| The Hymn Fake Book - C Edition
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
(3)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto In C For Piano And Symphonic Wind Orch. Orchestre d'harmonie [Conducteur] Beriato Music
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano SKU:
BT.BMP8095417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski.
Score Only. Composed
2008. Beriato Music
#BMP8095417. Published by
Beriato Music
(BT.BMP8095417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Over de
Amerikaanse componist
Leroy Anderson is veel
bekend. Deze zoon van
Zweedse immigranten
speelde piano, orgel,
accordeon, trombone, tuba
en contrabas. Hij sprak
vloeiend verschillende
talen en studeerde met
grote onderscheidingaf
aan Harvard en schreef
tijdens zijn legerdienst
in opdracht van het leger
een handboek grammatica
Ijslands.Al in zijn
studententijd begon hij
met het maken van
arrangementen, en vanaf
zijn 30ste arrangeerde en
componeerde hijvoor het
Boston Pops Orchestra.
Melodieën zoals
Serenata, The Typewriter,
Sleigh Ride en Bugler's
Holiday maakte hem
wereldberoemd. Zijn
bekendste werk Blue Tango
stond in 1952 op nummer
één in de VS
Charts, ener werden meer
dan een miljoen
exemplaren van verkocht.
Een jaar na zijn dood in
1975 kreeg hij een ster
op de Walk of Fame in
Hollywood.Zijn meeste
werken duren niet langer
dan drie minuten,
ongeveer de maximumduur
van een singletoen. Een
werk dat wel langer
duurt, is het
pianoconcerto in C voor
piano en orkest uit 1953.
Het werd in Chicago
gecreëerd onder zijn
leiding met Eugene List
aan de piano. Na drie
uitvoeringen echter, was
hij niet meer
tevredenover zijn werk en
trok dit terug. Hij had
zijn leven lang de
intentie het te herwerken
doch kwam er niet meer
toe. Pas in 1989 besliste
de Anderson Familie zijn
pianoconcerto toch
opnieuw uit te geven.Dit
driedelige werk
wordtenerzijds getypeerd
door een zorgeloze
elegantie, maar
anderzijds zijn invloeden
van Rachmaninoff,
Copland, Gerschwin en
zelfs Beethoven en Mozart
alsook de Weense
klassiekers te horen.Voor
de eerste beweging, past
Anderson de
sonatevormtoe. Op het
einde volgt een cadenza
die ons in het tweede
deel (in mi klein) voert.
Het derde deel is een
typische Amerikaanse,
vrolijke volksdans in
2/4, een zogenaamde Hoe
Down met als
middengedeelte een
zangerige,
lyrische
Ãœber
den amerikanischen
Komponisten Leroy
Anderson lässt sich
vieles berichten: Der
Sohn schwedischer
Immigranten spielte
Klavier, Orgel,
Akkordeon, Posaune, Tuba
und Kontrabass, sprach
neun Sprachen
fließend, absolvierte
mit
einemMagna-cum-laude-Absc
hluss die Harvard
Universität und
verfasste während
seiner Militärzeit im
Zweiten Weltkrieg für
die amerikanische Armee
eine Grammatik des
Isländischen. Schon
während seiner
Studentenzeit begann er
zu arrangieren, ab Mitte
der30er Jahre des letzten
Jahrhunderts arrangierte
und komponierte er für
das Boston Pops
Orchestra. Aus seiner
Feder stammen so bekannte
Werke der leichten Muse
wie Serenata, The
Typewriter, Sleigh Ride
oder Bugler�s
Holiday. Sein
wohlbekanntestes
Stück, Blue Tango,
wurde als erste
Instrumentalkomposition
über eine Million Mal
verkauft und belegte im
Jahr 1952 Platz 1 der
US-Charts. Für seine
Verdienste um die
Schallplattenindustrie
erhielt er ein Jahr nach
seinem Tod einenStern auf
dem Walk of Fame in
Hollywood.Charakteristisc
h für seine Werke ist
die Dauer: die meisten
sind rund drei Minuten
lang � mehr passte
nicht auf den damals
gebräuchlichen
Tonträger, eine
Singleschallplatte. Nur
wenige
seinerKompositionen
sprengen diesen
Zeitrahmen. Dazu
gehört sein Konzert
C-Dur für Klavier und
Orchester. Er komponierte
es 1953, die
Uraufführung fand
unter seiner Leitung und
mit Eugene List am
Klavier im selben Jahr in
Chicago statt. Da
Anderson mit demWerk aber
nicht zufrieden war, zog
er es im Sommer 1954,
nach nur drei
Aufführungen, wieder
ein. Er hatte zeitlebens
die Absicht, es zu
überarbeiten, allein,
es kam nicht mehr dazu.
