SKU: HL.1215597

UPC: 841300102281. 19.0x23.0x9.0 inches.

The DJM-A9 raises the bar for club standard, professional mixers with stunningly clear sound quality, enhanced playability and connectivity, and a host of new features to take performances to the next level. The DJM-A9's new layout design makes it more instinctive and comfortable to play. Spacing was added around the EQ knobs. The channel faders and the MAGVEL FADER crossfader are slicker than those on the DJM-900NXS2, to enable performers to mix and scratch more efficiently. And the Sound Color FX include the world's first Center Lock feature, to ensure artists don't accidentally cross over between the hi/low parameters. Beat FX are more instinctive to use on the DJM-A9 thanks to the new color display and revamped X-Pad, which is now arranged horizontally for simple, sideways finger sliding. The Beat FX channel selector is now a dedicated button, enabling quicker effect routing, and the Multi I/O section has been upgraded to offer true send capabilities. In total, there are 14 Beat FX to play with, including 3 new ones. Through fine-tuning and improved construction with carefully selected components, the microphone section of the DJM-A9brings new possibilities when streaming or MCing. Artists can connect a condenser mic directly to the DJM-A9 for the best possible vocal sound quality thanks to the phantom power supply to the mic input, which is an industry-first feature on a DJ mixer. To dynamically change the sound of the artist's voice, there are 3 different mic effects plus a dedicated reverb to play with. Changing DJs or playing back-to-back is a breeze on the DJM-A9 thanks to the dual sets of USB Type-B and Type-C ports, which enable artists to connect two PCs/Macs running either rekordboxor Serato DJ Pro. And the mixer's expanded connectivity opens up new possibilities for artists performances. If an artist wants to play tracks from a mobile device, Bluetooth®/MDinput makes it easy on the DJM-A9. The audio can be routed to any channel, and an artist can use all the mixer's effects to change the sound.

SKU: HL.1433354

UPC: 860006446802. 11.75x13.5x18.25 inches.

Kali Audio's LP-6 V2 is a 6.5-inch studio monitor. It was designed to deliver transparent sound for creators working across genres and formats at a price that puts it within anyone's reach. An advanced waveguide, a large voice coil, and precision tuning make the sound extraordinarily transparent, while the oversized low frequency magnet and low noise port tube deliver powerful, clean bass response. To make it easy to navigate into your setup, the speaker is self-powered and has a variety of inputs. The DSP features Boundary EQ settings that optimize the speaker's response for where it's placed in your listening space. New in the 2nd Version is an improved amplifier platform that offers lower noise, higher sensitivity, and smoother high-frequency response. The Boundary EQ settings have been updated based on user feedback, and the low-frequency driver cone has less mass for more consistent response.

SKU: HL.1753724

UPC: 850035900178. 7.25x9.5x3.5 inches.

Every Royer R-10 delivers the sonic excellence, flexibility and durability that recording and FOH engineers know they can expect from Royer, but at an easier-to-handle price point than most expect! The R-10 is a passive, mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank, California factory, the R-10 is exceptionally rugged, handling SPLs of up to 160 dB @ 1 kHz (!), and its compact size and mounting system allow for flexible, unobtrusive positioning. The R-10's 2.5-micron aluminum ribbon element (same as in the legendary R-121) is formed with our patented direct-corrugation process, and is extremely well-protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The R-10's built-in windscreen provides superior protection from air blasts and plosives, while also reducing proximity effect (bass buildup from close micing) so guitar cabinets and acoustic instruments can be more easily close-miced. The internally shock-mounted ribbon transducer isolates the ribbon element from unwanted vibrations, decreasing rumble and increasing the ribbon element's durability. The transducer is even wired for humbucking to better reject electromagnetically induced noise! The R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You'll never overload an R-10! The mic's open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats. The R-10 is truly an excellent tool for recording almost any sound source you can think of!

SKU: HL.1433355

UPC: 860004163886. 12.75x14.0x20.75 inches.

