Cantata for the 10th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Paul Horn and Uwe Wolf.
This edition: urtext. 1x
31.046/21 recorder 1, 1x
31.046/22 recorder 2, 1x
31.046/23 oboe 1, 1x
31.046/24 oboe 2, 1x
31.046/31 trumpet.
Stuttgart Urtext Edition:
Bach vocal. German title:
Schauet Doch Und Sehet,
Ob Irgend Ein. Sacred
vocal music, Cantatas.
Set of Orchestra Parts.
Composed 1723. BWV 46. 40
pages. Duration 20
minutes. Carus Verlag #CV
31.046/09. Published by
Carus Verlag
(CA.3104609).
ISBN
9790007042967. Key: D
minor. Language:
German/English.
The
opening chorus of the
cantata Schauet doch und
sehet (Look ye then and
see now) is one of those
movements by Bach which
are much better known in
their later guise: the
first part of it became
the Qui tollis of the
Mass in B minor. But this
movement is not the only
high point of the cantata
from Bach's earliest
Leipzig period. Both the
arias are also unusual: a
bass aria depicting God's
anger dramatically as a
thundering storm, with
strings and slide
trumpet, which gives the
movement a very special
colour through its
unexpected notes beyond
the instrument's natural
series, and an alto aria
with two recorders,
accompanied by just two
oboi da caccia in unison,
which take the role of
the continuo as little
basset instruments. Music
almost not of this world!
New revised edition.
Score and parts available
separately - see item
CA.3104600.
Choral (SATB) SKU: HL.232523 SATB, Recorder and Orchestra (Vocal Score...(+)
Choral (SATB)
SKU:
HL.232523
SATB,
Recorder and Orchestra
(Vocal Score).
Composed by Sunleif
Rasmussen. Music Sales
America. Classical.
Octavo. Composed 2017. 8
pages. Edition Wilhelm
Hansen #WH32890C.
Published by Edition
Wilhelm Hansen
(HL.232523).
ISBN
9788759891902.
8.25x12.0x0.057
inches.
Vocal score
for More Fair Than The
Sun - Arhus Fanfare
(Orchestral Version) by
Sunleif Rasmussen. Scored
for Choir SATB, Recorder
and Symphony
Orchestra.
UPC: 785147982401.
English, Italian, Latin,
Spanish. Text Source: 3.
John 13:35, 15:12-13, 1
John 3:16, 4:10, 16.
Scripture: John 13:35,
John 15:12–13, 1
John 3:16, 1 John 4:10,
16.
SATB choir, cantor,
assembly, keyboard
accompaniment, flute,
oboe, soprano recorder,
alto recorder, clarinet
in B-flat, english horn,
bassoon, trumpet in
B-flat, horn 1 in F, horn
2 in F, trombone, cello,
guitar - Early
intermediate
SKU:
GI.G-9085
Holy
Spirit, Come to Us.
Composed by Jacques
Berthier. Pentecost.
Taize Community. Sacred.
Octavo. With guitar chord
names. 12 pages. GIA
Publications #9085.
Published by GIA
Publications (GI.G-9085).
UPC: 785147908500.
English, French, German,
Italian, Latin, Spanish.
Text Source: Based on the
Pentecost
Sequence.
Composed by
Timothy Valentine.
Arranged by Peter
Valentine. Nativity of
John the Baptist, Advent
2 A, Advent 2 B, Advent 2
C, Advent 3 A, Advent 3
B, Advent 3 C,
Visitation. Leavensong
Series. Sacred. Octavo.
With guitar chord names.
12 pages. GIA
Publications #6107.
Published by GIA
Publications (GI.G-6107).
English. Text Source:
Ref., Timothy Valentine,
vv. Thomas Catania. Text
by Timothy
Valentine.
Mixed Choir [SATB] and Recorder SKU: BT.WH31392 Composed by Peter Bruun. ...(+)
Mixed Choir [SATB] and
Recorder
SKU:
BT.WH31392
Composed
by Peter Bruun. Hymns &
Chorals. Choral Score.
Composed 2011. 32 pages.
Edition Wilhelm Hansen
#WH31392. Published by
Edition Wilhelm Hansen
(BT.WH31392).
