(An Anthem for Remembrance). By Brendan Ashe. Choir Secular. For with Piano or Organ (SATB choir). Choral Octavo. Faber Edition: Choral Signature Series. Funeral

Composed by Brian Tate. For Rhythm (SATB). Choral. Octavo. 16 pages. Published by Hal Leonard

(For Hands, Feet and Voices). By Brendan Ashe. Choir Sacred. SATB choir. Choral (Sacred); Choral Octavo; Worship Resources. Faber Edition: Choral Signature Series. Sacred. Published by Faber Music

(From the motion picture Angelas Ashes) By John Williams. Full score (spiral bound) for orchestra. Series: John Williams Signature Edition. 32 pages. Published by Hal Leonard.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3

SKU: CF.CAS112

Composed by Peter Terry. Concert String Orchestra (CAS). Set of Score and Parts. With Standard notation. 16+4+16+10+10+10+4+12 pages. Duration 2 minutes, 57 seconds. Carl Fischer Music #CAS112. Published by Carl Fischer Music (CF.CAS112).

ISBN 9781491151310. UPC: 680160908813. 9 x 12 inches. Key: E minor.

Peter Terry's Unleashed?makes for an impressive concert opener that is the musical equivalent of unleashing a caged animal. The piece is exciting from start to finish, with energetic and bold material that students will love to play.
Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy. The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun. The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end. I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts. ?????????Peter Terry, 2018.
Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy.A The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun. The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end. I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts. ?????????Peter Terry, 2018.
Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy.A The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun. The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end. I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts. ?????????Peter Terry, 2018.
Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy. The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun. The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end. I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts. ?????????Peter Terry, 2018.
Eve ryone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy. The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun. The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end. I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts. Peter Terry, 2018.
Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy. The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun.The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the first theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end.I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts.​​ ​​​à ¢â‚¬â€¹Ã¢â‚¬â€¹Ã¢â‚¬â€¹Ã¢ €‹Peter Terry, 2018.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Orchestra String Orchestra

SKU: PE.EP14581

For String Orchestra. Composed by Clara Iannotta. String Orchestra. Peters Contemporary Library. Classical; Contemporary. Book. 36 pages. Edition Peters #98-EP14581. Published by Edition Peters (PE.EP14581).

ISBN 9790014137175.

< em>Memory jolts. Flashes of pink in the brain. by Clara Iannotta is a 17-minute work for string orchestra. Written for the non bthvn project of the Cologne Philharmonic, the work reflects Beethoven's hearing loss and the unbearable condition when his ears began to buzz and roar. The title describes the memory jolts that take place in the inner ear.

Memory jolts. Flashes of pink in the brain. was premiered by Ensemble Resonanz on 31 October 2021 at the Philharmonic Hall Cologne.

The full score (EP 14581) is available for sale as part of the Peters Contemporary Library. The performance material can be hired.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

SATB choir, piano - Moderately Easy

SKU: WD.080689524233

Composed by J. Daniel Smith. Arranged by J. Daniel Smith. Choral. Sacred Anthem, Eastertide. Octavo. Word Music #080689524233. Published by Word Music (WD.080689524233).

UPC: 080689524233.

J. Daniel Smith brings dramatic strength to this cinematic portrayal of Integrity Music’s new anthem, Ashes, from worship artist Dara Maclean. Perfect for churches with dynamic, big-sounding choir and orchestra, this compelling arrangement rises to a soaring musicality while bursting forth a mighty lyric of Jesus’ mighty act; conquering the grave, He rose from the ashes, His victory now our destiny.

For Guitar (Fingerpicking). Solos Performance Video. Vestapol. Celtic/Irish. Level: Intermediate. DVD. Size 5.25x7.5. Duration 62 minutes. Published by Grossman's Guitar Workshop. (13029DVD) DVD format: Region 1 for use in the USA and Canada.

