(Eight Intermediate Piano Solos). By Lynn Freeman Olson. Piano. For Piano. Class...(+)
(Eight Intermediate Piano
Solos). By Lynn Freeman
Olson. Piano. For Piano.
Classical. SMP Level 6
(Late Intermediate); NFMC
Level: Moderately
Difficult Class 1. Solo
part. Standard notation.
15 pages. Published by
Carl Fischer
10 Innovative Piano Solos Using Major and Minor Scales with 3 to 7 Sharps. By Mi...(+)
10 Innovative Piano Solos
Using Major and Minor
Scales with 3 to 7
Sharps. By Mike Springer.
For Piano. Piano
Collection. Level: Late
Intermediate (grade 4/5).
Book and CD. 32 pages.
Published by Alfred
Publishing.
Piano (Piano) SKU: HL.14003415 Arranged by Carol Barratt. Music Sales Ame...(+)
Piano (Piano)
SKU:
HL.14003415
Arranged
by Carol Barratt. Music
Sales America. Tuition.
Book [Softcover]. 64
pages. Chester Music
#CH71775. Published by
Chester Music
(HL.14003415).
ISBN
9781846097355. UPC:
884088433659.
9.0x12.0x0.204 inches.
English.
More than
forty favourite Christmas
songs and carols for the
beginning pianist,
arranged by Carol
Barratt. Many of the
songs include both the
English and American
versions of the
traditional carols.
Carols include lyrics and
chord symbols and are
ideal for use alongside
The Classic Piano Course
books 1 and 2.
Piano - easy to intermediate SKU: M7.ART-42140 Romantische und gefü...(+)
Piano - easy to
intermediate
SKU:
M7.ART-42140
Romantische und
gefühlvoll-moderne
Klavierstücke.
Composed by Renate
Hartnagel. Score with
online audio files. 60
pages. MDS (Music
Distribution Services)
#ART 42140. Published by
MDS (Music Distribution
Services) (M7.ART-42140).
ISBN 9783866421400.
German.
Die in
'Traumhafte Klaviermusik'
enthaltenen 22
mittelleichten bis
mittelschweren
Klavierstücke
erzählen kurze
Geschichten aus dem
Leben, vermitteln
Stimmungen von heiter bis
bewölkt und verweben
bekannte und neue
Klangassoziationen mit
spannenden Harmonien,
Rhythmen und Motiven. Sie
eignen sich sehr gut, um
das expressive Spielen zu
entwickeln. Ziel ist es,
die Stimmung des
Stückes durch leichte
Veränderungen des
Anschlags, der Dynamik
und des Tempos
gefühlvoll und
ausdrucksstark
wiederzugeben. Zu den
Melodien der rechten Hand
spielt die linke Hand
wiederkehrende
Begleitmuster, welche
oftmals in traditioneller
und moderner
Klavierliteratur zu
finden sind und so dem
Lernenden eine gute
technische Grundlage
vermitteln. Die rechte
Hand ist betonter und
bewegter und übernimmt
die Rolle des
Erzählers.
Stilelemente aus der
klassischen und modernen
Musik, aus Filmmusik und
romantischen Pop-Balladen
sind kunstvoll verwoben,
um neue Klangerlebnisse
zu schaffen. Ton- und
Taktarten sind so
gewählt, dass die
Stücke leicht zu
erlernen sind und der
Spieler sich auf die
Interpretation der Musik,
sowie auf ein
flüssiges und
unabhängiges Spielen
beider Hände
konzentrieren kann. Das
spielerische Erlernen von
schnellen Läufen,
Synkopen und Sprüngen
wird zudem moderat
gefördert. Die
Fingersätze sind
sorgfältig gesetzt, um
ein flüssiges und
müheloses Legatospiel
zu ermöglichen. Der
Einsatz des Haltepedals
wird bei allen Stücken
empfohlen, jedoch klingen
die Kompositionen durch
das Legato auch ohne
diesen vollständig.
Viel Freude beim
Träumen!
