Desertscapes Chorale SSAA SSAA A Cappella Treble Clef Music Press
SSAA/SSAA, a cappella SKU: SU.80300179 For SSAA/SSAA, a cappella. ...(+)
SSAA/SSAA, a cappella
SKU: SU.80300179
For SSAA/SSAA, a
cappella. Composed by
Maggi Payne.
Vocal/Choral, Secular
Choral. A cappella.
Choral Octavo. Treble
Clef Music Press
#80300179. Published by
Treble Clef Music Press
(SU.80300179).
This is that
special piece for your
special choir: a tonal, a
cappella, double chorus
tour de force of
minimalist techniques
that sounds like...the
desert! This piece repays
careful study: the
conductor who helps the
singers identify repeated
patterns, and the
relation of each part to
its counterpart in the
other chorus, will
accelerate the learning
process. Your reward is
four sections of
differing programmatic
effects, to be performed
as one long movement. 1.
Pyramid Lake (SSAA/SSAA a
cappella; duration:
1’30; range: g-e;
difficulty:
medium-difficult). 2.
Death Valley (SSAA/SSAA a
cappella; duration:
1’50; range: b
flat - f; difficulty:
medium-difficult). 3.
Bryce Canyon (SSAA/SSAA a
cappella; duration:
2’40; range: a-d;
difficulty:
medium-difficult). 4.
Devil’s Playground
(SSAA/SSAA a cappella;
duration: 2’20;
range: f-a; difficulty:
medium-difficult).
SSAA/SSAA, a cappella
Published by: Treble Clef
Music Minimum order
quantity: 8 copies.
SSAA chorus and organ - Medium SKU: JK.01377 Composed by Lorin F. Wheelwr...(+)
SSAA chorus and organ -
Medium
SKU:
JK.01377
Composed by
Lorin F. Wheelwright.
Arranged by Christine
Davis. Choral SA,
Difficulty Medium, Organ
Choir, Home, Love, Unity.
Christian, Inspirational.
Duration 3:30. Jackman
Music Corporation #01377.
Published by Jackman
Music Corporation
(JK.01377).
Reverent
hymn arrangement for
women's chorus (SSAA) and
organ. Composer: Lorin
F. Wheelwright
Arranger: Christine
Davis Lyricist: Lorin
F. Wheelwright
Difficulty: Medium
Performance time:
3:30.
SSAA, a cappella SKU: SU.80300162 For SSAA, a cappella. Arranged b...(+)
SSAA, a cappella
SKU:
SU.80300162
For
SSAA, a cappella.
Arranged by Nina Gilbert.
Vocal/Choral, Secular
Choral. A cappella.
Choral Octavo. Treble
Clef Music Press
#80300162. Published by
Treble Clef Music Press
(SU.80300162).
1. Oh, the
Beautiful Treasure; 2. We
Will Walk with Mother and
Mourn; 3. Hop Up and Jump
Up. Explore the American
heritage of Shaker
hymnody with these three
settings of lesser-known,
very appealing Shaker
spirituals. Each brief
setting grows from its
underlying melody to make
an exceptionally unified
arrangement. With a
different technique as
the focus for each
arrangement, these
minute-long pieces make
fine vocalises for your
choir. Oh the beautiful
treasure, with its square
rhythms, horn calls, and
harmonic texture opening
out and closing, is
excellent for teaching
chord tuning. We will
walk with Mother and
mourn, with its smooth,
stepwise, rising and
falling melody, is a fine
exercise for legato
singing. Hop up and jump
up, with its crisp
rhythms and phrase
fragments tossed from
part to part, calls for
rhythmic clarity and
clean entrances and
cutoffs. SSAA a cappella;
13 pages, plus editorial
notes; duration: 3:15
min.; range: g to f;
difficulty: easy-medium;
from the Nina Gilbert
Choral Series. SSAA, a
cappella Published by:
Treble Clef Music Minimum
order quantity: 8
copies.
SSAA, a cappella SKU: SU.80300143 For SSAA, a cappella. Composed b...(+)
SSAA, a cappella
SKU:
SU.80300143
For
SSAA, a cappella.
Composed by Nathan F.
Christensen.
Vocal/Choral, Sacred
Choral. A cappella.
Choral Octavo. Treble
Clef Music Press
#80300143. Published by
Treble Clef Music Press
(SU.80300143).