Composed by Vicki Bedford. Arranged by Brad Nix. Shawnee Sacred. Communion, General Worship, Sacred. Octavo. 12 pages. Published by Shawnee Press

Composed by Lloyd Larson. Shawnee Sacred. Advent, Anthem, Ash Wednesday, General Worship, Lent, Sacred. Octavo. 12 pages. Published by Shawnee Press

Featuring: Forth Eorlingas / Evenstar / Rohan / The March of the Ents / Isengard Unleashed / Breath of Life / Gollum's Song. Composed by Howard Shore. Edited by George Megaw. Arranged by Jerry Brubaker. Full Orchestra; Performance Music Ensemble; Single Titles. Pop Concert Full Orchestra. Movies. Conductor's score. 34 pages. Duration 7:13. Belwin Music #00-FOM03007C. Published by Belwin Music

Composed by Douglas Nolan. Shawnee Sacred. Lent, Sacred. Octavo. 12 pages. Published by Shawnee Press

(Hymns and Worship Songs for Ash Wednesday through Pentecost). By Lloyd Larson. For piano. Eastertide, Lent, Pentecost. Medium. Published by Lillenas Publishing Company

By John Williams. Arranged by John Moss. Score and full set of parts. Young Band (Concert Band). Grade 3. Published by Hal Leonard.

Piano solo - Grade 5

SKU: IG.PMS122

Composed by Vladimir Nikolov. Score. Imagine Music Publishing #PMS122. Published by Imagine Music Publishing (IG.PMS122).

9 x 12 in inches.

For Piano.
By Vladimir Nikolov

Flashes is a collection of twelve miniature pieces for solo piano, composed in several stages over a long period of time.

Each one of these pieces illustrates an independent story and mood and is written with a different approach to the piano. All of the stories are products of instant moments of creativity that gradually became depictions of everyday life events, places and revelations that occurred during the process of writing. Many times this process became the story itself, thus the source of light evolved into its own reflection.

Styles vary from classical, post-impressionist to jazz and minimal through organic compositional structure.

Titles Include:
First Etude for Piano
Sun - trine - Moon
Last Etude for Piano
Distance
Bit Bang
Wednesday Afternoon
Game
Skop je
Reflection...(on Caress)
Prelude to Still Life
The Third Day
'Round Midday.

Cello

SKU: HL.48188513

Composed by Olivier-Haridas Greif. Leduc. Classical. Softcover. Heugel & Cie #HE32644. Published by Heugel & Cie (HL.48188513).

Olivier-Haridas Greif: Oi Akashe, Hymne (Cello & Piano).

By Daniel J. Hall. For Choral, Harp, Piano, Viola (SSAA). Walton Choral. 24 pages. Walton Music #WW1507. Published by Walton Music

Performed by George Harrison. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 80 pages. Published by Hal Leonard.

Composed by Shayla L. Blake. Shawnee Press. Concert. Octavo. 12 pages. Published by Shawnee Press

Guitar

SKU: HL.465668

By Various. Really Easy Guitar. Alternative, Rock. Softcover. 64 pages. Published by Hal Leonard (HL.465668).

ISBN 9781705165577. UPC: 196288070252. 9.0x12.0x0.165 inches.

This song collection features easy-to-follow charts with chords, lyrics, and basic tab to get you playing right away. For all guitarists! Songs include: Alive • Black Hole Sun • Drive • How You Remind Me • Hurt • I Will Follow You into the Dark • Learn to Fly • Lightning Crashes • Lonely Boy • Losing My Religion • Mr. Brightside • No Rain • One Week • Plush • Santeria • Say It Ain't So • Seven Nation Army • Smells like Teen Spirit • Under the Bridge • Use Somebody • When I Come Around • Wonderwall.

Performed by Lamb of God. Guitar Recorded Versions (Authentic note-for-note transcriptions). With notes and tablature. Size 9x12 inches. 128 pages. Published by Hal Leonard.