The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
By Vince Gassi. Concert
Band. Concert Band;
Part(s); Score. Belwin
Symphonic Band. Form:
Overture. Grade 4.5. 264
pages. Published by
Alfred Music Publishing
Symphonic Rock Orchestre d'harmonie - Intermédiaire/avancé Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1534-08-010-MS The Music of Qu...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1534-08-010-MS
The Music of Queen and
Genesis. Composed by
Brian May, Freddie
Mercury, John Deacon,
Mike Mike, Phil Collins,
Roger Taylor, and Tony
Banks. Arranged by
Gilbert Tinner. Ovation
Series. Pop & Rock. Set
(Score & Parts). Composed
2008. Music Sales
#1534-08-010 MS.
Published by Music Sales
(BT.1534-08-010-MS).
9x12 inches.
English-German-French-Dut
ch.
Gilbert Tinner
combined a number of hits
by the well-known British
rock group Queen - and a
song by Genesis, also a
rock formation from
England - to form an
exciting arrangement with
the telling title
Symphonic Rock. The
instrumentation can
indeed be called
symphonic, but important
instruments from pop
music are also present.
For instance, an
important role is played
by the electric guitar,
and a synthesizer is used
as well. The medley
respectively features:
Innuendo, A Kind of
Magic, Another One Bites
the Dust, Radio Gaga,
That’s All and We
Are the
Champions.
Gilbert
Tinner bundelde enkele
hits van de bekende
Britse rockgroep Queen -
en een nummer van
Genesis, eveneens een
rockformatie uit Engeland
- tot een spetterend
arrangement met de
veelzeggende titel
Symphonic Rock. De
instrumentatiekan
inderdaad symfonisch
worden genoemd, maar ook
belangrijke instrumenten
uit de popmuziek zijn
vertegenwoordigd. Zo is
er een grote rol
weggelegd voor de
elektrische gitaar en
ontbreekt ook een
synthesizer niet. In
demedley zijn
achtereenvolgens te
horen: Innuendo, A
Kind of Magic, Another
One Bites the Dust, Radio
Gaga, That’s
All en We Are the
Champions.
Gil
bert Tinner kombinierte
eine Reihe von Hits der
berühmten britischen
Rockgruppen Queen und
Genesis und schuf daraus
diese spannende
Bearbeitung mit dem Titel
Symphonic Rock.
Die Instrumentierung kann
tatsächlich als
symphonisch bezeichnet
werden, es sind aber auch
in der Popmusik wichtige
Instrumente, wie
E-Gitarre und Synthesizer
vertreten.
Symphonic Rock Orchestre d'harmonie - Intermédiaire/avancé Music Sales
Concert Band/Harmonie - Grade 4 SKU: BT.1534-08-140-MS The Music of Qu...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1534-08-140-MS
The Music of Queen and
Genesis. Composed by
Brian May, Freddie
Mercury, John Deacon,
Mike Mike, Phil Collins,
Roger Taylor, and Tony
Banks. Arranged by
Gilbert Tinner. Ovation
Series. Pop & Rock. Score
Only. Composed 2008. 40
pages. Music Sales
#1534-08-140 MS.
Published by Music Sales
(BT.1534-08-140-MS).
9x12 inches.
English-German-French-Dut
ch.
Gilbert Tinner
bundelde enkele hits van
de bekende Britse
rockgroep Queen - en een
nummer van Genesis,
eveneens een rockformatie
uit Engeland - tot een
spetterend arrangement
met de veelzeggende titel
Symphonic Rock. De
instrumentatiekan
inderdaad symfonisch
worden genoemd, maar ook
belangrijke instrumenten
uit de popmuziek zijn
vertegenwoordigd. Zo is
er een grote rol
weggelegd voor de
elektrische gitaar en
ontbreekt ook een
synthesizer niet. In
demedley zijn
achtereenvolgens te
horen: Innuendo, A
Kind of Magic, Another
One Bites the Dust, Radio
Gaga, That’s
All en We Are the
Champions.
Gil
bert Tinner kombinierte
eine Reihe von Hits der
berühmten britischen
Rockgruppen Queen und
Genesis und schuf daraus
diese spannende
Bearbeitung mit dem Titel
Symphonic Rock.
Die Instrumentierung kann
tatsächlich als
symphonisch bezeichnet
werden, es sind aber auch
in der Popmusik wichtige
Instrumente, wie
E-Gitarre und Synthesizer
vertreten.
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043551-140 I. The Vision ...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-1043551-140
I. The Vision - II.
The Creation.