Erst 1989 entschied sich
die Anderson-Familie
dazu, dasKlavierkonzert
wieder zu
veröffentlichen.Das
dreisätzige Werk zeigt
die Unbeschwertheit und
Eleganz, die Andersons
sämtliche
Kompositionen
auszeichnen. Dennoch
findet man darin auch
Anklänge an
Komponisten wie
Rachmaninoff, Copland,
Gershwin, undeben
Beethoven und Mozart,
sowie die Wiener
Klassiker. Der erste Satz
folgt der
Sonatenhauptsatzform. An
seinem Ende steht eine
Klavierkadenz, die direkt
in den langsamen zweiten
Satz (in e-Moll)
überleitet. Der dritte
Satz schließlich ist
einwaschechter Hoe Down,
ein fröhlicher
amerikanischer Volkstanz
im 2/4-Takt, in dessen
Zentrum aber eine
lyrisch-gesangliche
Passage steht. Eine
weitere Solo-Kadenz
führt das Werk in
einen spritzigen
Schlussabschnitt.In
seinem
Klavierkonzertvereinigt
Anderson einen
klassisch-traditionellen
Form- und
Kompositionsstil mit
Elementen der
Unterhaltungsmusik und
eingängigen Melodien,
die schon immer sein
Markenzeichen waren.
Daher bildet dieses Werk
eine perfekte Synthese
von ernster undleichter
Musik. Es passt �
wie beispielsweise auch
George Gershwins Rhapsody
in Blue �
gleichermaßen in einen
vornehmen Konzertsaal,
wie auch zur
zwanglos-lockeren
Atmosphäre einer
sommerlichen
Open-Air-Veranstaltung
oder
einesPops-Konzertes. <
br>Nous savons beaucoup
de choses sur le
compositeur américain
Leroy Anderson. Ce fils
dimmigrants suédois
jouait du piano, de
lorgue, de laccordéon,
du trombone, du tuba et
de la contrebasse. Il
parlait couramment
plusieurs langues et
était diplômé
avec grande distinction
de Harvard. Pendant son
service militaire, il
écrivit un manuel de
grammaire islandaise
commandé par
larmée.Étudiant,
il avait déj
commencé faire des
arrangements et dès l
ge de 30 ans, il
arrangeait et composait
pour le Boston Pops
Orchestra. Des
mélodies telles que
Serenata, The Typewriter,
Sleigh Ride et Buglers
Holiday lui valurent une
renommée mondiale. Son
uvre phare, Blue Tango,
fut numéro un
descharts américains
en 1952 et se vendit plus
dun million dexemplaires.
Un an après sa mort en
1975, il eut droit son
étoile sur le Walk of
Fame Hollywood.La plupart
de ses uvres nexcèdent
pas trois minutes, soit
peu près la durée
maximale dun single
lépoque. Son concerto
en ut pour piano et
orchestre de 1953 est
quant lui plus long. Il
fut créé Chicago
sous sa direction avec
Eugene List au piano.
