By Jacques Offenbach (1819-1880). Arranged by Andreas van Zoelen. For Tenor Voic...(+)
By Jacques Offenbach
(1819-1880). Arranged by
Andreas van Zoelen. For
Tenor Voice, Male Choir
[ad lib.] and Concert
Band. From the Opera Les
contes d'Hoffman. Grade
3. Full score only.
Duration 5 minutes.
Published by Baton Music
Composed by Johann Sebastian Bach (1685-1750), edited by Wilfried Fischer. BWV 1...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Wilfried Fischer. BWV
1055. Full score (parts
not included) for oboe
d'amore, violin I, violin
II, viola and continuo
(cello, bass,
harpsichord). Urtext of
the New Bach Edition. A
Major. 26 pages.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006465637.
Composed by Robert D. Levin / Wolfgang Amadeus Mozart. Stuttgart Urtext Edition....(+)
Composed by Robert D.
Levin / Wolfgang Amadeus
Mozart. Stuttgart Urtext
Edition. German title:
Messen (18), Requiem, 2
Vespern /Schuber. Latin
Masses, Missa brevis in
Latin, Requiem. Set with
study scores. Published
by Carus Verlag
Concerto d'Amore Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0950624-215 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3
SKU:
BT.DHP-0950624-215
Composed by Jacob De
Haan. Inspiration Series.
Original Light Music.
Score Only. Composed
1995. 28 pages. De Haske
Publications #DHP
0950624-215. Published by
De Haske Publications
(BT.DHP-0950624-215).
9x12 inches.
In
Concerto d’Amore, a
maestoso opening is
followed by a quick and
energetic movement that
leads to a magnificent
adagio. A motif from this
adagio can be heard in a
swinging movement, after
which the piece comes to
a close with the return
of the adagio. This
arrangement for concert
band certainly brings
this beautiful music to
life.
In
Concerto d’Amore
worden drie verschillende
stijlen gecombineerd:
barok, pop en jazz. De
maestoso introductie van
de compositie klinkt als
een barokouverture. Dan
volgt een energiek
gedeelte in popstijl, dat
uitmondt in eenadagio.
Een motief daaruit is
daarna te horen in een
swingende passage, waarna
het werk besluit met de
terugkeer van het adagio
in een nieuw
jasje.
Concerto
d’Amore vereinigt
drei unterschiedliche
Stile: Barock, Pop und
Jazz. Die Maestoso
bezeichnete Einleitung
der Komposition klingt
wie eine barocke
Ouvertüre. Es folgt ein
energiereicher Abschnitt
im Pop-Stil, der wiederum
zu einem Adagio führt.
Ein Motiv aus diesem
Adagio ist in der darauf
folgenden Swing-Passage
zu hören. Dann kehrt
Adagio in neuem Gewand
zurück, um das Werk zu
beenden.
Concerto
d’Amore est
composé de trois
périodes thématiques
aux caractéristiques de
la musique baroque, pop
et jazz. L’introduction
majestueuse, aux allures
d’ouverture baroque,
chemine vers un passage
vif et énergique écrit
dans le style de la
musique pop. L’adagio
qui lui succède
progresse vers un passage
aux inflexions de swing.
Concerto d’Amore
se conclut par la reprise
du motif de l’adagio
dont la forme altérée
offre une conclusion
brillante cette
œuvre richement
colorée.
Conce
rto d’Amore si
compone di tre periodi
tematici con
caratteristiche della
musica barocca, pop e
jazz. La maestosa
introduzione, dagli
accenti barocchi,
accompagna ad un
passaggio vivo ed
energico scritto nello
stile della musica pop.
Segue l’adagio che
sviluppa un passaggio
dalle inflessioni swing.
Concerto d’Amore si
conclude con la ripresa
del motivo dell’adagio
la cui forma alterata
offre una conclusione
brillante.
Concerto d'Amore Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0950624-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0950624-010
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Set (Score
& Parts). Composed 1995.
De Haske Publications
#DHP 0950624-010.
Published by De Haske
Publications
(BT.DHP-0950624-010).
9x12 inches.
