And other Works for Chorus and Orchestra. By Ludwig van Beethoven. Edited by A. ...(+)
And other Works for
Chorus and Orchestra. By
Ludwig van Beethoven.
Edited by A. Raab. STUDY
EDITION. Pages: XVI and
192. Study score-no
details. Published by G.
Henle.
6 Volumes in a Slipcase Study Score. Composed by Lugwig Van Beethoven. Edited ...(+)
6 Volumes in a Slipcase
Study Score. Composed by
Lugwig Van Beethoven.
Edited
by Jeremiah W. McGrann,
Norbert Gertsch, Ernst
Herttrich, Armin Raab,
and
Anja Muhlenweg. Henle
Study
Scores. Classical.
Softcover. G. Henle
#HN9550.
Published by G. Henle
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
The
study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical. Full
score. 96 pages. Duration
35'. Breitkopf and
Haertel #PB 14610.
Published by Breitkopf
and Haertel
(BR.PB-14610).
ISBN
9790004211144. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical.
Part. 16 pages. Duration
35'. Breitkopf and
Haertel #OB 14610-16.
Published by Breitkopf
and Haertel
(BR.OB-14610-16).
ISBN
9790004336526. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Folder.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical. Set
of parts. 136 pages.
Duration 35'. Breitkopf
and Haertel #OB 14610-30.
Published by Breitkopf
and Haertel
(BR.OB-14610-30).
ISBN
9790004336564. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical.
Part. 16 pages. Duration
35'. Breitkopf and
Haertel #OB 14610-15.
Published by Breitkopf
and Haertel
(BR.OB-14610-15).
ISBN
9790004336519. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical.
Part. 16 pages. Duration
35'. Breitkopf and
Haertel #OB 14610-27.
Published by Breitkopf
and Haertel
(BR.OB-14610-27).
ISBN
9790004336557. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical.
Part. 16 pages. Duration
35'. Breitkopf and
Haertel #OB 14610-19.
Published by Breitkopf
and Haertel
(BR.OB-14610-19).
ISBN
9790004336533. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical.
Part. 16 pages. Duration
35'. Breitkopf and
Haertel #OB 14610-23.
Published by Breitkopf
and Haertel
(BR.OB-14610-23).
ISBN
9790004336540. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
SKU: GI.G-001703 Composed by Ronald Patrick Raab CSC. Sacred. GIA Publica...(+)
SKU: GI.G-001703
Composed by Ronald
Patrick Raab CSC. Sacred.
GIA Publications #001703.
Published by GIA
Publications
(GI.G-001703).
You will never
celebrate the Mass the
same way after an
encounter with the
powerful essays featured
in this book. A Holy
Cross priest, Father Raab
has real experience with
diverse populations
including the homeless,
poor, and many
marginalized by society.
Bonus reflection
questions are included to
assist in applying his
insights to your own
ministry.
Composed by Carl Schalk and Michael Burkhardt. Easter, 21st Century, Communion...(+)
Composed by Carl Schalk
and
Michael Burkhardt.
Easter,
21st Century, Communion,
Healing, Hope/Assurance.
Instrumental part.
Duration 3
minutes, 30 seconds.
MorningStar Music
Publishers
#50-4067. Published by
MorningStar Music
Publishers
Revised Edition with Fingering by 26 Pianists. Composed by Franz Joseph Ha...(+)
Revised Edition with
Fingering by 26 Pianists.
Composed by Franz Joseph
Haydn (1732-1809). Edited
by
Georg Feder. Henle Music
Folios. Classical.
Softcover.
G. Henle #HN1336.
Published
by G. Henle
Orchestra SKU: BA.BA10984 Composed by Franz Joseph Haydn. Edited by Sonja...(+)
Orchestra
SKU:
BA.BA10984
Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Score.
Hob. I:79. Baerenreiter
Verlag #BA10984_00.
Published by Baerenreiter
Verlag (BA.BA10984).
ISBN 9790006567294. 31
x 24.3 cm inches. Key: F
major. Preface: Armin
Raab.
Along with
Symphonies Nos. 80 and
81, Haydn’s
Symphony in F major Hob.
I:79 belongs to a group
of works that he composed
in late 1784. He wrote
them for his employer
Prince Nikolaus
Esterházy who wished
to be entertained with
new music. The symphonies
were tailored for the
twenty-five to thirty
musicians who were in the
prince’s court
orchestra.
Continu
ing the cooperation
between Bärenreiter
and the G. Henle
publishing company
regarding Haydn's
large-scale choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the
“Works of Joseph
Haydnâ€.
Bärenreiter has
already published the
complete performance
material for several
“Sturm und
Drang†symphonies
and all the Paris and
London
symphonies.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Score.
Hob. I:81. Duration 12
hours. Baerenreiter
Verlag #BA10983_00.
Published by Baerenreiter
Verlag (BA.BA10983).
ISBN 9790006565573. 31
x 24.3 cm inches. Key: G
major. Preface: Armin
Raab.
Haydn’
s Symphony in G major
Hob. I:81 comes from a
series of three
symphonies completed in
late 1784 (nos. 81, 80
and 79, presumably in
that order). No autograph
score survives for Hob.
I:81, thus our Urtext
edition is based on
copyists’
manuscripts and first
editions. As with so many
of his symphonies, Haydn
wrote this one to provide
new music for his
employer, Prince Nikolaus
Esterházy.
Cont
inuing the collaboration
between Bärenreiter
and the G. Henle
publishing company
regarding Haydn’s
large-scale choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the Works of
Joseph Haydn.