Après trois
exécutions, Anderson
nétait toutefois plus
satisfait de son travail
et le retira. Toute sa
vie, il eut lintention de
le remanier mais ne le
fit pas. Ce nest quen
1989 que la famille
Anderson décida de
tout de m?me
rééditer son
concerto pour piano.Cette
uvre en trois parties se
caractérise par son
élégance
nonchalante mais aussi
par linfluence de
Rachmaninoff, Copland,
Gershwin et m?me de
Beethoven et Mozart,
ainsi que des classiques
viennois.Pour le premier
mouvement, Anderson opte
pour une sonate. la fin,
une cadence nous conduit
la deuxième partie (en
mi mineur). La
troisième partie est
une danse populaire
joyeuse et typiquement
américaine en 2/4, une
Hoe Down avec un passage
lyrique et mélodieux
en son milieu. la fin, un
solo est suivi par une
clôture rapide.Dans
son concerto pour piano,
Anderson unit une
composition pure et
classique des thèmes
beaux et simples, sans
oublier des
éléments de la
musique légère.
Cette uvre. $38.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Concerto In C For Piano And Symphonic Wind Orch. Orchestre d'harmonie [Conducteur et Parties séparées] Beriato Music
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and
Piano SKU:
BT.BMP8091417
Composed by Leroy
Anderson. Arranged by
Jörg Murschinski. Set
(Score & Parts). Composed
2008. Beriato Music
#BMP8091417. Published by
Beriato Music
(BT.BMP8091417).
A lot is known
about the American
composer Leroy Anderson.
This son of Swedish
immigrants played the
piano, organ, accordion,
trombone, tuba and double
bass. He spoke several
languages fluently and
graduated from Harvard
with first-class
honours.While on military
service, the army also
commissioned him to write
a manual on Icelandic
grammar.He already
started writing musical
arrangements as a
student, and from his
30th year arranged and
composed for the Boston
Pops Orchestra. Such
melodiesas Serenata, The
Typewriter, Sleigh Ride
and Bugler�s
Holiday made him world
famous. His best-known
work, Blue Tango, reached
number one in the US
charts in 1952, and it
sold more than a million
copies. In 1975, a year
after hisdeath, he was
given a star at the Walk
of Fame in Hollywood.Most
of his works last no
longer than three
minutes, about the
maximum length of a
single at that time. One
work that lasts longer is
his 1953 Piano Concerto
in C for piano and
orchestra.The first
performance was in
Chicago, conducted by the
composer and with Eugene
List at the piano.
However, after three
performances he was no
longer happy with the
work and withdrew it. He
always intended to revise
it, but never got round
to it. Itwas only in 1989
that the Anderson family
decided to republish the
work.This three-part
composition is on the one
hand characterised by a
careless elegance, but on
the other one can hear
the influence of
Rachmaninoff, Copland,
Gershwin, and
evenBeethoven and Mozart,
as well as the Viennese
classics.Anderson used
the sonata form for the
first movement. It ends
with a cadenza that
carries us on into the
second part (in e minor).
The third part is a
typically cheerful
American folk dance in2/4
time, a so-called Hoe
Down, with a lilting,
lyrical passage as its
middle section. At the
end comes a solo passage
followed by a rapid
close.In this piano
concerto, Anderson
combines a rigidly
classical form of
composition with simple
andappealing themes and
elements from light
music. So this work is a
perfect synthesis of
light music and what is
called serious music, in
the same way as
Gershwin�s
Rhapsody in Blue. A work
that can be played
equally well in a
concerthall, at an
open-air concert or even
a pop
concert.
Over de
Amerikaanse componist
Leroy Anderson is veel
bekend. Deze zoon van
Zweedse immigranten
speelde piano, orgel,
accordeon, trombone, tuba
en contrabas. Hij sprak
vloeiend verschillende
talen en studeerde met
grote onderscheidingaf
aan Harvard en schreef
tijdens zijn legerdienst
in opdracht van het leger
een handboek grammatica
Ijslands.Al in zijn
studententijd begon hij
met het maken van
arrangementen, en vanaf
zijn 30ste arrangeerde en
componeerde hijvoor het
Boston Pops Orchestra.
Melodieën zoals
Serenata, The Typewriter,
Sleigh Ride en Bugler's
Holiday maakte hem
wereldberoemd. Zijn
bekendste werk Blue Tango
stond in 1952 op nummer
één in de VS
Charts, ener werden meer
dan een miljoen
exemplaren van verkocht.