Kali Audio's LP-8 V2 is an 8-inch studio monitor. It was designed to deliver transparent sound for creators working across genres and formats at a price that puts it within anyone's reach. An advanced waveguide, a large coil, and precision tuning make the sound extraordinarily transparent, while the oversized low frequency magnet and the low noise port tube deliver powerful, clean bass response. To make it easy to integrate into your setup, the speaker is self-powered and has a variety of inputs. The DSP features Boundary EQ settings that optimize the speaker's response for where it's placed in your listening space. New in the 2nd Version is an improved amplifier platform that offers lower noise, higher sensitivity, and smoother high-frequency response. The Boundary EQ settings have been updated based on user feedback, and the low-frequency driver cone has less mass for more consistent response.

SKU: HL.1455816

UPC: 841300102434. 19.0x21.0x9.0 inches.

The euphonia produces a euphoric sound with the clarity of digital and the richness of analog that's never been heard from a DJ mixer before. To deliver a clearer sound quality that accurately reproduces the expression of the music, the euphonia uses high-quality 32-bit A/D and D/A converters as well as 96kHz/64 bit floating point mixing processing operations in the DSP, utilizing the digital signal processing technology AlphaTheta has developed over many years. All sound coming out of the euphonia passes through a transformer circuit co-designed by AlphaTheta and Rupert Neve Designs, the legendary makers of outstanding analog audio circuitry and mixing desks revered by artists and sound engineers around the world. This transformer circuit, tuned specifically for the euphonia, adds harmonics to the music and creates a glossy and energetic sound that's smoother for mixing. Low frequencies such as kicks and bass are more stable and punchy, mid frequencies like vocals and instruments have more presence and gloss, and high frequencies such as hi-hats sound silky and natural. The transformer breaks down the barrier between vintage live and modern electric sounds, making mixing easier and surprisingly natural, as if recordings in different styles were orginally one piece of music. When you touch the faders on the euphonia, you won't want to let go. To enhance its intuitive mixing experience, the unit is loaded with rotary faders that feature a brand-new carefully developed design to give you the feeling that you and the mixer are one. After extensive testing, the perfect knob sizers were chosen, with an elastomer applied to the outer circumference of each to ensure a comfortable and reliable grip as well as a high level of vibration absorption. The uniquely developed mechanism for the faders also benefits from optimum weighting. You'll notice a difference in the feel of the knobs when you turn them at different speeds, as a smooth load is applied when you turn a knob slowly for delicate fine-tuning and a limited load level is applied when you turn the knob quickly to instantly reach your intended volume level. And the fader volume curves have been optimized through feedback from numerous DJs, enabling smooth and natural mixing without equalizing, so you can concentrate on volume control. This innovative fader allows for musical expression that will move your audience and enhance your performance. Get an instant visual grasp of the status of your mix and the balance of tack volume levels by glancing at the euphonia's Energy Visualizer. Conventional VU meters only have 1 needle meter, making it difficult for DJs to graps multiple channel levels at the same time. But the euphonia's uniquely developed Mix Level Meter features a needle meter for each channel so you can visually check the levels for all channels and mix smoothly.

SKU: HL.1433353

UPC: 860004163862. 12.0x13.5x18.5 inches.

Kali Audio's LP-6 V2 is a 6.5-inch studio monitor. It was designed to deliver transparent sound for creators working across genres and formats at a price that puts it within anyone's reach. An advanced waveguide, a large voice coil, and precision tuning make the sound extraordinarily transparent, while the oversized low frequency magnet and low noise port tube deliver powerful, clean bass response. To make it easy to integrate into your setup, the speaker is self-powered and has a variety of inputs. The DSP features Boundary EQ settings that optimize the speaker's response for where it's placed in your listening space. New in the 2nd Version is an improved amplifier platform that offers lower noise, higher sensitivity, and smoother high-frequency response. The Boundary EQ settings have been updated based on user feedback, and the low-frequency driver cone has less mass for more consistent response.

SKU: HL.1418387

UPC: 841300102410. 16.0x26.5x17.0 inches.

