ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112814

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Ascension. Single Part, basso continuo. Composed 1725. BWV 128. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.128/14. Published by Carus Verlag (CA.3112814).

ISBN 9790007207748. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112812

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Ascension. Single Part, Violin 2. Composed 1725. BWV 128. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.128/12. Published by Carus Verlag (CA.3112812).

ISBN 9790007207724. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112819

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Ascension. Set of Orchestra Parts. Composed 1725. BWV 128. Duration 22 minutes. Carus Verlag #CV 31.128/19. Published by Carus Verlag (CA.3112819).

ISBN 9790007140199. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and parts available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112849

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Ascension. Single Part, Organ. Composed 1725. BWV 128. 12 pages. Duration 22 minutes. Carus Verlag #CV 31.128/49. Published by Carus Verlag (CA.3112849).

ISBN 9790007207755. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112805

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Ascension. Choral Score. Composed 1725. BWV 128. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.128/05. Published by Carus Verlag (CA.3112805).

ISBN 9790007161927. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112813

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Ascension. Single Part, Viola. Composed 1725. BWV 128. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.128/13. Published by Carus Verlag (CA.3112813).

ISBN 9790007207731. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112811

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Ascension. Single Part, Violin 1. Composed 1725. BWV 128. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.128/11. Published by Carus Verlag (CA.3112811).

ISBN 9790007207717. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.

Orchestra ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe d'caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112807

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Ascension. Study score. Composed 1725. BWV 128. 40 pages. Duration 22 minutes. Carus Verlag #CV 31.128/07. Published by Carus Verlag (CA.3112807).

ISBN 9790007142841. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score available separately - see item CA.3112800.

ATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, oboe da caccia, trumpet, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3112803

Cantata for the Feast of Ascension. Composed by Johann Sebastian Bach. Edited by Julia Ronge. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Ascension. Vocal score. Composed 1725. BWV 128. 28 pages. Duration 22 minutes. Carus Verlag #CV 31.128/03. Published by Carus Verlag (CA.3112803).

ISBN 9790007140205. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.

After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score available separately - see item CA.3112800.

SATB choir - Moderate

SKU: LP.765762173903

Composed by Dave Clark & Phil Mehrens. Arranged by Cliff Duren. Anthems. Contemporary and Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762173903).

UPC: 765762173903.

Catch a glimpse of the face of God through this beautiful and appealing new work by the songwriting team of Phil Mehrens and Dave Clark. Mary's words will resonate with mothers everywhere as she contemplates the hands that measured the heavens in the tiny bundle of promise I'm holding tonight. This delicate gift for SATB with female solo is wrapped in Cliff Duren's luscious orchestration and is sure to become a perennial favorite of both choir and congregation. Instrumentation: Flute Oboe Horn Trumpet 1 Trumpet 2 & 3 Trombone 1 & 2 Trombone 3/Tuba Percussion Rhythm Violin Viola Cello/Bassoon String Bass Substitute Instruments: Keyboard String Reduction; Soprano Sax (Sub. for Oboe); Alto Sax (Sub. for Horn); Tenor Sax (Sub. for Trombone 1 & 2); Bari. Sax (Sub. for Trombone 3/Tuba); Clarinet (Sub. for Viola); Bass Clarinet (Sub. for Cello/Bassoon).

Chorus and piano (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc)

SKU: BR.EB-32091

Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. 20 pages. Duration 15'. Breitkopf and Haertel #EB 32091. Published by Breitkopf and Haertel (BR.EB-32091).

ISBN 9790004186695. 7.5 x 10.5 inches.

The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo.

Chorus (with soloists) and orchestra (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.PB-32117

Cantata for Pentecost - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque. Sheet Music. Duration 25'. Breitkopf and Haertel #PB 32117. Published by Breitkopf and Haertel (BR.PB-32117).

ISBN 9790004215845. 10 x 12.5 inches.

The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.

Chorus (with soloists) and orchestra (solos: SATB - 2.2.0.1 - 0.0.0.0 - str - bc)

SKU: BR.EB-32117

Cantata for Pentecost - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. Duration 25'. Breitkopf and Haertel #EB 32117. Published by Breitkopf and Haertel (BR.EB-32117).

ISBN 9790004187258. 7.5 x 10.5 inches.

The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.

Grade 4

SKU: CL.012-3447-01

The Tuskegee Airman. Composed by Shabazz. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR334). Extra full score. Composed 2005. Duration 4 minutes, 44 seconds. Opus III Wind Orchestra Publications #012-3447-01. Published by Opus III Wind Orchestra Publications (CL.012-3447-01).

