Late Intermediate Works by 13 Important Composers of Standard Teaching Literatur...(+)
Late Intermediate Works
by 13 Important Composers
of Standard Teaching
Literature. Edited by
Jane Magrath. For Piano.
Piano Collection.
Masterwork. Book. 96
pages. Published by
Alfred Publishing.
Level: Late
Intermediate.
Orchestra SKU: HL.49019910 Composed by John Casken. This edition: Saddle ...(+)
Orchestra
SKU:
HL.49019910
Composed
by John Casken. This
edition: Saddle
stitching. Sheet music.
Study Score. Softcover.
Composed 2007. 76 pages.
Duration 20'. Schott
Music #ED13617. Published
by Schott Music
(HL.49019910).
ISBN
9790220134395. UPC:
888680089528.
8.25x11.75x0.25
inches.
My Concerto
for Orchestra (2007) is a
twenty-minute work in
which different sections
of the orchestra, as well
as individual solos and
duos from within the
orchestra, are
highlighted as the music
unfolds. The work
continues my interest in
two-movement forms that
began with my Cello
Concerto (1991), and was
later developed in
Sortilege (1996) and
Symphony (Broken Consort)
(2004). In these works,
and in the Concerto for
Orchestra, each movement
is given equal weight and
importance with the
second developing earlier
material and taking it in
new directions.The
two-movement form of the
Concerto for Orchestra
derives from a symphonic
sonata structure,
reshaping the traditional
four-movement form and
combining this with
aspects of sonata form, a
tradition that goes back
to Liszt, Schoenberg and
Sibelius:1st movement (i)
exposition of ideas -
dramatic and sudden (ii)
scherzo and development 1
- resolute2nd movement
(iii) adagio - calm and
unhurried (iv)
development 2 with
recapitulation - intense
and energeticThe Concerto
for Orchestra was
commissioned by the
Musikalische Akademie des
Nationaltheatre-Orchester
s Mannheim with the
support of Die Landesbank
Baden-Wurttemberg for its
first two performances on
31st March and 1st April
2008 conducted by
Friedemann Layer. The
score is dedicated in
friendship and admiration
to Ronald Zollman.John
Casken
Composed by Various. Arranged by Peter Lavender. Music Sales America. Baroque an...(+)
Composed by Various.
Arranged by Peter
Lavender. Music Sales
America. Baroque and
Classical Period. Fake
book (softcover). With
melody line (no
accompaniment included)
and chord names. 128
pages. Music Sales
#AM92350. Published by
Music Sales
Easy to Int. Solos 65 Works from Symphonies, Operas, Concertos, Piano Literature...(+)
Easy to Int. Solos 65
Works from Symphonies,
Operas, Concertos, Piano
Literature and Chamber
Music. World's Greatest
Classical Music. Size
9x12 inches. Published by
Hal Leonard.
Trombone and strings and piano - advanced SKU: CY.CC2869 Composed by Jan ...(+)
Trombone and strings and
piano - advanced
SKU:
CY.CC2869
Composed by
Jan Freidlin.
Contemporary. Solo part,
Strings and Piano.
Published by Cherry
Classics (CY.CC2869).
Jan Freidlin's
lush and beautiful
Romantic Concerto for
Trombone, Piano and
Strings was composed in
2004 and is in the
traditional three
movements. The 15-minute
work is appropriate for
advanced
performers. A 4 1/2
minute sample of the
Concerto (on our site) is
beautifully performed by
the Odessa Philharmonic
Chamber Orchestra,
Conductor Igor Shavruk
and Trombone solist
Andrei Sokolov. Below
is what the composer has
written about his
work: Written in
2004 , this composition
combines three
contrasting movements,
however their style is
not typical of a
classical concerto, nor
of a romantic
work. The 1st
movement - Moderato has a
long recitative-like
introduction performed by
the soloist over a
background of aleatoric
sounds of divisi strings.
The tonality is
indefinite with many
harmonic
changes.
Ã
¢â‚¬Â¨The music
gradually builds up more
and more leading the
listener to the 2nd
movement - Vivace
energico in which the
Piano makes its first
appearance, adding
rhythmic complexity. In
the 2nd movement the main
motive from the 1st
movement is reintroduced
and the mood gains in
intensity with various
syncopated rhythmic
phrases as the orchestra
and solo Trombonist
accelerate together into
a major
climax.
Ã
۬With the
energy drained out of the
music by the conclusion
of the 2nd movement the
listener is brought to
the 3rd movement -
Adagietto. This movement
is absolutely lyrical,
elegiac and unexpectedly
tonal. Its main melody
has an atmosphere of
nostalgia leading to the
emotional center of the
whole work, the softest
climax of the Concerto .
