By Linda Ronstadt. By Phil Everly. Arranged by Erik Foster. Shawnee Press. Pop. Octavo. 8 pages. Published by Shawnee Press

Choral (SSA Choir)

SKU: HL.295213

By Linda Ronstadt. By Phil Everly. Arranged by Erik Foster. Shawnee Press. Pop. Octavo. 8 pages. Published by Shawnee Press (HL.295213).

ISBN 9781540055507. UPC: 888680945992. 6.75x10.5 inches.

Written by Phil Everly of The Everly Brothers, this popular song was a huge hit when the incomparable Linda Ronstadt covered it in 1975. This arrangement is straight-ahead fun with the energy and drive of the original recording. Well-written harmony will appeal to all mixed choirs as well as men's and women's ensembles as a pop choral for concert or show!

Choral (Studiotrax CD)

SKU: HL.295216

By Linda Ronstadt. By Phil Everly. Arranged by Erik Foster. Shawnee Press. Pop. CD. Published by Shawnee Press (HL.295216).

ISBN 9781540055538. UPC: 888680946029. 5.0x5.0x0.15 inches.

Written by Phil Everly of the Everly Brothers, this popular song was a huge hit when the incomparable Linda Ronstadt covered it in 1975. This arrangement is straight-ahead fun with the energy and drive of the original recording. Well-written harmony will appeal to all mixed choirs as well as men's and women's ensembles as a pop choral for concert or show!

Choral (SAB Choir)

SKU: HL.295212

By Linda Ronstadt. By Phil Everly. Arranged by Erik Foster. Shawnee Press. Pop. Octavo. 8 pages. Published by Shawnee Press (HL.295212).

ISBN 9781540055491. UPC: 888680945985. 6.75x10.5 inches.

Written by Phil Everly of The Everly Brothers, this popular song was a huge hit when the incomparable Linda Ronstadt covered it in 1975. This arrangement is straight-ahead fun with the energy and drive of the original recording. Well-written harmony will appeal to all mixed choirs as well as men's and women's ensembles as a pop choral for concert or show!

Choral (TTB Choir)

SKU: HL.295214

By Linda Ronstadt. By Phil Everly. Arranged by Erik Foster. Shawnee Press. Pop. Octavo. 8 pages. Published by Shawnee Press (HL.295214).

ISBN 9781540055514. UPC: 888680946005. 6.75x10.5x0.019 inches.

Written by Phil Everly of The Everly Brothers, this popular song was a huge hit when the incomparable Linda Ronstadt covered it in 1975. This arrangement is straight-ahead fun with the energy and drive of the original recording. Well-written harmony will appeal to all mixed choirs as well as men's and women's ensembles as a pop choral for concert or show!

Fanfare Band - Grade 2.5

SKU: BT.AMP-127-120

Composed by Stephen Foster. Arranged by Philip Sparke. Debut Series. Festive and Solemn Music. Score Only. Composed 2005. 12 pages. Anglo Music Press #AMP 127-120. Published by Anglo Music Press (BT.AMP-127-120).

9x12 inches. English-German-French-Dut ch.

One of the most beautiful songs ever written. Philip Sparke’s sumptuous arrangement of this Stephen Foster classic will make a perfect item to bring a few minutes of peace and calm tranquillity to any concert. The lush harmonies, so characteristic of Philip Sparke’s arranging. Once you have played this once you will want it on every concert programme.

Veel van de songs van Stephen Collins Foster (1826-1864), die onder meer Oh! Susannah, My Old Kentucky Home en Beautiful Dreamer schreef, waren erop gericht de zwarte Amerikaanse slaven een menselijker gezichtte geven. Jeanie with the Light Brown Hair schreef hij echter naar aanleiding van de afwezigheid van zijn vrouw toen hij in New York en zij in Pittsburgh woonde. De melancholie van de song komt in dit arrangement van PhilipSparke prachtig naar voren.

