Composed by Markus Schimpp. Contemporary Music. Book Only. Composed 2020. 56...(+)
Composed by Markus
Schimpp.
Contemporary Music. Book
Only. Composed 2020. 56
pages. Editions Musica
Ferrum
#FERR9790708147688.
Published
by Editions Musica Ferrum
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Ich geh und suche mit
Verlangen. Sacred vocal
music. Study score.
Composed 1726. BWV 49. 56
pages. Duration 29
minutes. Carus Verlag #CV
31.049/07. Published by
Carus Verlag
(CA.3104907).
ISBN
9790007137465. Language:
German/English.
The
beginning of Cantata no.
49 (I go and search for
thee with yearning) may
also be the most
well-known part of this
work: in the introductory
sinfonia for organ and
orchestra Bach refers
back to the final
movement of a lost
concerto with concertante
melody instrument which
he later reworked into
the Harpsichord Concerto
in E major BWV 1053. The
cantata, conceived as a
composition in dialogue
between the faithful soul
(soprano) and Jesus
(bass), is characterized
by the expressiveness of
the love poetry from the
biblical Song of Songs,
which finds its lyrical
expression especially in
the virtuosity and charm
of its instrumentation -
a masterpiece in the
Bachian art of
characterization. (Alfred
Durr). Score available
separately - see item
CA.3104900.
Chamber Music alto Saxophone SKU: PR.114422470 Composed by Samuel Adler. ...(+)
Chamber Music alto
Saxophone
SKU:
PR.114422470
Composed
by Samuel Adler.
Performance Score. 4
pages. Duration 4
minutes. Theodore Presser
Company #114-42247.
Published by Theodore
Presser Company
(PR.114422470).
ISBN
9781491134917. UPC:
680160685868.
This
beautifully expressive
soliloquy plays to the
saxophone’s
hauntingly vocal nature.
MUSIC OF YEARNING is
lyrical throughout its
4-minute duration, full
of melodic stretches and
sighs, offering the
performer a dramatic
opportunity for
delivering from the
heart. The work stays
within traditional
saxophone range and is
suitable for students as
well as professional
performers.
Piano (Piano Solo) SKU: HL.1115735 For Solo Piano. Composed by Mar...(+)
Piano (Piano Solo)
SKU: HL.1115735
For Solo Piano.
Composed by Markus
Schimpp. Piano.
Classical, Contemporary.
Softcover. 56 pages.
Musica Ferrum Editions
#FERR9790708147688.
Published by Musica
Ferrum Editions
(HL.1115735).
ISBN
9781705179963. UPC:
196288105862.
33
pieces for solo piano are
yearning for silence. The
audio has been released
by NEOS music.
Choral SSAA choir SKU: CF.CM9717 Composed by Mark Burrows. 8 pages. Durat...(+)
Choral SSAA choir
SKU:
CF.CM9717
Composed by
Mark Burrows. 8 pages.
Duration 3 minutes, 7
seconds. Carl Fischer
Music #CM9717. Published
by Carl Fischer Music
(CF.CM9717).
ISBN
9781491160961. UPC:
680160919567. Psalm
91:4-5.
The Lord
will overshadow you with
his pinions, and you will
find refuge under his
wings. His faithfulness
will encompass you with a
shield. Psalm 91:4-5 To
feel safe and to feel
cared for, these are two
of the great yearnings of
the human heart. What a
blessing it is,
especially during times
of distress or
uncertainty, to know that
we aren't alone, that
someone is reaching out
to help us and even hold
us. It could be a family
member or a friend. It
could be a still small
voice whispering, It's
okay. I've got you. It
could even be a loving
community, like a choir,
assuring us that we are
known, that we are loved,
that we belong. The first
word - scapulis - is
translated as pinions. On
a bird, a pinion is the
outer part of the wing,
including the flight
feathers. The opening
measures, with a
one-measure phrase
followed be a
three-measure phrase, are
meant to evoke the image
of wings unfurling to
welcome in. All through
this section - mm. 1-20 -
encourage phrasing that
is never hurried but
moves with intention to
the last stressed
syllable of each phrase,
before ebbing slightly.
This section is all about
reassurance and comfort.