Faster and easier Cable-free DJing without sound delays is now possible with the WAVE-EIGHT thanks to SonicLink. This new ultra-low-latency technology wirelessly transmits audio much faster than a Bluetooth connection so only a fraction of a second passes between pressing play on the decks and hearing the track through the speakers, which lets you mix without missing a beat. Take the included transmitter out of its storage compartment on the WAVE-EIGHT and connect it to your DJ gear, and you can instantly create a wireless connection, enabling you to throw a DJ party anywhere you want. And if you combine the WAVE-EIGHT with the new OMNIS-DUO portable all-in-one DJ system, which features battery power, you can play cable-free for total freedom. Professional sound with effortless setup With a highly efficient Class D amplifier, a newly designed 8-inch driver, and a Vortex Bass Accelerator which delivers clear and powerful bass, the WAVE-EIGHT will bring the vibes and the punch to your party's sound, even in outdoor settings. To cover larger events and spaces, you can easily add more units to your setup with the SonicLink connection: e.g., using 2 speakers in stereo for an expansive experience, or with a third added as a dedicated subwoofer for a club-like heavy bass sound. There are even several modes you can change between with a single switch to create the type of sound you need, including Mono, Stereo, and Subwoofer mode. Battery power and waterproof design for outdoor events A full battery charge gives you 8 hours of music on the WAVE-EIGHT so you can keep the tunes going throughout the evening and night. The unit is also waterproof, with an IPX4 rating, so it's ideal for using outdoors. And, if you need to charge your phone or another device, you can plug it into the USB Type-C port. Find party venues wherever you go The extendable handle, casters, and additional grab handles make it easy to carry the WAVE-EIGHT to any location on your own. There's a pole socket built-in, too, so you can mount the speaker on a stand for extra height, making it ideal for use in a variety of locations.

SKU: HL.1763071

UPC: 196288303206.

In collaboration with Cory Wong, this Wong Press is a 4-in-1 Press pedal and features Cory's personal specs: Iconic blue and white color combination, customized volume control curve, fine-tuned wah Q range, and a dual-color STATUS LED strip indicating current mode/pedal position simultaneously. FEATURES: • Cory Wong's signature Press pedal featuring his personal specs • True Bypass • 4 in 1 functionality (volume, expression, wah, volume/wah) • New dual-color STATUS LED strip indicating pedal mode and position in real time • Cory's custom volume curve and wah Q control • Classic-voiced wah tone with flexible tonal range • Active volume design for keeping lossless tone • Separate tuner and expression outputs for more connection possibilities • Uses 9V DC or 9V battery power supply.

SKU: HL.1236959

UPC: 663961064049. 15.0x16.0x5.0 inches.

BETTER. FASTER. CREATOR. The DLZ Creator Adaptive Digital Mixer for Podcasting and Streaming enables you to get the results you want–faster than ever. Inspired in part by smartphone and DSLR cameras that make great results accessible to anyone, DLZ Creator transforms the on-screen controls to meet your creative style or skill level–without compromising processing power or sound quality. EASY For those who want to get great results without menu-diving. ENHANCED For those who want some customization without an overwhelming number of options. PRO For those who know what they want and how to get it. BUILT-IN SMARTS More than just an audio interface or podcast mixer, DLZ Creator is designed to help you be a better content producer. • Mix Agent is your virtual audio assistant, guiding you through setup and setting gain levels • AutoMix manages levels for up to four mics, so everyone can be heard • Using Mix Minus with your Bluetooth®-connected smartphone brings a caller into your mix with no audible echo THE INS AND OUTS OF PRODUCING From studio-grade Onyx80 preamps, to custom headphone mixes for each guest, DLZ Creator brings Mackie's legacy in pro mixing boards to creators everywhere. READY FOR WHAT'S NEXT DLZ supports the way you want to create. Record or stream to your computer via USB-C, or record full multitrack audo to an SD card or flash drive for a truly self-contained setup.

SKU: HL.1753725

UPC: 850035900017. 7.25x12.0x5.5 inches.

In studios and on live stages around the world, the R-121 is the sound of electric guitars... and so much more! The R-121 is Royer's flagship microphone – the iconic, radically engineered ribbon mic that put modern ribbons on the map in the 1990s has changed the meaning of “natural sound” for engineers and musicians around the world. The undisputed #1 first-call ribbon microphone for electric guitars, R-121s are equally well suited for trumpets and all brass instruments, drum rooms, percussion, piano, and much more. The R-121 delivers a warm, extremely natural sound pickup in a compact, light-weight, high-output package that's easy to position, and it handles massive SPLs famously (160dB #1kHz). R-121s are built to use on guitar ramps from small combos to wide open high-wattage heads, trumpets from close-up muted to blow-your-hardest blaring, drums, and other high SPL applications. But its nuanced, natural sound pickup is also beautiful on quiet instruments like fingerpicked acoustic guitars, harp, flute, light percussion and others. The R-121 is warm, smooth and musical, giving phenomenal results on a wide variety of instruments.

