Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44007255 Roman Carniva...(+)
Concert Band/Harmonie
(Score) - Grade 5
SKU:
HL.44007255
Roman
Carnival Overture.
Composed by Hector
Berlioz. De Haske Concert
Band. Transcription.
Score Only. Composed
2007. De Haske
Publications #DHP1074278.
Published by De Haske
Publications
(HL.44007255).
Berlioz based
his sparkling overture Le
Carnaval Romain on
themesfrom his opera
Benvenuto Cellini. The
opera had been performed
a fewtimes in Paris, a
number of years before,
with little success. The
overturehowever, quickly
became very popular and
is still today a great a
crowdpleaser. The
energetic vitality of the
work - with an Italian
touch- is certainly
present in this skilfully
written transcription by
TohruTakahashi.
Hector Berlioz
(1803-1869) baseerde zijn
sprankelende ouverture
Le Carnaval Romain
- die verscheen in 1844 -
op thema's uit zijn opera
Benvenuto Cellini,
namelijk de tenoraria uit
de eerste akte en de
carnavalscene uitde
tweede akte. De opera was
een aantal jaren daarvoor
een paar keer opgevoerd
in Parijs, met weinig
succes. De ouverture werd
echter al snel bijzonder
geliefd. Een snelle
opening leidt een
langzaam deel in, waarna
een spannendallegro
volgt. De energieke
vitaliteit - met een
Italiaans tintje - spat
van het werk af, ook in
deze vakkundig geschreven
transcriptie van Tohru
Takahashi.
Die
strahlende Ouverture
Le Carnaval von
Hector Berlioz greift auf
Themen aus der einige
Jahre zuvor
uraufgefuhrten Oper
Benevenuto Cellini
zuruck. Damals war die
Ouverture erfolgreicher
als die Oper selbst und
hat - zu Recht - bis
heute nicht an
Popularitat verloren. Die
energiegeladene
Lebendigkeit dieses
Werkes mit italienischem
Flair ist in der
geschickt geschriebenen
Transkription von Tohru
Takahashi absolut
prasent.
Le
compositeur, chef
d'orchestre et critique
musical Hector Berlioz
(1803-1869) fut un des
plus grands innovateurs
et plus eminents
representants du
romantisme musical
francais.La semillante
ouverture du Carnaval
romain (1844),
reprend quelques themes
de l'opera malchanceux
Benvenuto Cellini
et notamment le duo
initial (Acte I) et la
grande scene du Carnaval
(Acte II). Lorsque
Benvenuto Cellini
fut offert au public
parisien en 1838,
l'œuvre fut
conspuee. Au bout de
quelques representations,
l'opera fut abandonne,
mais son ouverture connut
un immense succes.La
frenesie du bref passage
introductif est absorbee
par une phase lente.
L'Allegro qui
suitdechaine la liesse du
Carnaval.
L'extraordinaire vitalite
de l'œuvre
originale, coloree d'une
touche italienne, se
revele aussi dans cette
brillante transcription
pour Orchestre d'Harmonie
signee Tohru
Takahashi.
Fakebook for Eb instrument and voice. With vocal melody, lyrics and leadsheet no...(+)
Fakebook for Eb
instrument and voice.
With vocal melody, lyrics
and leadsheet notation.
Series: Hal Leonard Fake
Books. 448 pages.
Published by Hal Leonard.
For C instrument and voice. Format: fakebook (spiral bound). With chord names, v...(+)
For C instrument and
voice. Format: fakebook
(spiral bound). With
chord names, vocal melody
and lyrics. Jazz. Series:
Hal Leonard Fake Books.
448 pages. 9x12 inches.
Published by Hal Leonard.
Concert Band/Harmonie - Grade 5 SKU: HL.44007254 Roman Carnival Overtu...(+)
Concert Band/Harmonie -
Grade 5
SKU:
HL.44007254
Roman
Carnival Overture.
Composed by Hector
Berlioz. De Haske Concert
Band. Transcription.
Score Only. Composed
2007. Hal Leonard
#1074278. Published by
Hal Leonard
(HL.44007254).
Ber
lioz based his sparkling
overture Le Carnaval
Romain on themesfrom his
opera Benvenuto Cellini.
The opera had been
performed a fewtimes in
Paris, a number of years
before, with little
success. The
overturehowever, quickly
became very popular and
is still today a great a
crowdpleaser. The
energetic vitality of the
work - with an Italian
touch- is certainly
present in this skilfully
written transcription by
TohruTakahashi.
Hector Berlioz
(1803-1869) baseerde zijn
sprankelende ouverture
Le Carnaval Romain
- die verscheen in 1844 -
op thema's uit zijn opera
Benvenuto Cellini,
namelijk de tenoraria uit
de eerste akte en de
carnavalscene uitde
tweede akte. De opera was
een aantal jaren daarvoor
een paar keer opgevoerd
in Parijs, met weinig
succes. De ouverture werd
echter al snel bijzonder
geliefd. Een snelle
opening leidt een
langzaam deel in, waarna
een spannendallegro
volgt. De energieke
vitaliteit - met een
Italiaans tintje - spat
van het werk af, ook in
deze vakkundig geschreven
transcriptie van Tohru
Takahashi.
