(Based on the Etudes of Franz Whilhelm Ferling). By John Walker, Franz Wilhelm F...(+)
(Based on the Etudes of
Franz Whilhelm Ferling).
By John Walker, Franz
Wilhelm Ferling. Edited
by Amy Porter. Arranged
by Cyrille Rose. For
flute and piano. Carl
Fischer Classic Studies.
Book and CD. 44 pages.
Published by Carl Fischer
Piano/Keyboard SKU: HL.327506 By Various. Easy Piano Songbook. Pop. Softc...(+)
Piano/Keyboard
SKU:
HL.327506
By Various.
Easy Piano Songbook. Pop.
Softcover. 192 pages.
Published by Hal Leonard
(HL.327506).
ISBN
9781540081520. UPC:
888680989743.
9.0x12.0x0.416
inches.
If you're
anxious to put those
piano lessons to work,
here are 50 calming
pieces to play while you
continue your studies!
Songs are arranged for
easy piano with lyrics
and include: Bella's
Lullaby • Blowin'
in the Wind •
Brian's Song •
Chariots of Fire •
(They Long to Be) Close
to You • Dawn
• Fields of Gold
• Gabriel's Oboe
• Imagine •
Longer • Mia &
Sebastian's Theme •
New York State of Mind
• Over the Rainbow
• Tears in Heaven
• Time After Time
• The Wind Beneath
My Wings •
Yesterday • You've
Got a Friend • and
more!
About First
50
You've
been taking lessons,
you've got a few chords
under your belt, and
you're ready to buy a
songbook. Now what? Hal
Leonard has the answers
in its First 50 series.
The First 50 series
steers new players in the
right direction. These
books contain easy to
intermediate arrangements
for must-know songs. Each
arrangement is simple and
streamlined, yet still
captures the essence of
the tune.
65 Progressive Studies. Woodwind, Repertoire, Collections. De Haske Play- A...(+)
65 Progressive Studies.
Woodwind, Repertoire,
Collections. De Haske
Play-
Along Book. Softcover
Book. 28
pages. Anglo Music Press
#AMP079401. Published by
Anglo
Music Press
Orchestra SKU: HL.14004587 Composed by Sir Arthur Drummond Bliss. Music S...(+)
Orchestra
SKU:
HL.14004587
Composed
by Sir Arthur Drummond
Bliss. Music Sales
America. Classical. Book
[Softcover]. 56 pages.
Music Sales #NOV890184.
Published by Music Sales
(HL.14004587).
ISBN
9780853608592.
8.25x11.75x0.165
inches.
Arthur
Bliss's first orchestral
compositions, his studies
for Full Orchestra, are
believed to have been
composed in 1920. The
first performance in 1921
was conducted by Arthur
Bliss. Orchestration: 2
Flutes, Oboe, Cor
Anglais, 2 Clarinets in
Bflat, Bass Clarinet in
Bflat, 2 Bassoons,
Contrabassoon, 4 Horns in
F, 2 Trumpets in C, 3
Trombones, Tuba, Timpani,
Percussion, Harp,
Celesta, Strings. Full
score and orchestral
parts are available on
hire from the publishers.
Duration: c. 12
minutes.
Skilful Solos Hautbois, Piano (duo) [Partition + CD] - Intermédiaire Anglo Music
Oboe and Piano - intermediate SKU: BT.AMP-356-400 Composed by Philip Spar...(+)
Oboe and Piano -
intermediate
SKU:
BT.AMP-356-400
Composed by Philip
Sparke. Tuition. Book
with CD. Composed 2013.
44 pages. Anglo Music
Press #AMP 356-400.
Published by Anglo Music
Press (BT.AMP-356-400).
ISBN 9789043138796.
9x12 inches.
English-German-French-Dut
ch.
Philip
Sparke’s
Skilful Solos is
the second volume of a
progressive series of
solo books that takes the
young wind player from
beginner to accomplished
musician. Following on
from the first book in
the series Starter
Solos this collection
generally contains longer
pieces suitable for the
developing young
musician. Specifically
tailored for each
instrument, Skilful
Solos introduces the
concept of phrasing by
suggesting suitable
breathing points and
takes the player into new
keys with extended
instrumental ranges, new
notes being introduced in
a gradual and logical
manner.Skilful
Solos comes with a
play-along CD. The
advantages of playing
eitherwith piano or CD
accompaniment are that
the beginning player can
now experience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always achieved when
playing alone.