ISBN
9788759823316.
English.
For mixed
choir (SATB) and
Recorder. Texts by Gerard
Manley Hopkins.
Commissioned by the
Danish National Vocal
Ensemble.
(SATB) SKU: HL.50563699 SATB chorus. Composed by Benedetto Marcell...(+)
(SATB)
SKU:
HL.50563699
SATB
chorus. Composed by
Benedetto Marcello.
Editions Durand.
Classical. Book only.
Published by Editions
Durand (HL.50563699).
Inch....this
work is likely to become
a standart work very
quickly and is to be
recommended to all
schools where recorder
studies are undertaken
inch. (Oliver
James,Contact Magazine) A
novel and comprehensive
approach to transferring
from the C to F
instrument. 430 music
examples include folk and
national songs (some in
two parts), country dance
tunes and excerpts from
the standard treble
repertoire ofBach,
Barsanti, Corelli,
Handel, Telemann, etc. An
outstanding feature of
the book has proved to be
Brian Bonsor's
brilliantly simple but
highly effective practice
circles and recognition
squares designed to give,
in only a few minutes,
concentrated practice on
the more usual leaps to
and from each new note
and instant recognition
of random notes. Quickly
emulating the outstanding
success of the descant
tutors, these books are
very popular even with
those who normally use
tutors other than the
Enjoy the Recorder
series.
Mixed Choir [SATB] and Bass Recorder SKU: BT.WH31391 Composed by Sunleif ...(+)
Mixed Choir [SATB] and
Bass Recorder
SKU:
BT.WH31391
Composed
by Sunleif Rasmussen.
Hymns & Chorals. Choral
Score. Composed 2012. 28
pages. Edition Wilhelm
Hansen #WH31391.
Published by Edition
Wilhelm Hansen
(BT.WH31391).
ISBN
9788759823309.
English.
For Alto
and tenor soli, 5-part
chorus and recorder Text
from Inger Christensen's
LYS English translation
by Susanna Nied.
Composed by Anders
Ohrwall. Recorder 2 part.
With Language: Swedish. 8
pages. Gehrmans
Musikforlag #SK 532.
Published by Gehrmans
Musikforlag (GH.SK-532).
Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Himmelskonig, Sei
Willkommen A-Dur. Sacred
vocal music, Cantatas,
Lent and Passiontide,
Holy Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. Composed
1714. BWV 182. Duration
30 minutes. Carus Verlag
#CV 31.182/19. Published
by Carus Verlag
(CA.3118219).
ISBN
9790007136949. Key: A
major. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo
Franck.
Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score and
parts available
separately - see item
CA.3118200.
Soprano voice solo (tenor voice), recorder f1 (violin), oboe (violin), basso con...(+)
Soprano voice solo (tenor
voice), recorder f1
(violin), oboe (violin),
basso continuo, [SATB
choir, 2 violins, viola,
cello/contrabass]
SKU:
CA.3912013
Kantate
zum 12. Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Da, Jesu, deinen
Ruhm zu mehren. Sacred
vocal music, Cantatas,
Trinity, Praise and
thanks. Single Part,
Cello/Double Bass. TVWV
1:531a. 4 pages. Duration
12 minutes. Carus Verlag
#CV 39.120/13. Published
by Carus Verlag
(CA.3912013).
ISBN
9790007055653. Language:
German/English.
Thi
s three-movement solo
cantata can be performed
in several ways. The
instruments basically
required are the trio
sonata ensemble of
recorder, oboe and
keyboard instrument (+ a
continuo melody
instrument ad lib.). If
necessary, as Telemann
stated, the two woodwind
parts can be placed by
violins. The instrumental
parts can also be
augmented by a body of
strings, playing in the
ritornello sections of
the two arias. Moreover,
the new edition expands
the performance
possibilities for the
work by adding a
four-part chorus from the
more fully scored
original version, which
Telemann did not publish.
Score and part available
separately - see item
CA.3912000.
Soprano voice solo (tenor voice), recorder f1 (violin), oboe (violin), basso con...(+)
Soprano voice solo (tenor
voice), recorder f1
(violin), oboe (violin),
basso continuo, [SATB
choir, 2 violins, viola,
cello/contrabass]
SKU:
CA.3912019
Kantate
zum 12. Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Trinity, Praise and
thanks. Set of Orchestra
Parts. TVWV 1:531a.