Commissioned for the 2005 Mississippi All-State Band, Of Honor and Valor Eternal is a very impressive debut composition by an outstanding young composer. Contemporary in nature and full of vitality, it features short solos for oboe, clarinet and trumpet and interesting interplay between the various motives. The sonorities of the horn lines mix with the powerful rhythms of the percussion to create a dynamic and vibrant work that is perfect for any concert or contest performance by better bands.

SATB Choir [2 Ob], 2 Ctr, 2 Tr, Timp, 2 Vl, Org e Bassi

SKU: CA.5408712

Composed by Michael Haydn. Edited by Armin Kircher. Stuttgart Urtext Edition: Johann Michael Haydn. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. MH 87. 16 pages. Duration 17 minutes. Carus Verlag #CV 54.087/12. Published by Carus Verlag (CA.5408712).

Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score and part available separately - see item CA.5408700.

SATB Choir [2 Ob], 2 Ctr, 2 Tr, Timp, 2 Vl, Org e Bassi

SKU: CA.5408705

Composed by Michael Haydn. Edited by Armin Kircher. Stuttgart Urtext Edition: Johann Michael Haydn. Sacred vocal music, Masses, Latin. Choral Score. MH 87. 24 pages. Duration 17 minutes. Carus Verlag #CV 54.087/05. Published by Carus Verlag (CA.5408705).

ISBN 9790007188184. Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score available separately - see item CA.5408700.

SATB Choir [2 Ob], 2 Ctr, 2 Tr, Timp, 2 Vl, Org e Bassi

SKU: CA.5408719

Composed by Michael Haydn. Edited by Armin Kircher. Stuttgart Urtext Edition: Johann Michael Haydn. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. MH 87. Duration 17 minutes. Carus Verlag #CV 54.087/19. Published by Carus Verlag (CA.5408719).

Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score and parts available separately - see item CA.5408700.

SATB Choir [2 Ob], 2 Ctr, 2 Tr, Timp, 2 Vl, Org e Bassi

SKU: CA.5408749

Composed by Michael Haydn. Edited by Armin Kircher. Stuttgart Urtext Edition: Johann Michael Haydn. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. MH 87. 20 pages. Duration 17 minutes. Carus Verlag #CV 54.087/49. Published by Carus Verlag (CA.5408749).

Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score and part available separately - see item CA.5408700.

SATB Choir [2 Ob], 2 Ctr, 2 Tr, Timp, 2 Vl, Org e Bassi

SKU: CA.5408711

Composed by Michael Haydn. Edited by Armin Kircher. Stuttgart Urtext Edition: Johann Michael Haydn. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. MH 87. 16 pages. Duration 17 minutes. Carus Verlag #CV 54.087/11. Published by Carus Verlag (CA.5408711).

Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score and part available separately - see item CA.5408700.

SATB Choir [2 Ob], 2 Ctr, 2 Tr, Timp, 2 Vl, Org e Bassi

SKU: CA.5408703

Composed by Michael Haydn. Edited by Armin Kircher. Stuttgart Urtext Edition: Johann Michael Haydn. Sacred vocal music, Masses, Latin. Vocal score. MH 87. 44 pages. Duration 17 minutes. Carus Verlag #CV 54.087/03. Published by Carus Verlag (CA.5408703).

ISBN 9790007186913. Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score available separately - see item CA.5408700.

SATB Choir [2 Ob], 2 Ctr, 2 Tr, Timp, 2 Vl, Org e Bassi

SKU: CA.5408700

Composed by Michael Haydn. Edited by Armin Kircher. Stuttgart Urtext Edition: Johann Michael Haydn. Sacred vocal music, Masses, Latin. Full score. MH 87. 68 pages. Duration 17 minutes. Carus Verlag #CV 54.087/00. Published by Carus Verlag (CA.5408700).

ISBN 9790007181666. Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time.

SATB Choir [2 Ob], 2 Ctr, 2 Tr, Timp, 2 Vl, Org e Bassi

SKU: CA.5408713

Composed by Michael Haydn. Edited by Armin Kircher. Stuttgart Urtext Edition: Johann Michael Haydn. Bass instrument. Sacred vocal music, Masses, Latin. Single Part, Bass instrument. MH 87. 12 pages. Duration 17 minutes. Carus Verlag #CV 54.087/13. Published by Carus Verlag (CA.5408713).

Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score and part available separately - see item CA.5408700.

Chorus (with soloists) and piano (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc)

SKU: BR.EB-32090

Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Choir; stapled. Edition Breitkopf. Cantata; Baroque; Renaissance/early Baroque. Piano/Vocal Score. 24 pages. Duration 12'. Breitkopf and Haertel #EB 32090. Published by Breitkopf and Haertel (BR.EB-32090).

ISBN 9790004186688. 7.5 x 10.5 inches.