In
Concerto d’Amore, a
maestoso opening is
followed by a quick and
energetic movement that
leads to a magnificent
adagio. A motif from this
adagio can be heard in a
swinging movement, after
which the piece comes to
a close with the return
of the adagio. This
arrangement for concert
band certainly brings
this beautiful music to
life.
In
Concerto d’Amore
worden drie verschillende
stijlen gecombineerd:
barok, pop en jazz. De
maestoso introductie van
de compositie klinkt als
een barokouverture. Dan
volgt een energiek
gedeelte in popstijl, dat
uitmondt in een adagio.
Eenmotief daaruit is
daarna te horen in een
swingende passage, waarna
het werk besluit met de
terugkeer van het adagio
in een nieuw
jasje.
Concerto
d’Amore vereinigt
drei unterschiedliche
Stile: Barock, Pop und
Jazz. Die Maestoso
bezeichnete Einleitung
der Komposition klingt
wie eine barocke
Ouvertüre. Es folgt ein
energiereicher Abschnitt
im Pop-Stil, der wiederum
zu einem Adagio führt.
Ein Motiv aus diesem
Adagio ist in der darauf
folgenden Swing-Passage
zu hören. Dann kehrt
Adagio in neuem Gewand
zurück, um das Werk zu
beenden.
Concerto
d’Amore est
composé de trois
périodes thématiques
aux caractéristiques de
la musique baroque, pop
et jazz. L’introduction
majestueuse, aux allures
d’ouverture baroque,
chemine vers un passage
vif et énergique écrit
dans le style de la
musique pop. L’adagio
qui lui succède
progresse vers un passage
aux inflexions de swing.
Concerto d’Amore
se conclut par la reprise
du motif de l’adagio
dont la forme altérée
offre une conclusion
brillante cette
œuvre richement
colorée.
Conce
rto d’Amore si
compone di tre periodi
tematici con
caratteristiche della
musica barocca, pop e
jazz. La maestosa
introduzione, dagli
accenti barocchi,
accompagna ad un
passaggio vivo ed
energico scritto nello
stile della musica pop.
Segue l’adagio che
sviluppa un passaggio
dalle inflessioni swing.
Concerto d’Amore
si conclude con la
ripresa del motivo
dell’adagio la cui
forma alterata offre una
conclusione
brillante.
Concerto d'Amore Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0950624-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0950624-140
Composed by Jacob De
Haan. Inspiration Series.
Concert Piece. Score
Only. Composed 2006. 36
pages. De Haske
Publications #DHP
0950624-140. Published by
De Haske Publications
(BT.DHP-0950624-140).
9x12 inches.
English-German-French-Dut
ch.
In Concerto
d’Amore, a maestoso
opening is followed by a
quick and energetic
movement that leads to a
magnificent adagio. A
motif from this adagio
can be heard in a
swinging movement, after
which the piece comes to
a close with the return
of the adagio. This
arrangement for concert
band certainly brings
this beautiful music to
life.
In
Concerto d’Amore
worden drie verschillende
stijlen gecombineerd:
barok, pop en jazz. De
maestoso introductie van
de compositie klinkt als
een barokouverture. Dan
volgt een energiek
gedeelte in popstijl, dat
uitmondt in eenadagio.
Een motief daaruit is
daarna te horen in een
swingende passage, waarna
het werk besluit met de
terugkeer van het adagio
in een nieuw
jasje.
Concerto
d’Amore vereinigt
drei unterschiedliche
Stile: Barock, Pop und
Jazz. Die Maestoso
bezeichnete Einleitung
der Komposition klingt
wie eine barocke
Ouvertüre. Es folgt ein
energiereicher Abschnitt
im Pop-Stil, der wiederum
zu einem Adagio führt.
Ein Motiv aus diesem
Adagio ist in der darauf
folgenden Swing-Passage
zu hören. Dann kehrt
Adagio in neuem Gewand
zurück, um das Werk zu
beenden.
Concerto
d’Amore est
composé de trois
périodes thématiques
aux caractéristiques de
la musique baroque, pop
et jazz. L’introduction
majestueuse, aux allures
d’ouverture baroque,
chemine vers un passage
vif et énergique écrit
dans le style de la
musique pop. L’adagio
qui lui succède
progresse vers un passage
aux inflexions de swing.
