Chamber Music Cello, Piano, Violin SKU: PR.114423360 Composed by Stacy Ga...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.114423360
Composed
by Stacy Garrop. Set of
Score and Parts. 24+12+12
pages. Duration 8:30.
Theodore Presser Company
#114-42336. Published by
Theodore Presser Company
(PR.114423360).
UPC:
680160686285.
When
the Newport Music
Festival commissioned me
for a piano trio in honor
of their 2021 season, I
looked for a topic that
would celebrate an aspect
of the Newport community.
While researching the
area, I was struck by the
nine lighthouses situated
around the island. The
dual nature of
lighthouses was
particularly appealing to
me: not only do they
serve a vital role in the
navigation of ships
around rocks and land,
but they are also a
beautiful sight,
particularly at night
when their blinking
beacons are clearly
visible to the eye. It
occurred to me that
lighthouses link the past
with the present, and
will endure long into the
future, with their
beacons serving the same
purpose for every
generation.I became
fascinated with the
lighthouse on the
property of Castle Hill
Inn, located at the
opening of the East
Passage of the
Narragansett Bay. This
squat thirty-four foot
granite structure was
erected in 1890 on a very
picturesque spot, right
at the water’s
edge. Its
“characteristic,â
the nautical term
for each
lighthouse’s
unique light sequence
that allows ships to
identify the lighthouse,
is to alternate on for
three seconds, then off
for three seconds. The
lighthouse has also
served as the starting
and finish line for
numerous high profile
yacht races, as well as
survived a massive
hurricane in 1938, though
the lighthouse
keeper’s nearby
residence wasn’t
so lucky. American
novelist Thornton Wilder
wrote much of his 1973
novel Theophilus North
while staying at the
Castle Hill Inn; a
passage from the book
perfectly captures the
dual nature of
lighthouses:“At a
later visit I was able to
engage the pentagonal
room in a turret above
the house; from that
magical room I could see
at night the beacons of
six lighthouses and hear
the booming and chiming
of as many sea
buoys.â€In Beacon of
the Bay, we first hear
the lighthouse’s
characteristic as its
ruby light blinks on and
off. This is followed by
a simple theme that
represents the lighthouse
performing its solitary
duty. As the piece
progresses, we hear waves
playfully lapping around
its base, then yachts
gracefully floating by;
this is followed by a
violent storm that churns
the waves with so much
force that they crash
against the
lighthouse’s
granite body. But the
steadfast lighthouse
holds firm to the rocks,
grandly blinking its ruby
light. The music quiets
back down to its simple
theme, with yachts
sailing by once more as
the piece concludes.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48024893 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48024893
Violin and Piano.
Composed by Bertold
Hummel. Boosey & Hawkes
Chamber Music. Classical.
Softcover. 20 pages.
Duration 360 seconds.
Simrock #M221122551.
Published by Simrock
(HL.48024893).
ISBN
9783923051700. UPC:
840126925098.
As an
educational and recital
piece, Bertold Hummel's
Sonatina Op. 35, composed
in 1969, has accompanied
many a young musician
following his or her own
path. Having sold a
thousand times all over
the world, it is one of
the composer's best-known
works and hasbeen
included in the
repertoire list for the
'Jugend musiziert'
competition by the German
Music Council. The three
movements are
characterized by warmth
and exciting rhythms: in
the powerful Maestoso,
the sonority of the main
theme is contrasted with
a lyrical side theme; the
recapitulation ends with
an impulsive Fugato. The
second movement Elegie
consists of a single
soulful melody over
spherical harmonies of
the piano. As a
highlight, playful ease,
marching rhythms and
dramatic intensifications
alternate in quick
succession in the Finale
vivace, followed by wild
arpeggios that conclude
the piece. Originally
composed for violin,
versions for viola and
violoncello were already
commonly used. To mark
its 50th birthday,
Simrock / Boosey &
Hawkes present the work
in a revised, newly set
edition. Written in the
1990s by the composer
himself and now available
forthe first time, the
versions for alto and
tenor saxophone are
valuable additions to the
repertoire for beginning
instrumentalists.
Hot Violin 1 Violon et Piano [Partition + CD] - Facile Schott
20 Easy Pop Pieces in 1st position. Composed by Gabriel Koeppen. This edition:...(+)
20 Easy Pop Pieces in 1st
position. Composed by
Gabriel
Koeppen. This edition:
Saddle
stitching. Sheet music
with
CD. String Solo.
Instruction,
Recital. Edition with CD.
52
pages. Schott Music
#ED22672.
Published by Schott Music
(Violin and Piano). By Various. Arranged by Edward Huws Jones. For Guitar, Piano...(+)
(Violin and Piano). By
Various. Arranged by
Edward Huws Jones. For
Guitar, Piano, Violin
(Violin). Boosey and
Hawkes Chamber Music.
Softcover with CD. 120
pages. Boosey and Hawkes
#M060124037. Published by
Boosey and Hawkes
(Monstrous Pieces for Beginners). By Pam Wedgwood. For Violin and Piano. Book; S...(+)
(Monstrous Pieces for
Beginners). By Pam
Wedgwood. For Violin and
Piano. Book; String -
Violin Studies or
Collection. Faber
Edition. 16 pages.
Published by Faber Music
Violin - very easy to easy SKU: HL.49018957 Book/CD. Composed by V...(+)
Violin - very easy to
easy
SKU:
HL.49018957
Book/CD. Composed
by Various. Edited by
Peter Mohrs. This
edition: Saddle
stitching. Sheet music
with CD. Edition Schott.
25 leichte Stucke aus
Barock, Klassik und
Romantik in den ersten
drei Griffarten der 1.
Lage spielbar, fur
Violinschuler ab dem 2.
