Mother, I Love You Chorale SATB SATB, Piano [Octavo] - Intermédiaire Jackman Music Corporation
(A Mother's Day Medley). Arranged by Brent Jorgensen. For Mixed chorus (SATB), c...(+)
(A Mother's Day Medley).
Arranged by Brent
Jorgensen. For Mixed
chorus (SATB), children's
voices, and piano. Medley
includes: Mother, I Love
You; My Mother; and My
Mother Dear. Medium.
Choral octavo. Duration
4:45
SATB chorus and piano - Medium SKU: JK.01303 Composed by Thayne Martin. A...(+)
SATB chorus and piano -
Medium
SKU:
JK.01303
Composed by
Thayne Martin. Arranged
by Brent Jorgensen.
Choral SATB, Difficulty
Medium, Piano Choir,
Seasonal Music Easter,
Seasonal Music Mothers
Day, Atonement, Easter,
God's Love, Jesus Christ
- Savior, Jesus
Christ-Son of God, Love,
Motherhood. Christian,
Inspirational. Duration
4:45. Jackman Music
Corporation #01303.
Published by Jackman
Music Corporation
(JK.01303).
Tender Easter
anthem arranged for mixed
chorus (SATB), female
solo and piano. Sung from
the perspective of Mary,
the mother of Jesus: I
kneel at His wounded
feet, once washed with
revr'ent care, now wet
with mother's tears, this
cross too much to
bear.... Hold Him in
thine arms for me, until
I see Him again and take
Him home to Thee. He is
my Son. Composer:
Thayne Martin
Arranger: Brent
Jorgensen Lyricist:
Julia Ryan
Difficulty: Medium
Performance time:
4:45.
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir
SKU:
CF.CM9700
Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700).
ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk.
In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ.
Mothering God Chorale SATB SATB, Orgue - Débutant GIA Publications
SATB choir, organ accompaniment - Beginning SKU: GI.G-8622 Composed by La...(+)
SATB choir, organ
accompaniment - Beginning
SKU: GI.G-8622
Composed by Larry J.
Long. Most Holy Trinity.
Choral. Sacred. Octavo. 8
pages. GIA Publications
#8622. Published by GIA
Publications (GI.G-8622).
UPC: 785147862208.
English. Text Source:
Based on Julian of
Norwich, ca.
1342–ca. 1413.
Text by Jean
Janzen.
With a text
based on the work of
Christian mystic Julian
of Norwich, this
provocative work for
organ and four-part choir
compares God, Christ, and
the Holy Spirit to a
wise, loving, and
merciful mother. Within
the text is also a gentle
prayer that our faith be
firmly rooted and
encouraged to grow and
flourish. The organ
accompaniment of this
resolute hymn fully
supports and moves with
the vocal parts.
(No. 11 from All-Night Vigil). Composed by Sergei Vasilievich Rachmaninoff. Arra...(+)
(No. 11 from All-Night
Vigil). Composed by
Sergei Vasilievich
Rachmaninoff. Arranged by
Anthony Antolini. For
SATB choir, divisi.
Easter. Octavo. Published
by E.C. Schirmer
Publishing
SATB choir, keyboard, piano reduction, violin 1, violin 2, viola, cello - Early ...(+)
SATB choir, keyboard,
piano reduction, violin
1, violin 2, viola, cello
- Early intermediate
SKU: GI.G-2792
Composed by Martin
Peerson. Edited by Edward
W. Klammer.
Christmastide, Mary
Mother of God. Ars
Antiqua Series. Sacred.
Octavo. 8 pages. GIA
Publications #2792.
Published by GIA
Publications (GI.G-2792).
SATB Choir - Grade 3 SKU: HL.14043071 Composed by John Tavener. Choral. C...(+)
SATB Choir - Grade 3
SKU: HL.14043071
Composed by John Tavener.
Choral. Classical.
Octavo. 8 pages. Chester
Music #CH81983. Published
by Chester Music
(HL.14043071).
6.75x9.75x0.05
inches.
The world
premiere of A New
Commandment , a piece by
the late Sir John Tavener
specially commissioned
for Summer Fields, was in
February 2014 at the
Sheldonian Theatre,
Oxford. This work was
possibly one of his very
last commissions before
his sudden and untimely
death in November 2013.
COMPOSER'S NOTE I have
set these words from St
John's Gospel many times,
because I feel them to be
among the most profound
and therefore key texts
in the Christian faith.
This setting falls into
three sections with an
ABA structure. A New
Commandment is dedicated
to my mother-in-law Mary,
but it is also an
unspoken tribute to the
Spanish master Victoria
who has inspired
methroughout my
life..
(Ten Signature Choral Arrangements). By New York Voices. By Charles E. Calhoun, ...(+)
(Ten Signature Choral
Arrangements). By New
York Voices. By Charles
E. Calhoun, Duke
Ellington (1899-1974),
Irving Kahal, Louis
Prima, Paul Simon, Peter
Eldridge, Sammy Fain, Sid
Kuller, and Susan Smith
Cohen. Arranged by Darmon
Meader, Kim Nazarian,
Lauren Kinhan, and Peter
Eldridge. SATB Divisi.
Choral. Softcover.
Published by Shawnee
Press
SATB Chorus, Congregation, a cappella SKU: SU.80400190 For SATB Chorus...(+)
SATB Chorus,
Congregation, a cappella
SKU: SU.80400190
For SATB Chorus,
Congregation, a
cappella. Composed by
Stephen Paulus.
Vocal/Choral, Sacred
Choral. A cappella.
Choral Octavo. Subito
Music Corporation
#80400190. Published by
Subito Music Corporation
(SU.80400190).
SATB Chorus,
Congregation, a
cappellaDuration:
2:00Commissioned for the
150th Anniversary of
House of Hope
Presbyterian Church
Dedication: For my Mother
- Patricia Paulus
Premiered by: House of
Hope Presbyterian Church,
Thomas Lancaster,
conductor Copyright 2000
Text author: Celtic
Invocation Published by:
Paulus Publications
(SP173) Minimum order
quantity: 8 copies. To
order quantities fewer
than 8, please email
customer service at
sales@subitomusic.com.
SATB choir SKU: BP.1029 Composed by John Ness Beck. Arranged by John Ness...(+)
SATB choir
SKU:
BP.1029
Composed by
John Ness Beck. Arranged
by John Ness Beck. Sacred
octavos. Sacred. Octavo.
Beckenhorst Press #1029.
Published by Beckenhorst
Press (BP.1029).
John Ness Beck
has crafted an SATB
anthem with text that is
well-suited for the
common listener and
afflictions of every day
living. Written in memory
of his mother, it is
truly a unique offering
in the Beckenhorst
catalog.