Viele Lieder des amerikanischen Komponisten Stephen Foster handelten von den schwarzamerikanischen Sklaven zur Zeit der Abschaffung der Sklaverei. Foster war ein gewissenhafter Arbeiter und verbrachte manchmal Monate damit, den Text eines Liedes zu perfektionieren. Jeanie with the Light Brown Hair schrieb Foster nach einer langen Trennung von seiner geliebten Frau. Dieses strahlende Werk ist ein ideales langsames Zwischenspiel für Ihr Konzertprogramm.

S tephen Foster (1826-1864), fu un compositore molto meticoloso. Dedicò a volte mesi al perfezionamento della scrittura di un testo. Conobbe il successo nel 1848 con Oh! Susanna e la crescente notoriet gli consentì di lasciare la provincia americana alla volta di New York. Ma il trasferimento non ebbe l’effetto desiderato, tanto che nel 1854 sua moglie Jane e sua figlia Marion ritornarono a Pittsburgh. L’assenza prolungata di sua moglie gli ispirò la canzone Jeanie with the Light Brown Hair.

Concert Band/Harmonie - Grade 2.5

SKU: BT.AMP-127-010

Composed by Stephen Foster. Arranged by Philip Sparke. Debut Series. Festive and Solemn Music. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 127-010. Published by Anglo Music Press (BT.AMP-127-010).

English-German-French- Dutch.

One of the most beautiful songs ever written. Philip Sparke’s sumptuous arrangement of this Stephen Foster classic will make a perfect item to bring a few minutes of peace and calm tranquillity to any concert. The lush harmonies, so characteristic of Philip Sparke’s arranging. Once you have played this once you will want it on every concert programme.

Veel van de songs van Stephen Collins Foster (1826-1864), die onder meer Oh! Susannah, My Old Kentucky Home en Beautiful Dreamer schreef, waren erop gericht de zwarte Amerikaanse slaven een menselijker gezichtte geven. Jeanie with the Light Brown Hair schreef hij echter naar aanleiding van de afwezigheid van zijn vrouw toen hij in New York en zij in Pittsburgh woonde. De melancholie van de song komt in dit arrangement van PhilipSparke prachtig naar voren.

Viele Lieder des amerikanischen Komponisten Stephen Foster handelten von den schwarzamerikanischen Sklaven zur Zeit der Abschaffung der Sklaverei. Foster war ein gewissenhafter Arbeiter und verbrachte manchmal Monate damit, den Text eines Liedes zu perfektionieren. Jeanie with the Light Brown Hair schrieb Foster nach einer langen Trennung von seiner geliebten Frau. Dieses strahlende Werk ist ein ideales langsames Zwischenspiel für Ihr Konzertprogramm.

S tephen Foster (1826-1864), fu un compositore molto meticoloso. Dedicò a volte mesi al perfezionamento della scrittura di un testo. Conobbe il successo nel 1848 con Oh! Susanna e la crescente notoriet gli consentì di lasciare la provincia americana alla volta di New York. Ma il trasferimento non ebbe l’effetto desiderato, tanto che nel 1854 sua moglie Jane e sua figlia Marion ritornarono a Pittsburgh. L’assenza prolungata di sua moglie gli ispirò la canzone Jeanie with the Light Brown Hair.

Concert Band/Harmonie - Grade 2.5

SKU: BT.AMP-127-140

Composed by Stephen Foster. Arranged by Philip Sparke. Debut Series. Festive and Solemn Music. Score Only. Composed 2005. 16 pages. Anglo Music Press #AMP 127-140. Published by Anglo Music Press (BT.AMP-127-140).

English-German-French- Dutch.

One of the most beautiful songs ever written. Philip Sparke’s sumptuous arrangement of this Stephen Foster classic will make a perfect item to bring a few minutes of peace and calm tranquillity to any concert. The lush harmonies, so characteristic of Philip Sparke’s arranging. Once you have played this once you will want it on every concert programme.