SKU: HL.1436504

SKU: HL.1117964

UPC: 847986002129. 7.0x10.25x4.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Two switchable sound characteristics, AIR and FLAT. The 140 AIR has two sound characteristics, AIR and FLAT. AIR delivers an open, sparkling character which is the right choice if you need great sound without spending time on post-production. FLAT provides a linear frequency response for “as-it-isâ� �€Â reproduction of drums, strings, acoustic guitars, and choirs. It is perfect if you aim for realistic sonic images. The best stereo matching you can get. LEWITT has one of the most precise matching processes in the industry. The difference between the two mics of a stereo pair is inaudible. How come? The frequency response and sensitivity of every single microphone is measured. A measurement system controls the polarization voltage of the capsule to adjust the sensitivity, so it is the same for all LCT 140 AIR. Then, an algorithm compares the measured frequency response of each microphone and finds the perfect pairs. Excellent transient response and full flexibility on all instruments Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 140 AIR delivers an excellent transient response. To be prepared for all eventualities, the LCT 140 AIR has a low-cut and a PAD. You won't break a sweat with loud sources, nor will you have to deal with low-frequency noise when you don't want to. The LCT 140 AIR is great for: Acoustic Guitar Drums Strings Choirs Piano Ukulele Durable and light aluminum housing The LCT 140 AIR is very durable yet lightweight thanks to its CNC'ed aluminum housing. Positioning and setup become easy tasks. What's in the box? The 140 AIR Stereo Pair comes with two snap-in mic clips, a transport bag with two pockets, and two windscreens.

SKU: HL.1193779

UPC: 647139648378. 17.75x17.75x15.0 inches.

CB's Tournament Series Marching Snare is the heartbeat of any corps. It's built with a 6-ply poplar shell, a rugged White Fomega Wrap, 2mm Triple Flange, chrome-plated steel hoops, and a standard CB Throw-off. Drum sticks and a tuning key are also included.

SKU: HL.1744575

Thump210XT gives you powerful 1400W class-D amplification in a compact loudspeaker that's perfect for gigging DJs and bands, venues and more. Packed with incredibly useful features, Thump210 makes gigs run smoother with feedback elmination and musc ducking built right in. And with dual TRS/XLR inputs plus a stereo 1/8″ aux input, Bluetooth® and app control, you can plug all your gear into this 10″ model that's perfect for small stages and hard-to-reach places.

SKU: HL.1433365

UPC: 860007984259. 12.0x13.25x18.25 inches.

The MM-6 is acoustically identical to our best-selling studio monitor, the LP-6. Kali's studio monitors can be found in the best studios across the globe. Their precision, power, and detail make them a top choice for GRAMMY-winning musicians and producers, film and television studios, and creators working in immersive formats like Dolby Atmos. If you've listened to music, watched something on TV, or been to the movies in the last few years, you've heard something that was made on Kali Audio studio monitors. This means that when you're listening to your MM-6s, you're hearing things exactly as those creators intended. Nothing is suppressed and nothing is hyped. Everything will come through with perfect clarity, allowing you to sink into the experience and enjoy it as fully as possible. With optical, RCA,S/PDIF, and XLR inputs, the MM-6 is easy to connect to whatever device you're using. When you buy a pair of MM-6, you get a free XLR cable to connect the two MM-6s together, so you can run one stereo signal from your device to the MM-6s for a clean, easy, inexpensive setup. The MM-6 has boundary EQ settings that let you dial in the perfect sound whether you have the speakers on stands, on a desk, on your credenza, or on a bookshelf. Whether the speakers are against a wall or in the middle of the room, you can get crystal celar sound with the flick of a switch. You can also add or subtract bass and treble to further fine tune the sound. The included remote control works on the digital inputs, so you have easy control to how loud your speakers are even if the device you're connected to doesn't let you turn the sound up and down.

