(A Collection of 35 Traditional Appalachian Tunes). Composed by Ken Kolodner....(+)
(A Collection of 35
Traditional Appalachian
Tunes). Composed by Ken
Kolodner. For fiddle.
Perfect binding. Book and
Online Audio. 60 pages.
Published by Mel Bay
Publications, Inc
The Irish Fiddle Book. (The Art of Traditional Fiddle Playing). For Violin. Musi...(+)
The Irish Fiddle Book.
(The Art of Traditional
Fiddle Playing). For
Violin. Music Sales
America. Irish,
Traditional, Folk,
Celtic. Softcover with
CD. 192 pages. Ossian
Publications #OMB7.
Published by Ossian
Publications
Violin (First Position) with Piano Accompaniment. Arranged by Timothy Campbell, ...(+)
Violin (First Position)
with Piano Accompaniment.
Arranged by Timothy
Campbell, James Curnow.
Curnow Play-Along Book.
BOOK W/CD. Size 9x12
inches. 52 pages.
Published by Curnow
Music.
Violon [Partition + CD] - Facile Oxford University Press
(A second book of easy pieces for violin) Written by Kathy and David Blackwell. ...(+)
(A second book of easy
pieces for violin)
Written by Kathy and
David Blackwell.
Collection and
accompaniment CD for
violin. 31 pages.
Published by Oxford
University Press.
Chamber Music Violin SKU: CF.BF115 Composed by Johann Sebastian Bach. Edi...(+)
Chamber Music Violin
SKU: CF.BF115
Composed by Johann
Sebastian Bach. Edited by
Rachel Barton Pine. SWS.
Collection. With Standard
notation. 80 pages. Carl
Fischer Music #BF115.
Published by Carl Fischer
Music (CF.BF115).
ISBN
9781491150993. UPC:
680160908493. 9x12
inches.
Johann
Sebastian Bach’s
(1685—1750)
SixSonatas and Partitas
have captivated
violinistsfor centuries.
Rachel Barton
Pine—havingspent
decades studying the
music of Bach,his
contemporaries, and his
predecessors—now
offers this unparalleled
edition completewith
detailed historical
notes,
performancesuggestions,
and downloadable study
materialsincluding a new
Urtext edition and a
speciallyprepared
manuscript. Pine’s
interpretationis informed
by thorough historical
study, which has been
polished byyears of
performance insight, but
also encourages those
studying
Bach’srepertoire
to craft their own unique
interpretation of these
timelessmasterpieces.
This edition closely
follows Pine’s
critically acclaimed
2016recording
“Testament:
Complete Sonatas and
Partitas for Solo Violin
byJ.S. Bach†(Avie
2360) making it an
invaluable resource for
any student,teacher, or
performer enthralled with
J.S. Bach’s long
standing legacy.Ms. Pine
holds the distinction of
being the only American
and youngestperson to win
the gold medal at the
J.S. Bach International
ViolinCompetition in
Leipzig, Germany,
1992. here is no one
right way to play Bach.
More thanalmost any
repertoire, each
individual’s
interpretation isas
unique as their
personality. Though I
have spent
decadesstudying
Bach’s music as
well as that of his
contemporariesand
predecessors, my final
rationale for
artisticdecisions is
often taste and instinct.
Every violinist
whoundertakes a
lifetime’s journey
with this incredible
repertoireis continually
discovering new ideas.
Thus, theopinions on the
following pages may
evolve over time.However,
everything in the sheet
music closely follows
my2016 recording
“Testament:
Complete Sonatas and
Partitasfor Solo Violin
by J.S. Bach†(Avie
2360), which I trulyfeel
represents the
culmination of my
exploration intothese
extraordinary works.In
choosing to present this
edition, my hope is
thatyou will find useful
solutions to challenges
of fingering,bowing, and
polyphony, and helpful
information
aboutphrasing. I have
also included additional
dynamic suggestionswith
the hope that trying
these ideas will help
inspireyou to discover
your own. All of these
markings aredesigned to
work with a baroque
violin and baroque bow,a
modern violin and baroque
bow, or a modern
violinand modern bow.
While the information in
this editionis unusually
dense, there is much that
I did not include,such as
lifts, breaths,
articulations, whether to
play on oroff the string,
metronome markings,
details of timing,and
emphases other than
hemiolas.I offer this
book to you in the spirit
of Bach: “SoliDeo
Gloria.â€.
(Foreword and Additional Editing by Doris Gazda). By George Frideric Handel Fede...(+)
(Foreword and Additional
Editing by Doris Gazda).