Concerto d’Amore
se conclut par la reprise
du motif de l’adagio
dont la forme altérée
offre une conclusion
brillante cette
œuvre richement
colorée.
Conce
rto d’Amore si
compone di tre periodi
tematici con
caratteristiche della
musica barocca, pop e
jazz. La maestosa
introduzione, dagli
accenti barocchi,
accompagna ad un
passaggio vivo ed
energico scritto nello
stile della musica pop.
Segue l’adagio che
sviluppa un passaggio
dalle inflessioni swing.
Concerto d’Amore
si conclude con la
ripresa del motivo
dell’adagio la cui
forma alterata offre una
conclusione
brillante.
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und (männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des großen
englischen Dichters und
Malers William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP 1043551.
The Web, der
dritte Satz von The
Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP 1125252.
Laden Sie hier die
Audiosamples herunter:
track 1, track 2,track
3
En 1794,
l’écrivain, peintre,
graveur, enlumineur,
visionnaire et philosophe
mystique anglais William
Blake (1757-1827)
dénonce dans The Book of
Urizen (Le Livre
d’Urizen), la loi de
fer du monde moderne.
Dans The Book
ofUrizen - la
première symphonie de
Jacob de Haan pour
Orchestre d’Harmonie,
Soprano et un récitant -
des collages sonores sont
utilisés. The
Vision, la première
partie et The
Creation, la
deuxième partie de
TheBook of Urizen
sont disponibles sous le
numéro
d'éditionsuivant: DHP
1043551. The Web,
la troisième partie de
The Book of Urizen
est disponible sous le
numéro d'édition
suivant: DHP 1125252.
Télécharger lesextraits
audio ici: track 1, track
2, track 3
The
Book of Urizen is a
work for concert band,
solo soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The Net
of Religion,” which is
spanned over the earth by
Urizen. The sound
collages, compiled by
Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come together.” In
the first movement
of this composition,
The Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.” His
vision is rejected,and
Urizen locks himself up
in his own abstract
world. When he does
emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,” and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his “stony
sleep,” they wonder if
this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give Urizen’s
world concrete form. In
thesecond
movement, The
Creation, Urizen’s
world, but also man,
woman, and child are
created. Los is horrified
with the appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.” Orc is fed at
Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’ chest. He
takes the child to the
top of the mountain and
chains him down. The
cries of Orc awaken
Urizen, who explores his
world creating
instruments of scientific
measurement to do so. Los
encircles theface of
Enitharmon from the sight
of Urizen and Orc. She
then populates the earth
by giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Concerto d'Amore Ensemble d'Accordéons - Intermédiaire De Haske Publications
Accordion Orchestra - Grade 3 SKU: BT.DHP-1043385-060 Composed by Jacob D...(+)
Accordion Orchestra -
Grade 3
SKU:
BT.DHP-1043385-060
Composed by Jacob De
Haan. Arranged by Gerd
Huber. Accordion.
Educational Tool. Set
(Score & Parts). Composed
2004. 24 pages. De Haske
Publications #DHP
1043385-060. Published by
De Haske Publications
(BT.DHP-1043385-060).
ISBN 9789043119290.
International.
In
Concerto d’Amore, a
maestoso opening is
followed by a quick and
energetic movement that
leads to a magnificent
adagio. A motif from this
adagio can be heard in a
swinging movement, after
which the piece comes to
a close with the return
of the adagio. This
arrangement by Gerd Huber
makes it possible for
each accordion ensemble
to bring this beautiful
music to life.
In
Concerto d’Amore
volgt na een maestoso
inleiding een snel en
energiek gedeelte, dat
uitmondt in een
schitterend adagio. Een
motief daaruit is
vervolgens verwerkt in
een swingend gedeelte,
waarna het stuk besluit
met de terugkeervan het
adagio. Dit arrangement
van de hand van Gerd
Huber stelt elk
accordeonensemble in de
gelegenheid deze mooie
muziek tot leven te
brengen.