Veel van de songs van Stephen Collins Foster (1826-1864), die onder meer Oh! Susannah, My Old Kentucky Home en Beautiful Dreamer schreef, waren erop gericht de zwarte Amerikaanse slaven een menselijker gezichtte geven. Jeanie with the Light Brown Hair schreef hij echter naar aanleiding van de afwezigheid van zijn vrouw toen hij in New York en zij in Pittsburgh woonde. De melancholie van de song komt in dit arrangement van PhilipSparke prachtig naar voren.

Viele Lieder des amerikanischen Komponisten Stephen Foster handelten von den schwarzamerikanischen Sklaven zur Zeit der Abschaffung der Sklaverei. Foster war ein gewissenhafter Arbeiter und verbrachte manchmal Monate damit, den Text eines Liedes zu perfektionieren. Jeanie with the Light Brown Hair schrieb Foster nach einer langen Trennung von seiner geliebten Frau. Dieses strahlende Werk ist ein ideales langsames Zwischenspiel für Ihr Konzertprogramm.

S tephen Foster (1826-1864), fu un compositore molto meticoloso. Dedicò a volte mesi al perfezionamento della scrittura di un testo. Conobbe il successo nel 1848 con Oh! Susanna e la crescente notoriet gli consentì di lasciare la provincia americana alla volta di New York. Ma il trasferimento non ebbe l’effetto desiderato, tanto che nel 1854 sua moglie Jane e sua figlia Marion ritornarono a Pittsburgh. L’assenza prolungata di sua moglie gli ispirò la canzone Jeanie with the Light Brown Hair.

Fanfare Band - Grade 2.5

SKU: BT.AMP-127-020

Composed by Stephen Foster. Arranged by Philip Sparke. Debut Series. Festive and Solemn Music. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 127-020. Published by Anglo Music Press (BT.AMP-127-020).

9x12 inches. English-German-French-Dut ch.

One of the most beautiful songs ever written. Philip Sparke’s sumptuous arrangement of this Stephen Foster classic will make a perfect item to bring a few minutes of peace and calm tranquillity to any concert. The lush harmonies, so characteristic of Philip Sparke’s arranging. Once you have played this once you will want it on every concert programme.

Veel van de songs van Stephen Collins Foster (1826-1864), die onder meer Oh! Susannah, My Old Kentucky Home en Beautiful Dreamer schreef, waren erop gericht de zwarte Amerikaanse slaven een menselijker gezichtte geven. Jeanie with the Light Brown Hair schreef hij echter naar aanleiding van de afwezigheid van zijn vrouw toen hij in New York en zij in Pittsburgh woonde. De melancholie van de song komt in dit arrangement van PhilipSparke prachtig naar voren.

Viele Lieder des amerikanischen Komponisten Stephen Foster handelten von den schwarzamerikanischen Sklaven zur Zeit der Abschaffung der Sklaverei. Foster war ein gewissenhafter Arbeiter und verbrachte manchmal Monate damit, den Text eines Liedes zu perfektionieren. Jeanie with the Light Brown Hair schrieb Foster nach einer langen Trennung von seiner geliebten Frau. Dieses strahlende Werk ist ein ideales langsames Zwischenspiel für Ihr Konzertprogramm.

S tephen Foster (1826-1864), fu un compositore molto meticoloso. Dedicò a volte mesi al perfezionamento della scrittura di un testo. Conobbe il successo nel 1848 con Oh! Susanna e la crescente notoriet gli consentì di lasciare la provincia americana alla volta di New York. Ma il trasferimento non ebbe l’effetto desiderato, tanto che nel 1854 sua moglie Jane e sua figlia Marion ritornarono a Pittsburgh. L’assenza prolungata di sua moglie gli ispirò la canzone Jeanie with the Light Brown Hair.

Brass Band - Grade 2.5

SKU: BT.AMP-127-130

Composed by Stephen Foster. Arranged by Philip Sparke. Debut Series. Festive and Solemn Music. Score Only. Composed 2005. 16 pages. Anglo Music Press #AMP 127-130. Published by Anglo Music Press (BT.AMP-127-130).

