Flute Solo with Piano Accompaniment - Grade 4 SKU: KN.10443 (from Orph...(+)
Flute Solo with Piano
Accompaniment - Grade 4
SKU: KN.10443
(from Orpheus In The
Underworld). Composed
by Jacques Offenbach.
Arranged by Greg
Yasinitsky. Solo
Collection. Flute Solo.
Score and part. Duration
ca. 2 minutes. Kendor
Music Inc #10443.
Published by Kendor Music
Inc (KN.10443).
UPC:
822795104431.
This
well known piece from
Offenbach's operetta
Orpheus In The Underworld
is energetic, exciting
and loads of fun to play.
In this edition, the
closing section features
thematic flourishes and
dramatic articulations.
Duration ca. 2:00.
Orpheus in the Underworld Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053830-010 Composed by Jacqu...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053830-010
Composed by Jacques
Offenbach. The Great
Classics. Transcription.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053830-010. Published by
De Haske Publications
(BT.DHP-1053830-010).
English-German-French-
Dutch.
Jacques
Offenbach was born in
1819 in Cologne, Germany,
but as a child he moved
to Paris where he
received a thorough
musical education. In his
operetta Orpheus in the
Underworld, Offenbach
parodies the famous Greek
legend of Orpheus and
Euridice. Indirectly,
however, he criticises
the complacency of many
of his contemporaries.
The overture was not
written entirely by
Offenbach, Carl Binder
added various pieces to
it for a Viennese
production of this
operetta in 1860 and
since then, these pieces
have remained part of the
composition. This
appealing transcription
includes the famous Can
Can which is sure to get
your audience high
kicking in the
aisles!
Jacques Offenbach
(1819-1880) coltivava
l’arte di
ironizzare sulla
frivolezza delle
abitudini parigine,
sull’amore, sulla
vita politica e la vita
militare. La sua operetta
Orfeo agli Inferni (1858)
è una parodia del mito
greco di Orfeo ed
Euridice, ma dietro la
facciata
dell’antichit , si
abbandona ad una critica
severa del comportamento
di sufficienza di
numerosi suoi
contemporanei.
L’Ouverture come
noi la conosciamo oggi,
non è la versione
originale di Offenbach,
ma una versione
completata da Carl Binder
per una produzione a
Vienna nel 1860. Wil van
der Beek ne ha realizzato
una trascrizione
irresistibile che
contiene il brillante
Cancan, una delle pagine
più celebri
dellospartito.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053830-140 Composed by Jacqu...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1053830-140
Composed by Jacques
Offenbach. The Great
Classics. Transcription.
Score Only. Composed
2005. 44 pages. De Haske
Publications #DHP
1053830-140. Published by
De Haske Publications
(BT.DHP-1053830-140).
English-German-French-
Dutch.
Jacques
Offenbach was born in
1819 in Cologne, Germany,
but as a child he moved
to Paris where he
received a thorough
musical education. In his
operetta Orpheus in the
Underworld, Offenbach
parodies the famous Greek
legend of Orpheus and
Euridice. Indirectly,
however, he criticises
the complacency of many
of his contemporaries.
The overture was not
written entirely by
Offenbach, Carl Binder
added various pieces to
it for a Viennese
production of this
operetta in 1860 and
since then, these pieces
have remained part of the
composition. This
appealing transcription
includes the famous Can
Can which is sure to get
your audience high
kicking in the
aisles!
Jacques Offenbach
(1819-1880) coltivava
l’arte di
ironizzare sulla
frivolezza delle
abitudini parigine,
sull’amore, sulla
vita politica e la vita
militare. La sua operetta
Orfeo agli Inferni (1858)
è una parodia del mito
greco di Orfeo ed
Euridice, ma dietro la
facciata
dell’antichit , si
abbandona ad una critica
severa del comportamento
di sufficienza di
numerosi suoi
contemporanei.
L’Ouverture come
noi la conosciamo oggi,
non è la versione
originale di Offenbach,
ma una versione
completata da Carl Binder
per una produzione a
Vienna nel 1860. Wil van
der Beek ne ha realizzato
una trascrizione
irresistibile che
contiene il brillante
Cancan, una delle pagine
più celebri
dellospartito.