Piano seul [Partition + CD] - Débutant Kjos Music Company
By Lisa Bastien. Edited by Lori Bastien, Jane Bastien. (Bastien Piano For Adults...(+)
By Lisa Bastien. Edited
by Lori Bastien, Jane
Bastien. (Bastien Piano
For Adults). Bastien
Piano. Method. Level:
Book A,1. Music Book.
Size 232. Published by
Neil A. Kjos Music
Company.
Piano seul [Partition] - Débutant Kjos Music Company
By Lisa Bastien. Edited by Lori Bastien, Jane Bastien. (Bastien Piano for Adults...(+)
By Lisa Bastien. Edited
by Lori Bastien, Jane
Bastien. (Bastien Piano
for Adults). Bastien
Piano. Method. Level:
Book A,1. Music Book.
Size 232. Published by
Neil A. Kjos Music
Company.
Ten Years of Popular Hits Arranged for Easy Piano. Arranged by Dan Coates. For P...(+)
Ten Years of Popular Hits
Arranged for Easy Piano.
Arranged by Dan Coates.
For Piano. Piano - Easy
Piano Collection. Decade
by Decade. Nostalgia;
Pop. Level: Easy Piano.
Book. 144 pages.
Published by Alfred
Publishing.
Chamber Music Piano SKU: PR.140401310 Composed by Nora Holt. Edited by La...(+)
Chamber Music Piano
SKU: PR.140401310
Composed by Nora Holt.
Edited by Lara Downes.
Sws. Score. 8 pages.
Duration 2 minutes.
Theodore Presser Company
#140-40131. Published by
Theodore Presser Company
(PR.140401310).
ISBN
9781491134153. UPC:
680160684250. 9 x 12
inches. Key: G
major.
NORA’
S DANCE is a
jazz-influenced rag from
1921, and among the only
surviving compositions by
Nora Douglas Holt. A
charming and exciting
work rejuvenated by Lara
Downes’ 2021
recording for the Rising
Sun label, the rag is
both a fun 2 minutes for
pianists and audiences,
and also a fascinating
time capsule. Composed
several years after Scott
Joplin’s death,
and several years before
the Charleston pervaded
popular music,
NORA’S DANCE
blossoms with the energy
and jazz harmony starting
to emerge as The Roaring
20’s, using
ragtime and stride as the
seed for pianistic
style. My own life in
music has been driven by
a quest to find strong
female role models,
trails to follow,
shoulders to stand on. In
Nora Douglas Holt, I find
an inspiring example of
creativity, independence,
and resilience –
with a dash of
troublemaking. She was a
free spirit, a force of
nature, and she lived a
fascinating and eventful
life on her own terms.
She reinvented herself
through five marriages
and at least as many
careers. From her
beginnings at the piano
at age four, she explored
many avenues of musical
expression –
performing, composing,
music journalism,
broadcasting, teaching
– all with
inventiveness, style, and
zeal.She made the most of
the Roaring ’20s,
as an artist, socialite,
jetsetter, muse, and
patroness of the Harlem
Renaissance. In 1921 she
started an independent
arts journal called
“Music and
Poetry,†where the
charming piano solo
Nora’s Dance was
first published. I think
the piece captures
beautifully, in a little
under 2 minutes, the
energy and excitement of
those heady years.In
1926, Nora left New York
to travel the world,
performing in nightclubs
throughout Europe and
Asia. She put her
belongings in storage
before she left, and when
she came back she
discovered that many of
her things had been
stolen, including more
than 200 of her musical
compositions. She never
composed again.When the
Depression hit, she moved
out to Los Angeles, where
she studied music
education at USC, taught
music in the LA public
schools, and opened her
own beauty salon. She
returned to New York in
the ’40s and
worked as a music critic
for several major
newspapers, then launched
yet another career, this
time in broadcasting. Her
popular radio concert
series “Nora
Holt’s Concert
Showcase†broadcast
to New York’s
classical music audience,
with a focus on Black
composers and
performers.Ahead of her
time, larger than life,
full of ideas…. I
am so pleased to
introduce you to the
feisty and free spirited
Nora Douglas Holt!
