Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn’s oratorio Elijah caused a sensation at its world première performance, sung in English, in Birmingham UK in August 1846. The huge forces marshalled for the occasion delighted the audience, who demanded no fewer than eight encores and loudly acclaimed the composer despite an injunction to observe the solemnity of the occasion by refraining from applause. Elijah has been an essential repertoire work for choral societies ever since. Published on the 175th anniversary of that famous premiere, Edition Peters is proud to present a new English-language Urtext edition of the vocal score containing the original libretto by William Bartholomew. Edited and with a preface by the highly respected musicologist Klaus Burmeister, the edition also includes a foreword ‘Mendelssohn and Birmingham’ by Simon Halsey, one of the world’s foremost choral directors (Chorus Director City of Birmingham Symphony Orchestra Choruses; Artistic Director, Orfeó Català Choirs and Artistic Adviser, Palau de la Música, Barcelona; Choral Director, London Symphony Orchestra and Chorus; Artistic Director, Berliner Philharmoniker ‘Vokalhelden’ Programme). The edition complements and is designed to be used in conjunction with the existing German/English full score (EP11345) and orchestral parts. An associated German language vocal score is also available (EP11347). Edition Peters Vocal Scores are the choice of the world’s leading choirs and chorus masters. They are practical, reliable, high-quality editions containing expert piano reductions. / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre

Festival Anthem-A wonderful festival anthem for chorus and organ or orchestra by English composer Gerald Finzi with words by Richard Crawshaw. Composed in 1946 and first performed with full orchestra in September 1947 at the Three Choirs Festival with the London Symphony Orchestra conducted by the Finzi himself. This edition of Lo the Full Final Sacrifice is set for full-mixed SATB choir with full organ accompaniment.

Belshazzar's Feast by William Walton is a powerful and imposing member of the choral canon. Punctuated by Walton's characteristic pauses and silences the piece is tense and dramatic with hauntingly lyrical Baritone solos. The biblical tale has been adapted as a libretto for this quasi-oratorio by Osbert Sitwell. The work was first performed on the 8th October 1931 at the Town Hall Leeds with the Leeds Festival Chorus and The London Symphony Orchestra.Available here is the vocal score of Walton's powerful and imposing Belshazzar's Feast with a Piano reduction.

Par FRANCES-HOAD CHERYL. A two and a half minute piece for voices and piano, commissioned and first performed by the London Symphony Orchestra Discovery Choir conducted by Neil Ferris..One Earth sets a text by Di Sherlock for voices and piano and is an ideal community choir piece. / Date parution : 2022-04-26/ Répertoire / Chant et Piano

Par FRANCES-HOAD CHERYL. A two and a half minute piece for voices and piano, commissioned and first performed by the London Symphony Orchestra Discovery Choir conducted by Neil Ferris..One Earth sets a text by Di Sherlock for voices and piano and is an ideal community choir piece. / Date parution : 2022-04-26/ Répertoire / Chant et Piano

Study score of The Three Kings A Christmas Cantata for SATB soli chorus and orchestra. Texts by George Mackay Brown and mediaeval anonymous. This work was commissioned by the London Symphony Chorus to commemorate its30th anniversary. First performed on 15th October 1995 at the Barbican Hall London. Duration 50 minutes. Vocal Score also available for sale. Conductor's score and orchestral parts are available for hire.

For Children's voices and Orchestra. Commissioned by the BBC for the BBC Proms. First performance in the presence of Her Majesty The Queen on 19th July 2006 in the Royal Albert Hall London by the BBC Symphony Orchestra andmassed children’s voices conducted by Jiri Belohlavek.

From Symphonic Adiemus-Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994 Adiemus has captured the imagination of music lovers worldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums ? Songs of Sanctuary Cantata Mundi and Dances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

From Symphonic Adiemus-Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994 Adiemus has captured the imagination of music lovers worldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums ? Songs of Sanctuary Cantata Mundi and Dances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

From Symphonic Adiemus-Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994 Adiemus has captured the imagination of music lovers worldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary Cantata Mundi and Dances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

From Symphonic Adiemus-Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994 Adiemus has captured the imagination of music lovers worldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary Cantata Mundi and Dances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

From Symphonic Adiemus-Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994 Adiemus has captured the imagination of music lovers worldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary Cantata Mundi and Dances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

From Symphonic Adiemus-Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994 Adiemus has captured the imagination of music lovers worldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums ? Songs of Sanctuary Cantata Mundi and Dances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

Par VAUGHAN WILLIAMS RALPH. Boldly reimagined and completed by Martin Yates, The Future, a substantial non finito draft of a major choral setting of words by Matthew Arnold, dates from 1908, immediately after Toward the Unknown Region, and in the crucial year of Vaughan Williams’s three-month tutelage with Ravel in Paris. Urgent ecological concerns – strikingly relevant today no less than in the Victorian period of unprecedented industrial expansion – propel the broad sweep of Arnold’s prescient account of mankind’s past and its uncertain hereafter. The prophetic tone draws on similar images of river, estuary and ocean that inspired the finale of A London Symphony. The Future is around 35 minutes’ duration, for solo soprano, chorus and orchestra, and it will without question be seen as an essential link in the evolution of VW’s embracing universal vision of humanity, expressed uniquely for all time in A Sea Symphony. / Date parution : 2023-03-11/ Répertoire / Soprano, SATB et Orchestre

Oldham’s setting of the words to the carol Remember O Thou Man displays his deep understanding of Choral writing his diatonic accessibility and the vivacity of his music. Note that the piece calls for Tenor solo as much as Soprano.Twentieth century musician Arthur Oldham was a composer mainly of Choral works and works for the ballet and stage. He was also a celebrated and award-winning choirmaster who founded the Edinburgh Festival Chorus the choir of the Orchestre de Paris and the Chorus of the Concertgebouw Orchestra and won Grammy awards with the London Symphony Chorus.