Concert band - Grade 4 SKU: CL.012-4114-01 Composed by Buckley. Concert B...(+)
Concert band - Grade 4
SKU:
CL.012-4114-01
Composed by Buckley.
Concert Band. Opus III
Wind Orchestra series.
Audio recording available
separately (item
CL.WFR375). Extra full
score. Composed 2012.
Duration 6 minutes, 12
seconds. Opus III Wind
Orchestra Publications
#012-4114-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4114-01).
Shadowplay is a
descriptive,
impressionistic work
inspired by an early
morning walk along the
beach of the composer's
home in Vancouver,
Canada. The music
reflects the play of
light and shadow with the
rising of the sun through
the trees. It begins
calmly, with the sunrise
as the light melts the
shadows. The piece
develops with the sounds
and sights of nature;
seagulls floating in the
air and the crashing of
the waves. Shadow becomes
light ; light becomes
shadow. The music ebbs
and flows as the sun
rises higher on the
horizon. Shadowplay
features a variety of
tonal colors and
textures, orchestration
which is sometimes
haunting and transparent,
sometimes rich and lush,
yet always evocative.
After a dramatic build,
the music subsides, with
all of the melodies
interweaving like a
tapestry of light and
dark and ending as it
began, with emotional
sensitivity. Features,
lyrical solos by soprano
saxophone, flute and
flugelhorn. An ideal
piece for concert or
festival use to display
sensitivity and
dynamics.
SATB choir SKU: CA.965500 Composed by Ko Matsushita. Edited by Stefan Sch...(+)
SATB choir
SKU:
CA.965500
Composed by
Ko Matsushita. Edited by
Stefan Schuck.
Contemporary Choir Music.
Sacred vocal music,
Corpus Christi,
Eucharist, Communion.
Full score. Composed
2012. 4 pages. Duration 3
minutes. Carus Verlag #CV
09.655/00. Published by
Carus Verlag (CA.965500).
ISBN 9790007164409.
Language:
Latin.
For faithful
Catholics it is the great
mystery, and for those
who are not Christian
believers it is
incomprehensible,
possibly even off-putting
- the mystery of the
Eucharist. As far back as
the late medieval period,
the verse prayer Ave
verum inimitably captures
the special atmosphere of
the contradiction between
a terrible death and the
redemption of mankind.
Matsushita sets an early
version of this prayer
for the Eucharist in
motet-like ABA form. A
floating melody,
alternating precisely
between major and minor
and first sung solo by
all four voices in
transposition, introduces
the piece in a
contemplative style. The
scale is then altered in
the counterpoint to a
pure Dorian mode,
contrasting in the middle
section at the text vere
passum, where Matsushita
accompanies the
increasingly wide-ranging
melody and its chromatic,
augmented intervals, by
increasingly dissonant
chordal shifts like a
fauxbourdon. From this
the tonal high point
develops into an almost
perfect F major, which
then finally picks up on
the opening motif for the
added lines of text O
Jesu dulcis, o Jesu
pie... before ebbing away
in F major. Voice range:
S: des' - fis'' / A:gdeg
- d'' / T: cdeg - as' /
B: F - c'.
For medium low voice and piano. Format: piano/vocal songbook. With vocal melody,...(+)
For medium low voice and
piano. Format:
piano/vocal songbook.
With vocal melody,
lyrics, piano
accompaniment,
performance notes and
introductory text.
Renaissance and baroque.
Text language Italian
with English
translations. 153 pages.
9x12 inches. Published by
Alfred Publishing.
Voix moyenne, Piano [Partition + Accès audio] - Intermédiaire Schirmer
Medium Low Voice - Book with Online Audio. Composed by Various. Vocal Collection...(+)
Medium Low Voice - Book
with Online Audio.
Composed by Various.
Vocal Collection. Baroque
and Play Along. Softcover
Audio Online. With vocal
melody, lyrics and piano
accompaniment. 100 pages.
G. Schirmer #LB1723B.
Published by G. Schirmer
Serenade Piano seul [Conducteur] Seesaw Music Corp
Piano SKU: SU.50024640 For Piano. Composed by Alexandra Pierce. Ke...(+)
Piano
SKU:
SU.50024640
For
Piano. Composed by
Alexandra Pierce.
Keyboard,
Piano/Harpsichord. Score.
Seesaw Music Corp
#50024640. Published by
Seesaw Music Corp
(SU.50024640).
The source of
the piece is a close-up
photograph of a cobweb by
California artist, Zander
Smith. Through this web
are scattered four or
five trapped dewdrops. In
the music, a rough-hewn,
dancelike,
Spanish-sounding motif
scatters itself through a
webbed tracing of moody
and yearning melody. The
piano mimicks the sound
of a serenading
guitar.Copyright 1996.
Published by: Seesaw
Music.
Consolation Fanfare [Conducteur] De Haske Publications
Fanfare Band SKU: BT.DHP-1094676-120 Wer nur den lieben Gott lässt ...(+)
Fanfare Band
SKU:
BT.DHP-1094676-120
Wer nur den lieben
Gott lässt walten.
Arranged by Jan de Haan.
Musica Sacra. Hymns &
Chorals. Score Only.
Composed 2009. 16 pages.
De Haske Publications
#DHP 1094676-120.
Published by De Haske
Publications
(BT.DHP-1094676-120).
9x12 inches.
English-German-French-Dut
ch.
Wer nur den
lieben Gott lässt
walten was composed
by Georg Neumark in about
1641 and was subtitled
‘Trostlied’
literally meaning
consolation song.
Songbooks at the time
showed the popularity of
this song and it is still
well-known today partly
due to Johann Sebastian
Bach’s use of the
melody for one of his own
chorals. In Jan de
Haan’s arrangement
the choral is heard
twice, once, alternating
with the original motif
from the introduction and
a second time, without
interruption, reflecting
the composer’s
original intention - a
song of
consolation.
We
r nur den lieben Gott
lässt walten wurde
um 1641 von Georg Neumark
geschrieben. Alte
Gesangbücher belegen
eine frühe
Popularität des
Liedes, das heute nicht
zuletzt durch Johann
Sebastian Bach, der es u.
a. für einen Choral
verwendete, jeder kennt.
In dieser Bearbeitung
erklingt der Bach-Choral
zweimal: einmal
alternierend mit dem
Motiv aus Jan de Haans
Einleitung und einmal
ohne Unterbrechung in
einer Besetzung, die der
ursprünglichen Absicht
gerecht wird: einem
Trostlied.
Intorno
al 1641, Georg Neumark
compone il cantico Wer
nur den lieben Gott
laesst walten, nel
quale ogni strofa esprime
la fede in Dio e gli d il
sottotitolo di Canto di
consolazione. Il cantico
ebbe grande notoriet . In
questo arrangiamento
firmato Jan de Haan, il
corale è esposto a due
riprese: dapprima
preceduto da una breve
introduzione seguita da
una variazione tra ogni
verso, in seguito in una
trama continua che,
fedele al sottotitolo
originale, cerca nella
sua azione la
consolazione.