Duration 12 minutes.
Carus Verlag #CV
39.120/19. Published by
Carus Verlag
(CA.3912019).
ISBN
9790007144296. Text
language:
German/English.
Thi
s three-movement solo
cantata can be performed
in several ways. The
instruments basically
required are the trio
sonata ensemble of
recorder, oboe and
keyboard instrument (+ a
continuo melody
instrument ad lib.). If
necessary, as Telemann
stated, the two woodwind
parts can be placed by
violins. The instrumental
parts can also be
augmented by a body of
strings, playing in the
ritornello sections of
the two arias. Moreover,
the new edition expands
the performance
possibilities for the
work by adding a
four-part chorus from the
more fully scored
original version, which
Telemann did not publish.
Score and parts available
separately - see item
CA.3912000.
Soprano voice solo (tenor voice), recorder f1 (violin), oboe (violin), basso con...(+)
Soprano voice solo (tenor
voice), recorder f1
(violin), oboe (violin),
basso continuo, [SATB
choir, 2 violins, viola,
cello/contrabass]
SKU:
CA.3912005
Kantate
zum 12. Sonntag nach
Trinitatis. Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Da, Jesu, deinen
Ruhm zu mehren. Sacred
vocal music, Cantatas,
Trinity, Praise and
thanks. Choral Score.
TVWV 1:531a. 2 pages.
Duration 12 minutes.
Carus Verlag #CV
39.120/05. Published by
Carus Verlag
(CA.3912005).
ISBN
9790007055622. Language:
German/English.
Thi
s three-movement solo
cantata can be performed
in several ways. The
instruments basically
required are the trio
sonata ensemble of
recorder, oboe and
keyboard instrument (+ a
continuo melody
instrument ad lib.). If
necessary, as Telemann
stated, the two woodwind
parts can be placed by
violins. The instrumental
parts can also be
augmented by a body of
strings, playing in the
ritornello sections of
the two arias. Moreover,
the new edition expands
the performance
possibilities for the
work by adding a
four-part chorus from the
more fully scored
original version, which
Telemann did not publish.
Score available
separately - see item
CA.3912000.
Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: paperbound. BWV
182. Sacred vocal music,
Cantatas, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Study score.
Composed 1714. BWV 182.
Duration 30 minutes.
Carus Verlag #CV
31.182/07. Published by
Carus Verlag
(CA.3118207).
ISBN
9790007050276. Key: A
major. Language:
German/English. Text:
Franck,
Salomo.
Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score
available separately -
see item CA.3118200.
Composed by Anders
Ohrwall. Recorder 1 part.
With Language: Swedish. 8
pages. Gehrmans
Musikforlag #SK 531.
Published by Gehrmans
Musikforlag (GH.SK-531).
Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Himmelskonig, Sei
Willkommen A-Dur. Sacred
vocal music, Cantatas,
Lent and Passiontide,
Holy Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Viola 2. Composed 1714.
BWV 182. 8 pages.
Duration 30 minutes.
Carus Verlag #CV
31.182/13. Published by
Carus Verlag
(CA.3118213).
ISBN
9790007050306. Key: A
major. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo
Franck.
Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score and
part available separately
- see item
CA.3118200.
Composed
by Michael Burkhardt.
21st Century,
Gathering/Processional.
Octavo. MorningStar Music
Publishers #50-7052.
Published by MorningStar
Music Publishers
(MN.50-7052).
UPC:
688670570520.
A
grand processional and
chorale that works well
as an introduction to the
hymn Praise to the Lord
the Almighty. Three
groups of equal voices
begin the piece and are
then joined by four vocal
ostinatos to create a
double choir effect. The
piece can be quickly
learned as each of the
parts is repetitive,
producing a canonic
effect. A wonderful
beginning for a hymn
festival or program.
Reproducible instrumental
parts are included.
Handbells: 3 octaves.
Uber die Nicht- und Fluchtigkeit des menschlichen Lebens. Kantate zum 24. Sonnta...(+)
Uber die Nicht- und
Fluchtigkeit des
menschlichen Lebens.