In mm. 21-30 we have a
new section where
uncertainty grows. At
this point the text - and
you will find refuge
under his wings - is more
aspirational than
definitive. Leaning into
non-chord tones will help
make this feeling of
uncertainty more
palpable. Places where
this occurs: Alto I -
Measure 22 the Ab in
pennis, m. 26 the Bb in
sperabis Soprano II -
Measure 23 the A natural
in pennis, m. 29 the C in
sperabis Soprano I -
Measure 24 the C in
pennis, m. 28 the D in
sperabis The apex of the
piece is at m. 30 where
the yearning for comfort
and assurance reaches its
height, finding that
comfort in the arrival
back at Eb major in m.
39. The phrase veritas
ejus (his faithfulness),
with its triplet figure
should flow gently, like
a musical carress. The
final reassurance occurs
at m. 51 as we return to
the melody, and the
homophonic texture, of
the opening. Even as the
piece gets softer and
softer, encourage the
singers to keep energy
moving through each
phrase. The structure and
feel of this piece was
inspired by one of the
all-time great settings
of yet another Psalm of
assurance - Felix
Mendelssohn's Lift Thine
Eyes. The Lord will
overshadow you with his
pinions,and you will find
refuge under his
wings.His faithfulness
will encompass you with a
shield. Psalm
91:4-5Â To feel safe
and to feel cared for,
these are two of the
great yearnings of the
human heart.What a
blessing it is,
especially during times
of distress or
uncertainty, to know that
we aren’t alone,
that someone is reaching
out to help us and even
hold us. It could be a
family member or a
friend. It could be a
still small voice
whispering,
“It’s okay.
I’ve got
you.†It could even
be a loving community,
like a choir, assuring us
that we are known, that
we are loved, that we
belong.The first word
– scapulis
– is translated as
“pinions.†On
a bird, a pinion is the
outer part of the wing,
including the flight
feathers. The opening
measures, with a
one-measure phrase
followed be a
three-measure phrase, are
meant to evoke the image
of wings unfurling to
welcome in. All through
this section – mm.
1-20 – encourage
phrasing that is never
hurried but moves with
intention to the last
stressed syllable of each
phrase, before ebbing
slightly. This section is
all about reassurance and
comfort.In mm. 21-30 we
have a new section where
uncertainty grows. At
this point the text
– and you will
find refuge under his
wings – is more
aspirational than
definitive. Leaning into
non-chord tones will help
make this feeling of
uncertainty more
palpable. Places where
this occurs:Alto I
– Measure 22 the
Ab in pennis, m. 26 the
Bb in sperabisSoprano II
– Measure 23 the A
natural in pennis, m. 29
the C in sperabisSoprano
I – Measure 24 the
C in pennis, m. 28 the D
in sperabis The apex
of the piece is at m. 30
where the yearning for
comfort and assurance
reaches its height,
finding that comfort in
the arrival back at Eb
major in m. 39. The
phrase veritas ejus (his
faithfulness), with its
triplet figure should
flow gently, like a
musical carress.The final
reassurance occurs at m.
51 as we return to the
melody, and the
homophonic texture, of
the opening. Even as the
piece gets softer and
softer, encourage the
singers to keep energy
moving through each
phrase.The structure and
feel of this piece was
inspired by one of the
all-time great settings
of yet another Psalm of
assurance – Felix
Mendelssohn’s Lift
Thine Eyes.
Choral 3-part choir mixed Voices, Piano SKU: CF.CM9643 Composed by Tradit...(+)
Choral 3-part choir mixed
Voices, Piano
SKU:
CF.CM9643
Composed by
Traditional Spiritual.
Arranged by Catherine
DeLanoy. Fold.
Performance Score. 12
pages. Duration 2:30.
Carl Fischer Music
#CM9643. Published by
Carl Fischer Music
(CF.CM9643).
ISBN
9781491157152. UPC:
680160915712. 6.875 x
10.5 inches. Key: F
major. English, English.
Traditional
Spiritual.
For the
emerging mixed choir,
Delanoy's arrangement of
this timeless spiritual
favorite offers energy,
variety and is sure to
inspire through its
uplifting melody of hope
and determination for a
better life -no matter
the obstacle. Concert and
festival
approved!. Let Me Fly
is an American spiritual
which, on the surface,
tells of a yearning for
the promised land of
heaven. On a deeper
level, its early singers
envisioned an escape from
slavery, with the
Underground Railroad
serving as the chariot.