Die
strahlende Ouverture
Le Carnaval von
Hector Berlioz greift auf
Themen aus der einige
Jahre zuvor
uraufgefuhrten Oper
Benevenuto Cellini
zuruck. Damals war die
Ouverture erfolgreicher
als die Oper selbst und
hat - zu Recht - bis
heute nicht an
Popularitat verloren. Die
energiegeladene
Lebendigkeit dieses
Werkes mit italienischem
Flair ist in der
geschickt geschriebenen
Transkription von Tohru
Takahashi absolut
prasent.
Le
compositeur, chef
d'orchestre et critique
musical Hector Berlioz
(1803-1869) fut un des
plus grands innovateurs
et plus eminents
representants du
romantisme musical
francais.La semillante
ouverture du Carnaval
romain (1844),
reprend quelques themes
de l'opera malchanceux
Benvenuto Cellini
et notamment le duo
initial (Acte I) et la
grande scene du Carnaval
(Acte II). Lorsque
Benvenuto Cellini
fut offert au public
parisien en 1838,
l'œuvre fut
conspuee. Au bout de
quelques representations,
l'opera fut abandonne,
mais son ouverture connut
un immense succes.La
frenesie du bref passage
introductif est absorbee
par une phase lente.
L'Allegro qui
suitdechaine la liesse du
Carnaval.
L'extraordinaire vitalite
de l'œuvre
originale, coloree d'une
touche italienne, se
revele aussi dans cette
brillante transcription
pour Orchestre d'Harmonie
signee Tohru
Takahashi.
Le Marais Ensemble de cuivres [Conducteur et Parties séparées] - Facile De Haske Publications
Brass Band - Grade 2 SKU: BT.DHP-1104879-030 Composed by Christian Bouthi...(+)
Brass Band - Grade 2
SKU:
BT.DHP-1104879-030
Composed by Christian
Bouthier. De Haske Easy
Band Series. Concert
Piece. Set (Score &
Parts). Composed 2010. De
Haske Publications #DHP
1104879-030. Published by
De Haske Publications
(BT.DHP-1104879-030).
9x12 inches.
English-German-French-Dut
ch.
Le Marais is a
semi-programmatic
composition by Christian
Bouthier. It contains
three movements, each of
which is based on a
different aspect of the
Parisian district of the
same name. Le Marais is
said to be one of the
prettiest neighbourhoods
in Paris, where fashion,
culture, food and
architecture meet and
mingle.
Le Marais
ist eine teilweise
programmatische
Komposition von Christian
Bouthier. Sie basiert auf
dem Pariser Stadtteil Le
Marais, in dem Mode und
Kultur, gutes Essen und
schöne Architektur
aufeinander treff en. Die
drei Sätze von
Christian Bouthiers
Komposition für
eine zehnstimmig variable
Besetzung beschreiben
eine beliebte
Einkaufsstraße, ein
Museum und einen
eleganten Platz.
Written by Greg Sandell, Laurie Hart. Instrumental songbook for fiddle and accor...(+)
Written by Greg Sandell,
Laurie Hart. Instrumental
songbook for fiddle and
accordion. With standard
notation, chord names and
introductory text. Text
language English, French.
192 pages. Published by
Mel Bay Publications,
Inc.
Le Marais Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2 SKU: BT.DHP-1104879-2...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - Grade 2
SKU:
BT.DHP-1104879-216
Composed by Christian
Bouthier. De Haske Easy
Band Series. Concert
Piece. Score Only.
Composed 2010. 32 pages.
De Haske Publications
#DHP 1104879-216.
Published by De Haske
Publications
(BT.DHP-1104879-216).
9x12 inches.
English-German-French-Dut
ch.
Le Marais is a
semi-programmatic
composition by Christian
Bouthier. It contains
three movements, each of
which is based on a
different aspect of the
Parisian district of the
same name. Le Marais is
said to be one of the
prettiest neighbourhoods
in Paris, where fashion,
culture, food and
architecture meet and
mingle.
Le Marais
ist eine teilweise
programmatische
Komposition von Christian
Bouthier. Sie basiert auf
dem Pariser Stadtteil Le
Marais, in dem Mode und
Kultur, gutes Essen und
schöne Architektur
aufeinander treff en. Die
drei Sätze von
Christian Bouthiers
Komposition für
eine zehnstimmig variable
Besetzung beschreiben
eine beliebte
Einkaufsstraße, ein
Museum und einen
eleganten Platz.
Le Marais Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1104879-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-1104879-015
Composed by Christian
Bouthier. De Haske Easy
Band Series. Concert
Piece. Set (Score &
Parts). Composed 2010. De
Haske Publications #DHP
1104879-015. Published by
De Haske Publications
(BT.DHP-1104879-015).