Kantate zum 24. Sonntag
nach Trinitatis. By Georg
Philipp Telemann. Edited
by Steude, Wolfram. For
Soli SAB, SATB Choir, 4
Recorders (3 Recorder,
Bassoon), 4 Viola da
Gamba, Basso continuo.
TVWV 1:38. Cantatas;
Stuttgart Urtext
editions; Occasions:
Mourning, Death; Use
during church year:
Trinity. Score. Language:
German/English. 24 pages.
Duration 10 min.
Published by Carus Verlag
(German import).
Cantata for the First
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr, James
Webster, and Robert
Freeman. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Stimmen und Klavierauszug
siehe BA 10039. Study
score. BWV 39. Duration
20 minutes. Baerenreiter
Verlag #TP01039_00.
Published by Baerenreiter
Verlag (BA.TP01039).
ISBN 9790006205295.
22.5 x 16.5 cm inches.
Language: German.
Preface: Antje
Wissemann.
This
cantata for the First
Sunday after Trinity,
first performed in 1726,
is one of the most
musically attractive
compositions composed by
Bach during his time as
cantor at St. Thomas
Church, Leipzig. In
its alternating scoring
for oboes, recorders and
strings, the
opulently-structured
opening chorus describes
the gesture of the
breaking of bread. The
arias and recitatives for
the two soloists, alto
and tenor show Bach at
the peak of his
compositional powers. The
two-part cantata
concludes with a simple
chorus.
- Urtext
edition based on theNew
Bach Edition - Richly
coloured scoring using
recorders and oboes -
Vocal score (Ger/Eng),
foreword
(Ger/Eng)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SATB choir, brass in SATB-form (recorder), organ - Level 3 SKU: CA.1033400(+)
SATB choir, brass in
SATB-form (recorder),
organ - Level 3
SKU:
CA.1033400
Chorale
concert. Composed by
Nikolaus Herman and Paul
Horn. German title: Lobt
Gott, ihr Christen alle
gleich. Sacred vocal
music, Cantatas,
Christmas. Full score. 8
pages. Duration 3
minutes. Carus Verlag #CV
10.334/00. Published by
Carus Verlag
(CA.1033400).
ISBN
9790007024796. Key: F
major. Language: German.
Text: Herman, Nikolaus.
Text: Nikolaus
Herman.
SATB choir, brass in SATB-form (recorder), organ - Level 3 SKU: CA.1033431(+)
SATB choir, brass in
SATB-form (recorder),
organ - Level 3
SKU:
CA.1033431
Chorale
concert. Composed by
Nikolaus Herman and Paul
Horn. German title: Lobt
Gott, ihr Christen alle
gleich. Sacred vocal
music, Cantatas,
Christmas. Single Part,
Wind player. 2 pages.
Duration 3 minutes. Carus
Verlag #CV 10.334/31.
Published by Carus Verlag
(CA.1033431).
ISBN
9790007024802. Key: F
major. Language: German.
Text: Herman, Nikolaus.
Text: Nikolaus
Herman.
4 Recorders (SATB) (SATB) SKU: HL.49011255 10 pieces in four parts...(+)
4 Recorders (SATB) (SATB)
SKU: HL.49011255
10 pieces in four
parts. Arranged by
Karl Stockert. This
edition: Saddle
stitching. Sheet music.
Originalmusik fur
Blockflote (Recorder
Library). Classical.
Individual part. Composed
1480. Schott Music
#OFB150-13. Published by
Schott Music
(HL.49011255).
ISBN
9790001100427. UPC:
884088918521.
9.0x12.0x0.026
inches.
4 Recorders (SATB) (SATB) SKU: HL.49011254 10 pieces in four parts...(+)
4 Recorders (SATB) (SATB)
SKU: HL.49011254
10 pieces in four
parts. Arranged by
Karl Stockert. This
edition: Saddle
stitching. Sheet music.
Originalmusik fur
Blockflote (Recorder
Library). Classical.
Individual part. Composed
1480. Schott Music
#OFB150-12. Published by
Schott Music
(HL.49011254).
ISBN
9790001100410. UPC:
884088918514.