Bärenreiter has now
published the complete
performance material for
several Sturm und Drang
symphonies and all the
London and Paris
symphonies (Nos. 81 to
104).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Fl,2Ob,2bassoon,2Hn,2V,V a,Bassi) SKU: BA.BA10982 Composed by ...(+)
Orchestra
(Fl,2Ob,2bassoon,2Hn,2V,V
a,Bassi)
SKU:
BA.BA10982
Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Urtext
from: Joseph Haydn Werke,
G. Henle Verlag Munchen.
Score. Hob. I:80.
Duration 00:21:00.
Baerenreiter Verlag
#BA10982_00. Published by
Baerenreiter Verlag
(BA.BA10982).
ISBN
9790006565504. 31 x 24.3
cm inches. Key: D minor.
Preface: Armin
Raab.
Along with
Symphonies Nos. 79 and
81, Haydn’s
D-minor Symphony Hob.
I:80 belongs to a set of
symphonies that he
completed in late 1784.
He wrote them for his
employer Prince Nikolaus
Esterházy, his task
being to entertain the
prince with new music.
The symphonies had to be
suitable for the
twenty-five to thirty
musicians who were in the
prince’s
orchestra.
Continuing the
cooperation between
Bärenreiter and the G.
Henle publishing company
regarding Haydn’s
large choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the
“Works of Joseph
Haydnâ€.
BÃ
renreiter has already
published the complete
performance material for
several “Sturm und
Drang†symphonies
and all the London and
Paris
symphonies.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oratorio. Composed
by Franz Joseph Haydn.
Edited by Armin Raab.
This edition: urtext
edition. Paperback.
Urtext from: Joseph Haydn
Werke, G. Henle Verlag
Munchen. Choral score.
Composed 1799-1801. Hob.
XXI:3. 135 pages.
Baerenreiter Verlag
#BA04647_91. Published by
Baerenreiter Verlag
(BA.BA04647-91).
ISBN
9790006566518. 27 x 19 cm
inches. Text Language:
German, English,
French.
Urtext
aus/from: Joseph Haydn
Werke, G. Henle Verlag
Munchen.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Franz Joseph
Haydn. Edited by
Friedrich Lippmann. This
edition: urtext edition.
Paperback. Classical.
Score. Hob. XXII:14.
Baerenreiter Verlag
#BA04659_02. Published by
Baerenreiter Verlag
(BA.BA04659-02).
ISBN
9790006565368. 31 x 24.3
cm inches. Key: B-flat
major. Text Language:
Latin. Preface: Lippmann,
Friedrich / Raab,
Armin.
Urtext from
the G. Henle Complete
Edition of the Works of
Joseph Haydn.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Franz Joseph
Haydn. Edited by Gunter
Thomas. This edition:
urtext edition.
Paperback. Urtext from:
Joseph Haydn Werke, G.
Henle Verlag Munchen.
Score. Hob. XXII:12.
Duration 00:42:00.
Baerenreiter Verlag
#BA04661_02. Published by
Baerenreiter Verlag
(BA.BA04661-02).
ISBN
9790006565382. 31 x 24.3
cm inches. Key: B-flat
major. Text Language:
Latin. Preface: Thomas,
Gunter / Raab,
Armin.
Urtext
aus/from: Joseph Haydn
Werke, G. Henle Verlag
Munchen.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oratorio. Composed
by Franz Joseph Haydn.
Edited by Armin Raab.
This edition: urtext
edition. Linen. Volume 2.
Oratorio. Score. Composed
1799-1801. Hob. XXI:3.
393 pages. Baerenreiter
Verlag #BA04647_02.
Published by Baerenreiter
Verlag (BA.BA04647-02).
ISBN 9790201858456. 33
x 26 cm inches. Language:
German. Gottfried van
Swieten.
Urtext
from the G. Henle
Complete Edition of the
Works of Joseph Haydn.
Identical with HN 5845 of
G. Henle Verlag,
Munich.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oratorio. Composed
by Franz Joseph Haydn.
Edited by Armin Raab.
This edition: urtext
edition. Linen. Volume 1.
Oratorio. Score. Composed
1799-1801. Hob. XXI:3.
Baerenreiter Verlag
#BA04647_01. Published by
Baerenreiter Verlag
(BA.BA04647-01).
ISBN
9790201858425. 33 x 26 cm
inches. Language: German.
Gottfried van
Swieten.
Urtext
from the G. Henle
Complete Edition of the
Works of Joseph Haydn.
Identical with HN 5842 of
G. Henle Verlag,
Munich.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Without Fingering. Composed by Franz Joseph Haydn (1732- 1809). Edited by Geo...(+)
Without Fingering.
Composed
by Franz Joseph Haydn
(1732-
1809). Edited by Georg
Feder.
Henle Music Folios.
Classical. Softcover. G.
Henle #HN1536. Published
by
G. Henle
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-27.
Published by Breitkopf
and Haertel
(BR.OB-14670-27).
ISBN
9790004337967. 10 x 12.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-23.
Published by Breitkopf
and Haertel
(BR.OB-14670-23).
ISBN
9790004337950. 10 x 12.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-16.
Published by Breitkopf
and Haertel
(BR.OB-14670-16).
ISBN
9790004337936. 10 x 12.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-19.
Published by Breitkopf
and Haertel
(BR.OB-14670-19).
ISBN
9790004337943. 10 x 12.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Chorus (with soloists) and orchestra (choir: SATB - 2.2.2.2. - 4.2.0.0. - timp -...(+)
Chorus (with soloists)
and orchestra (choir:
SATB - 2.2.2.2. -
4.2.0.0. - timp - str)
SKU:
BR.CHB-14670-02
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Choir;
stapled. Chor-Bibliothek
(Choral Library).
Classical period. Choral
score. 12 pages. Duration
10'. Breitkopf and
Haertel #ChB 14670-02.
Published by Breitkopf
and Haertel
(BR.CHB-14670-02).
ISBN 9790004412466.
7.5 x 10.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