In
Concerto d’Amore
folgt auf ein Maestoso
als Einleitung ein
schneller, energiereicher
Satz, der zu einem
bezaubernden Adagio
führt. Ein Motiv dieses
Adagios erklingt in einem
schwungvollen Satz, nach
welchem das Stück mit
der Rückkehr des Adagios
endet. Mit der
Bearbeitung von Gerd
Huber kann jedes
Akkordeonensemble diese
schöne Musik von Jacob
de Haan zum Leben
erwecken.
Concerto
d’Amore débute
avec une introduction
majestueuse qui chemine
vers un passage vif et
énergique.
L’adagio qui lui
succède développe un
motif mélodieux que
l’on retrouve dans un
passage aux inflexions de
swing. Concerto
d’Amore se conclut
par un ultime retour du
motif de
l’adagio,
conclusion brillante
d’une œuvre
richement colorée.
L’arrangement pour
Orchestre
d’Accordéons,
réalisé par Gerd Huber,
reste fidèle la beauté
de la version
originale.
Vincent d'Indy : Trio, Op. 29 Clarinette, Violoncelle, Piano (trio) [Conducteur et Parties séparées] Rosewood Publications
By Vincent d'Indy (1851-1931). For clarinet (violin), cello and piano. This edit...(+)
By Vincent d'Indy
(1851-1931). For clarinet
(violin), cello and
piano. This edition:
Facsimile Editions.
Winds, Strings and Piano.
Challenging, rewarding
work. Seldom performed..
20th Century. Score and
Parts. Published by
Rosewood Publications
Composed by Franz
Schubert. Edited by
Michael Kube. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
I, Volume 6. Complete
edition, Score. D 872,
621. Baerenreiter Verlag
#BA05555_00. Published by
Baerenreiter Verlag
(BA.BA05555).
ISBN
9790006497140. 33.1 x
26.1 cm
inches.
Urtext der
Neuen
Schubert-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By Johann Georg Pisendel (1687-1755). For Violin, Basso continuo. D-Dur (D major...(+)
By Johann Georg Pisendel
(1687-1755). For Violin,
Basso continuo. D-Dur (D
major). German title:
Violinsonate in D. Part:
basso continuo. Language:
all languages. 8 pages.
Duration 12 minutes.
Published by Carus Verlag
By Johann Georg Pisendel (1687-1755). For Violin, Basso continuo. D-Dur (D major...(+)
By Johann Georg Pisendel
(1687-1755). For Violin,
Basso continuo. D-Dur (D
major). German title:
Violinsonate in D. Part:
violin. Language: all
languages. 12 pages.
Duration 12 minutes.
Published by Carus Verlag
Concert Band; Orchestra
Detailed Instrumentation:
2+Picc.2.2.2: 4.2.0.0:
Timp: Str (9-8-7-6-5 in
set): Solo Piano
SKU:
AP.36-A212602
Composed by Richard
Strauss. This edition:
Kalmus Orchestra Library.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Edwin F. Kalmus.
Masterwork. Score and
Part(s). LudwigMasters
Publications #36-A212602.
Published by
LudwigMasters
Publications
(AP.36-A212602).
UPC:
676737597597.
English.
Richard
Strauss (1864-1949)
originally wrote this
work for solo piano and
orchestra under the title
Scherzo in D minor in
1886 for conductor and
pianist Hans von Bülow,
a large influence on
Strauss' career. Von
Bülow, however, consider
the work a complicated
piece of nonsense and
wanted nothing to do it.
Discouraged, Strauss set
the work aside until
1889, when he met
Scottish pianist Eugen
d'Albert, who liked it
while also suggesting
some changes. With a new
title, Burleske, and a
dedication to d'Albert,
the work was premiered on
June 21st, 1890 in
Eisenach at the
Tonkünstlerfest with
d'Albert at the piano and
Strauss conducting.
Despite this, Strauss
remained convinced that
the work lacked merit and
refused to have the work
published until 1894,
although it eventually
became one of his
favorite works. Strauss
never gave the work an
opus number, but many
consider it to be Op. 11,
which is actually
assigned to his Horn
Concerto No. 1 in E-flat.