By George Frideric Handel
Federigo Fiorillo. Edited
by Larry Clark, Leopold
Auer, Doris Gazda.
Arranged by William
Strasser. For Violin,
Violin and Piano. Book.
96 pages. Published by
Carl Fischer
Violin SKU: ST.Y274 Composed by Morgan Hayes. String music. 3 minutes. Sc...(+)
Violin
SKU:
ST.Y274
Composed by
Morgan Hayes. String
music. 3 minutes. Score.
Stainer & Bell Ltd.
#Y274. Published by
Stainer & Bell Ltd.
(ST.Y274).
ISBN
9790220223358.
1st
perf: Keisuke Okazaki,
Tokyo Opera City Recital
Hall, Tokyo, Japan, 22
April 2008 1st UK
perf: Darragh Morgan,
Schott Recital Room,
Bauer & Hieber,
London, 5 February
2009
Though the
jagged figures and
phrases of Lucky's
Dream by Morgan
Hayes are unmistakably
those of a contemporary
musical expressionist,
the shadow of Bach also
falls on this work,
inspired by the
virtuosity of the young
Japanese soloist Keisuke
Okazaki and his playing
of the E major
Partita.
In
fact, though 'standard'
contemporary techniques
are widely used in the
piece - left-hand
pizzicato, harmonics and
microtones, all deployed
in edgy, unpredictable
rhythms - there is also a
classical shape to the
structure. In this
two-part form, lasting
around four minutes, the
first section is
reflective, dwelling on
single notes, phantoms as
it were of pitches that
are subtly deflected
through slow glissandi.
Then a spectral dance
ensues, delivered largely
on plucked strings,
ethereal, disembodied,
strange.
The
'Lucky' in question is a
character from Samuel
Beckett's play
Waiting for
Godot, and
Lucky's Dream is
a complementary work to
the earlier, impassioned
Lucky's Speech
(2006). The two
items can stand alone or
may be performed
consecutively. Both are
to be found on the recent
all-Hayes CD released on
the NMC label (NMC D163),
which also features the
composer's 17-minute
Violin Concerto as
further evidence for his
original approach to
writing for the
instrument.
How To Play Fiddle with CD by Larry McCabe. For fiddle. This edition: Paperback....(+)
How To Play Fiddle with
CD by Larry McCabe. For
fiddle. This edition:
Paperback. Instructional.
Method. Book and CD. Text
Language: English. 48
pages. Published by
Santorella Publications
In form of Etudes, in all 24 Keys. Composed by Jacques Pierre Joseph Rode. Arran...(+)
In form of Etudes, in all
24 Keys. Composed by
Jacques Pierre Joseph
Rode. Arranged by Max
Rostal. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 76 pages.
Schott Music #ED6512.
Published by Schott Music
10 Virtuoso Pieces for Solo Violin. Composed by Aleksey Igudesman. Full s...(+)
10 Virtuoso Pieces for
Solo Violin. Composed
by Aleksey Igudesman.
Full score (study). With
Standard notation. 44
pages. Universal Edition
#UE36700. Published by
Universal Edition
(PR.UE036700).
Chamber Music Violin SKU: PR.114418750 Composed by Michael Hersch. Sws. P...(+)
Chamber Music Violin
SKU: PR.114418750
Composed by Michael
Hersch. Sws. Performance
Score. 8 pages. Duration
11 minutes. Theodore
Presser Company
#114-41875. Published by
Theodore Presser Company
(PR.114418750).
ISBN
9781491129524. UPC:
680160655489. 9 x 12
inches.
The
seven-movement in the
snowy margins might be
considered a sort of
atomic suite, as each
movement is succinct, yet
a microcosmic powerhouse
inspired by “The
Comet,” by Polish
writer and Holocaust
victim Bruno Schulz.
Hersch’s intensity is
expressed through
dramatically captivating
violin gestures, pushing
the boundaries of
texture, technique, and
emotion. Michael
Hersch’s in the snowy
margins was written in
2010. Like much of his
work, it is grounded in
literature and art. The
title is drawn from a
short story, The Comet by
Polish writer, poet, and
artist, Bruno Schulz
(1892-1942). This forms
the last of his
collection The Street of
Crocodiles, published in
1934. Schulz was shot by
a Nazi officer in
1942.Both the title of
Hersch’s work, and the
‘motto’ found on the
composer’s manuscript
(‘Thus far and no
further. But what has
become of the end of the
world…’) are to be
found in The Comet.