Unterrichtsjahr. Eine
Fundgrube fur Vorspiele
in Schule und
Musikschule. Classical.
Softcover with CD. 60
pages. Schott Music
#ED20684. Published by
Schott Music
(HL.49018957).
ISBN
9783795759568. UPC:
196288125617.
9.0x12.0x0.194 inches.
Andreas
Schuermann.
25 easy
pieces from the Baroque,
Classical and Romantic
eras, playable in the
first three finger
patterns in the first
position, for violin
pupils from the second
year of learning. Apart
from lesser known works,
this edition also
contains many popular
pieces, such as themes
from Vivaldi's Four
Seasons, Handel's
Fireworks Music and Water
Music, Mozart's Magic
Flute or Beethoven's
Symphony No. 9. This
volume's intention is to
grant access to classical
masterpieces of concert
literature with the help
of such easy arrangements
and spread the joy of
classical music.The
approach to the pieces is
made easier by the
accompanying CD which, on
the one hand, offers the
opportunity to listen to
and get to know the
pieces beforehand, and,
on the other hand, thanks
to the separate piano
accompaniments, provides
first experience in
ensemble playing and
conveys the vivid joy of
music-making.When the CD
was recorded by Prof.
Benjamin Bergmann,
violin, and Leonid
Dorfman, piano, they
deliberately decided in
favour of moderate tempos
to make it easier for the
young violinists to play
along with the piano
part. A treasure trove
for auditions at schools
and music schools.
Piano Accompaniment; Violin - intermediate SKU: HL.49043950 The 25 Mos...(+)
Piano Accompaniment;
Violin - intermediate
SKU: HL.49043950
The 25 Most Beautiful
Classical Original Pieces
for Violin and Piano.
Composed by Various.
Edited by Wolfgang
Birtel. This edition:
Paperback/Soft Cover.
Sheet music. String. Das
Spielmaterial reicht von
der Barockzeit bis ins
21. Jahrhundert und
enthalt Sonaten und
Sonatinen sowie beliebte
Einzelstucke - von
Corelli, Vivaldi und
Mozart uber Faure, Brahms
und Dvorak bis hin zu
modernen Komponisten.
Classical. Softcover. 156
pages. Schott Music
#ED21562. Published by
Schott Music
(HL.49043950).
ISBN
9783795747121. UPC:
841886019720.
9.0x12.0x0.575
inches.
Piano Accompaniment;
Violin (Score & Parts) -
advanced
SKU:
HL.49019174
Violin
and Piano. Composed
by Cyril Scott. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover.
Composed 1912. 28 pages.
Duration 7' 40''. Schott
Music #VLB164. Published
by Schott Music
(HL.49019174).
ISBN
9790001180580. UPC:
884088862596.
9.25x12.0x0.094
inches.
Cyril Scott
(1879 - 1970) composed
Deux Preludes in 1912.
Includes: I. Poeme
erotique and II. Danse.
In the first of two
Preludes, Poeme Erotique,
the continually changing
time signatures are the
defining factor,
displacing the bar
accents between a rocking
three and a rhapsodic
five-quaver meter. The
Danse that follows relies
even more on the rhythmic
acuity of its
interpreters through an
unfolding sucession of
unusual meter changes.
These two pieces will
appeal to an advanced
player wishing to enrich
his repertoire with
superb effective
performance pieces.
Schott's exemplary
printing on buff-colored
paper with
slightly-larger-than-usua
l notation should serve
to bring the unjustly
neglected Scott back into
the violin-repertoire
fold.--Strings
magazine.
Violin and chamber orchestra (Violin/Piano) SKU: HL.49044135 Violin an...(+)
Violin and chamber
orchestra (Violin/Piano)
SKU: HL.49044135
Violin and Piano
Reduction. Composed
by Christian Jost. This
edition: Saddle
stitching. Sheet music.
String Solo. Die vier
Satze 'erwacht -
verzaubert - bedroht -
entschwunden', deren
jeweilige atmospharische
Struktur von der
Solo-Violine
charakterisiert wird
(ahnlich den
vivaldinischen Vier
Jahreszeiten),
durchlaufen
unterschiedliche Stadien
der Idiome 'Alter Musik.
Softcover. Composed 2011.
64 pages. Duration 18'.
Schott Music #VLB159.
Published by Schott Music
(HL.49044135).
ISBN
9790001187091. UPC:
842819100096.
Zaube
rei, Magie, Mythen,
Legenden, dies sind die
grossen Themen barocker
Opern - Ausdruck der
Sehnsucht jener Zeit,
sich durch die Illusion
der Oper dem
Phantastischen hingeben
zu konnen. Diese
unverkennbare Parallele
zu unserer Gegenwart ist
die Grundlage einer
tiefgreifenden
kompositorischen und
inhaltlichen
Auseinandersetzung mit
Stoffen und Gesten der
Alten Musik, die mich zu
einer Reihe von Werken
anregt. Sie wird mit dem
Zaubergarten - Concertino
fur Violine und
Kammerorchester gleichsam
eroffnet.Die vier Satze
'erwacht - verzaubert -
bedroht - entschwunden',
deren jeweilige
atmospharische Struktur
von der Solo-Violine
charakterisiert wird
(darin ahnlich den
vivaldinischen Vier
Jahreszeiten),
durchlaufen
unterschiedliche Stadien
der Idiome 'Alter Musik',
um sie durch das Prisma
unserer Zeit unverbraucht
und 'magisch' erscheinen
zu lassen. So kann sich
der Konzertmeister oder
ein Gastsolist auf die
Pfade des 'Zaubergartens'
begeben, sie lenken oder
sich dahintreibend in das
Geschehen
einfugen.Christian Jost,
Mai 2011.