Skilful
Solos past in het
rijtje Starter
Studies, Skilful
Studies, Super
Studies en Starter
Solos, een succesvolle
reeks van Philip Sparke.
Net als de eerdergenoemde
uitgaven bevat Skilful
Solos
waardevol,motiverend
speelmateriaal dat de
keuze voor een methode
aanvult. Nieuwe muzikale
elementen komen in een
logische volgorde aan de
orde - om de ontwikkeling
van de complete muzikant
te bevorderen. Uitgave
met cd: De voordelen van
het spelen metbegeleiding
- hetzij op de piano,
hetzij op de cd - zijn
dat de beginnende speler
de belangrijke aspecten
van het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en
hethandhaven van een
strak tempo. Bij het
alleen spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten. STARTER
SOLOS und SKILFUL SOLOS
können dank der im
Buch und auf der CD
enthaltenen Begleitungen
auch gut alleine oder mit
einem Pianisten
einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten.
Inhalt:
Nice to See You Again
-Pony and Trap -Summer
Siesta -Spring (Vivaldi)
-A Victorian Ballad
-Trumpet Tune -Promenade
-Greensleeves -Could You
Repeat That? -Alladale
Aria -Scales of Justice
-Largo from Winter
(Vivaldi) -Waltz with
Variations -Atthe Circus
- Adagio (Mozart) -
Marche Militaire
(Schubert) - Thinking of
You - Fives and Threes -
Daydream - Rhode Island
Rag
Skilfu
l Solos può essere
considerato il seguito di
Starter Solos.
Suonare con
l’accompagnamento
è un lavoro di squadra
che sviluppa la capacit
di ascolto e di reazione.
Skilful Solos è
indispensabile per
progredire nel mondodella
musica.
By John O'Reilly and Mark Williams. For Oboe. Band Method. Accent on Achievement...(+)
By John O'Reilly and Mark
Williams. For Oboe. Band
Method. Accent on
Achievement. Level:
Beginning. Book and CD.
48 pages. Published by
Alfred Publishing.
Oboe (Oboe) SKU: HL.48181326 Composed by Henri Brod. Leduc. Classical. CD...(+)
Oboe (Oboe)
SKU:
HL.48181326
Composed
by Henri Brod. Leduc.
Classical. CD. 20 pages.
Alphonse Leduc #AL20752.
Published by Alphonse
Leduc (HL.48181326).
UPC: 888680867447.
9.0x12.0x0.162
inches.
“Fren
ch oboist, Henri Brod
(1799-1839) was a
performer, composer and
instrument builder during
the early Romantic era.
Considered a virtuoso,
Brod's compilation,
Studies and Sonatas for
Oboe is very
well-informed. Brod
introduced his own
innovations in Oboe
design and playing
techniques, both which
are still used to this
day. The first volume of
Studies and Sonatas for
Oboe comprises 40 easy
studies and 6 progressive
sonatas for beginner to
intermediate level
oboists. These are in a
variety of keys and
address features,
including different
rhythms, scales, breath
control, phrasing,
articulation,
ornamentation,
accidentals, simple and
compound time signatures,
range, performance
directions, and dynamics,
among other aspects.
Brod's wealth of
experience and expertise
which enabled the
composition of Studies
and Sonatas for Oboe make
it an essential purchase
for aspiring players of
the
instrument.â€.
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext. 1x
40.483/21 flute 1, 1x
40.483/22 flute 2, 1x
40.483/23 oboe 1, 1x
40.483/24 oboe 2, 1x
40.483/25 clarinet 1, 1x
40.483/26 clarinet 2, 1x
40.483/27 bassoon 1, 1x
40.483/28 bassoon 2, 1x
40.483/31 horn 1, 1x
40.483/32 horn 2, 1x
40.483/33 trumpet 1, 1x
40. Stuttgart Urtext
Edition: Mendelssohn.