It’s interesting that
in in the snowy margins,
unlike his earlier
Fourteen Pieces which
were inspired by the
poetry of Primo Levi,
Hersch chose to not title
each individual movement
with a quote. However his
choices of text are
applied, there is a clear
quality of distillation.
In every case, the texts
which the composer has
chosen to eschew lie
beneath the music, akin
to the greater mass of an
iceberg, submerged, but
imminent.Hersch also has
very particular taste in
visual art, and there
seems to be common ground
between the intensely
expressionist drawing of
Schulz, and those of
Michael Mazur, which
inspired his string
quartet Images from a
Closed Ward. The
parallels between these
artists reflect common
traits shared between
these two pieces, which
provide a window on how
the music should be
approached, expressively
and technically. I would
argue, that from a
violinist’s point of
view, this pertains
directly to how bow and
left hand should approach
the string: the febrile
vibrancy of both Mazur
and Schulz’s pencil and
charcoal strokes, perhaps
what T.S. Eliot called
the ‘circulation of the
lymph’, in every
gesture, speaks to the
intense experience,
physically and
emotionally, of playing
(and hearing) this music.
There is an intense sense
of ‘truth to
materials’ at every
moment, the sense that
every note sings on the
edge of, or even beyond,
total collapse.— Peter
Sheppard-Skaerved.
Composed by Thomas Gregory. This edition: Compatible with Vamoosh Viola, Cello, ...(+)
Composed by Thomas
Gregory. This edition:
Compatible with Vamoosh
Viola, Cello, and Double
Bass Book 1.5. Score and
audio CD. Spartan Press
#VAM4. Published by
Spartan Press
(PR.514056660).
Violin - Easy SKU: JK.01983 Composed by Various. Arranged by Brent Jorgen...(+)
Violin - Easy
SKU:
JK.01983
Composed by
Various. Arranged by
Brent Jorgensen.
Christian, Christmas,
Christmas Carols,
Contemporary Christian,
Gospel, Holiday,
Inspirational. Christian,
Inspirational. Score.
Jackman Music Corporation
#01983. Published by
Jackman Music Corporation
(JK.01983).
UPC:
093285019836.
Prese
nting the newest addition
to the popular
Hymn-Alongs series:
Christmas
Hymn-Alongs! The
Hymn-Alongs series
includes over 20
different instrumental
books. They are simple
enough for developing
musicians to master, yet
beautiful and fun for
those advancing in
music. The
accompaniment book
features beautiful, yet
simple arrangments for
piano, guitar (chord
symbols), and voice. The
many instrumental books
can be played together in
any combination. All
instrument books include
a melody part; treble
instruments have a duet
part, and bass
instruments also include
a bass part. View all
Christmas Hymn-Alongs
products HERE.
Songs included in
Christmas
Hymn-Alongs:Angels We
Have Heard on HighAway in
a MangerHark! The Herald
Angels SingI Heard the
Bells on Christmas DayIt
Came upon the Midnight
ClearJoy to the WorldO
Come, O Come, EmmanuelO
Little Town of
BethlehemOh, Come, All Ye
FaithfulO Holy
NightSilent NightThe
First NoelWe Three
KingsWhat Child Is
This? Composer:
VariousArranger: Brent
JorgensenDifficulty:
Easy hymn along,
hymnalongs, hymnalong,
hymn alongs.
Violin - Beginning-Intermediate SKU: MB.99960M For All Instruments wit...(+)
Violin -
Beginning-Intermediate
SKU: MB.99960M
For All Instruments
with Guitar Chords.
Composed by Robert
Bielefeld. Wire bound,
Mandolin, Acoustic: Other
Non-String, Flute,
Acoustic: Other Strings,
Violin, Tunebooks, Folk.
Early Music /
Renaissance. Book and
online audio. 152 pages.
Mel Bay Publications, Inc
#99960M. Published by Mel
Bay Publications, Inc
(MB.99960M).
ISBN
9780786689972. 8.75 x
11.75
inches.
Players of
all kinds of instruments
including flute, fiddle,
mandolin, recorder,
whistle, guitar, harp and
more can use this
collection of music which
is popular at modern
renaissance festivals.
The music is presented
simply, with melody lines
and chord symbols,
allowing for a wide range
of interpretation. In
addition to many period
dance tunes, the book
contains a selection of
vocal numbers with lyrics
included. Each selection
is accompanied by text to
suggest ideas for
performance, place the
music in a modern
festival context and
provide useful
information to those
interested in studying
historical sources of
early music. Cantigas
arrangements of some of
the tunes in this book
can be heard on the
companion recording. They
are played at a listening
tempo by the ensemble:
Wooden flute or recorder,
fiddle, cello, harp and
percussion. Includes
access to online
audio.