Composed by Jacob De
Haan. Sovereign Series.
Concert Piece. Score
Only. Composed 2004. De
Haske Publications #DHP
1043551-140. Published by
De Haske Publications
(BT.DHP-1043551-140).
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP
1125252.
Composed
by Carl Strommen. SWS.
Carl Fischer Concert
Performance Series. Full
score. With Standard
notation. 24 pages.
Duration 3 minutes, 23
seconds. Carl Fischer
Music #CPS119F. Published
by Carl Fischer Music
(CF.CPS119F).
ISBN
9780825885020. UPC:
798408085025. 9 x 12
inches.
A concert
fanfare to commemorate a
special occasion is the
genesis of this excellent
work by Carl Strommen.
Beginning with a brass
fanfare and employing
tight harmonies, the
processional-type theme
makes it an excellent
candidate for a
graduation ceremony. Send
those college-bound kids
off in style!
Concert Band (Score) - Grade 6 SKU: HL.44013337 Concert Band Score...(+)
Concert Band (Score) -
Grade 6
SKU:
HL.44013337
Concert Band
Score. Composed by
Philip Sparke. Anglo
Music Concert Band.
Classical. Softcover. 85
pages. Duration 982
seconds. Anglo Music
Press #AMP448103.
Published by Anglo Music
Press (HL.44013337).
WINNING
PERFORMANCE EBBC LILLE
2016 Raveling, Unraveling
- In Search of 'La Valse'
was written for the Cory
Band as their
own-choicetest piece for
the 2016 European Brass
Band Championships in
Lille. The piece found
its genesis in Sparkes
The Unknown Journey
(2014) for concert band,
and the use of Ravels La
Valse as a structural
undercurrent to the
original piece is an act
of reverence. Sparkes aim
was to produce a work
that is organic rather
than episodic in nature.
The composers view is
that little in music does
this better than La Valse
and for this reason he
uses various sections of
this masterpiece, both
manipulated and quoted
verbatim (including much
of its stunningclosing
passages) to provide the
overall geography of his
new work. As the music
progresses, more of the
Ravel appears, surfacing
completely as the piece
reaches its climax - a
gesture of homage to the
French master.
Score and Parts Concert Band (Score & Parts) SKU: HL.44013336 Concert ...(+)
Score and Parts Concert
Band (Score & Parts)
SKU: HL.44013336
Concert Band Score and
Parts. Composed by
Philip Sparke. Anglo
Music Concert Band.
Classical. Softcover.
Duration 982 seconds.
Anglo Music Press
#AMP448030. Published by
Anglo Music Press
(HL.44013336).
WINNING
PERFORMANCE EBBC LILLE
2016 Raveling, Unraveling
- In Search of 'La Valse'
was written for the Cory
Band as their
own-choicetest piece for
the 2016 European Brass
Band Championships in
Lille. The piece found
its genesis in Sparke's
The Unknown Journey
(2014) for concert band,
and the use of Ravel's La
Valse as a structural
undercurrent to the
original piece is an act
of reverence. Sparkes aim
was to produce a work
that is organic rather
than episodic in nature.
The composers view is
that little in music does
this better than La Valse
and for this reason he
uses various sections of
this masterpiece, both
manipulated and quoted
verbatim (including much
of its stunningclosing
passages) to provide the
overall geography of his
new work. As the music
progresses, more of the
Ravel appears, surfacing
completely as the piece
reaches its climax - a
gesture of homage to the
French master.
Symphony No. 2: Genesis Orchestre d'harmonie [Conducteur et Parties séparées] C. Alan Publications
By David Gillingham. For Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Engl...(+)
By David Gillingham. For
Concert Band (Piccolo,
Flute 1, Flute 2, Oboe
1/2, English Horn,
Bassoon 1/2, Eb Soprano
Clarinet, Clarinet in Bb
1, Clarinet in Bb 2,
Clarinet in Bb 3, Bass
Clarinet, Contrabassoon,
Alto Saxophone 1/2, Tenor
Saxophone, Baritone
Saxophone, Trumpet in Bb
1, Trumpet in B). Band
Music. Grade 5. Score and
parts. Duration 20:00.
Published by C. Alan
Publications
Composed by John Edmondson. For concert band. Queenwood Developing Band. Grade 1...(+)
Composed by John
Edmondson. For concert
band. Queenwood
Developing Band. Grade
1.5. Score and set of
parts. Duration 3:12.
Published by Queenwood
Publications