Harmony parts. Innovative
practice aids, Sacred
vocal music, Mass
sections, Christmas. Set
of Orchestra Parts.
Composed 1821/22. MWV A
1. 42 pages. Duration 21
minutes. Carus Verlag #CV
40.483/09. Published by
Carus Verlag
(CA.4048309).
ISBN
9790007218751. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
parts available
separately - see item
CA.4048300.
Composed by Franz
Schreker. Edited by
Christopher Hailey, Iris
Pfeiffer. Sacred vocal
music, Psalms, German.
Choral Score. Composed
1900. 8 pages. Duration
14 minutes. Carus Verlag
#CV 07.510/05. Published
by Carus Verlag
(CA.751005).
ISBN
9790007113407. Language:
German.
Franz
Schreker was an important
representative of the
Wiener Moderne and one of
the most successful opera
composers at the
beginning of the 20th
century. To conclude his
studies at the Vienna
Conservatory he set Psalm
116 for women's choir and
orchestra (1900) and
dedicated to his beloved
teacher Robert Fuchs, in
reverence. Fuchs, the
highly respected
composition teacher, was
a close friend of
Johannes Brahms and a
champion of Brahms's
romantic classicism.
Thus, Schreker's psalm
setting closely follows
the tonal language of
Brahms. In 1901 Psalm 116
was first performed in a
concert of the
Gesellschaft der
Musikfreunde in Vienna,
and was first published
in the same year by the
Viennese publisher Adolf
Robitschek. The scoring
of the psalm is identical
with that of Brahms's
Deutsches Requiem, which
would suggest and
facilitate a performance
of both these on the same
concert program. Score
available separately -
see item CA.751000.
Composed by Franz
Schreker. Edited by
Christopher Hailey, Iris
Pfeiffer. Violin. Sacred
vocal music, Psalms,
German. Single Part,
Violin. Composed 1900. 4
pages. Duration 14
minutes. Carus Verlag #CV
07.510/12. Published by
Carus Verlag (CA.751012).
ISBN 9790007229658.
Language:
German.
Franz
Schreker was an important
representative of the
Wiener Moderne and one of
the most successful opera
composers at the
beginning of the 20th
century. To conclude his
studies at the Vienna
Conservatory he set Psalm
116 for women's choir and
orchestra (1900) and
dedicated to his beloved
teacher Robert Fuchs, in
reverence. Fuchs, the
highly respected
composition teacher, was
a close friend of
Johannes Brahms and a
champion of Brahms's
romantic classicism.
Thus, Schreker's psalm
setting closely follows
the tonal language of
Brahms. In 1901 Psalm 116
was first performed in a
concert of the
Gesellschaft der
Musikfreunde in Vienna,
and was first published
in the same year by the
Viennese publisher Adolf
Robitschek. The scoring
of the psalm is identical
with that of Brahms's
Deutsches Requiem, which
would suggest and
facilitate a performance
of both these on the same
concert program. Score
and part available
separately - see item
CA.751000.
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. Violin 1.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Violin 1.
Composed 1821/22. MWV A
1. 8 pages. Duration 21
minutes. Carus Verlag #CV
40.483/11. Published by
Carus Verlag
(CA.4048311).
ISBN
9790007218768. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300.
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: Gloria. Innovative
practice aids, Sacred
vocal music, Mass
sections, Christmas. Set
of Orchestra Parts.
Composed 1821/22. MWV A
1. Duration 21 minutes.
Carus Verlag #CV
40.483/19. Published by
Carus Verlag
(CA.4048319).
ISBN
9790007137953. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
parts available
separately - see item
CA.4048300.
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn.
Violoncello/double bass.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Cello/Double
Bass. Composed 1821/22.
MWV A 1. 8 pages.
Duration 21 minutes.
Carus Verlag #CV
40.483/14. Published by
Carus Verlag
(CA.4048314).
ISBN
9790007218799. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300.
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. Viola.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Viola.
Composed 1821/22. MWV A
1. 8 pages. Duration 21
minutes. Carus Verlag #CV
40.483/13. Published by
Carus Verlag
(CA.4048313).
ISBN
9790007218782. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300.