By Jacques Offenbach (1819-1880). Arranged by Greg Yasinitsky. For 4 Flutes (opt...(+)
By Jacques Offenbach
(1819-1880). Arranged by
Greg Yasinitsky. For 4
Flutes (optional Alto
Flute substitute for 4th
Flute). Grade 3. Score
and parts. Published by
Kendor Music Inc
(Featuring: Lily?s Theme / Underworld / Dragon Flight / Neville / A New Head...(+)
(Featuring: Lily?s Theme
/
Underworld / Dragon
Flight /
Neville / A New
Headmaster /
The Resurrection Stone /
Showdown / A New
Beginning
with Hedwig's Theme). By
Alexandre Desplat and
John
Williams. Arranged by
Jerry
Brubaker. Orchestra. Full
Orchestra; Part(s);
Score. Pop
Concert Full Orchestra.
Form:
Medley. Light Concert;
Movie;
Pop. Grade 4. 226 pages.
Published by Alfred Music
Publishing
(Featuring: Lily?s Theme / Underworld / Dragon Flight / Neville / A New Head...(+)
(Featuring: Lily?s Theme
/
Underworld / Dragon
Flight /
Neville / A New
Headmaster /
The Resurrection Stone /
Showdown / A New
Beginning
with Hedwig's Theme). By
Alexandre Desplat and
John
Williams. Arranged by
Jerry
Brubaker. Orchestra. Full
Orchestra; Score. Pop
Concert
Full Orchestra. Form:
Medley.
Light Concert; Movie;
Pop.
Grade 4. 28 pages.
Published
by Alfred Music
Publishing
By Jacques Offenbach (1819-1880). Arranged by Greg Yasinitsky. For clarinet solo...(+)
By Jacques Offenbach
(1819-1880). Arranged by
Greg Yasinitsky. For
clarinet solo with piano
accompaniment. Clarinet
Solo with Piano
Accompaniment. Grade 4.
Score and part. Duration
about 2 minutes.
Published by Kendor Music
Inc
Void of Day Trio de Flûtes: 3 flûtes Potenza Music
Flute trio SKU: P2.10022 Composed by Cornelius Boots. Chamber music, 20th...(+)
Flute trio
SKU:
P2.10022
Composed by
Cornelius Boots. Chamber
music, 20th century.
Published by Potenza
Music (P2.10022).
The third part
of the Chthonic Flute
Suite commissioned by
Areon Flutes in 2012.
This suite has two main
inspirations:
ideologically it draws
guidance from the book
The Dream and the
Underworld (1979)by James
Hillman (1926-2011) and
musically it explores the
textural possibilities of
a flute ensemble within
the context of the heavy
chamber music style I
have developed with
Edmund Welles: the bass
clarinet quartet since
1996. This style draws
virtuosic precision from
the classical realm;
innovation and texture
from jazz; and power,
rhythm and overall
perspective from rock and
metal. The term chthonic
[thon-ik] generally means
underworld. However,
Hillman thoroughly
elaborates that its true
meaning extends below the
earth and beyond it into
invisible, non-physical
and far distant psychic
realms: the deeper
mysteries of the
invisible. The trio is
divided into three
sections: The Way We
Descend--Reflection of
Narcissus--Below Nature.
Taking a break from Greek
myth-nerd terms, this
movement introduces
chthonic-flavored phrases
that elaborate on our
descent into the
underworld, specifically
through dreams. The realm
of the underworld can be
such a shock to our
dayworld, limited, egoic
consciousness that it can
seem like a violation as
Hillman points out,
referencing the Greeks:
This style of the
underworld experience is
overwhelming, it comes as
violation, dragging one
out of life and into the
Kingdom that the Orphic
Hymn to Pluto describes
as 'void of day.' So it
often says on Greek
epitaphs that entering
Hades is 'leaving the
sweet sunlight.' (p.49)
He elaborates on the
differences between
dayworld and underworld
perspectives: The dream
is not compensation but
initiation. It does not
complete
ego-consciousness, but
voids it. So it matters
very much the way we
descend. (p.112) He goes
on to describe the
various modes in which
mythical figures have
descended: Ulysses and
Aenas to learn; Hercules
to take and to test, for
example. To act like
Hercules, like the hero,
in the underworld is to
miss the point and cause
more problems, the
villain in the underworld
is the heroic ego, not
Hades. (p.113).
Quicksilver Saxophone Alto et Piano Theodore Presser Co.
Chamber Music Piano, alto Saxophone SKU: PR.114419850 Composed by Stacy G...(+)
Chamber Music Piano, alto
Saxophone
SKU:
PR.114419850
Composed
by Stacy Garrop. Sws. See
lengthy program note on
prefatory page. Set of
Score and Parts. 44+24
pages. Duration 23
minutes. Theodore Presser
Company #114-41985.
Published by Theodore
Presser Company
(PR.114419850).