The soloist plays it in
many tonalities, then
gradually this warm wave
eases, leaving the
listener in a cathartic
condition.
The
Concerto contains many
virtuosic moments for the
soloist that sound very
expressive and
heroic. Jan
Freidlin
73 Selections from the All-Time Greatest Music. Piano Solo Songbook (Intermediat...(+)
73 Selections from the
All-Time Greatest Music.
Piano Solo Songbook
(Intermediate to advanced
piano arrangements with
no lyrics). Size 9x12
inches. 272 pages.
Published by Hal Leonard.
Consolations Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505 Grand solo de concert (earl. vers.) and Other ...(+)
Piano
SKU:
BT.EMBZ14505
Grand
solo de concert (earl.
vers.) and Other Works
(Suppl. B 10). By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB Liszt
Works. Book Only.
Composed 2014. 208 pages.
Editio Musica Budapest
#EMBZ14505. Published by
Editio Musica Budapest
(BT.EMBZ14505).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research result and,
numerous manuscript
facsimiles make the
practical paperback
version of this volume of
the New Liszt Edition a
specially important
publication of scholarly
value.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
Piano SKU: BT.EMBZ14505A Suppl. 10. By Adrienne Kaczmarczyk_Ãgn...(+)
Piano
SKU:
BT.EMBZ14505A
Suppl. 10. By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB New
Listz Edition. Book
Hardcover. Composed 2014.
224 pages. Editio Musica
Budapest #EMBZ14505A.
Published by Editio
Musica Budapest
(BT.EMBZ14505A).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research results,
numerous manuscript
facsimiles and critical
notes make this volume of
the New Liszt Edition a
specially important
publication of scholarly
value. Simultaneously
withthe Complete Edition
volume in colth-bound,
its paperback for
practical purposes is
also published, the
contents of which, except
for the critical notes,
is identical with the
Complete Edition
volume.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
Soli SA, Coro SATB (teils geteilt), Pfte SKU: CA.2380203 4th and 5th m...(+)
Soli SA, Coro SATB (teils
geteilt), Pfte
SKU:
CA.2380203
4th and
5th movement.
Composed by Gustav
Mahler. Edited by
Nicholas Kok. Arranged by
Nicholas Kok. Innovative
practice aids, Secular
choral music. Vocal
score. Carus Verlag #CV
23.802/03. Published by
Carus Verlag
(CA.2380203).
ISBN
M-007-24441-5.
German.
Nicholas
Kok's newly-created vocal
score of the 4th and 5th
movements of Mahler's 2nd
Symphony is aimed
particularly at vocal
soloists and choral
singers who wish to
practice the two vocal
movements in this work;
it is available on sale,
as is the chorus score.
To ensure a secure entry
at the attacca beginning
of the 4th movement, the
vocal score begins
earlier in the 3rd
movement. The rehearsal
letters in the
prevalently used
orchestral materials have
been taken into
consideration so that the
vocal score and chorus
score are compatible with
all the available music
editions. In his 2nd
Symphony, premiered in
1895 after a seven-year
gestation period, Gustav
Mahler combined different
work concepts which he
had previously tried out
in various independent
compositions: the 1st
movement with the
original title
Todtenfeier was conceived
as a symphonic poem, the
3rd movement is based on
the original song for
voice and piano St
Anthony of Padua's Sermon
to the Fishes, the 4th
movement is the
orchestral song Urlicht
for alto, with text, like
the 3rd movement, from
Des Knaben Wunderhorn,
and the 5th is a setting
and elaboration of the
Klopstock Ode Die
Auferstehung for soprano
and alto solo with mixed
chorus. Mahler created a
work in the
vocal-symphonic tradition
founded by Beethoven and,
despite its challenges in
extent and scoring, it
remains one of his most
popular compositions.
Soli SA, Coro SATB (teils geteilt), Pfte SKU: CA.2380204 4th and 5th m...(+)
Soli SA, Coro SATB (teils
geteilt), Pfte
SKU:
CA.2380204
4th and
5th movement.
Composed by Gustav
Mahler. Edited by
Nicholas Kok. Arranged by
Nicholas Kok. Carus sheet
music series: Vocal
scores XL. XL in large
print. Innovative
practice aids, Secular
choral music. Vocal
score. Carus Verlag #CV
23.802/04. Published by
Carus Verlag
(CA.2380204).
ISBN
M-007-24442-2.
German.
Nicholas
Kok's newly-created vocal
score of the 4th and 5th
movements of Mahler's 2nd
Symphony is aimed
particularly at vocal
soloists and choral
singers who wish to
practice the two vocal
movements in this work;
it is available on sale,
as is the chorus score.
