lesser-known composers
from one country or
region. The main purpose
of the series is to
extend the repertoire and
stylistic knowledge of
both pianists and
harpsichordists while
also presenting fine
pieces and typical genres
based on original
sources. Our edition
retains the performance
indications of the
composers' manuscripts
and contemporary
editions. Each volume
includes:- suggestions
for stylistically
appropriate performance
bothon the piano and on
period instruments-
suggested elaborated
versions of some pieces
and excerpts- a fold-out
list of ornamentation
signs and the composers'
own tables of
ornamentation signs-
biographies of the
composers and the sources
of the pieces-
translations of
foreign-language
performance indications.
The two volumes devoted
to French keyboard music
includes close to 50
showy and relatively easy
works - preludes, dances,
suites, rondeaux, and
character pieces - from
the early 16th until the
late 18th century
(ordered
chronologically).This
publication is printed on
high-quality,
age-resistant paper that
is produced in an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials.
Cette
toute nouvelle collection
est un guide de la
musique pour clavier du
XVIe au XIXe siècle
adressé aux
élèves de piano et
clavecin, ainsi que
d'autres instruments
clavier anciens. Chaque
volume rassemble des
Å“uvres de
compositeurs
célèbres et moins
célèbres dans un
pays ou une région
(préludes, danses,
suites, rondeaux et
pièces de
caractère), ainsi que
des suggestions de jeu,
des versions
élaborées
suggérées et
extraits, une liste
dépliante des signes
d'ornement et les tables
des compositeurs, des
biographies des
compositeurs et les
sources des Å“uvres.
Cette publication a
été imprimée sur
du papier de qualité,
résistant au
vieillissement, et
produit dans le respectde
l'environnement et du
climat partir de
matières premières
renouvelables.
Una nuova collana
ideata per offrire una
guida alla scoperta della
musica per pianoforte e
clavicembalo dal
sedicesimo al
diciannovesimo secolo.
Ogni volume include brani
di compositori di una
specifica nazione o area
geografica. L'intento
è amplicare la
conoscenza e il
repertorio di ogni
musicista. Inoltre in
ogni edizione sono
riportati fedelmente i
suggerimenti per
l'interpretazione e le
indicazioni presenti sui
manoscritti originali. I
due volumi dedicati alla
musica francese includono
circa 50 brani
significativi - preludi,
danze, suites, rondò e
altri - che risalgono
all'inizio del sedicesimo
secolo fino alla fine del
diciottesimo secolo,
rigorosamente inordine
cronologico. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Beginning Piano for Adults Piano seul [Partition + CD] - Débutant Alfred Publishing
(The Grown-Up Approach to Playing Piano). By Karl Mueller. For Piano. Book; CD; ...(+)
(The Grown-Up Approach to
Playing Piano). By Karl
Mueller. For Piano. Book;
CD; Method/Instruction;
Piano Method. For Adults.
Beginner. 96 pages.
Published by Alfred Music
Publishing
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Randy Newman : Harps and Angels Piano, Voix et Guitare [Partition] Alfred Publishing
By Randy Newman. Randy Newman. For piano, voice, and guitar (chords only). This ...(+)
By Randy Newman. Randy
Newman. For piano, voice,
and guitar (chords only).
This edition:
Piano/Vocal/Chords.
Personality Book.
Songbook. 80 pages.
Published by Alfred
Publishing.
(1)$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 50 Irish Melodies For All Harps Harpe Hal Leonard
| | |
| Two Christmas Medleys Harpe Hal Leonard
(Arranged for Harp). Arranged by Sylvia Woods. For Harp. Harp. Softcover. Publis...(+)
(Arranged for Harp).
Arranged by Sylvia Woods.
For Harp. Harp.
Softcover. Published by
Hal Leonard
$5.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 99 New Musical Games Heritage Music Press
(for Music Groups of All Ages). By Bonnie J Krueger. For Games, Enhanced CD. Gen...(+)
(for Music Groups of All
Ages). By Bonnie J
Krueger. For Games,
Enhanced CD. General
music
$26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Deluxe Pedal Steel Guitar Method Guitare Pedal Steel [Partition + CD] Mel Bay
by Dewitt Scott. Level: Multiple Levels. Book/CD Set. Size 8.75x11.75. 200 pages...(+)
by Dewitt Scott. Level:
Multiple Levels. Book/CD
Set. Size 8.75x11.75. 200
pages. Published by Mel
Bay Pub., Inc.
$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hal Leonard Intermediate Band Method - Bassoon (Bassoon) Basson Hal Leonard
| | |
| Hal Leonard Intermediate Band Method - Eb Horn (Eb Horn) Cor Hal Leonard
| | |
| Hal Leonard Intermediate Band Method - Bb Clarinet (Bb Clarinet) Clarinette Hal Leonard
By Harold W. Rusch. Intermediate Method. Size 9x12 inches. 44 pages. Published b...(+)
By Harold W. Rusch.
Intermediate Method. Size
9x12 inches. 44 pages.
Published by Hal Leonard.
$7.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Hal Leonard Intermediate Band Method Drum Percussion Hal Leonard
| | |
| Hal Leonard Intermediate Band Method - Bb Cornet & Trumpet (Cornet / Bb Trumpet) Trompette Hal Leonard
| | |
| Hal Leonard Intermediate Band Method - Eb Baritone Saxophone (Bari Sax) Hal Leonard
| | |
| Michael Aaron Piano Course: Adult Piano Course, Book 1 Piano seul [Partition] - Débutant Alfred Publishing
By Michael Aaron. For Piano. Piano - Aaron Method. Book. 64 pages. Published by ...(+)
By Michael Aaron. For
Piano. Piano - Aaron
Method. Book. 64 pages.
Published by Alfred
Publishing.
(2)$10.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pieces de Clavecin Vol.1 (K.Gilbert) (Le Pupitre) Clavecin Heugel
Harpsichord SKU: BT.ALHE32440 Composed by Jean-Henri D'Anglebert. Le Pupi...(+)
Harpsichord SKU:
BT.ALHE32440 Composed
by Jean-Henri
D'Anglebert. Le Pupitre -
Heugel. Book Only. 108
pages. Heugel & Cie
#ALHE32440. Published by
Heugel & Cie
(BT.ALHE32440).
English. Jean-He
nri d'Anglebert
(1629-1691) was one of
the foremost composers of
Keyboard music of his
day. Therefore, the
collection of his works,
Pieces for Harpsichord is
essential to all players
of early Baroque Keyboard
music. D'Anglebert's
Pieces for Harpsichord
represents some of the
finest achievements of
the French Harpsichord
school and shows the
composer's mastery of
counterpoint as well as
his ability to experiment
with texture to
achieveorchestral
sonority. Moreover,
d'Anglebert's collection
contains a table of
ornaments which formed
the basis of those of J.
S. Bach and other
significant composers.
The first volume of
Pieces for Harpsichord
comprises fourHarpsichord
Suites composed by
d'Anglebert, each of
which consist of the
usual dance movements
together with
transcriptions from
Lully's operas.
Furthermore, the three
unmeasured preludes
included in Suites one,
two and three aretruly
remarkable examples of
their kind. With a
descriptive preface in
French, English and
German, volume one of
d'Anglebert's Pieces for
Harpsichord is a sublime
addition to the
repertoire of early
Baroque Keyboard
music. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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