ISBN
9781491135808. UPC:
680160681044. 9 x 12
inches.
Both a
spectacular concerto for
saxophone, and a dramatic
tone poem on Roman
mythology, QUICKSILVER is
a 23-minute concerto for
Alto Saxophone and Wind
Ensemble by one of the
sax literature’s
most commissioned and
admired composers.Through
worded captions as well
as gorgeously expressive
tone painting, Movement 1
depicts the birth and
childhood pranks of
Mercury, Movement 2 shows
him escorting souls to
the gates of the
Underworld, and Movement
3 is a phantasmagoric
finale portraying Mercury
as messenger amid the
conflicts of other
mythological figures.
There are many YouTube
performances available,
both in the original
version with Wind
Ensemble, and with
Piano. In addition to
being another name for
the element mercury,
“quicksilverâ€
is used to describe
something that changes
quickly or is difficult
to contain. My concerto
of the same name was
inspired by the Roman god
Mercury, as well as the
mercurial nature of the
saxophone: unpredictable,
very lively, and
volatile. Mercury (known
as Hermes in Greek
mythology) is best known
for his winged shoes,
which allowed him to fly
swiftly as the messenger
of his fellow Olympians.
Mercury had other duties
too, including serving as
the god of merchants,
travelers, and
tricksters; he also
ushered souls of the
departed to the
Underworld.Quicksilver
tells three tales of the
Roman god. The first
movement (Antics of a
Newborn God) opens with
the birth of Mercury;
after he takes his first
steps, he toddles around,
gleefully looking for
mischief. He stumbles
across a herd of cows
that belong to his
brother Apollo; Mercury
slyly lets the cows out
of their pen before
toddling onward with his
mischief-making.In the
second movement (Guiding
Souls to the Underworld),
Pluto, god of the
Underworld, bids Mercury
to bring him fresh souls.
The movement begins with
death-knells tolling for
humans who are about to
die; Mercury picks up
these souls and leads
them down to the gates of
the Underworld.The third
and final movement
(Messenger of Olympus)
depicts Mercury as he is
busily running errands
for various gods and
goddesses. We first
encounter him mid-flight
as he dashes to earth to
find Aeneas, a Trojan
lieutenant who had been
run out of Troy by the
invading Greeks. Aeneas
is on a quest to find
land on which to
establish a new city that
would eventually become
Rome. While traveling, he
is distracted from his
quest when he meets the
beautiful queen Dido.
They live together for
many years before Mercury
intervenes; he chastises
Aeneas for giving up on
his quest and persuades
him to pick it up again.
As Aeneas mournfully
resumes his journey, we
hear Dido perish of a
broken heart. Mercury
then takes to the skies
to seek out Perseus, who
is preparing to kill
Medusa, the hideous
gorgon who has snakes for
hair and a gaze that
turns those who catch her
glance into stone.
Mercury advises Perseus
on how to slay Medusa and
lends Perseus his sword
to do the deed. We hear
Perseus victorious in the
beheading of Medusa,
after which Mercury takes
to the skies once more to
fly home to Olympus.
Avalon Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Concert Band - Grade 6 SKU: BT.DHP-1002127-040 Composed by Jan Van der Ro...(+)
Concert Band - Grade 6
SKU:
BT.DHP-1002127-040
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002127-040.
Published by De Haske
Publications
(BT.DHP-1002127-040).
Valon is a
one-part composition. The
surprising opening
measures describe the
sudden entrance into
another world. After
these initial measures,
we hear a choral-like
melody, which is repeated
three times in different
instrumentations with
increasing intensity.
This represents the
procession of the ghosts
dwelling in the
underworld of Avalon,
headed by the mighty
magician Merlin.The
exalted sound is then
suddenly interrupted by a
fast movement, in which
ostinato figures
alternate with bi-tonal
motives. This represents
the attempt of some evil
characters to invade
Avalon. Mordred is the
leader of this horde and
together they disturb the
peace and quiet in the
otherwisecalm Avalon. The
flourish of trumpets
heralds the entrance of
the Knights of the Round
Table who drive away the
intruders and return to
their castle, Tintagel,
in a triumphal
procession. Upon their
return, the next problem
presents itself. An
inexplicable disease
plagues the resting
ghosts.The Knights and
the Council of the Wise
are convened to find out
the cause of this
problem. Musically this
can be heard in the
repetition of the initial
themes. The Knights and
the Council of the Wise
determine that the
presence of mortals is
the reason that the
resting ghosts are
suffering. There is
simply no room for mortal
souls in Avalon. After a
powerful statement by
King Arthur, we hear a
glissando referring to
the very first measures,
and… we are back in
the normal world. The
journey through the
underworld has come to an
end and a dream is over.