9.0x12.0x0.028
inches.
4 Recorders (SATB) (SATB) SKU: HL.49011256 10 pieces in four parts...(+)
4 Recorders (SATB) (SATB)
SKU: HL.49011256
10 pieces in four
parts. Arranged by
Karl Stockert. This
edition: Saddle
stitching. Sheet music.
Originalmusik fur
Blockflote (Recorder
Library). Classical.
Individual part. Composed
1480. Schott Music
#OFB150-14. Published by
Schott Music
(HL.49011256).
ISBN
9790001100434. UPC:
884088918545.
9.0x12.0x0.027
inches.
Composed
by Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext. 1x
31.244/20 viola da gamba,
1x 31.244/21 choir 1:
flute 1, 1x 31.244/22
choir 1: flute 2, 1x
31.244/23 choir 1: oboe
1, 1x 31.244/24 choir 1:
oboe 2, 2x 31.244/25
choir 2: recorder 1+2, 1x
31.244/26 choir 2: flute
1, 1x 31.244/27 choir 2:
flute 2, 1x 31. Stuttgart
Urtext Edition: Bach
vocal; Carus sheet music
series: Vocal scores XL.
German title:
Matthauspassion.
Innovative practice aids,
Passions, Lent and
Passiontide, Holy Week.
Set of Orchestra Parts.
BWV 244. 184 pages.
Duration 175 minutes.
Carus Verlag #CV
31.244/09. Published by
Carus Verlag
(CA.3124409).
ISBN
9790007211271. Language:
German/English.
Pra
ctical performing Urtext
edition based on the
latest state of Bach
research. Every era hears
and interprets Bach anew,
and every era also
evaluates the sources
afresh and with new eyes.
40 years after the
publication of the St.
Matthew Passion in the
New Bach Edition, Klaus
Hofmann, Director of the
Johann Sebastian Bach
Institute Gottingen for
many years and a
contributing editor to
the New Bach Edition,
presents a new edition.
Hofmann has placed the
study of the sources at
the service of musical
practice and the detailed
investigation of Bach's
intentions. Bach scholars
are well aware that
Bach's original score and
performance parts,
running to almost 500
pages of music, are full
of ambiguities and
contradictions,
particularly regarding
articulation, which
constantly challenge
performers to new
interpretations. Hofmann
discusses these and other
problems in a concise
critical report,
frequently arriving at
new conclusions in the
process. Extensive notes
about parallel passages
offer valuable help for
interpretation. Special
attention was devoted to
the performance material
with regard to practical
needs. Thus, for example
the text incipits are
also printed in the
instrumental parts
(including tacet
passages). In short - an
Urtext edition for
practical performance
based on the latest
findings in Bach
research. Score and parts
available separately -
see item CA.3124400.
4 Recorders (SATB) (SATB) SKU: HL.49011253 10 pieces in four parts...(+)
4 Recorders (SATB) (SATB)
SKU: HL.49011253
10 pieces in four
parts. Arranged by
Karl Stockert. This
edition: Saddle
stitching. Sheet music.
Originalmusik fur
Blockflote (Recorder
Library). Classical.
Individual part. Composed
1480. Schott Music
#OFB150-11. Published by
Schott Music
(HL.49011253).
ISBN
9790001100403. UPC:
884088918507.
9.0x12.0x0.03
inches.
Funeral
music. Composed by
Georg Philipp Telemann.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. Viola da
gamba 2. Sacred vocal
music, Cantatas,
Mourning, death. Single
Part, Viola da gamba 2.
TVWV 4:17. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
39.139/13. Published by
Carus Verlag
(CA.3913913).
ISBN
9790007216184. Text
language:
German.
With the
final verse of the Book
of Daniel from the Old
Testament and a related
cantata text, Telemann
mourns the death of a
prominent, but until now
unknown dignitary in a
cantata marked by great
intimacy and with
exquisite
instrumentation. Jakob
Ditmar, the Kantor of the
Nikolaikirche in Berlin,
to whom we owe the
survival of this work,
contributed two beautiful
chorale settings for a
performance in 1757.
First critical edition of
this cantata. Score and
part available separately
- see item
CA.3913900.