Een jaar na zijn dood in
1975 kreeg hij een ster
op de Walk of Fame in
Hollywood.Zijn meeste
werken duren niet langer
dan drie minuten,
ongeveer de maximumduur
van een singletoen. Een
werk dat wel langer
duurt, is het
pianoconcerto in C voor
piano en orkest uit 1953.
Het werd in Chicago
gecreëerd onder zijn
leiding met Eugene List
aan de piano. Na drie
uitvoeringen echter, was
hij niet meer
tevredenover zijn werk en
trok dit terug. Hij had
zijn leven lang de
intentie het te herwerken
doch kwam er niet meer
toe. Pas in 1989 besliste
de Anderson Familie zijn
pianoconcerto toch
opnieuw uit te geven.Dit
driedelige werk
wordtenerzijds getypeerd
door een zorgeloze
elegantie, maar
anderzijds zijn invloeden
van Rachmaninoff,
Copland, Gerschwin en
zelfs Beethoven en Mozart
alsook de Weense
klassiekers te horen.Voor
de eerste beweging, past
Anderson de
sonatevormtoe. Op het
einde volgt een cadenza
die ons in het tweede
deel (in mi klein) voert.
Het derde deel is een
typische Amerikaanse,
vrolijke volksdans in
2/4, een zogenaamde Hoe
Down met als
middengedeelte een
zangerige,
lyrische
Ãœber
den amerikanischen
Komponisten Leroy
Anderson lässt sich
vieles berichten: Der
Sohn schwedischer
Immigranten spielte
Klavier, Orgel,
Akkordeon, Posaune, Tuba
und Kontrabass, sprach
neun Sprachen
fließend, absolvierte
mit
einemMagna-cum-laude-Absc
hluss die Harvard
Universität und
verfasste während
seiner Militärzeit im
Zweiten Weltkrieg für
die amerikanische Armee
eine Grammatik des
Isländischen. Schon
während seiner
Studentenzeit begann er
zu arrangieren, ab Mitte
der30er Jahre des letzten
Jahrhunderts arrangierte
und komponierte er für
das Boston Pops
Orchestra. Aus seiner
Feder stammen so bekannte
Werke der leichten Muse
wie Serenata, The
Typewriter, Sleigh Ride
oder Bugler�s
Holiday. Sein
wohlbekanntestes
Stück, Blue Tango,
wurde als erste
Instrumentalkomposition
über eine Million Mal
verkauft und belegte im
Jahr 1952 Platz 1 der
US-Charts. Für seine
Verdienste um die
Schallplattenindustrie
erhielt er ein Jahr nach
seinem Tod einenStern auf
dem Walk of Fame in
Hollywood.Charakteristisc
h für seine Werke ist
die Dauer: die meisten
sind rund drei Minuten
lang � mehr passte
nicht auf den damals
gebräuchlichen
Tonträger, eine
Singleschallplatte. Nur
wenige
seinerKompositionen
sprengen diesen
Zeitrahmen. Dazu
gehört sein Konzert
C-Dur für Klavier und
Orchester. Er komponierte
es 1953, die
Uraufführung fand
unter seiner Leitung und
mit Eugene List am
Klavier im selben Jahr in
Chicago statt. Da
Anderson mit demWerk aber
nicht zufrieden war, zog
er es im Sommer 1954,
nach nur drei
Aufführungen, wieder
ein. Er hatte zeitlebens
die Absicht, es zu
überarbeiten, allein,
es kam nicht mehr dazu.
Erst 1989 entschied sich
die Anderson-Familie
dazu, dasKlavierkonzert
wieder zu
veröffentlichen.Das
dreisätzige Werk zeigt
die Unbeschwertheit und
Eleganz, die Andersons
sämtliche
Kompositionen
auszeichnen. Dennoch
findet man darin auch
Anklänge an
Komponisten wie
Rachmaninoff, Copland,
Gershwin, undeben
Beethoven und Mozart,
sowie die Wiener
Klassiker. Der erste Satz
folgt der
Sonatenhauptsatzform. An
seinem Ende steht eine
Klavierkadenz, die direkt
in den langsamen zweiten
Satz (in e-Moll)
überleitet. Der dritte
Satz schließlich ist
einwaschechter Hoe Down,
ein fröhlicher
amerikanischer Volkstanz
im 2/4-Takt, in dessen
Zentrum aber eine
lyrisch-gesangliche
Passage steht. Eine
weitere Solo-Kadenz
führt das Werk in
einen spritzigen
Schlussabschnitt.In
seinem
Klavierkonzertvereinigt
Anderson einen
klassisch-traditionellen
Form- und
Kompositionsstil mit
Elementen der
Unterhaltungsmusik und
eingängigen Melodien,
die schon immer sein
Markenzeichen waren.