Instrumentation:
2+Picc.2.2.2: 4.2.0.0:
Timp: Str (9-8-7-6-5 in
set): Solo Piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Piano, Vocal and Guitar SKU: BT.UPF-00012900 Sea Shanty. Book Only. Unive...(+)
Piano, Vocal and Guitar
SKU:
BT.UPF-00012900
Sea
Shanty. Book Only.
Universal Music
Publishing Group #UPF
00012900. Published by
Universal Music
Publishing Group
(BT.UPF-00012900).
French.
The
vocal ensemble Les
Marins d´Iroise was
founded in 1992 on the
occasion of the first
international maritime
festival in Brest and has
long since become famous
and indispensible when it
comes to interpreting
shanties and well-known
maritimetunes. The
edition contains the
vocal score (tenor 1 and
2, baritone and bass)
with piano accompaniment
as well as chord symbols
and many
pictures.
The
vocal ensemble Les
Marins d'Iroise was
founded in 1992 on the
occasion of the first
international maritime
festival in Brest and has
long since become famous
and indispensible when it
comes to interpreting
shanties andwell-known
maritime tunes. The
edition contains the
vocal score (tenor 1 and
2, baritone and bass)
with piano accompaniment
as well as chord symbols
and many
pictures.
Das
Vokalensemble Les
Marins d´Iroise (die
Seeleute von Iroise)
wurden 1992 anläßlich
des ersten
internationalen Fests des
Meeres und der Seeleute
in Brest (Les Tonnerres
de Brest) gegründet.
Inzwischen berühmt und
unverzichtbar
geworden,präsentiert das
vielstimmige
Männerensemble
mitreißend und voller
Begeisterung nicht nur
alte bretonische
Seemannsweisen und
Shanties. Die
vorliegende Ausgabe
enthält die Chorstimmen
(1. und 2. Tenor, Bariton
und Bass) und die
Klavierbegleitung sowie
Akkordsymbole und viele
farbige
Abbildungen.
L´en
semble vocal Les
Marins d´Iroise est
né en 1992, à
l´occasion de la
première fête
brestoise des Vieux
Gréements, devenue
fameuse et incontournable
au fil des différentes
éditions. Cet ensemble
reprend de grands tubes
tels queSantiano,
Amsterdam ou encore
Tri Martolod.
Retrouvez ici les
partitions pour chorale
(ténor 1 & 2, Baryton,
basse) avec
accompagnement piano.
Inclus les symboles
daccords, des photos en
couleurs de paysages et
du groupe.
Composed by
Raphael Fays. Delia
Estrada. Classical.
Score. Editions Henry
Lemoine #26556. Published
by Editions Henry Lemoine
(LM.26556).
ISBN
9790230965569.
Prel
ude No. 1 en mi mineur -
Prelude No. 2 en do
mineur - Prelude No. 3 en
la mineur - Zapateado -
Etude en re majeur -
Valse No. 1 en re majeur
- Valse No. 2 en mi
mineur - Valse No. 4 en
re mineur - A l'aube
d'une nuit d'ete -
L'Ultime adieu.
D.R.U.M. Percussion [Matériel pour classe] Alfred Publishing
Other Percussion SKU: AP.BMR08009 Discipline, Respect, and Unity Throu...(+)
Other Percussion
SKU:
AP.BMR08009
Discipline, Respect,
and Unity Through
Music. Composed by
Jim Solomon.
Classroom/Pre-School;
Orff; Orff School
Orchestra. Book. 56
pages. Alfred Music
#00-BMR08009. Published
by Alfred Music
(AP.BMR08009).
ISBN
9780769268385. UPC:
029156954913.
English.
Kids love
drums! The sight, sound,
power, and feel are
tremendous motivators for
many students. D.R.U.M.
is an acronym for
Discipline, Respect and
Unity Through Music. The
original D.R.U.M. group
was formed at author Jim
Solomon's elementary
school in 1995 to provide
an ensemble experience
for students not involved
in any of the regular
music groups. The group
concept is designed to
stress teamwork and
self-discipline while
learning these intensive
percussion ensembles
built on music from the
United States, Brazil,
Africa, and China. Useful
for general music classes
and special groups, this
book is a terrific
learning tool with
unlimited potential!
