| Jarba, Mare Jarba Chorale SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU:
CF.CM9700 Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700). ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk. In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Looking Up Chorale SATB SATB, Piano St Rose Music Publishing
Choir, Piano Accompaniment (SATB Choir) SKU: HL.277282 SATB and Piano ...(+)
Choir, Piano
Accompaniment (SATB
Choir) SKU:
HL.277282 SATB and
Piano Vocal Score.
Composed by Nico Muhly.
Music Sales America.
Classical. Softcover. 60
pages. St. Rose Music
#SRO10015201. Published
by St. Rose Music
(HL.277282). UPC:
840126915006. 6.75x10.5
inches. Program
note:
Looking Up
is a piece for large
chorus and orchestra, and
is in three sections,
played without pause. In
the 16th century, a
variety of psalters in
meter were printed in
England, with the idea of
making psalm-singing
something that could
happen easily at home,
with the rhyming meter
being an aid to
memorization. These
translations are
wonderful exercises in
brevity and sometimes
clumsy rhymemaking, and
were usually prefaced by
a lengthy explanation as
to their merits; the
title of one of the first
such volumes in English
is: The Psalter of Dauid
newely translated into
Englysh metre in such
sort that it maye the
more decently, and wyth
more delyte of the mynde,
be reade and songe of al
men. I thought it would
be appropriate to set one
of these introductions,
and the first section of
Looking Up sets the
preface to Thomas
Ravenscroft's psalter
(1621), in which he
writes: “The
singing of Psalmes (assay
the Doctors) comforteth
the sorrowfull, pacifieth
the angry, strengtheneth
the weake, humbleth the
proud, gladdeth the
humble, stirres up the
slow, reconcileth
enemies, lifteth up the
heart to heavenly things,
and uniteth the Creature
to his
Creator.”
It
begins meditatively, but
eventually grows agitated
and fervent, with a
vision of the
“quire of Angels
and Saints”
“redoubling
anddescanting” - an
ecstatic and terrifying
vision of the skies
opening up. Ravenscroft
then encourages the use
of instrumental musicfor
worship, at which point,
a long, acrobatic
orchestral interlude with
jagged edges antagonizes
the choir, who sing a
kind of private, anxious
meditation on two
pitches.
One of
the most delicious
biblical texts is an
Apocryphal prayer known
as the Benedicite or the
Prayer of the Three
Children (the same who
were rescued by an angel
after King Nebuchadnezzar
tried to have them burnt
in an oven for not bowing
to his image). The text
is repetitive, obsessive,
and a gift to composers -
each line is an
invocation of an element
of the natural world,
followed by the phrase,
“blesse ye the
Lord, praise him &
magnify him for
ever.” In Looking
Up, the setting begins
with three solo voices,
and then grows to include
the whole choir,
itemizing the whole of
creation. The idea that
these boys are spared
from the furnace and then
five minutes later are
saying, “O ye the
fire and warming heate,
blesse ye the
Lord...” has always
felt very loaded to me,
and the orchestra plays
with this conflict
between joyful praise and
a more terrible (in the
16th-century sense)
awefor the
divine.
The text
for the third, and
shortest, section is
taken from Christopher
Smart's (1722-1771) A
Song to David,
purportedly written
during his confinement in
a mental asylum. This ode
to King David points out
how David, as the author
of some of the Psalms,
observes the whole world
from the
“clustering
spheres” to the
“nosegay in the
vale.&rdquo. $7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Magnificat and Nunc Dimittis Chorale SATB SATB, Orgue Chester
Choral; Organ Accompaniment (SATB AND ORGAN) SKU: HL.277960 SATB and O...(+)
Choral; Organ
Accompaniment (SATB AND
ORGAN) SKU:
HL.277960 SATB and
Organ. Composed by
Rachel Portman. Choral.
General Worship, Sacred.
Softcover. 16 pages.
Chester Music #SRO100172.
Published by Chester
Music (HL.277960).
6.5x9.75
inches. Rachel
Portman's Magnificat and
Nunc Dimittis for SATB
choir and organ
accompaniment. Born in
west Sussex, England,
Rachel Portman began
composing at age 14 and
studied music at Oxford
University. She gained
experience writing music
for drama in BBC and
Channel 4 films including
Mike Leigh's Four Days in
July and Jim Henson's
Storyteller series. Her
extensive film work
includes scores for Never
Let Me Go, The Joy Luck
Club, Benny and June, and
The Manchurian Candidate.
She won an Academy award
for her score for Emma
and Academy nominations
for Chocolat and The
Cider House Rules. She
has written a musical of
Little House on the
Prairie as well as an
opera of Saint Exupery's
The Little Prince for
Houston Grand Opera and
The Water Diviner, a
dramatic choral symphony
commissioned for the BBC
Proms concerts. She was
appointed Officer of the
Order of the British
Empire (OBE) in the 2010
New Year Honours. $4.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Sea Hath Its Pearls Chorale SATB Gentry Publications
Composed by J.C.D. Parker. Edited by David P. DeVenney. Gentry Publications....(+)
Composed by J.C.D.