Elizabeth
Barrett Browning meets
Mae West in this swing
setting of the immortal
love poem, paraphrased by
the composer. Boh-doo and
wah-wah scat passages put
an original spin on this
text, and bring the house
down when it is performed
with gusto. Winner of the
Diva Complex 1996
Composition Contest. SSAA
a cappella. Medium. SSAA,
a cappella Published by:
Treble Clef Music Minimum
order quantity: 8
copies.
SSAA, Piano SKU: SU.80300177 For SSAA, Piano. Composed by Michael ...(+)
SSAA, Piano
SKU:
SU.80300177
For
SSAA, Piano. Composed
by Michael Cleveland.
Vocal/Choral, Sacred
Choral. Accompanied by
piano. Choral Octavo.
Treble Clef Music Press
#80300177. Published by
Treble Clef Music Press
(SU.80300177).
I would spread
the cloths under your
feet, sings the lover to
the beloved in this warm,
rich setting of a Yeats
poem. SSAA and piano;
duration: 3’ 00;
range: f-g; difficulty:
medium. SSAA, piano
Published by: Treble Clef
Music Minimum order
quantity: 8 copies.
SSAA, a cappella SKU: SU.80300107 For SSAA, a cappella. Arranged b...(+)
SSAA, a cappella
SKU:
SU.80300107
For
SSAA, a cappella.
Arranged by Marylou India
Jackson. Vocal/Choral,
Sacred Choral. A
cappella. Choral Octavo.
Treble Clef Music Press
#80300107. Published by
Treble Clef Music Press
(SU.80300107).
Your second
altos will love this
setting--they get the
melody in the refrain,
and lots of low f's
during the verses. The
strong rhythms of this
setting will energize
your chorus! SSAA and
soprano solo a cappella.
Easy/Medium. SSAA, a
cappella Published by:
Treble Clef Music Minimum
order quantity: 8
copies.
Shenandoah Chorale SSAA SSAA A Cappella Treble Clef Music Press
SSAA, a cappella SKU: SU.80300156 For SSAA, a cappella. Arranged b...(+)
SSAA, a cappella
SKU:
SU.80300156
For
SSAA, a cappella.
Arranged by William G.
Lycan. Vocal/Choral,
Secular Choral. A
cappella. Choral Octavo.
Treble Clef Music Press
#80300156. Published by
Treble Clef Music Press
(SU.80300156).
The haunting
melody is variously
placed against pedal
points, with unison
phrase closings, in the
alto line, and at close
imitation, to give the
acoustic feeling of the
singers' listening and
longing for the sound of
the beloved. SSAA (some
divisi) a cappella; 6
pages; duration: 2:30
min.; range: f to g;
difficulty: medium. SSAA,
a cappella Published by:
Treble Clef Music Minimum
order quantity: 8
copies.
SSAA, Piano SKU: SU.80300163 For SSAA, Piano. Arranged by Michael ...(+)
SSAA, Piano
SKU:
SU.80300163
For
SSAA, Piano. Arranged
by Michael Cleveland.
Vocal/Choral, Secular
Choral. Accompanied by
piano. Choral Octavo.
Treble Clef Music Press
#80300163. Published by
Treble Clef Music Press
(SU.80300163).
This frankly
sentimental Irish ballad
of long-lost love has
appealing double
descants, independent
four-part writing for a
full soprano and alto
range, yummy harmonies
and voicing, and an
irresistible choral
cadenza which imitates
the easy movement of the
waving grass. Regretful
but never self-pitying,
the Yeats poem concludes,
But I was young and
foolish, and now am full
of tears. SSAA and piano;
8 pages; duration: 4:00
min.; range: f# to g;
difficulty: medium. SSAA,
piano Published by:
Treble Clef Music Minimum
order quantity: 8
copies.
Silent Night Chorale SSAA SSAA A Cappella Treble Clef Music Press
SSSAA, a cappella SKU: SU.80300155 For SSSAA, a cappella. Arranged...(+)
SSSAA, a cappella
SKU:
SU.80300155
For
SSSAA, a cappella.
Arranged by Katherine
Dienes. Vocal/Choral,
Sacred Choral. A
cappella. Choral Octavo.
Treble Clef Music Press
#80300155. Published by
Treble Clef Music Press
(SU.80300155).