9x12 inches. English-German-French-Dut ch.

One of the most beautiful songs ever written. Philip Sparke’s sumptuous arrangement of this Stephen Foster classic will make a perfect item to bring a few minutes of peace and calm tranquillity to any concert. The lush harmonies, so characteristic of Philip Sparke’s arranging, are augmented with exquisite solo figures for cornet and flugel horn. Once you have played this you will want it on every concert programme.

Veel van de songs van Stephen Collins Foster (1826-1864), die onder meer Oh! Susannah, My Old Kentucky Home en Beautiful Dreamer schreef, waren erop gericht de zwarte Amerikaanse slaven een menselijker gezichtte geven. Jeanie with the Light Brown Hair schreef hij echter naar aanleiding van de afwezigheid van zijn vrouw toen hij in New York en zij in Pittsburgh woonde. De melancholie van de song komt in dit arrangement van PhilipSparke prachtig naar voren.

Jeanie with the Light Brown Hair stammt von Stephen Foster, der im 19. Jahrhundert in Amerika lebte und zahlreiche heute noch bekannte Lieder komponierte. Viele seiner Lieder handeln von der Befreiung der Sklaven, dieses Lied widmete er jedoch seiner Frau während einer langen, unfreiwilligen Trennung von Ihr. Mit Philip Sparkes sensibler Bearbeitung für Brass Band springt der Funke des romantischen Liedes garantiert auf Musiker und Publikum über!

There is a popular misconception that Stephen Collins Foster (1826—1864) found success as a song-writer writing many of his songs aiming to ‘humanise’ the black American slaves. He was a meticulous worker and sometimes spent months perfecting the lyrics of a song. His first success was Oh! Susanna (1848) and as his popularity grew he moved with his young family to New York to be near his publishers. This was not a success and Jane, his wife and Marion, his daughter, moved back to Pittsburgh in 1854. Foster wrote Jeanie with the Light Brown Hair as a result of her continued absence. Philip Sparke’s arrangement of this beautiful song will make an excellent slowinterlude in any concert.

Brass Band - Grade 2.5

SKU: BT.AMP-127-030

Composed by Stephen Foster. Arranged by Philip Sparke. Debut Series. Festive and Solemn Music. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 127-030. Published by Anglo Music Press (BT.AMP-127-030).

9x12 inches. English-German-French-Dut ch.

One of the most beautiful songs ever written. Philip Sparke’s sumptuous arrangement of this Stephen Foster classic will make a perfect item to bring a few minutes of peace and calm tranquillity to any concert. The lush harmonies, so characteristic of Philip Sparke’s arranging, are augmented with exquisite solo figures for cornet and flugel horn. Once you have played this you will want it on every concert programme.

Veel van de songs van Stephen Collins Foster (1826-1864), die onder meer Oh! Susannah, My Old Kentucky Home en Beautiful Dreamer schreef, waren erop gericht de zwarte Amerikaanse slaven een menselijker gezicht te geven.Jeanie with the Light Brown Hair schreef hij echter naar aanleiding van de afwezigheid van zijn vrouw toen hij in New York en zij in Pittsburgh woonde. De melancholie van de song komt in dit arrangement van Philip Sparkeprachtig naar voren.

Jeanie with the Light Brown Hair stammt von Stephen Foster, der im 19. Jahrhundert in Amerika lebte und zahlreiche heute noch bekannte Lieder komponierte. Viele seiner Lieder handeln von der Befreiung der Sklaven, dieses Lied widmete er jedoch seiner Frau während einer langen, unfreiwilligen Trennung von Ihr. Mit Philip Sparkes sensibler Bearbeitung für Brass Band springt der Funke des romantischen Liedes garantiert auf Musiker und Publikum über!