Daher bildet dieses Werk
eine perfekte Synthese
von ernster undleichter
Musik. Es passt �
wie beispielsweise auch
George Gershwins Rhapsody
in Blue �
gleichermaßen in einen
vornehmen Konzertsaal,
wie auch zur
zwanglos-lockeren
Atmosphäre einer
sommerlichen
Open-Air-Veranstaltung
oder
einesPops-Konzertes. <
br>Nous savons beaucoup
de choses sur le
compositeur américain
Leroy Anderson. Ce fils
dimmigrants suédois
jouait du piano, de
lorgue, de laccordéon,
du trombone, du tuba et
de la contrebasse. Il
parlait couramment
plusieurs langues et
était diplômé
avec grande distinction
de Harvard. Pendant son
service militaire, il
écrivit un manuel de
grammaire islandaise
commandé par
larmée.Étudiant,
il avait déj
commencé faire des
arrangements et dès l
ge de 30 ans, il
arrangeait et composait
pour le Boston Pops
Orchestra. Des
mélodies telles que
Serenata, The Typewriter,
Sleigh Ride et Buglers
Holiday lui valurent une
renommée mondiale. Son
uvre phare, Blue Tango,
fut numéro un
descharts américains
en 1952 et se vendit plus
dun million dexemplaires.
Un an après sa mort en
1975, il eut droit son
étoile sur le Walk of
Fame Hollywood.La plupart
de ses uvres nexcèdent
pas trois minutes, soit
peu près la durée
maximale dun single
lépoque. Son concerto
en ut pour piano et
orchestre de 1953 est
quant lui plus long. Il
fut créé Chicago
sous sa direction avec
Eugene List au piano.
Après trois
exécutions, Anderson
nétait toutefois plus
satisfait de son travail
et le retira. Toute sa
vie, il eut lintention de
le remanier mais ne le
fit pas. Ce nest quen
1989 que la famille
Anderson décida de
tout de m?me
rééditer son
concerto pour piano.Cette
uvre en trois parties se
caractérise par son
élégance
nonchalante mais aussi
par linfluence de
Rachmaninoff, Copland,
Gershwin et m?me de
Beethoven et Mozart,
ainsi que des classiques
viennois.Pour le premier
mouvement, Anderson opte
pour une sonate. la fin,
une cadence nous conduit
la deuxième partie (en
mi mineur). La
troisième partie est
une danse populaire
joyeuse et typiquement
américaine en 2/4, une
Hoe Down avec un passage
lyrique et mélodieux
en son milieu. la fin, un
solo est suivi par une
clôture rapide.Dans
son concerto pour piano,
Anderson unit une
composition pure et
classique des thèmes
beaux et simples, sans
oublier des
éléments de la
musique légère.
Cette uvre. $361.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Called to Service Chorale SATB [Octavo] Exaltation Publications
By Lloyd Larson. For SATB choir. Missions, Dedication, Confirmation, General, Sa...(+)
By Lloyd Larson. For SATB
choir. Missions,
Dedication, Confirmation,
General, Sacred. Sacred
Anthem. Published by
Exaltation Publications.
(10/3055L)
$2.75 $2.6125 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Der entkommene Orpheus Breitkopf & Härtel
Guitars solo SKU: BR.KM-2491 Composed by Nicolaus A. Huber. Solo instrume...(+)
Guitars solo SKU:
BR.KM-2491 Composed
by Nicolaus A. Huber.
Solo instruments; Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere:
Stuttgart (Festival
eclat), February 3,
2002 Music post-1945;
New music (post-2000).
Performance score.
Composed 2001. 36 pages.