SKU: HL.1117963

UPC: 847986002044. 6.75x10.25x4.0 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Two switchable sound characteristics, AIR and FLAT The 140 AIR has two sound characteristics, AIR and FLAT. AIR delivers an open, sparkling character which is the right choice if you need great sound without spending time on post-production. FLAT provides a linear frequency response for “as-it-isâ� �€Â reproduction of drums, strings, acoustic guitars, and choirs. It is perfect if you aim for realistic sonic images. Excellent transient response to capture the natural sound of your instruments. Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 140 AIR delivers an excellent transient response. Durable and light aluminum housing The LCT 140 AIR is very durable yet lightweight thanks to its CNC'ed aluminum housing. Positioning and setup become easy tasks. What's in the box? The 140 AIR comes with a snap-in mic clip, a transport bag, and a windscreen.

SKU: HL.1744574

Thump210 gives you powerful 1400W class-D amplification in a compact loudspeaker that's perfect for gigging DJs and bands, venues and more. Packed with incredibly useful features, Thump210 makes gigs run smoother with feedback elimination and music ducking built right in. And with dual TRS / XLR inputs plus a stereo 1/8″ aux input, you can plug all your gear into this 10″ model that's perfect for small stages and hard-to-reach places.

SKU: HL.1433364

UPC: 860007984273. 22.5x25.5x24.5 inches.

Kali Audio's WS-12 V2 IS A 1000 W, 12-inch subwoofer for studio and live use. With a frequency response down to 23 Hz, it is an authoritative studio subwoofer. The 1000 W power amp allows the WS-12 to be used for bass management in 5.1 systems, and one WS-12 will be sufficient when using up to 5 of Kali's IN-8s. The WS-12 is the only subwoofer that can pull double duty as a studio and live subwoofer. An 18mm wooden enclosure means that the WS-12 V2 is rugged and portable, making it a perfect solution for us in small PA systems. The WS-12 V2 is specifically designed to fit into small passenger cars, making it easy to carry to and from gigs. V2 features several improvements over the original versions. Signal-to-noise on the crossover is improved by more than 6 dB. The V2 also features an M10 pole cup, allowing users to attach a pole for mounting full-range PA speakers.

SKU: HL.1433362

UPC: 860006446895. 14.5x15.5x19.5 inches.

The WS-6.2 is a studio subwoofer with 2 x 6.5-inch high excursion woofers. Designed to be both powerful and small, the WS-6.2 takes up less than half as much space as comparably performing subwoofers. Despite its diminutive form factor, it is capable of 120 dB max SPL and 27 Hz lower frequency response. The woofer are horizontally opposed, meaning that there is no net vibration from the subwoofer. A built-in 80 Hz high-passed output makes it ideal for pairing with most popular studio monitors, including Kali's LP-and IN-Series monitors. A footswitch jack allows users to bypass both the sub and the crossover so they can hear their mix on their full range speakers. Footswitches are sold separately, but a number of inexpensive options are available at every music retailer. In addition to the 80 Hz crossover, the subwoofer can be set for LFE mode or be used with an external crossover. Polarity may also be reversed if necessary. Like all of Kali's speakers, the US-6.2 uses a unique port tube that virtually eliminates chuffing and port compression, allowing for clear, powerful bass with minimal distortion.

SKU: HL.1117978

UPC: 196288301660. 8.25x10.25x4.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Clear and precise condenser sound The MTP 350 CMs is a condenser vocal microphone with a lightweight diaphragm condenser capsule. This brings a high level of sonic clarity to your vocal performance. Durable materials for longevity To make sure your beloved microphone survives even your roughest touring routines, the enclosure is made out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing unwanted handling noise. The built-in wind and pop-filter prevents hissing sounds and plosives. On top of that, the capsule is protected from moisture. Cardioid polar pattern Its cardioid polar pattern picks up sound coming mainly from the front of the microphone. Sound coming from directly behind the mic is dampened to guarantee high monitor levels. A solid show is assured as you don't have to worry about nasty feedback issues. What's in the box? The MTP 350 CMs comes with a snap-in mic clip, a windscreen and a transport bag.