This full, yet
gentle setting of the
beloved Christmas hymn is
perfect for a candlelight
service or quiet concert
closer. The low, rocking
chords of the background
choral parts are the same
for all three stanzas.
Interest is built by the
addition of a
second-stanza solo and
third-stanza descants.
Experiment with assigning
the descants to
instruments, or with
supporting or replacing
the lower voices with
organ. SSSAA, soprano
solo, and three descants
a cappella; English; 4
pages; duration: 2:45
min.; range: f to f(top
descant to c''');
difficulty: easy-medium.
SSSAA, a cappella
Published by: Treble Clef
Music Minimum order
quantity: 8 copies.
Silent Night Chorale SSAA SSAA A Cappella [Octavo] Treble Clef Music Press
By Franz Xaver Gruber. Arranged by Katherine Dienes (Arranger). For SSSAA choir....(+)
By Franz Xaver Gruber.
Arranged by Katherine
Dienes (Arranger). For
SSSAA choir. (a
cappella). Sacred,
Christmas. Level:
Easy-Medium. Published by
Treble Clef Music Press.
SSAA choir, piano,
optional string quartet
and percussion (SSAA)
SKU: BP.CU1027B
Composed by Craig
Courtney. Arranged by
Craig Courtney. Sacred
octavos. Capital
University Choral Series.
Sacred. Orchestra score
and parts. Beckenhorst
Press #CU1027B. Published
by Beckenhorst Press
(BP.CU1027B).
Full score and
parts for flute I and II,
oboe I and II, clarinet
in B-flat I and II,
bassoon I and II, horn in
F I and II, trumpet in
B-flat I, II and III,
trombone I, II and III,
tuba, timpani,
percussion, harp, violin
I and II, viola, cello
and contrabass.
SSAA choir and piano SKU: OU.9780193562875 Composed by Sarah Quartel. Son...(+)
SSAA choir and piano
SKU:
OU.9780193562875
Composed by Sarah
Quartel. Songbird. Vocal
score. 12 pages. Duration
3.5'. Oxford University
Press #9780193562875.
Published by Oxford
University Press
(OU.9780193562875).
ISBN 9780193562875. 10
x 7 inches.
For
SSAA and piano Down the
Silver Road is a
comforting and uplifting
setting of the poem To
F.W. by Edith Franklin
Wyatt, which describes
the joy of growing old
with a companion.
O Come, All Ye Faithful Chorale SSAA SSAA [Conducteur et Parties séparées] Beckenhorst Press
Composed by John Francis Wade (1711-1786). Arranged by Dan Forrest. For SSAA cho...(+)
Composed by John Francis
Wade (1711-1786).
Arranged by Dan Forrest.
For SSAA choir,
orchestra. Band/Orchestra
Music. Capital University
Choral Series. Sacred.
Score and parts.
Published by Beckenhorst
Press
Composed by Lorin F. Wheelwright. Arranged by Curtis Fletcher. For SSAA choir an...(+)
Composed by Lorin F.
Wheelwright. Arranged by
Curtis Fletcher. For SSAA
choir and piano. Medium.
Octavo. 7 pages. Duration
2 minutes, 20 seconds.
Published by Jackman
Music Corporation
By Michael Cleveland (arranger). For SSAA choir (with piano). Folk songs. Medium...(+)
By Michael Cleveland
(arranger). For SSAA
choir (with piano). Folk
songs. Medium. Choral
octavo. Text language:
English. Published by
Treble Clef Music Press
SSAA choir SKU: CA.964200 No. 1 from Three Marian Motets. Composed...(+)
SSAA choir
SKU:
CA.964200
No. 1
from Three Marian
Motets. Composed by
Ko Matsushita.
Contemporary Choir Music.
Sacred vocal music,
Advent, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Full score.
Carus Verlag #CV
09.642/00. Published by
Carus Verlag (CA.964200).
ISBN 9790007143510.
Text language:
Latin.
Matsushita's
composition draws on
elements of the Gregorian
antiphon. It begins in
unison Gregorian chant,
as was typical of
Renaissance motets, and
the beginning of new
lines of text are also
derived from Gregorian
material. Matsushita
juxtaposes a syllabic,
rhythmic declamation with
this melody, constantly
alternating bars with
even and odd numbers of
beats, the octave C' -
C'' constantly repeated
by the outer parts and
leading towards the
climax at the text nomen
Jesu. After ascending D
major arpeggios, the
central word Jesu
radiates into F sharp
major, the following
repetition in the compass
of an octave on C is more
tranquil, ending
peacefully with an F
major chord, ppp.