Duration 14'. Breitkopf
and Haertel #KM 2491.
Published by Breitkopf
and Haertel (BR.KM-2491).
ISBN 9790004502945.
11.5 x 16.5
inches. For many
years, I have been
repeatedly asked by solo
guitarists and guitar
duos to write pieces for
them. The Aleph Guitar
Quartet and I have
finally brought it off!
The piece is called Der
entkommene Orpheus (The
Escaped Orpheus).In the
old equal rights movement
everything was treated as
equally as possible,
right from the beginning.
The tones felt
democratically happy.
Only discontent found
cause to complain. It
ultimately hated this
complex explicitness. The
meaning, also in cases of
definite tendencies in
the piece, should never
be able to lead a
definite life. This
piece, naturally, is just
a tiny contribution!In
the myth, Orpheus even
enchanted stones and
trees, turned around too
soon to look at his
beloved Eurydice (just
think of the punctuality
fanatic Schonberg - at
least according to
Richard Buhlig), refused
the service of Dionysus -
and he, who had plucked
the strings of the lyre
his whole life long, was
now himself torn up by
the Thracian Maenads as a
punishment. But his head
and his lyre floated over
the sea and landed on
Lesbos. A string is a
string is a side!!!Like a
coded word, this text is
placed at the service of
the varied role of the
organiser of New Music.
Like an equation.
Shouldn't an organiser
ever actually turn around
towards a lover, so that
the Furies of present-day
responsibility do not
drive him into a state of
inner conflict?Nicolaus
A. HuberTranslation:
David Babcock (CD NEOS,
2017)
World
premiere: Stuttgart
(Festival eclat),
February 3, 2002. $70.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Alto à la Mode Theodore Presser Co.
Chamber Music alto Flute SKU: PR.114423380 Composed by Christine Potter. ...(+)
Chamber Music alto Flute
SKU: PR.114423380
Composed by Christine
Potter. Performance
Score. 4 pages. Duration
3 minutes. Theodore
Presser Company
#114-42338. Published by
Theodore Presser Company
(PR.114423380). ISBN
9781491135129. UPC:
680160686988. Inspi
red by her
friends’
beatboxing and
exploration of jazz,
flutist Chris Potter
joins the fun and brings
us along in this
introduction to swing
rhythm and the basics of
beatboxing. Playing off
the multiple meanings of
“mode†and
“à la
modeâ€, Dr. Potter
fashionably explores a
world of varied scales
and modern percussive
sonorities where the ch-
ch- ch- beatboxing attack
leads players to chant
about
ch-ch-chocolate!. A
Few Words from ChrisThis
title came to me out of
nowhere at 4 AM one
morning, and I just had
to write a piece to go
along with it! I love
words with multiple
meanings, and
“mode†has
three!The French term
à la mode means in a
current, fashionable
style: in other words,
popular. The alto flute
certainly fits that
description!For
Americans, the phrase is
used when describing the
dessert pie à la mode,
meaning pie with ice
cream, typically vanilla.
Pie à la mode has an
interesting history! The
phrase and the American
dessert is attributed to
John Gieriet. He was born
in Switzerland, later
moved to France, and must
have studied cooking
because two years after
moving to the U.S. in
1854, Gieriet was put in
charge of all the food
service at the White
House. He served under
two presidents, Franklin
Pierce and James
Buchanan. When that job
ended, he moved to
Duluth, Minnesota and
bought a hotel. In 1885,
a menu for the hotel
offered a dessert called
pie à la mode, the
first time this phrase
had appeared in print.
Originally it was
blueberry pie with
vanilla ice cream.In
music, the term mode
means a series of notes
that have an identifiable
pattern of intervals
encompassing an octave.
Major and minor scales
are modes, as are other
scale forms such as
pentatonic, dorian,
phrygian, and lydian.