In either case, the song
is an uplifting melody of
hope and determination
for a better life, no
matter the obstacle.
Please take note of the
layered section in mm.
55-62, which starts with
Part II, adds Part I in
m. 57, and completes the
layering with Part III at
m. 59. The repeated
measures of 59-60 allow
for an accompanist or
soloist to improvise
while the choir sings and
claps along for as many
repeats as desired. The
number of repeats is up
to the discretion of the
conductor. If there is no
improvisation, it is
recommended that mm.
59-60 be sung three times
before moving on. Let
Me Fly is an American
spiritual which, on the
surface, tells of a
yearning for the promised
land of heaven. On a
deeper level, its early
singers envisioned an
escape from slavery, with
the Underground Railroad
serving as the chariot.
In either case, the song
is an uplifting melody of
hope and determination
for a better life, no
matter the
obstacle.Please take note
of the layered section in
mm. 55-62, which starts
with Part II, adds Part I
in m. 57, and completes
the layering with Part
III at m. 59. The
repeated measures of
59-60 allow for an
accompanist or soloist to
improvise while the choir
sings and claps along for
as many repeats as
desired. The number of
repeats is up to the
discretion of the
conductor. If there is no
improvisation, it is
recommended that mm.
59-60 be sung three times
before moving on.
Composed by Doug Spata.
Folio. Cas. Set of Score
and Parts. 8+5+5+5+8+8
pages. Duration 4
minutes, 6 seconds. Carl
Fischer Music #CAS131.
Published by Carl Fischer
Music (CF.CAS131).
ISBN 9781491157671.
UPC: 680160916252. 9 x 12
inches.
The
yearning, Irish-inspired
melodies in A Ballad of
Inis Mor evoke a sense of
quiet reflection. The
poignant theme beings in
the cello section, rising
through the sections amid
flowing accompaniments
that ebb and flow with
expressive dynamic and
tempo changes. Students
will encounter
opportunities to play in
upper positions, using a
warm vibrato and refining
bow distribution skills.
Graceful embellishments,
part independence, and a
variety of rhythms will
encourage listening
across the ensemble to
create an elegant,
unified sound. The
yearning, Irish-inspired
melodies in A Ballad of
Inis Mór evoke a sense
of quiet reflection. The
poignant theme beings in
the cello section, rising
through the sections amid
flowing accompaniments
that ebb and flow with
expressive dynamic and
tempo changes. Students
will encounter
opportunities to play in
upper positions, using a
warm vibrato and refining
bow distribution skills.
Graceful embellishments,
part independence, and a
variety of rhythms will
encourage listening
across the ensemble to
create an elegant,
unified sound.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Choral SATB choir, piano SKU: CF.CM8736 For Two-Part Treble Voices wit...(+)
Choral SATB choir, piano
SKU: CF.CM8736
For Two-Part Treble
Voices with Keyboard.
Composed by David Perry
Jean Perry. Carl Fischer
Performance Series For
Chorus. Choral. Piano
reduction/vocal score.
With Standard notation.
Carl Fischer Music
#CM8736. Published by
Carl Fischer Music
(CF.CM8736).
ISBN
9780825846601. UPC:
798408046606. 6.875 X
10.5 inches. Key: Ab
major.
An inspiring
original text which
voices the yearning of
most people for a world
of harmony and
understanding is given a
tuneful setting by the
Perrys. The piece builds,
via a key change, to a
climax of yearning for a
new dawn and a bright new
day..
Composed by Doug Spata.
Sws. Cas. Full score. 8
pages. Carl Fischer Music
#CAS131F. Published by
Carl Fischer Music
(CF.CAS131F).
ISBN
9781491157497. UPC:
680160916078. 9 x 12
inches.
The
yearning, Irish-inspired
melodies in A Ballad of
Inis Mor evoke a sense of
quiet reflection. The
poignant theme beings in
the cello section, rising
through the sections amid
flowing accompaniments
that ebb and flow with
expressive dynamic and
tempo changes. Students
will encounter
opportunities to play in
upper positions, using a
warm vibrato and refining
bow distribution skills.
