Composed by Pietro Antonio Locatelli (1695-1764). Edited by James Kim and Dani...(+)
Composed by Pietro
Antonio
Locatelli (1695-1764).
Edited
by James Kim and Daniel
Morganstern. Arranged by
Daniel Morganstern. Score
and
Part. International Music
Co.
#3854. Published by
International Music Co.
Violoncelle [Partition + CD] - Intermédiaire Music Minus One
For Cello. Classical (chamber). Includes a high-quality printed music score and ...(+)
For Cello. Classical
(chamber). Includes a
high-quality printed
music score and a compact
disc containing a
complete performance with
soloist; then a second
version with the piano
accompaniment, minus you,
the soloist. Published by
Music Minus One.
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC7. Published
by The Frederick Harris
Music Company (FH.VC7).
ISBN
978-1-55440-543-5.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Level
7: Il barbiere di
Siviglia: Overture -
Rossini,
Gioachino Carmen:
Prelude to act 1 - Bizet,
Georges Coriolan
Overture, op. 62 -
Beethoven, Ludwig
van Symphony No. 94
(Surprise), Hob. I:94:
I,IV - Haydn, Franz
Joseph Ruslan and
Ludmilla: Overture -
Glinka, Mikhail Peer
Gynt Suite No. 1, op. 46:
I,III,IV - Grieg,
Edvard Level
8: Incidental Music to
A Midsummer Night's
Dream, op. 61: I -
Mendelssohn,
Felix Symphony No. 8,
op. 88: I,IV - Dvorak,
Antonin The
Nutcracker, op. 71:
Russian Dance, Waltz of
the Flowers, Pas de deux
- Tchaikovsky, Pyotr
Il'yich Symphony No. 8
(Unfinished), D 759: I,II
- Schubert, Franz Die
Zauberfloete, K 620:
Overture - Mozart,
Wolfgang
Amadeus Symphony No.
40, K 550: I,IV - Mozart,
Wolfgang Amadeus Level
9: Symphony No. 9, op.
125: II,IV - Beethoven,
Ludwig van Symphony
No. 8, op. 93: III -
Beethoven, Ludwig
van Serenade for
Strings, op. 22: III,IV,V
- Dvorak,
Antonin Piano Concerto
No. 2, op. 83: III -
Brahms,
Johannes Serenade for
Strings, op. 48:
I,II,III,IV -
Tchaikovsky, Pyotr
Il'yich Symphony No. 4
(Italian), op. 90: I,IV -
Mendelssohn,
Felix Symphony No. 3,
op. 90: III,IV - Brahms,
Johannes Symphony No.
35 (Haffner), K 385: I,IV
- Mozart, Wolfgang Le
nozze di Figaro, K 492:
Overture - Mozart,
Wolfgang Amadeus Level
10: Group
1: Variations on an
Original Theme (Enigma),
op. 36: Variation 12 -
Elgar, Edvard Dichter
und Bauer: Overture -
Suppe, Franz von Messa
da Requiem: III - Verdi,
Giuseppe Guillame
Tell: Overture - Rossini,
Gioachino Group
2: Symphonie
fantastique: II,III,V -
Berlioz,
Hector Symphony No. 4,
op. 36: I,II,IV -
Tchaikovsky, Pyotr
Il'yich Symphony No.
5, op. 67: I,II,III -
Beethoven, Ludwig
van Symphony No. 4,
op. 98: I,II,III,IV -
Brahms,
Johannes Symphony No.
6 (Pathetique), op. 74:
I,II - Tchaikovsky, Pyotr
Il'yich Symphony No.
2, op. 73: I,II,IV -
Brahms,
Johannes Associate: Group 1: Symphony No.
5, op. 100: I,II,III,IV -
Prokofiev, Sergei La
mer: I,II - Debussy,
Claude The Bartered
Bride: Overture -
Smetana,
Bed_ich Symphony No.
5, op. 47: I,II,III -
Shostakovich,
Dmitri Group
2: Matthaus-Passion,
BWV: Komm, suesses Kreutz
- Bach, Johann
Sebastian Don Juan,
op. 20 - Strauss,
Richard Ein
Heldenleben, op. 40 -
Strauss,
Richard Verklaerte
Nach1, op. 4 -
Schoenberg, Arnold.