ALTO À LA MODE uses
three modes, all based on
D. In this piece, you
will find the D blues
scale (D F G Ab A C D),
the D dorian (D E F G A B
C D), and the D minor
natural form (D E F G A
Bb C D).In addition to
the three melodic modes,
I wanted a rhythmic idea
or two to unify the
piece. I decided touse
the rhythms of the word
vanilla: three short
notes with emphasis on
the second note, and
chocolate: two short
notes with emphasis on
the first note. Also
please notice that the
spoken syllable cha is
the beginning sound of
chocolate! All this and
no calories!I credit my
fabulous friend Ali
Ryerson for the jazz
influence, and the
wonderful composer Nicole
Chamberlain for the
beatboxing
inspiration. $8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tongues of Fire Orgue - Intermédiaire Lorenz Publishing Company
Composed by Alfred V. Fedak. Sacred. Lorenz Publishing Company #70/2153L. Publ...(+)
Composed by Alfred V.
Fedak.
Sacred. Lorenz Publishing
Company #70/2153L.
Published
by Lorenz Publishing
Company
$21.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067805
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. German
title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Choral Score.
20 pages. Duration 37
minutes. Carus Verlag #CV
40.678/05. Published by
Carus Verlag
(CA.4067805). ISBN
9790007106263. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score available
separately - see item
CA.4067800. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067814
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. German
title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Single Part,
Cello/Double Bass. 16
pages. Duration 37
minutes. Carus Verlag #CV
40.678/14. Published by
Carus Verlag
(CA.4067814). ISBN
9790007076528. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score and part available
separately - see item
CA.4067800. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, tim...(+)
Orchestra SATB vocal
soli, SATB choir, flute,
2 clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067807
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. This
edition: Paperbound.
German title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Study score.
240 pages. Duration 37
minutes. Carus Verlag #CV
40.678/07. Published by
Carus Verlag
(CA.4067807). ISBN
9790007135638. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score available
separately - see item
CA.4067800. $43.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067813
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. German
title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Single Part,
Viola. 20 pages. Duration
37 minutes. Carus Verlag
#CV 40.678/13. Published
by Carus Verlag
(CA.4067813). ISBN
9790007076511. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score and part available
separately - see item
CA.4067800. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067811
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. German
title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Single Part,
Violin 1. 24 pages.
Duration 37 minutes.
Carus Verlag #CV
40.678/11. Published by
Carus Verlag
(CA.4067811). ISBN
9790007076498. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score and part available
separately - see item
CA.4067800. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067819
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. German
title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Set of
Orchestra Parts. Duration
37 minutes. Carus Verlag
#CV 40.678/19. Published
by Carus Verlag
(CA.4067819). ISBN
9790007133450. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score and parts available
separately - see item
CA.4067800. $305.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067800
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. This
edition: Paperbound.
German title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Full score.
240 pages. Duration 37
minutes. Carus Verlag #CV
40.678/00. Published by
Carus Verlag
(CA.4067800). ISBN
9790007076467. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in
German. $105.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067849
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. This
edition: Paperbound.
German title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Single Part,
Organ. Duration 37
minutes. Carus Verlag #CV
40.678/49. Published by
Carus Verlag
(CA.4067849). ISBN
9790007076535. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score and part available
separately - see item
CA.4067800. $35.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067809
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. 1x
40.678/21 flute, 1x
40.678/22 clarinet 1, 1x
40.678/23 clarinet 2, 1x
40.678/31 horn 1, 1x
40.678/32 horn 2, 1x
40.678/33 trumpet, 1x
40.678/41 timpani. German
title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Set of
Orchestra Parts. 72
pages. Duration 37
minutes. Carus Verlag #CV
40.678/09. Published by
Carus Verlag
(CA.4067809). ISBN
9790007076481. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score and parts available
separately - see item
CA.4067800. $54.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis bohemica Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Facile Carus Verlag
SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, trumpet, timpani, 2 vi...(+)
SATB vocal soli, SATB
choir, flute, 2
clarinets, 2 horns,
trumpet, timpani, 2
violins, viola,
cello/contrabass, organ -
Level 2 SKU:
CA.4067812
Bohmische
Hirtenmesse. Composed
by Jakub Jan Ryba. Edited
by Milan Kuna. German
title: Bohmische
Hirtenmesse 1788. Sacred
vocal music, Masses,
German, Masses, Latin,
Christmas. Single Part,
Violin 2. 20 pages.