9x12 inches.
English-German-French-Dut
ch.
Le Marais ist
eine teilweise
programmatische
Komposition von Christian
Bouthier. Sie basiert auf
dem Pariser Stadtteil Le
Marais, in dem Mode und
Kultur, gutes Essen und
schöne Architektur
aufeinander treff en. Die
drei Sätze von
Christian Bouthiers
Komposition für
eine zehnstimmig variable
Besetzung beschreiben
eine beliebte
Einkaufsstraße, ein
Museum und einen
eleganten Platz.
ShowTrax CD. By Luiz Bonfa, Carl Sigman. Arranged by Paris Rutherford. (Showtrax...(+)
ShowTrax CD. By Luiz
Bonfa, Carl Sigman.
Arranged by Paris
Rutherford. (Showtrax
Cd). Jazz Chorals. CD
only. Size 5x5 inches.
Published by Hal Leonard.
SATB. By Luiz Bonfa, Carl Sigman. Arranged by Paris Rutherford. (SATB). Jazz Cho...(+)
SATB. By Luiz Bonfa, Carl
Sigman. Arranged by Paris
Rutherford. (SATB). Jazz
Chorals. Size 6.75x10.5
inches. 12 pages.
Published by Hal Leonard.
(8743208) 6-PACK includes
six original copies of
this piece.
Instrumental Pak. By Luiz Bonfa, Carl Sigman. Arranged by Paris Rutherford. (ins...(+)
Instrumental Pak. By Luiz
Bonfa, Carl Sigman.
Arranged by Paris
Rutherford. (instrumental
pak (R)). Jazz Chorals.
Size 8.5x11 inches.
Published by Hal Leonard.
Great Zoological
Fantasy - Urtext.
Composed by Camille
Saint-Saens. Edited by
Peter Jost. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Score and study score
with the lyrics of
Loriot. Symphonic poem;
Romantic; Late-romantic.
Part. 8 pages. Duration
22'. Breitkopf and
Haertel #OB 5321-19.
Published by Breitkopf
and Haertel
(BR.OB-5321-19).
ISBN
9790004332733. 10 x 12.5
inches.
... quite
unexpectedly, kangaroos
with starched white caps
start hopping about
between the rows of
seats, offering
refreshments. The Great
Zoological Fantasy was
composed in February 1886
for a carnival concert in
Paris. After the first
concerts, Saint-Saens
prohibited all further
performances and declined
to have the work
published during his
lifetime. He was
justifiably fearful that
this occasional work
could eclipse his more
ambitious pieces. The
present Urtext edition by
Peter Jost is based
chiefly on the autograph,
which diverges in certain
essential points from the
standard first edition
available up to now.
Loriot's well-known text
is printed in the
Appendix to the
score.
Great Zoological
Fantasy - Urtext.
Composed by Camille
Saint-Saens. Edited by
Peter Jost. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Score and study score
with the lyrics of
Loriot
Symphonic
poem; Romantic;
Late-romantic. Part. 8
pages. Duration 22'.
Breitkopf and Haertel #OB
5321-15. Published by
Breitkopf and Haertel
(BR.OB-5321-15).
ISBN
9790004332719. 10 x 12.5
inches.
... quite
unexpectedly, kangaroos
with starched white caps
start hopping about
between the rows of
seats, offering
refreshments. The Great
Zoological Fantasy was
composed in February 1886
for a carnival concert in
Paris. After the first
concerts, Saint-Saens
prohibited all further
performances and declined
to have the work
published during his
lifetime. He was
justifiably fearful that
this occasional work
could eclipse his more
ambitious pieces. The
present Urtext edition by
Peter Jost is based
chiefly on the autograph,
which diverges in certain
essential points from the
standard first edition
available up to now.
Loriot's well-known text
is printed in the
Appendix to the
score.
Great Zoological
Fantasy - Urtext.
Composed by Camille
Saint-Saens. Edited by
Peter Jost. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Score and study score
with the lyrics of
Loriot
Symphonic
poem; Romantic;
Late-romantic. Part. 8
pages. Duration 22'.
Breitkopf and Haertel #OB
5321-23. Published by
Breitkopf and Haertel
(BR.OB-5321-23).
ISBN
9790004332740. 10 x 12.5
inches.
... quite
unexpectedly, kangaroos
with starched white caps
start hopping about
between the rows of
seats, offering
refreshments. The Great
Zoological Fantasy was
composed in February 1886
for a carnival concert in
Paris. After the first
concerts, Saint-Saens
prohibited all further
performances and declined
to have the work
published during his
lifetime. He was
justifiably fearful that
this occasional work
could eclipse his more
ambitious pieces. The
present Urtext edition by
Peter Jost is based
chiefly on the autograph,
which diverges in certain
essential points from the
standard first edition
available up to now.
Loriot's well-known text
is printed in the
Appendix to the
score.