There is a popular misconception that Stephen Collins Foster (1826—1864) found success as a song-writer writing many of his songs aiming to ‘humanise’ the black American slaves. He was a meticulous worker and sometimes spent months perfecting the lyrics of a song. His first success was Oh! Susanna (1848) and as his popularity grew he moved with his young family to New York to be near his publishers. This was not a success and Jane, his wife and Marion, his daughter, moved back to Pittsburgh in 1854. Foster wrote Jeanie with the Light Brown Hair as a result of her continued absence. Philip Sparke’s arrangement of this beautiful song will make an excellent slowinterlude in any concert.

Concert band (Full Score, Flute 1/2, Oboe 1/2 (opt), Eb Clarinet, Bb Clarinet 1/2/3, Alto Clarinet, Bb Bass Clarinet (opt), Bassoon (opt), Alto Sax 1/2 (opt), Bb Tenor Sax (opt), Eb Baritone Sax (opt), Trumpet, F Horn 1/2/3/4, Trombone 1/3, 2nd Trombone (opt), Euphoniu) - grade 1.5

SKU: CN.S11222

Composed by E. Leidzen. Arranged by E. Leidzen. Band Music. Score only. Duration 2:30. Published by G & M Brand Music Publishers (CN.S11222).

Could Dvorak have known that he was writing a standard piece for young bands when he created this piece? This rendition is ideal for a variety of occasions - concerts, graduation ceremony, and special events.

Dvorak's arrangement for orchestra of 'The Old Folks at Home' was made in the 1890s for a Summer School held in Spillville, Iowa. Those attending were mostly drawn from a local Czech-speaking community and Dvorak enjoyed sharing time with people who spoke his own language. As instrumentalists the players were limited, many little more than beginners; yet in his arrangement Dvorak created a musically authentic and attractive setting of Stephen Foster's popular melody that is truly a masterpiece in economy of demand. Many years later, in 1942, Edwin Franko Goldman invited Erik Leidzen to transcribe Dvorak's arrangement for concert band.

Concert band (Full Score, Flute 1/2, Oboe 1/2 (opt), Eb Clarinet, Bb Clarinet 1/2/3, Alto Clarinet, Bb Bass Clarinet (opt), Bassoon (opt), Alto Sax 1/2 (opt), Bb Tenor Sax (opt), Eb Baritone Sax (opt), Trumpet, F Horn 1/2/3/4, Trombone 1/3, 2nd Trombone (opt), Euphoniu) - grade 1.5

SKU: CN.R10222

Composed by E. Leidzen. Arranged by E. Leidzen. Band Music. Score and parts. Duration 2:30. Published by G & M Brand Music Publishers (CN.R10222).

Could Dvorak have known that he was writing a standard piece for young bands when he created this piece? This rendition is ideal for a variety of occasions - concerts, graduation ceremony, and special events. 1/2/3

Dvorak's arrangement for orchestra of 'The Old Folks at Home' was made in the 1890s for a Summer School held in Spillville, Iowa. Those attending were mostly drawn from a local Czech-speaking community and Dvorak enjoyed sharing time with people who spoke his own language. As instrumentalists the players were limited, many little more than beginners; yet in his arrangement Dvorak created a musically authentic and attractive setting of Stephen Foster's popular melody that is truly a masterpiece in economy of demand. Many years later, in 1942, Edwin Franko Goldman invited Erik Leidzen to transcribe Dvorak's arrangement for concert band.

2 trumpets, horn, trombone and tuba

SKU: M7.KECF-9

Composed by Patrick Sarsfield Gilmore and Stephen Foster. Arranged by Peter Bernard Smith. This edition: Saddle stitching. Sheet music. Score and parts. 64 pages. MDS (Music Distribution Services) #KECF 9. Published by MDS (Music Distribution Services) (M7.KECF-9).

ISBN 9790502360092. German English.

Drei Klassiker aus der Zeit des amerikanischen Bürgerkriegs: When Johnny comes marching home - Old black Joe - Oh Susanna. Trompetenstimmen in B und C, Hornstimmen in F und Es.