Parker.
Edited by David P.
DeVenney.
Gentry Publications.
Concert,
Romantic. Octavo. Gentry
Publications #JG2569.
Published by Gentry
Publications
$2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| O Little Town of Bethlehem Chorale SATB Carl Fischer
Composed by English Ballad. Arranged by Russell L. Robinson. Fold. Octavo. 8...(+)
Composed by English
Ballad.
Arranged by Russell L.
Robinson. Fold. Octavo. 8
pages. Duration 2
minutes, 47
seconds. Carl Fischer
Music
#CM9657. Published by
Carl
Fischer Music
$2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Choral collection Bruckner. Secular choral music Chorale SATB SATB, Piano Carus Verlag
SATB chorus, piano SKU: CA.402605 Composed by Anton Bruckner. Edited by S...(+)
SATB chorus, piano
SKU: CA.402605
Composed by Anton
Bruckner. Edited by Simon
Halsey, Jan Schumacher.
Choral collection. Carus
Verlag #402605. Published
by Carus Verlag
(CA.402605). ISBN
9790007302054.
German. At times
Romantic, at other times
with a jazzy touch, the
Choral collection
Bruckner. Secular choral
music is full of exciting
discoveries and new
arrangements at various
levels of difficulty.
Anton Bruckner’s
secular choral music is
often overshadowed by his
great symphonies and
sacred choral works
– unfairly, as
choral experts Simon
Halsey and Jan Schumacher
prove with their small
but fine selection of
choral music inspired by
secular texts.
Bruckner left
only a few movements for
mixed choir; instead, his
music for male voices
constitutes a far larger
body of work. For this
collection, renowned
arrangers from Germany,
England, Denmark, and
Italy have specially
reworked the most
beautiful of these choral
movements for SATB,
enabling this great
repertoire to be
performed by mixed
choirs. Two original SATB
compositions are also
included. Furthermore,
the choral collection
features arrangements of
songs originally written
for solo voice and piano
with texts by such poets
as Heinrich Heine and
Emanuel Geibel. Another
highlight is an
arrangement of the Adagio
from Bruckner’s
String Quintet WAB 112,
which Heribert Breuer has
created for choir to a
text by Georg
Trakl.- 16 SATB
settings, several with
keyboard
accompaniment-
Selected by Simon Halsey
and Jan
Schumacher-
Modern SATB arrangements
of male-voice works and
solo songs, as well as
original compositions
- Affordable
complete volume
(editionCHOR) as well as
separate editions
available in print and
digitally.-
Introductory price valid
until 31.10.2023, then
27.00 EUR
(editionCHORLEITUNG) and
15.00 EUR (editionCHOR,
minimum order: 20
copies) $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Choral collection Bruckner. Secular choral music Chorale SATB SATB, Piano Carus Verlag
SATB chorus, piano SKU: CA.402600 Composed by Anton Bruckner. Edited by S...(+)
SATB chorus, piano
SKU: CA.402600
Composed by Anton
Bruckner. Edited by Simon
Halsey, Jan Schumacher.
Gattungen vokal: Secular
choral music. Choral
collection. Carus Verlag
#402600. Published by
Carus Verlag (CA.402600).
ISBN 9790007294045.
German. At times
Romantic, at other times
with a jazzy touch, the
Choral collection
Bruckner. Secular choral
music is full of exciting
discoveries and new
arrangements at various
levels of difficulty.
Anton Bruckner’s
secular choral music is
often overshadowed by his
great symphonies and
sacred choral works
– unfairly, as
choral experts Simon
Halsey and Jan Schumacher
prove with their small
but fine selection of
choral music inspired by
secular texts.
Bruckner left
only a few movements for
mixed choir; instead, his
music for male voices
constitutes a far larger
body of work. For this
collection, renowned
arrangers from Germany,
England, Denmark, and
Italy have specially
reworked the most
beautiful of these choral
movements for SATB,
enabling this great
repertoire to be
performed by mixed
choirs. Two original SATB
compositions are also
included. Furthermore,
the choral collection
features arrangements of
songs originally written
for solo voice and piano
with texts by such poets
as Heinrich Heine and
Emanuel Geibel. Another
highlight is an
arrangement of the Adagio
from Bruckner’s
String Quintet WAB 112,
which Heribert Breuer has
created for choir to a
text by Georg
Trakl.- 16 SATB
settings, several with
keyboard
accompaniment-
Selected by Simon Halsey
and Jan
Schumacher-
Modern SATB arrangements
of male-voice works and
solo songs, as well as
original compositions
- Affordable
complete volume
(editionCHOR) as well as
separate editions
available in print and
digitally.-
Introductory price valid
until 31.10.2023, then
27.00 EUR
(editionCHORLEITUNG) and
15.00 EUR (editionCHOR,
minimum order: 20
copies) $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
1 |