By Amy F. Bernon. For SSAA choir, tambourine, wood Block, djembe (hand drum). Ch...(+)
By Amy F. Bernon. For
SSAA choir, tambourine,
wood Block, djembe (hand
drum). Christmas,
Concert. Grades K-5.
Octavo. Published by
Heritage Music Press
By Daniel Pinkham. For SSAA with piano. Cantata for Female Voices and Small Orch...(+)
By Daniel Pinkham. For
SSAA with piano. Cantata
for Female Voices and
Small Orchestra(Eng).
Secular Choral Works.
Duration 10'. Published
by C.F. Peters.
Female choir (SSAA) with solo a cappella or with 4 hornsn in F (SSAA Choir) - ad...(+)
Female choir (SSAA) with
solo a cappella or with 4
hornsn in F (SSAA Choir)
- advanced
SKU:
HL.49001089
Four
Russian Peasant
Songs. Composed by
Igor Stravinsky. Sheet
music. Schott Chorverlag
(Choral Music).
Classical. Score.
Composed 1914-1917/1954.
12 pages. Duration 10'.
Schott Music #C 39491.
Published by Schott Music
(HL.49001089).
ISBN
9790001008433.
6.75x10.5x0.042 inches.
German.
Composed by Lorin F. Wheelwright. Arranged by Curtis Fletcher. For SSAA choir an...(+)
Composed by Lorin F.
Wheelwright. Arranged by
Curtis Fletcher. For SSAA
choir and piano.
Christmas. Medium.
Octavo. 7 pages. Duration
2 minutes, 20 seconds.
Published by Praiseworthy
SSAA choir SKU: CA.964420 No. 3 from Three Marian Motets. Composed...(+)
SSAA choir
SKU:
CA.964420
No. 3
from Three Marian
Motets. Composed by
Ko Matsushita.
Contemporary Choir Music.
Hodie Beata Virgo Maria
Fass.Ssaa. Sacred vocal
music, Advent, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Full score.
Carus Verlag #CV
09.644/20. Published by
Carus Verlag (CA.964420).
ISBN 9790007143497.
Text language:
Latin.
The aged
Simeon takes the new-born
Jesus in his arms,
recognises his
significance and
celebrates this moment in
a paean of praise as the
fulfilment of his life.
In Matsushita's motet
this song of praise, the
nunc dimittis, stands at
the centre of the
composition. Here, the
triad of C-F sharp-G,
used for the word hodie -
today at the beginning,
symbolically combines
with a Gregorian-like
motif, revolving around
the central note of B
flat in whole-tone
movement, and which is
used to represent the
Virgin Mary. The work
ends with a mystical wash
of sound, a whole-tone
cluster which emerges
from the aleatorically
repeated basic motifs of
the work, and fades away
to nothing.
SSAA choir SKU: NR.81734 Für SSAA Chor. Composed by Freiin von An...(+)
SSAA choir
SKU:
NR.81734
Für SSAA
Chor. Composed by
Freiin von Annette
Droste-Hulshoff. Choral
music. Score. With
Language: German. Noten
Roehr #81734. Published
by Noten Roehr
(NR.81734).
Composed by Alfred
Koerppen. Choral score.
Möseler Verlag #MOS
69449-01. Published by
Möseler Verlag
(M2.MOS-69449-01).
ISBN
9790203755685.