Graceful embellishments,
part independence, and a
variety of rhythms will
encourage listening
across the ensemble to
create an elegant,
unified sound. The
yearning, Irish-inspired
melodies in A Ballad of
Inis Mór evoke a sense
of quiet reflection. The
poignant theme beings in
the cello section, rising
through the sections amid
flowing accompaniments
that ebb and flow with
expressive dynamic and
tempo changes. Students
will encounter
opportunities to play in
upper positions, using a
warm vibrato and refining
bow distribution skills.
Graceful embellishments,
part independence, and a
variety of rhythms will
encourage listening
across the ensemble to
create an elegant,
unified sound.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed
by Fredrik Sixten. Score.
With Language: English,
Latin, Swedish. Gehrmans
Musikforlag #GE 11183.
Published by Gehrmans
Musikforlag
(GH.GE-11183).
ISBN
9790070111836. Text:
Bengt Pohjanen / from the
Ordinary Mass.
For
soprano, bass, mixed
chorus and orchestra.
Lyrics from the death
mass and by Bengt
Pohjanen in English
translation by John
Hearne.
Fredrik
Sixten: When my dear
friend Patrik Runeke
became seriously ill and
died - only 37 years old
- feelings and thoughts
concering life and death
overwhelmed me. It was
natural for me to turn to
Bengt Pohjanen, with whom
I had collaborated
earlier, to ask him to
formulate: * words of
anger and of gratitude *
words of guilt and of
forgiveness * words of
consolation, of love and
hope.These words of
Bengt's, in combination
with the classical texts
from the Latin Requiem
Mass, form a kind of
testament to mankind's
yearning for unity and
perfection. In the final
movement, In Paradisum,
this yearning is borne
forth to the God whom
Bengt describes as being:
Wisdom deep and
loving. Stronger than
death.
Baritone voice and piano - Moderately Difficult SKU: OU.9780193451513 Com...(+)
Baritone voice and piano
- Moderately Difficult
SKU:
OU.9780193451513
Composed by Michael
Berkeley. Voice & Piano.
Version for baritone and
piano. 28 pages. Duration
20'. Oxford University
Press #9780193451513.
Published by Oxford
University Press
(OU.9780193451513).
ISBN 9780193451513. 12
x 8 inches.
for
baritone and piano A
beautifully constructed
song-cycle set to poems
from Christina Rosetti to
WB Yeats and the
sixteenth century French
poet Pontus de Tyard.
Exploring the themes of
yearning and longing at
the end of a love affair,
the subject of the texts
focus largely on a desire
for rest and even
oblivion. The music
responds accordingly,
ranging from the bright
and chromatic to simple,
poignant settings of
folk-inspired
tunes.
Composed by
Kareem Roustom. E.C.
Schirmer Publishing
#LMP046. Published by
E.C. Schirmer Publishing
(EC.LMP046).
These
Four Dances from
CLORINDA AGONISTES
(Clorinda the warrior)
are taken from a recently
completed dramatic work;
a hybrid opera & dance
theatre work currently of
the same title. The name
Clorinda comes from
Monteverdi’s opera
Il Combattimento di
Tancredi e Clorinda
, whose libretto is from
the epic poem by Tasso
titled, Gerusalemme
Liberata (Jerusalem
Liberated). The dramatic
work, which was
commissioned by the
London based Shobana
Jeyasingh Dance company,
the Sadler’s Wells
Theatre and the Royal
Philharmonic Society, was
composed as a companion
piece to
Monteverdi’s
Il
Combattimento.
Contents: I.
Transitions II.
Pursuit III. Shawq
شوق
(Yearning) IV. Unity
(We dance together)
Cantata for the 1st
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Hans Grischkat.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Liebster Jesu. Sacred
vocal music, Cantatas,
Epiphany. Single Part,
Violin 2. Composed 1726.
BWV 32. 4 pages. Duration
24 minutes. Carus Verlag
#CV 31.032/12. Published
by Carus Verlag
(CA.3103212).
ISBN
9790007042516. Key: E
minor / g major.
Language: German/English.
Text: Lehms, Georg
Christian. Text: Georg
Christian
Lehms.