To ensure a secure entry
at the attacca beginning
of the 4th movement, the
vocal score begins
earlier in the 3rd
movement. The rehearsal
letters in the
prevalently used
orchestral materials have
been taken into
consideration so that the
vocal score and chorus
score are compatible with
all the available music
editions. In his 2nd
Symphony, premiered in
1895 after a seven-year
gestation period, Gustav
Mahler combined different
work concepts which he
had previously tried out
in various independent
compositions: the 1st
movement with the
original title
Todtenfeier was conceived
as a symphonic poem, the
3rd movement is based on
the original song for
voice and piano St
Anthony of Padua's Sermon
to the Fishes, the 4th
movement is the
orchestral song Urlicht
for alto, with text, like
the 3rd movement, from
Des Knaben Wunderhorn,
and the 5th is a setting
and elaboration of the
Klopstock Ode Die
Auferstehung for soprano
and alto solo with mixed
chorus. Mahler created a
work in the
vocal-symphonic tradition
founded by Beethoven and,
despite its challenges in
extent and scoring, it
remains one of his most
popular compositions.
Soli SA, Coro SATB (teils geteilt), Pfte SKU: CA.2380205 4th and 5th m...(+)
Soli SA, Coro SATB (teils
geteilt), Pfte
SKU:
CA.2380205
4th and
5th movement.
Composed by Gustav
Mahler. Edited by
Nicholas Kok. Arranged by
Nicholas Kok. Carus sheet
music series: Vocal
scores XL. Innovative
practice aids, Secular
choral music. Choral
Score. Carus Verlag #CV
23.802/05. Published by
Carus Verlag
(CA.2380205).
ISBN
M-007-24973-1.
German.
Nicholas
Kok's newly-created vocal
score of the 4th and 5th
movements of Mahler's 2nd
Symphony is aimed
particularly at vocal
soloists and choral
singers who wish to
practice the two vocal
movements in this work;
it is available on sale,
as is the chorus score.
To ensure a secure entry
at the attacca beginning
of the 4th movement, the
vocal score begins
earlier in the 3rd
movement. The rehearsal
letters in the
prevalently used
orchestral materials have
been taken into
consideration so that the
vocal score and chorus
score are compatible with
all the available music
editions. In his 2nd
Symphony, premiered in
1895 after a seven-year
gestation period, Gustav
Mahler combined different
work concepts which he
had previously tried out
in various independent
compositions: the 1st
movement with the
original title
Todtenfeier was conceived
as a symphonic poem, the
3rd movement is based on
the original song for
voice and piano St
Anthony of Padua's Sermon
to the Fishes, the 4th
movement is the
orchestral song Urlicht
for alto, with text, like
the 3rd movement, from
Des Knaben Wunderhorn,
and the 5th is a setting
and elaboration of the
Klopstock Ode Die
Auferstehung for soprano
and alto solo with mixed
chorus. Mahler created a
work in the
vocal-symphonic tradition
founded by Beethoven and,
despite its challenges in
extent and scoring, it
remains one of his most
popular compositions.
Composed by Kareem Roustom. Young People's Concert, Youth Orchestra, Short Work....(+)
Composed by Kareem
Roustom. Young People's
Concert, Youth Orchestra,
Short Work. 21st Century,
Secular. Published by
E.C. Schirmer Publishing
(EC.LMP025).
Chansons Bachiques Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000259-010 Composed by Rob Go...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000259-010
Composed by Rob Goorhuis.
Set (Score & Parts). 162
pages. Gobelin Music
Publications #GOB
000259-010. Published by
Gobelin Music
Publications
(BT.GOB-000259-010).
In this
four-movement suite,
every moment sings of a
different type of French
wine. All these wines
have their origins in the
little French village of
Savigny-les-Beaune in
Burgundy and are made by
wine-grower Pierre
Guillemot. It was
theexcellent quality of
the wines that inspired
Rob Goorhuis into writing
this composition.
The first three
movements deal with three
red wines made of the
Pinot Noir grape which
all bear the Premier Cru
designation. The
final movement
wasinspired by a white
wine made of Pinot Blanc
and Chardonnay. In
the nature of their
musical material, the
various movements not
only give a
characterisation of the
taste of the wines. they
also hint at impressions
of the respective
vineyards andtheir
surroundings.
1st
Movement Les Narbantons -
Giocoso 2nd Movement
Les Jarrons - Gracioso
3rd Movement Les
Serpentieres - Festivo
4rd Movement Dessus
des Golardes -
Vivaci.
In de
vierdelige suite Chansons
Bachiques wordt steeds in
elk deel een andere
Franse wijn bezongen.