Piano (Piano Solo) SKU: HL.49046935 Solo Piano. Composed by Gregor...(+)
Piano (Piano Solo)
SKU: HL.49046935
Solo Piano.
Composed by Gregory
Spears. Piano Solo.
Classical. Softcover. 98
pages. Duration 6180
seconds. Schott Music
#ED30418. Published by
Schott Music
(HL.49046935).
ISBN
9781705169353. UPC:
842819116837.
9.25x12.0x0.5
inches.
SEVEN DAYS
is a cycle for solo piano
in 21 movements, most
lasting between three and
seven minutes,
distributed in the form
of a custom app produced
by the 92Y and released
during their Fall 2021
season. Using the app on
their phones, listeners
are asked to listen to
three movements a day
according to an
approximate schedule -
one movement in the
morning, one in the
afternoon, and another
sometime in the evening -
for seven days. The music
is performed by Pedja
Muzijevic and presented
alongside paintings by
Gloria Maximo. (Please
visit 92Y.org for
information on how to
download the Seven Days
app.) The work is
designed as a listening
experience that tunes us
into the passing of time,
connecting us both to the
present moment as well as
the cycle of the week.
The experience invites
music to inhabit and
structure our everyday -
to find us where we are
in the world. The
morning-afternoonevening
schedule is meant to
focus participants on the
dawn-to-dusk cycle as
well as to create a
communal listening
ritual. It is also an
experiment in large-scale
form, designed to draw
attention to musical
material developing
across a week-long
expanse, interspersed
with vast silences. SEVEN
DAYS was shaped by a year
spent in relative
isolation due to the
pandemic. While it is a
work composed during a
time of quarantine, it
will be experienced first
by an audience in the
process of returning to a
more normal world. In
that sense, it is an
artwork born out of a
year of relatively
cloistered existence that
seeks to preserve aspects
of that experience as we
move forward. The piece
was also inspired by the
work of Morton Feldman
and Chantal Akerman,
whose large-scale works
consider time, process,
and stillness. Their art
struck me with a fresh
relevance during the
silent stretches of the
pandemic year 2020. It
was also a year in which
writings about time,
penned by contemplatives
like Henry David Thoreau
and Thomas Merton, held
new weight. All of this
in turnresonated with
Gloria Maximo's profound
paintings, which I've
long admired. SEVEN DAYS
is an artwork we are
invited to do - using
music to point our
attention to the present
moment, the everyday, and
the seemingly mundane. It
is a piece listeners are
also asked to live within
as it unfolds over a week
rather than to witness it
live. The key players
here are time and the
listener's own
surroundings, starring
together alongside music
and art in a wordless
drama. -Gregory
Spears.
Intermediate Level. Composed by Benj Pasek, Justin Hurwitz, and Justin Paul. ...(+)
Intermediate Level.
Composed
by Benj Pasek, Justin
Hurwitz, and Justin Paul.
Piano Solo Songbook.
Movies,
Musicals. Softcover. 48
pages. Published by Hal
Leonard
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 ...(+)
Edited by Amy Appleby.
Collection and examples
CD for easy solo piano.
Over 200 best-loved
Christian hymns that have
inspired praise and
worship for over four
centuries. Series: Piano
Treasury Series. 392
pages. Published by Music
Sales.
By Shannon M. Grama. Composed by Andrew Lloyd Webber. Arranged by Shannon M. Gra...(+)
By Shannon M. Grama.
Composed by Andrew Lloyd
Webber. Arranged by
Shannon M. Grama.
Pianosoft (Yamaha
software for the
Disklavier pianos - this
is NOT sheet music).
Floppy disk. Published by
Hal Leonard.
Composed by Bela Bartok (1881-1945), edited by Dr Benjamin Suchoff. For piano. T...(+)
Composed by Bela Bartok
(1881-1945), edited by Dr
Benjamin Suchoff. For
piano. The Archive
Edition. Format: piano
solo book. With standard
notation, fingerings and
introductory text. 20th
Century and Hungarian.