Duration 37 minutes.
Carus Verlag #CV
40.678/12. Published by
Carus Verlag
(CA.4067812). ISBN
9790007076504. Language:
Czech/German. The
Missa pastoralis bohemica
(Bohemian Shepherds'
Mass), composed in 1796
by Mozart's contemporary
Jakub Jan Ryba, is the
most significant of the
so-called Czech Christmas
Masses. These are masses
in a folkloristic style,
in which the individual
movements consist of a
series of
vocal-instrumental scenes
in the Czech language;
their topic is the birth
of Christ and they are
performed during the
Christmas service. The
story is about four Czech
shepherds to whom the
birth of Christ is
announced, whereupon they
visit the child in the
manger. Ryba's mass
became so famous that it
is regarded - even today
- as a symbol of Czech
Christmas. The present
critical edition
represents the first
edition of the work in
its original form and the
original keys; it
contains a singable
alternate text in German.
Score and part available
separately - see item
CA.4067800. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O quam mirabilis Chorale SATB SATB A Cappella Hildegard
SATB Chorus, a cappella SKU: SU.80101358 For SATB Chorus, a cappella(+)
SATB Chorus, a cappella
SKU: SU.80101358
For SATB Chorus, a
cappella. Composed by
Carson Cooman.
Vocal/Choral, Sacred
Choral. Choral Octavo.
Zimbel Press #80101358.
Published by Zimbel Press
(SU.80101358).
A setting of a
text by Hildegard von
Bingen, exploring the
divine mystery of God's
knowledge of every
creature before they were
called into being, and of
God's creation of
humankind. Recorded on
the CD The Welcome News:
Choral Music of Carson
Cooman (Gothic)SATB
Chorus, a cappella
Composed: 2010 Published
by: Zimbel Press Minimum
order quantity: 8 copies.
Perusal copies are
available by contacting
perusalrequest@subitomusi
c.com (include the
organization name with
your request). To order
quantities fewer than 8,
please call customer
service at (973)
857-3440. $2.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I Can Hear Northern Lights Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Fennica Gehrman
String quartet SKU: FG.55011-484-5 Composed by Kai Nieminen. Score and pa...(+)
String quartet SKU:
FG.55011-484-5
Composed by Kai Nieminen.
Score and parts. Fennica
Gehrman #55011-484-5.
Published by Fennica
Gehrman (FG.55011-484-5).
ISBN
9790550114845. In
January 1999, Nieminen
worked with his oboe
piece Elegy for Agatha.
The work kept running
through his mind. Its
musically intimate and
intriguing setting seemed
to include sufficient
elements for explicating
a bigger whole. The poem
by Hannele Huovi was the
inspiration of the
sequel: Kuulen virtaavaa
valoa ja se on pimeys (I
can here streaming light
and it is darkness).
In his work, Nieminen
also looks back on his
days in military service.
The mental pictures
created decades ago on
guard during winter frost
amid silence combined
with Huovi's poem took a
musical shape. I Hear
Streaming Light (1999)
for the String Quartet
was created out of these
ideas, which together
with Elegy for Agatha
constitute a whole called
I Can Hear Northern
Lights. All musical
material and melodic
themes of the string
quartet piece originate
from Elegy for Agatha but
they do not appear in
their original forms. $54.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| We Bring His Light Chorale Unison Unison/2-parties, Piano [Octavo] Lorenz Publishing Company
By John Purifoy. For unison/2-part choir and piano (with optional flute). Sacred...(+)
By John Purifoy. For
unison/2-part choir and
piano (with optional
flute). Sacred Anthem,
Advent, Christmas,
Epiphany. Octavo.
Published by Lorenz
Publishing Company .
Octavo. Sacred Anthem,
Advent, Christmas,
Epiphany.
$2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We Bring His Light Chorale 3 parties SAB, Piano [Octavo] Lorenz Publishing Company
By John Purifoy. For SAB choir and piano (with optional flute). Advent, Christma...(+)
By John Purifoy. For SAB
choir and piano (with
optional flute). Advent,
Christmas, Epiphany,
Sacred. Sacred Anthem
$2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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