Al deze wijnen zijn
afkomstig uit het dorpje
Savigny-le-Beaune
(Bourgogne) en worden
vervaardigd door wijnboer
Pierre Guillemot.
Devoortreffelijke
kwaliteit van de wijnen
inspireerde Rob Goorhuis
tot het maken van deze
compositie. De eerste
drie delen behandelen
drie rode wijnen welke
gemaakt worden door de
Pinot Noir druif en
dragen alle het predikaat
Premier Cru.
Hetlaatste deel is ge
nspireerd op een witte
wijn welke van Pinot
Blanc en Chardonnay wordt
gemaakt. In de
karakters van de
verschillende delen wordt
niet alleen een
smaakkarakteristiek van
de wijnen, maar tevens
een impressie gegeven van
dewijngaard en het
omliggende
landschap.
De
delen: 1. Les
Narbantons - Giocoso
2. Les Jarrons -
Grazioso 3. Les
Serpenti?res - Festivo
4. Dessus des
Golardes - Vivace
Het werk werd in
1996 gecomponeerd in
opdracht vanhet
Nederlands Instituut voor
de Blaasmuziek met
financiële steun van het
Fonds voor de Scheppende
Toonkunst. Chansons
Bachiques is geplaatst in
het groot repertorium -
harmonie, 3e
divisie.
Chansons Bachiques Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000259-140 Composed by Rob Go...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000259-140
Composed by Rob Goorhuis.
Score Only. 24 pages.
Gobelin Music
Publications #GOB
000259-140. Published by
Gobelin Music
Publications
(BT.GOB-000259-140).
In this
four-movement suite,
every moment sings of a
different type of French
wine. All these wines
have their origins in the
little French village of
Savigny-les-Beaune in
Burgundy and are made by
wine-grower Pierre
Guillemot. It was
theexcellent quality of
the wines that inspired
Rob Goorhuis into writing
this composition.
The first three
movements deal with three
red wines made of the
Pinot Noir grape which
all bear the Premier Cru
designation. The
final movement
wasinspired by a white
wine made of Pinot Blanc
and Chardonnay. In
the nature of their
musical material, the
various movements not
only give a
characterisation of the
taste of the wines. they
also hint at impressions
of the respective
vineyards andtheir
surroundings.
1st
Movement Les Narbantons -
Giocoso 2nd Movement
Les Jarrons - Gracioso
3rd Movement Les
Serpentieres - Festivo
4rd Movement Dessus
des Golardes - Vivace.
In de vierdelige
suite Chansons Bachiques
wordt steeds in elk deel
een andere Franse wijn
bezongen. Al deze
wijnen zijn afkomstig uit
het dorpje
Savigny-le-Beaune
(Bourgogne) en worden
vervaardigd door wijnboer
Pierre Guillemot.
Devoortreffelijke
kwaliteit van de wijnen
inspireerde Rob Goorhuis
tot het maken van deze
compositie. De eerste
drie delen behandelen
drie rode wijnen welke
gemaakt worden door de
Pinot Noir druif en
dragen alle het predikaat
Premier Cru.
Hetlaatste deel is
ge?nspireerd op een witte
wijn welke van Pinot
Blanc en Chardonnay wordt
gemaakt. In de
karakters van de
verschillende delen wordt
niet alleen een
smaakkarakteristiek van
de wijnen, maar tevens
een impressie gegeven van
dewijngaard en het
omliggende
landschap.
De
delen: 1. Les
Narbantons - Giocoso
2. Les Jarrons -
Grazioso 3. Les
Serpenti?res - Festivo
4. Dessus des
Golardes - Vivace
Het werk werd in
1996 gecomponeerd in
opdracht vanhet
Nederlands Instituut voor
de Blaasmuziek met
financiële steun van het
Fonds voor de Scheppende
Toonkunst. Chansons
Bachiques is geplaatst in
het groot repertorium -
harmonie, 3e
divisie.
Accompagnement Piano [Partition] Alfred Publishing
(Piano Acc.). By Dr. Shinichi Suzuki. For Violin. This edition: Revised. Method/...(+)
(Piano Acc.). By Dr.
Shinichi Suzuki. For
Violin. This edition:
Revised.
Method/Instruction;
String - Violin (Suzuki).
The Suzuki Method Core
Materials. Book. 48
pages. Published by
Alfred Music Publishing
55 Selections from Symphonies, Ballets, Operas & Piano Literature for Piano Solo...(+)
55 Selections from
Symphonies, Ballets,
Operas & Piano Literature
for Piano Solo. Arranged
by Blake Neely, Richard
Walters. World's Greatest
Classical Music. Size
9x12 inches. 240 pages.
Published by Hal Leonard.