| Festival March Orchestre d'harmonie - Avancé Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Triangle,
Trombone 1 and more. -
Grade 5 SKU:
CF.SPS78 Composed by
Victor Herbert. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
3+12+12+6+6+3+12+24+24+6+
6+8+8+6+6+9+18+18+27+8+8+
8+8+9+9+9+9+12+3+6+6+40+6
pages. Duration 7:37.
Carl Fischer Music
#SPS78. Published by Carl
Fischer Music (CF.SPS78).
ISBN 9781491152553.
UPC: 680160910052. Key:
Bb major. Festival
March is presented in a
new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. Festival
March by Victor Herbert
was written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 . $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Festival March Orchestre d'harmonie - Avancé Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Triangle,
Trombone 1 and more. -
Grade 5 SKU:
CF.SPS78F Composed by
Victor Herbert. Symphonic
Band (SPS). Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS78F. Published
by Carl Fischer Music
(CF.SPS78F). ISBN
9781491153239. UPC:
680160910731. Festi
val March is presented in
a new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. About the
CompositionFestival March
by Victor Herbert was
written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 . $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dialogus von der Geburt Christi Carus Verlag
SATB vocal soli, SSAATTBB choir, 3 contrabassoons, timpani, 3 oboes, 3 bassoon, ...(+)
SATB vocal soli, SSAATTBB
choir, 3 contrabassoons,
timpani, 3 oboes, 3
bassoon, 2 violin, viola,
basso continuo SKU:
CA.1038649
Christmas oratorio in
three parts. Composed
by Reinhard Keiser.
Edited by Christine
Blanken. German title:
Weihnachtsoratorium.
Sacred vocal music,
Oratorios, Christmas.
Single Part, Organ.
Composed 1836. Duration
40 minutes. Carus Verlag
#CV 10.386/49. Published
by Carus Verlag
(CA.1038649). ISBN
9790007191207. Language:
German. Reinhard
Keiser, highly regarded
by his contemporaries as
a composer (primarily of
operas), also wrote a
considerable number of
sacred works, such as
cantatas, masses,
passions, and oratorios.
Among these works, most
of which are lost, this
Dialogus von der Geburt
Christi, published here
for the first time,
occupies a special place
as Keiser's only
surviving Christmas
oratorio. It is a an
alternative to the
current Christmas
repertoire. Opulently
scored, well-known
Christmas chorales are
presented, while in other
movements the intimacy of
the scene at the crib is
evoked. The colorful and
finely nuanced
instrumentation is
contrasted with freely
flowing, easily singable
choral movements. Score
and part available
separately - see item
CA.1038600. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dialogus von der Geburt Christi Carus Verlag
SATB vocal soli, SSAATTBB choir, 3 contrabassoons, timpani, 3 oboes, 3 bassoon, ...(+)
SATB vocal soli, SSAATTBB
choir, 3 contrabassoons,
timpani, 3 oboes, 3
bassoon, 2 violin, viola,
basso continuo SKU:
CA.1038619
Christmas oratorio in
three parts. Composed
by Reinhard Keiser.
Edited by Christine
Blanken. German title:
Weihnachtsoratorium.
Sacred vocal music,
Oratorios, Christmas. Set
of Orchestra Parts.
Duration 40 minutes.
Carus Verlag #CV
10.386/19. Published by
Carus Verlag
(CA.1038619). ISBN
9790007138707. Language:
German. Reinhard
Keiser, highly regarded
by his contemporaries as
a composer (primarily of
operas), also wrote a
considerable number of
sacred works, such as
cantatas, masses,
passions, and oratorios.
Among these works, most
of which are lost, this
Dialogus von der Geburt
Christi, published here
for the first time,
occupies a special place
as Keiser's only
surviving Christmas
oratorio. It is a an
alternative to the
current Christmas
repertoire. Opulently
scored, well-known
Christmas chorales are
presented, while in other
movements the intimacy of
the scene at the crib is
evoked. The colorful and
finely nuanced
instrumentation is
contrasted with freely
flowing, easily singable
choral movements. Score
and parts available
separately - see item
CA.1038600. $122.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Historia der Geburt Jesu Christi SWV 435 Barenreiter
(Cantus solo, 3Altus solo, 4Tenor Voice Solo, 4Bassus solo, Mixed choir(2 Cantus...(+)
(Cantus solo, 3Altus
solo, 4Tenor Voice Solo,
4Bassus solo, Mixed
choir(2 Cantus, Altus, 2
Tenor, Bassus), 2 Fl,
bassoon, 2 Trp, 2
trombone, 2 V, 2 Vlta,
Va, Continuo(Org, Vo))
SKU: BA.BA05953-01
Composed by Heinrich
Schutz. Edited by Bettina
Varwig. This edition:
complete edition, urtext
edition. Linen. New
Schutz Edition 1. Revised
new editon of BA 1709.
Complete edition, Score.
SWV 435. Baerenreiter
Verlag #BA05953_01.
Published by Baerenreiter
Verlag (BA.BA05953-01).
ISBN 9790006497652.
27.7 x 19.6 cm inches.
Language: German.
Preface: Varwig,
Bettina. In volume
1 of the New Schutz
Edition Friedrich
Schoneich presented the
Historia der Geburt Jesu
Christi. He had to accept
that one source was
considered lost. The
volume was published in
1955 and, of course,
Schoneich edited it
within the framework of
the musicological
standards of his
time.
For her
new edition, Bettina
Varwig has now been able
to take all known sources
into account including
the first print, copies
of parts of the work
which have come down to
us in the Duben
Collection, as well as
the score copy from the
music archive of the
Berlin Sing-Akademie,
which had been known only
from fragmentary copies
until it had been
returned from Kiew. This
enables a fresh view of
the Historia on how it
presumably was performed.
The edition maintains the
original note values and
generally follows the
editorial principles of
the New Edition of the
Complete
Works.
The
Introduction centrally
deals with the question
how the Historia was
performed at Christmas
1660 in the Dresden
Schlosskirche and how it
can be realised today.
Also the scoring for
singers and instruments
(Evangelist movements
versus concertante
movements) is being
appropriately discussed.
Three appendices enable a
greater understanding of
the source traditions of
the work which are
documented in detail in
the Critical Commentary
and whose readings are
critically examined
there.
Replaces
BA1709.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$247.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Osteroratorium Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Set de Parties séparées] Carus Verlag
(Kommt, eilet und laufet). Composed by Johann Sebastian Bach (1685-1750). Edited...(+)
(Kommt, eilet und
laufet). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger. For
SATB vocal soli, SATB
choir, 2 recorders f1,
flute, oboe I / oboe
d'amore, oboe II,
bassoon, 3 trumpets,
timpani, 2 violins,
viola, basso continuo.
D-Dur (D major).
Stuttgart Urtext Edition.
Score available
separately - see item
CA.3124900. Oratorios,
Easter and Eastertide.
Complete orchestral
parts. Language:
German/English. Composed
1725. BWV 249. Duration
40 minutes. Published by
Carus Verlag
$222.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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