Mass in D major Soli, choeur mixte et accompagnement satb (soli), SATB (chur), Clavier Carus Verlag
(Orchesterfassung). Composed by Antonin Dvorak (1841-1904). Edited by Gunter Gra...(+)
(Orchesterfassung).
Composed by Antonin
Dvorak (1841-1904).
Edited by Gunter
Graulich. For SATB vocal
soli, SATB choir, organ.
D-Dur (D major). German
title: Messe in D
(Orgelfassung). Latin
Masses. Level 3. Choral
score includes solo
parts. Language: Latin.
Composed 1887. Op. 86.
Duration 43 minutes.
Published by Carus Verlag
Piano - Level 1 SKU: LM.23728 Composed by Fred Barlow. Classical. Score. ...(+)
Piano - Level 1
SKU:
LM.23728
Composed by
Fred Barlow. Classical.
Score. Editions Henry
Lemoine #23728. Published
by Editions Henry Lemoine
(LM.23728).
ISBN
9790230937283.
Plai
nte de la feuille
d'automne - Berceuse pour
un soir de neige - La
Petite source - Une
petite fille parle au Bon
Dieu - Le Pelerin au
desert - Calme au village
- Le Petit patre dans la
montagne - Petite
valse-confidence - Le
Guet qui passe - Jean
l'insouciant - Le Vallon
aux echos - L'Oiseau
blesse - Jour de pluie -
Clair matin - Jeux
d'indiens.
By Franz Schubert (1797-1828). Edited by Reinhold Kubik. For Soli SATB, SATB Cho...(+)
By Franz Schubert
(1797-1828). Edited by
Reinhold Kubik. For Soli
SATB, SATB Choir, 2
Oboes, 2 Bassoons, 2
Trumpets, Timpani, 2
Violins, Viola,
Cello/Contrabass, [3
Trombones, Organ]. This
edition: paperbound. D
49. Mass Sections. Score.
Language: Latin. Composed
1813. 48 pages. Duration
6 min
Solo organ - Difficulty: medium SKU: JU.00-GSOC00076 Composed by Johann P...(+)
Solo organ - Difficulty:
medium
SKU:
JU.00-GSOC00076
Composed by Johann
Pachelbel. Masterworks;
Organ Solo. H. W. Gray
Publications. Baroque.
Organ solo single. With
organ notation. 4 pages.
H. W. Gray #00-GSOC00076.
Published by H. W. Gray
(JU.00-GSOC00076).
UPC: 029156066869.
9x12 inches. Key: D
major. English.
Arranged.
Looking
for an
intermediate-level,
tasteful arrangement of
the popular Pachabel
Canon in D? Here's your
answer. Tucker has
arranged this famous
melody with weddings in
mind. It works well for
both a processional or
pre-service selection.
Easily learned, this
arrangement sounds more
difficult to play than it
actually is. A top
seller!
Piano - Level 3-4 SKU: LM.28725 Composed by Santos Chillemi. Classical. S...(+)
Piano - Level 3-4
SKU:
LM.28725
Composed by
Santos Chillemi.
Classical. Score and CD.
Editions Henry Lemoine
#28725. Published by
Editions Henry Lemoine
(LM.28725).
ISBN
9790230987257.
Huit
images d'enfants (Cour
d'enfants - A toto titi -
Berceuse - Une moquerie -
dans la foret - Danse des
gnomes - La danse des
sorcieres - La danse des
lutins) - Trois morceaux
sans drapeau (Eloquence -
Obstinologie -
Contrastologie).
Composed by Sigismondo D'India (1582-1629). Edited by John Steele & Suzanne Cour...(+)
Composed by Sigismondo
D'India (1582-1629).
Edited by John Steele &
Suzanne Court. For 5
mixed voices. Madrigal.
Renaissance Voices.
Collection. Text
Language: Italian.
Published by Gaudia Music
and Arts Publications