Violin, Performance and Play-Along CD SKU: HU.F0571536921 Edited by Jessica O'L...(+)
Violin, Performance and
Play-Along CD
SKU: HU.F0571536921
Edited by Jessica
O'Leary. Strings,
Repertoire, Collections.
The Best of Grade 2
Violin. Softcover Book
and CD. 40 pages. Faber
Music #F0571536921.
Published by Faber Music
(
Composed by Craig Duncan. Solos, Saddle-stitched. Great Fiddling Tunes. Scotti...(+)
Composed by Craig Duncan.
Solos, Saddle-stitched.
Great
Fiddling Tunes. Scottish.
Book and online audio.
Mel
Bay Publications, Inc
#30814M. Published by Mel
Bay
Publications, Inc
Composed by Drew
Beisswenger. Country,
Bluegrass, Perfect
binding, Solos, Duets and
Ensembles, Tunebook,
American Music. Style.
Book and online audio.
220 pages. Mel Bay
Publications, Inc
#21123M. Published by Mel
Bay Publications, Inc
(MB.21123M).
ISBN
9780786695256. 8.75 x
11.75 inches.
This
book, which includes 308
tune transcriptions, is
organized around
individual fiddlers who
typically combine
Appalachian-style
fiddling with rags, pop
standards, Midwest-style
fiddling and sometimes a
touch of Western swing to
create a style often
identifiable as Ozarks.
Thirty Ozarks fiddlers
and their lives are
highlighted with
biographical sketches,
photographs, and tune
histories. Another 50
great Ozarks fiddlers are
presented in a similar
manner but with less
detail. The book and
accompanying audio with
37 tunes, many recorded
in the field emphasize
the older fiddling
traditions connected to
the square dances and
community events more
than those connected to
bluegrass music and
modern contest fiddling.
Some of the tunes in the
collection are old
standbys such as Bile
Them Cabbage while others
such as Finley Creek
Blues are unique to the
region. The book is the
result of years of work
by two respected
researchers. Gordon
McCann won the
prestigious Missouri Arts
Award in 2002 for his
decades of work
documenting, studying,
and accompanying Ozarks
fiddle music. Drew
Beisswenger, a music
librarian at Missouri
State University with a
Ph.D. in ethnomusicology,
has published three other
works about fiddle music
and is known for his
strong transcription and
analysis skills. Includes
access to online
audio.
(Violin). Arranged by Various. For Violin. Book; CD; Play-Along; String Series. ...(+)
(Violin). Arranged by
Various. For Violin.
Book; CD; Play-Along;
String Series. Top Hits
Instrumental Solos. Pop;
Rock. Grade 2; Grade 3.
28 pages. Published by
Alfred Music
Composed by
Nigel Goldberg. String
music. Clifton Edition
#C544. Published by
Clifton Edition
(ST.C544).
ISBN
9790570815449.
Student Violin part with
either teacher (as violin
duets) or with piano
accompaniment (Vln &
Pno).
This bumper
volume incorporates the
three separate former
publications from Spartan
Press, the series called
'Concertinos in the Olden
Style'
(SP1121–3). Piano
accompaniments by Heidi
Rolfe.
Nigel
Goldberg
writes:
I can
still remember the thrill
I felt as a child of 8
when my violin teacher
introduced me to my first
concertino. Learning,
playing and eventually
mastering the famous
Küchler Concertino in D
major made me feel
privileged and grown-up,
as if I were joining a
very special
club.
Tha
t was a long time ago,
yet for me concertinos
still hold a distinctive
place in the teaching
repertoire. Having now
taught the violin for the
last thirty years and
seen how happily my
pupils respond to
learning duets - that
distinctive sense of
enjoyment at playing with
an adult, the improvement
of intonation and tone
production, the
liveliness of the lesson
- I have composed three
new concertinos, inspired
by the duet
form.
Tak
ing three great keys for
the violin – G, D and A
minor, I have endeavoured
to combine emotionally
engaging and technically
educational music in the
'Olden Style'. Uniquely,
I have written a second
violin part for the
teacher to play alongside
their pupil's part and
there is also a piano
accompaniment for use
alternatively in concert
settings.
I very much hope that
these concertinos prove
as popular and as helpful
as the series of duets in
my previously published
books, Sounds of a
Rainbow and, that they
ignite that sense of
wonderment and purpose I
experienced while playing
the Kuchler, all those
years
ago.