The text of
the cantata Dearest
Jesus, sore I need Thee
for the 1st Epiphany
Sunday 1726 was written
by the Darmstadt poet
Georg Christian Lehms. It
is conceived as a dialog
between Jesus and the
Faithful Soul. Bach
titled his cantata
Concerto in Dialogo and
accordingly, it is
structured as a dialog
between soprano and bass,
set in the voice types
that were - not only for
Bach - typically used for
the soul (soprano) and
Jesus (bass). The cantata
is based on the narrative
of the twelve-year-old
boy Jesus in the temple;
however, in spite of
closely following the
gospel text, it is
interpreted more widely
here: it is through Jesus
that the believer finds
God's dwelling. Bach
creates a great arch from
the opening aria full of
yearning and searching
through to the joyful
duet Nun verschwinden
alle Plagen. He himself
added the four-part
closing chorale to the
text model, thus
communicating the sense
of joyous certainty to
the congregation of
believers. Score and part
available separately -
see item CA.3103200.
Performed by Ben Harper. Guitar Recorded Versions (Authentic note-for-note trans...(+)
Performed by Ben Harper.
Guitar Recorded Versions
(Authentic note-for-note
transcriptions). With
notes and tablature. Size
9x12 inches. 144 pages.
Published by Hal Leonard.
Choral, cantatas. Advent,
Christmas, Sacred. Bulk
performance CDs. Lorenz
Publishing Company
#99/4029L. Published by
Lorenz Publishing Company
(LO.99-4029L).
UPC:
000308154344.
From
the collaborative efforts
of Lloyd Larson, Mary
McDonald, Jay Rouse, and
Larry Shackley,
Everlasting Light
showcases the profound
significance of the light
of Christ come to earth.
An insightful narration
by Rose Aspinall
incorporates scripture
and personal reflection
to tie together the
compelling combination of
powerful original music
and beloved carols. Mary
McDonald’s
celebratory opener,
Everlasting Light, acts
as the cornerstone of the
work. Larry
Shackley’s Longing
for the Light beautifully
portrays a yearning for
restoration; Jay Rouse
offers a stirring
original song with words
inspired by Mary’s
Songs of Praise found in
Luke 1:44-56; and Lloyd
Larson’s Shepherds
and Angels adds rhythmic
and joyful energy. The
work concludes with a
robust medley of carols
that points back to the
opening song: He is the
Light, Everlasting Light;
born a Savior, born this
night. He is the One, the
Everlasting Son; Child of
heaven, He is the
Light!.
Trombone and Piano - advanced SKU: CY.CC2718 Composed by Georges Bizet. A...(+)
Trombone and Piano -
advanced
SKU:
CY.CC2718
Composed by
Georges Bizet. Arranged
by Ralph Sauer. 19th
Century French. Solo part
and Piano accompaniment.
Published by Cherry
Classics (CY.CC2718).
The Chants du
Rhin (Songs of the
Rhine), a cycle of six
pieces, based on poems by
Joseph Mery, were written
in 1865, and Bizet
performed two of them on
16 April 1866 at a soiree
of the Beaujolais
Philharmonic Society. The
songs are grouped
symmetrically around La
bohemienne as the central
piece, framed by two
meditatively yearning
pieces (in E and D flat
major) and two vividly
exuberant ones (similarly
in E and D flat major),
with L'aurore serving as
an
introduction.
In
this cycle Bizet takes up
the theme of the gypsy
girl which had already
entered European music in
the operas The Bohemian
Girl by the Irish
composer Michael William
Balfe and Verdi's Il
trovatore, as well as in
Franz Liszt's Hungarian
Rhapsodies for piano.
Bizet will return to it
one year later in La
jolie fille de Perth and
ten years later in
Carmen. The fourth piece
Les confidences shows
similarities in tonality,
structure and motifs to
the middle part of the
third movement of
Chopin's Sonata in B
minor.
SATB choir, assembly, piano accompaniment - Early intermediate SKU: GI.G-9876...(+)
SATB choir, assembly,
piano accompaniment -
Early intermediate
SKU: GI.G-9876
Composed by Bob Moore.
Pentecost. Choral.
Sacred. Octavo. 12 pages.
GIA Publications #9876.
Published by GIA
Publications (GI.G-9876).
UPC: 785147987604.
English. Text by Carl P.
Daw, Jr.
The
assembly part is
optional.
At
Pentecost, the Spirit of
God comes, but we must
invite him! Daw's
passionate plea for the
Spirit of God to bring
his gifts is beautifully
scored with music at
turns thoughtful and
majestic. An
inspirational gift to all
who sing and listen to
this song of
yearning.