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013).

Chorus (with soloists) and orchestra (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc)

SKU: BR.PB-32090

Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque; Renaissance/early Baroque. Full score. 60 pages. Duration 12'. Breitkopf and Haertel #PB 32090. Published by Breitkopf and Haertel (BR.PB-32090).

ISBN 9790004215708. 10 x 12.5 inches.

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too. Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013).

Concert band (Flute 1, Flute 2, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1/2, Horn in F 1/2, Trombone 1/2, Euphonium, Baritone T.C., Tuba, Timpani, Percussion 1 (4 ) - grade 3

SKU: CN.S11203

Composed by Bruce Fraser. Band Music, closer. Score only. Duration 4:30. Published by G & M Brand Music Publishers (CN.S11203).

Freedom's Sword tells the tale of battle and reconciliation between two lands, deriving themes from the well-known Scottish song Ca' the yowes. Horn calls and pounding drums set the tone for the battle scenes while a dreamy alto saxophone solo creates an air of optimism.

This work was originally commissioned by Nigel Boddice for the West Lothian Schools Brass Band to play at the European Youth Brass Band Championships in 1997 entitled Devolution to celebrate the setting up of the new Scottish Parliament. It appears in this revised version for Concert Band with the title Freedom's Sword. The opening section recalls days gone by when the Scots and English fought many a battle. The themes are derived from the well-known haunting song Ca' the yowes. The horn calls and off-stage percussion sound of a distant battle and it gradually comes closer. The centre section creates a mood of reconciliation with a dreamy Alto Saxophone solo. The last section now looks ahead with optimism and various bright dance themes appear based on traditional Scottish reel tunes, one of which is a two-part vocal scat section The piece then heads for its conclusion including a full statement of the main theme.

Concert band (Flute 1, Flute 2, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1/2, Horn in F 1/2, Trombone 1/2, Euphonium, Baritone T.C., Tuba, Timpani, Percussion 1 (4 ) - grade 3

SKU: CN.R10203

Composed by Bruce Fraser. Band Music, closer. Score and parts. Duration 4:30. Published by G & M Brand Music Publishers (CN.R10203).

Freedom's Sword tells the tale of battle and reconciliation between two lands, deriving themes from the well-known Scottish song Ca' the yowes. Horn calls and pounding drums set the tone for the battle scenes while a dreamy alto saxophone solo creates an air of optimism.

This work was originally commissioned by Nigel Boddice for the West Lothian Schools Brass Band to play at the European Youth Brass Band Championships in 1997 entitled Devolution to celebrate the setting up of the new Scottish Parliament. It appears in this revised version for Concert Band with the title Freedom's Sword. The opening section recalls days gone by when the Scots and English fought many a battle. The themes are derived from the well-known haunting song Ca' the yowes. The horn calls and off-stage percussion sound of a distant battle and it gradually comes closer. The centre section creates a mood of reconciliation with a dreamy Alto Saxophone solo. The last section now looks ahead with optimism and various bright dance themes appear based on traditional Scottish reel tunes, one of which is a two-part vocal scat section The piece then heads for its conclusion including a full statement of the main theme.

Orchestra solo soprano/baritone voices, SATB choir, flute, oboe, clarinet, bassoon, trumpet, 2 horns, trombone, timpani, percussion, 2 violins, viola, cello/double bass, jazz bass, piano

SKU: CA.1060100

Szenische Kantate in zwei Akten. Composed by Peter Schindler. German title: Sonne, Mond und Sterne. Lieder for choir, Sacred vocal music - Jazz, Cantatas. Full score. Duration 110 minutes. Carus Verlag #CV 10.601/00. Published by Carus Verlag (CA.1060100).

ISBN 9790007096687. Language: German.

In his new work Sonne, Mond und Sterne (Sun, moon and stars), composer Peter Schindler combines texts from five centuries to form a kaleidoskope of life. The music, closely reflecting the many and diverse texts, borrows influences from classical music and jazz, chanson, pop and chamber music, and is merged into a unique and unmistakable musical language by Peter Schindler.

Orchestra SSAA/TTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass - Grade 3

SKU: CA.4007419

When Israel came from Egypt's land. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Der 114.Psalm/Da Israel Aus Agypten. Sacred vocal music, Psalms, German, Praise and thanks, Psalms. Set of Orchestra Parts. Composed 1839. Op. 51, MWV A 17. Duration 12 minutes. Carus Verlag #CV 40.074/19. Published by Carus Verlag (CA.4007419).

ISBN 9790007137748. Language: German/English.

The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. One of the most impressive works is certainly the monumental Psalm 114, which is entirely for 8-voice choir without soloists. Score and parts available separately - see item CA.4007400.