The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 1300 pages. Published by Subito Music.

For voice, guitar or piano. Album. Pop / Jazz. Score. Published by Editions Henry Lemoine

SATB Chorus and Piano [Noel Provençal]

SKU: BT.ALHE31142

Composed by Georges Aubanel. Classical. Choral Score. Heugel & Cie #ALHE31142. Published by Heugel & Cie (BT.ALHE31142).

French.

SATB chorus and piano (Noël provençal)

Soprano. Composed by Various. Arranged by Richard Walters. Hal Leonard Vocal Collection. Classical and Opera. Softcover Audio Online. 136 pages. Published by Hal Leonard

Grade 2

SKU: CL.012-2609-01

March. Composed by King. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR101). Extra full score. Composed 1994. Duration 3 minutes, 5 seconds. Opus III Wind Orchestra Publications #012-2609-01. Published by Opus III Wind Orchestra Publications (CL.012-2609-01).

A must have of James Swearingen’s arrangement of King’s classic Bonds of Unity March. While not difficult, this is one of King’s nicest marches and is an excellent selection for concert, festival, or contest use by bands of all levels. This James Swearingen arrangement of Bonds of Unity is one of the best.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

For Vocal Soprano. Classical (John Wustman piano accompaniments). Includes a high-quality printed vocal score and a compact disc with stereo accompaniments to each piece. Published by Music Minus One.

(March). By Karl L. King. Arranged by James Swearingen. Concert Band. Heritage of the March. Grade 2.5. Score and set of parts. Composed 1994. Duration 0:03:05

Voice and Piano. By Various Composers. (Voice and Piano). Vocal. Book and CD Package. Published by Ricordi.

Choral SATB Choir, Percussion

SKU: CF.CM9792

Composed by Ethan Sperry. Duration 5 minutes. Carl Fischer Music #CM9792. Published by Carl Fischer Music (CF.CM9792).

ISBN 9781491164631. UPC: 680160923540. Key: A major. English. Coty Raven Morris. Original.

The text for Dust came to me in a season of reflection. As educators and mentors to the generations that come after us, we have a responsibility to provide tools so that others can shape their future. Overtime, it can become easy to lose one's personal vision for one's self when influenced by so many outside factors. When the pressure builds, it can almost feel like a self-reckoning; an opportunity to build ourselves again. Though we are influenced by our surroundings, we are all unique in our purpose and design!These questions of self-reflection came first:How much of me flows from their blood?How much of me is built of their flesh?How much of me is manifested from their dreams?And just like our own identities, the rest of the poem begin to take shape. I hope that this text speaks to you wherever you are in your discovery and journey to your most authentic self.DustI am rubbleCarved into my ruins, you will find my ancestry interwoven with my identityHow much of me flows from their blood?How much of me is built of their flesh?How much of me is manifested from their dreams?The only way to my truth is through my foundationI rage against those who would dare covet this sacred spaceI am the temple and the monumentThis is holy ground.I must demolish myself.Tear down the walls that have held up your visions and destroyed mine.I must restore myself in my own image.And when the dust settles, you can see my bones.Pillars of strength, marble, and earthWalls painted with my blood, cracked with time, polished like my skin(Golden)I will not be complete, but I will be homethe dust settlesAnd we build again—Coty Raven Morris    � � .

By Damian Cranmer. For Voice & piano. Caccini: Amarilli, mia bella; Carissimi: Vittoria, vittoria; Attr. Stradella: Pieta, signore; Legrenzi: Che fiero costume; A. Scarlatti: Gia il sole dal Gange; O cessate di piagarmi; Rugiadose odorose; Se Florinda e fedele; Spesso vibra per suo gioco; Bononcini: Per la gloria d'adorarvi; Attr. Lotti: Pur dicesti; Attr. Pergolesi: Se tu m'ami; Caldara: Come raggio di sol;. Level: 6, 7, 8. 80 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

Voice and Piano. By Various. Arranged by A. Parisotti. Vocal Collection. Size 9x12 inches. 136 pages. Published by Ricordi.

Voice and Piano. By Various. Arranged by Alessandro Parisotti. Vocal Collection. Size 7.5x10.7 inches. 146 pages. Published by G. Schirmer, Inc.

Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, 5Tenor Voice Solo, 3Bass Voice Solo, SATB Choir, 2 Fl, 2 Ob, 2 bassoon, 2 Trp, 3trombone, timpani, Glsp, Str, Continuo) - Level 4

SKU: BA.BA04020

Oratorio in three acts. Composed by George Frideric Handel. Edited by Percy M. Young. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 13. Complete edition, Score. HWV 53. Duration 2 hours, 30 minutes. Baerenreiter Verlag #BA04020_00. Published by Baerenreiter Verlag (BA.BA04020).

ISBN 9790006443055. 33 x 26 cm inches. Text Language: English, German. Translation: Walther Siegmund-Schultze, Walther. Charles Jennens.

Saul was given its first performance under Handel’s direction at the Haymarket Theatre, London, on 16 January 1739. The original libretto (dated 1738) refers to the work as “an Oratorio or Sacred Drama”. This libretto was written by Charles Jennens (1700–1770), a wealthy amateur writer from Gopsall, Leicestershire. A letter of 28 July 1735 from Handel to Jennens suggests that a complete raft of the text already existed at that time.

Saul occupies an extraordinarily important position in the English oratorio tradition that Handel brought to perfection, standing alongside Israel in Egypt at the end of the first creative period of such works.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding