Par TELEMANN GEORG PHILIPP. Solo for Flute and Basso continuo in B minor (TWV 41:h4) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover anindividual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière et Basse Continue

Les éditions Bärenreiter ont édité sous la référence BA 6809 cette partition musicale pour satisfaire au maximum les amateurs de musique Classique et plus particulièrement les pratiquant de Flûte Traversière. Cette partition a pour titre Sonate G-dur für Flöte und Basso continuo et pour compositeur Haendel Georg Friedrich. / Flûte Traversière Et Basse Continue / Partition

Par TELEMANN GEORG PHILIPP. From 'Essercizii Musici'/ Répertoire / Flûte Traversière et Basse Continue

La présente publication des oeuvres complètes de Pietro Antonio Locatelli (1695-1764) se veut une édition critique, rendant les oeuvres du compositeur disponible en conformité avec les recherches les plus récentes et les techniques actuelles de musicologie de montage et de la présentation. Le oeuvre complète de Locatelli, qui a survécu et a été authentifié est ici recueillie, évalués et présentés - tandis que toute corruptions textuelles, de quelque nature, ont été éliminées.Chaque volume comprend une introduction historique en anglais et en italien, en fournissant les informations concernant les oeuvres respectives, le texte musical lui-même, les versions antérieures, le cas échéant et un commentaire critique en italien. Cette édition critique des oeuvres complètes fournira une base solide pour la performance de la musique de Locatelli, qui avait une grande influence sur la technique du violon et le galant style du début du XVIIIe siècle.L'édition complète comprend 10 volumes : les Volumes 1-8 contiennent l'Op. I à VIII publication... / Flûte Et Basse Continue

It was in 1990 - more than 250 years after the publication of 'Il Pastor Fido' - that the masterful forgery was exposed: not Antonio Vivaldi but in fact the French composer Nicolas Chédeville (1705-1782) turned out to be the true author of this sonata collection, which was subtly foisted upon the unsuspecting Parisian public in the middle of the 18th Century, at the height of Vivaldi's popularity in France. Vivaldi himself never came to know anything of the misuse of his name and musical intellectual property.'Il Pastor Fido' offers a 'Mélange' of very simple, movements and gallantries in the French style, as well as some throughout original movements of exceptionally fine music and powerful compositional ideas. Approximately ninety percent of 'Il Pastor Fido? is Chédeville's own work - for the remainder, he adopted and built upon themes (or those which he thought to be) by Vivaldi, all the while demonstrating a thorough understanding of the style that he was striving to imitate.As with all of Chédeville's other works and numerous other collections from the time, the original title mentions a series of instruments, all of which are suitable for performing these sonatas: the musette, hurdy-gurdy, flute, oboe and violin. Whilst the first two, which were popular instruments at the time and corresponded to the Arcadian sensibilities of the Age of Enlightenment, have long since been out of fashion, the flute is particularly well suited today to reflect the pastoral character - noted in the title of the collection ('Il Pastor Fido?: the Faithful Shepherd) - of the music.The Bärenreiter Urtext edition was edited by the reputable Vivaldi scholar and conductor Federico Maria Sardelli. In addition to the musical text of the six sonatas, it contains a detailed preface (German / English), which not only tells the enthralling story of the forgery and reveals the 'ingredients? required for such a composition. It also contains inspiring information on performance practice, whilst presenting a critical report with references to readings and editorial decisions. / Flûte (ou Hautbois, Violon) Et Basse Continue

Selected and edited By Lucio Nanni and Damiano Di Gangi. Raccolta in 4 volumi di sonate barocche per flauto e basso continuo del repertorio della musica da camera settecentesca, con particolare riguardo per i compositori italiani del periodo (Marcello, Scarlatti, Bononcini, Locatelli, Platti, Veracini). Gli abbellimenti suggeriti seguono le indicazioni riportate nei principali trattati dell'epoca. La parte del solo è riportata nel fascicolo allegato ad ogni singolo volume./ Recueil / Flûte Traversière

Selected and edited by Lucio Nanni and Damiano Di Gangi. Raccolta in 4 volumi di sonate barocche per flauto e basso continuo del repertorio della musica da camera settecentesca, con particolare riguardo per i compositori italiani del periodo (Marcello, Scarlatti, Bononcini, Locatelli, Platti, Veracini). Gli abbellimenti suggeriti seguono le indicazioni riportate nei principali trattati dell'epoca. La parte del solo è riportata nel fascicolo allegato ad ogni singolo volume./ Recueil / Flûte Traversière

Par BACH CARL PHILIPP EMMANUEL. / Répertoire / Flûte Traversière et Basse Continue

Par LOEILLET JEAN-BAPTISTE. Editeur(s) d'origine: Block, Robert P./ Répertoire / Flûte Traversière ou Hautbois et Basse Continue

Par LOEILLET JEAN-BAPTISTE. Editeur(s) d'origine: Block, Robert P./ Répertoire / Flûte Traversière ou Hautbois et Basse Continue

Par BACH CARL PHILIPP EMMANUEL. Editeur(s) d'origine: Leisinger, Ulrich/ Répertoire / Flûte Traversière et Basse Continue

Par BACH CARL PHILIPP EMMANUEL. Editeur(s) d'origine: Leisinger, Ulrich/ Répertoire / Flûte Traversière et Basse Continue

Par BACH CARL PHILIPP EMMANUEL. Editeur(s) d'origine: Leisinger, Ulrich/ Répertoire / Flûte Traversière et Basse Continue

Par ROSEINGRAVE THOMAS. This is the first of a set of twelve Sonatas for Flute and Continuo by Thomas Roseingrave published in 1728. This edition of the work has been edited and realised by Richard Platt. / Niveau : Intermédiaire / Répertoire / Flûte Traversière et Piano