Avalon Fanfare [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Fanfare Band - Grade 6 SKU: BT.DHP-0920388-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 6
SKU:
BT.DHP-0920388-020
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 1992.
De Haske Publications
#DHP 0920388-020.
Published by De Haske
Publications
(BT.DHP-0920388-020).
Avalon is a
one-part composition. The
surprising opening
measures describe the
sudden entrance into
another world. After
these initial measures,
we hear a choral-like
melody, which is repeated
three times in different
instrumentations with
increasing intensity.
This represents the
procession of the ghosts
dwelling in the
underworld of Avalon,
headed by the mighty
magician Merlin.The
exalted sound is then
suddenly interrupted by a
fast movement, in which
ostinato figures
alternate with bi-tonal
motives. This represents
the attempt of some evil
characters to invade
Avalon. Mordred is the
leader of this horde and
together they disturb the
peace and quiet in the
otherwisecalm Avalon. The
flourish of trumpets
heralds the entrance of
the Knights of the Round
Table who drive away the
intruders and return to
their castle, Tintagel,
in a triumphal
procession. Upon their
return, the next problem
presents itself. An
inexplicable disease
plagues the resting
ghosts.The Knights and
the Council of the Wise
are convened to find out
the cause of this
problem. Musically this
can be heard in the
repetition of the initial
themes. The Knights and
the Council of the Wise
determine that the
presence of mortals is
the reason that the
resting ghosts are
suffering. There is
simply no room for mortal
souls in Avalon. After a
powerful statement by
King Arthur, we hear a
glissando referring to
the very first measures,
and… we are back in
the normal world. The
journey through the
underworld has come to an
end and a dream is over.
Brass Band - Grade 2 SKU: BT.GOB-000586-130 Arranged by Dagmar Kildevann....(+)
Brass Band - Grade 2
SKU:
BT.GOB-000586-130
Arranged by Dagmar
Kildevann. Score Only. 12
pages. Gobelin Music
Publications #GOB
000586-130. Published by
Gobelin Music
Publications
(BT.GOB-000586-130).
In a suite of
three parts arranger
Dagmar Kildevann makes a
bridge between starting
musician and classic
composer. You hear
the following parts:
Grand march from Aida -
Verdi. Aria, from
The Marriage of Figaro -
Mozart. Can-Can,
from Orpheus in the
Underworld - Offenbach.
In een suite van
3 delen laat arrangeur
Dagmar Kildevann de
beginnende muzikant
kennis maken met
klassieke
componisten.
U
hoort de delen: Grand
march from Aida -
Verdi. Aria, from The
Marriage of Figaro -
Mozart. Can-Can, from
Orpheus in the Underworld
- Offenbach.
Three Classics for Youth Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000586-030 Arranged by Dagmar Kildevann....(+)
Brass Band - Grade 2
SKU:
BT.GOB-000586-030
Arranged by Dagmar
Kildevann. Set (Score &
Parts). 27 pages. Gobelin
Music Publications #GOB
000586-030. Published by
Gobelin Music
Publications
(BT.GOB-000586-030).
In a suite of
three parts arranger
Dagmar Kildevann makes a
bridge between starting
musician and classic
composer. You hear
the following parts:
Grand march from Aida -
Verdi. Aria, from
The Marriage of Figaro -
Mozart. Can-Can,
from Orpheus in the
Underworld - Offenbach.
In een suite van
3 delen laat arrangeur
Dagmar Kildevann de
beginnende muzikant
kennis maken met
klassieke
componisten.
U
hoort de delen: Grand
march from Aida -
Verdi. Aria, from The
Marriage of Figaro -
Mozart. Can-Can, from
Orpheus in the Underworld
- Offenbach.
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arrange...(+)
String Quartet or String
Orchestra - easy
SKU:
BT.DHP-1135315-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score and
Parts). De Haske
Publications #DHP
1135315-070. Published by
De Haske Publications
(BT.DHP-1135315-070).
ISBN 9789043146814.
9x12 inches.
English-German-French-Dut
ch.
Classics Piano Facile [Partition] - Débutant Willis Music
Teaching Little Fingers to Play/Early Elementary Level. Arranged by Randall Hart...(+)
Teaching Little Fingers
to Play/Early Elementary
Level. Arranged by
Randall Hartsell. Willis.
Softcover. Size 8.5x11
inches. 24 pages.
Published by Willis
Music.