1955
erschien aus der Hand der
franzosischen Nonne
Carmen Bernos de Gaszold
ein Gedichtband unter dem
Titel Prieres dans
l'Arche - Gebete aus der
Arche. Diese Gebete
werden den Tieren in den
Mund gelegt, die mit
Noah, in der drangvollen
Enge der Arche vereint,
das Ende der Sintflut
erwarten. Die Dichterin
folgt einer Tradition -
man denkt an Asop, La
Fontaine und Goethe -
wenn sie im Wesen der
Kreaturen Spiegelungen
menschlicher Schwachen,
Fehler und Tugenden
erkennt. Denn die in der
Wasserwuste gefangenen
Tiere reden so fromm,
furchtsam, selbstgerecht
und banal, wie es
menschlich ware. Und auch
das Allzumenschliche -
Hoffart, Leichtsinn, Neid
- kommt zu Wort. Nur dass
die Ichbefangenheit der
betenden Tiere ihrer
Unschuld keinen Abbruch
tut. Ihre bedingte und
bedrangte Natur findet
Gedanken, die uns ein
sympathisierendes Lacheln
abgewinnt. Der Zyklus
schien mir zur Vertonung
geeignet, weil er ein
religioses Thema
unpratentios und
originell vortragt und
ein Stuck ermoglicht, das
die ubliche Trennung
zwischen weltlich und
geistlich uberschreitet
und Konzertsaal und
Kirche in Anspruch nehmen
kann. Zur Besetzung: Der
Frauenchor muss aus den
vier ublichen Stimmlagen
1. und 2. Sopran, 1. und
2. Alt bestehen, wobei
auch noch Stimmteilungen
vorkommen. In Nr. 9 Gebet
der Taube wird noch ein
(aus dem Chor zu
bildendes) Soloquartett
gebraucht. Der
Instrumentalpart besteht
aus einer Oboe und einem
Streicherquintett (1. und
2. Violine, Viola,
Violoncello und
Kontrabass). Die
Besetzung soll solistisch
sein, kann aber bei den
Streichern (und wenn die
Klangbalance zum Chor
dies wunschenswert macht)
zu einem kleinen
Kammerorchester erweitert
werden. Der Charakter der
Instrumente, ihre
Techniken und Farben,
erlauben mir realistische
Klangmetaphern und
physiognomische
Parallelen - so, wenn das
Cello im Duett mit dem
Alt die hochmutige
Giraffe in
grossintervalligen
Sprungen deutet, die
rasende Geschaftigkeit
der Ameise sich in
schnellen
Violinbariolagen
ausdruckt oder die Oboe
ein naturalistisches
Rabengekrachz horen
lasst. Der Zyklus beginnt
mit dem Gebet des Noah.
Man stelle sich das
Gedrange und Geschrei
vor, dass die Arche
erfullt, die hochgehenden
Wogen, den prasselnden
Regen, und mitten darin
den Urvater Noah, dem
sich der Ausruf entringt:
Herr, was fur ein Zirkus!
Seine Ausbruche
korrespondieren mit dem
auf- und niederwogenden
Streichersatz, bis der
Sturm sich legt, die
Wogen sich glatten und
Noah in der mehrmals
gedehnten Phrase Es
dauert lange seine
Ergebung und Hoffnung
ausdruckt. Nach dem
pharisaischen Gebet der
Giraffe ergreift die
Schildkrote das Wort. Ihr
Instrument ist die
Bratsche. Ihre
schnaufende Kurzatmigkeit
hindert sie, ihr Gebet
zusammenhangend zu
sprechen. Der fleissigen
Ameise - sie erbost sich
sehr uber die Grille,
deren Wirtshausmusik sie
unterbricht - folgt der
Hahn mit hellen und
scharfen Tonen. Er ist
es, der die Sonne
aufgehen lasst; man kann
es in dem sich
auffaltenden Klang der
Coda horen. Der
vergessliche
Schmetterling taumelt in
immer neu variierten
Oboenfiguren durch die
glasernen Sommerklange
von Streicherflageoletts,
bis es ihm einfallt, was
er sagen wollte: Amen.
Das Schwein bekennt sich
zu seiner schnuffelnden
und grunzenden Natur,
die, von den Streichern
mit rauhem Bogendruck
gezeichnet, in der Coda
durch eine stille
F-Dur-Kantilene eine
sonderbare Verklarung
erfahrt. Vor uns die
Sintflut ruft der Rabe,
und sein durchdringender
Oboenschrei ubertont das
Wogen und Schwanken der
Streicher, die hier
Motive aus dem Gebet des
Noah wieder aufnehmen. In
der darauf eintretenden
Stille bieten die
Instrumente verschiedene
Themen an, die folgenlos
verschwinden - um nach
dem Altsolo Die Arche
wartet sich in einem
ruhig-feierlichen
a-cappella-Satz mit
alternierendem
Soloquartett wieder
zusammenzufinden und das
Werk in reinem Es-Dur
beschliessen. Alfred
Koerppen.