SKU: HL.1191923

UPC: 647139648187. 16.0x31.0x5.0 inches.

CB's Marching Drum Stands are built to be both rugged and flexible for stationary playing. With double braced legs, height adjustments with memory locks and skid-proof rubber feet, they are the perfect complement to your CB Marching gear.

SKU: HL.1117975

UPC: 847986001399. 8.0x10.0x4.5 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Tailored vocal sound The MTP 250 DM features full and clear live sound. Your voice sits well in the mix and you can hear yourself clearly on the monitors. Engage with your fans. They can hear you loud and clear! Durable materials for longevity To make sure your beloved microphone survives even your roughest touring routines, the enclosure is made out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing unwanted handling noise. The built-in wind and pop-filter prevents hissing sounds and plosives. On top of that, the capsule is protected from moisture. Cardioid polar pattern A cardioid polar pattern picks up sound coming mainly from the front of the microphone, sound from directly behind the MTP 250 DM is dampened. You can run your monitor signal at high volume without having to worry about nasty feedback issues. You'll perform confidently, and a solid show is assured. What's in the box? The MTP 250 DM comes with a snap-in mic clip, a windscreen and a transport bag.

SKU: HL.3712033

UPC: 196288220701. 5.0x8.75x2.75 inches.

Dynamic vocal microphone (supercardioid), with switch.

SKU: HL.1193775

UPC: 647139648200. 26.0x26.0x18.5 inches.

Nothing makes as grand an entrance as CB's Tournament Series Bass Drums. Built and priced with maximum performance in mind, your corps will be a favorite, no matter the event. Ranging in diameters from 18 to 24 inches, these bass drums feature 6-ply poplar shells with a durable White Fomega Wrap and .6mm steel hoops. Mallets, a strap, and a tuning key are included.

SKU: HL.1433357

Kali Audio's IN-5 is a 3-way studio monitor with a 5-inch woofer and a 4-inch midrange with a coaxial 1-inch tweeter. The unique architecture of the Midrange and Tweeter eliminates off-axis lobing, giving the IN-8 an incredibly accurate, lifelike stereo image. The strength of the stereo image, combined with the clarity of the speakers overall, make it extremely easy to build a complete, detailed picture of your mix. Every aspect of your mix is presented with the clarity of the speakers overall, make it extremely easy to build a complete, detailed picture of your mix. Every aspect of your mix is presented with clarity and accuracy, allowing you to dial in precisely the sound you want.

SKU: HL.1753728

The SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. The SF-12 utilizes two 1.8-micron ribbons, each weighing approximately 1/3 milligram and producing superb transient response. The two ribbon transducers are magnet/pole piece structures that produce a wide, uniform frequency response with no substantial peaks or dips. The case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package. The SF-12's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labled “Upper” and “Lower,” for the upper and lower capsules of the microphone (when held vertically). The SF-12 is uncanny for creating “you-are-there” stereo recordings that capture not only the instrument being recorded, but, depending on positioning, the acoustic environment as well. If you pay carefull attention to the sound of an instrument or ensemble in the recording environment, you will likely find a place where it sounds best to you. Position the SF-12 in that place and you will capture that sound.

SKU: HL.1215599

UPC: 841300102304. 6.75x31.0x18.75 inches.

The 4-channel DDJ-FLX10 for rekordbox and Serato DJ Pro includes a host of brand-new features that enables new creative possibilities, including functions DJs can use to easily perform mashups on the fly with no need to prepare tracks in advance. Thanks to the controller's new Track Separation technology, DJs can easily load tracks from their music library to the DDJ-FLX10 and manipulate different musical parts to create infinitely unique performances including live mashups. The controller focuses on 3 track elements that are crucial to DJing – vocals, drums, and inst (other instruments)Ÿ– so DJs can easily play around each one. DJs can reference important information and customize the loof of the controller, thanks to the expanded On Jog Display. Improving on the jogs from popular DDJ-1000, there are 4 On Jog Display modes to choose from, giving DJs the option to display different types of waveform information. The DDJ-FLX10 introduces Mix Point Link, a new rekordbox-compatible feature that enables the user to neatly and seamlessly link the playback of tracks in their set while freeing up their hands to help foster creativity.