150 pages. 9x12 inches.
Published by Dover
Publications.
Piano SKU: BR.BG-925 Composed by Rudolf (Hrsg.) Luck. Edited by Rudolf Lu...(+)
Piano
SKU:
BR.BG-925
Composed by
Rudolf (Hrsg.) Luck.
Edited by Rudolf Luck.
Solo instruments;
Softcover. Edition Gerig.
Music post-1945. Score.
60 pages. Breitkopf and
Haertel #BG 925.
Published by Breitkopf
and Haertel (BR.BG-925).
ISBN 9790004131824. 9
x 12 inches.
When
the mathematically
oriented compositional
method started losing
favour, composers began
turning again more
strongly to the piano,
from the midsixties on,
and discovered, as it
were, the new poetry of
the instrument through
effects obtained with
harmonics and
preparation. For this
reason, only a few pieces
dating from before 1965
have been selected. Most
of the following pieces
were composed especially
for this anthology. They
are arranged in order of
increasing difficulty.
While the first volume is
intended more for the
amateur, the second
volume presupposes a
greater degree of skill.
Due to the great number
of composers, it was
impossible even to
pretend to offer a
representative
cross-section of
contemporary German piano
music. Several composers
had to be excluded
because they wrote no
notable works for piano.
Another criterion
influencing the selection
of pieces was the effort
to present the most
varies styles of piano
writing possible.
Moreover, special notice
has been given to the
works which display
originality, even though
their authors are not
among the most widely
known and marketable
musicians of the day.
Piano SKU: BR.BG-922 Composed by Rudolf (Hrsg.) Luck. Edited by Rudolf Lu...(+)
Piano
SKU:
BR.BG-922
Composed by
Rudolf (Hrsg.) Luck.
Edited by Rudolf Luck.
Solo instruments;
Softbound. Edition Gerig.
Music post-1945. Score.
68 pages. Breitkopf and
Haertel #BG 922.
Published by Breitkopf
and Haertel (BR.BG-922).
ISBN 9790004140192. 9
x 12 inches.
When
the mathematically
oriented compositional
method started losing
favour, composers began
turning again more
strongly to the piano,
from the midsixties on,
and discovered, as it
were, the new poetry of
the instrument through
effects obtained with
harmonics and
preparation. For this
reason, only a few pieces
dating from before 1965
have been selected. Most
of the following pieces
were composed especially
for this anthology. They
are arranged in order of
increasing difficulty.
While the first volume is
intended more for the
amateur, the second
volume presupposes a
greater degree of skill.
Due to the great number
of composers, it was
impossible even to
pretend to offer a
representative
cross-section of
contemporary German piano
music. Several composers
had to be excluded
because they wrote no
notable works for piano.
Another criterion
influencing the selection
of pieces was the effort
to present the most
varies styles of piano
writing possible.
Moreover, special notice
has been given to the
works which display
originality, even though
their authors are not
among the most widely
known and marketable
musicians of the day.
Piano SKU: HL.14020312 Composed by Stuart MacRae. Music Sales America. 20...(+)
Piano
SKU:
HL.14020312
Composed
by Stuart MacRae. Music
Sales America. 20th
Century. Book
[Softcover]. Music Sales
#NOV951511. Published by
Music Sales
(HL.14020312).
ISBN
9781844492619.
9.75x13.75x0.113
inches.
Stuart
MacRae's Piano Sonata was
commissioned by the City
Music Society and first
performed by Philip Fowke
at a City Music Society
lunchtime concert on 27
October 1998. The
composer writes: 'By the
time I started writing
the Piano Sonata in 1998
I had been thinking for a
while about the
possibilities of making
works out of two separate
parts which would balance
one another. In order for
this to be effective the
two parts would have to
be more or less
self-sufficient, and have
their own internal
balance: in fact the
first movement has been
performed several times
as a piece in its own
right; the second
movement has its own
material until near the
end when a sort of coda
mixes the material from
the two movements (albeit
inconclusively).'.