Volume
2. Arranged by John
Berry, Michael Sweeney,
Paul Murtha, and Rick
Stitzel. Discovery Jazz.
Jazz, Pop. Softcover. 32
pages. Published by Hal
Leonard (HL.7013617).
ISBN 9781705156872.
UPC: 840126915143.
9.0x12.0x0.128
inches.
Here is an
economical collection of
15 complete arrangements
in a variety of styles.
Perfect for quickly
building a library of
great sounding charts.
Includes: Ain't No
Mountain High Enough;
Baby, It's Cold Outside;
Blue 'n' Moody; Blue
Train; Come Fly with Me;
Final Countdown; Green
Onions; Hawaii Five-O
Theme; Livin' on a
Prayer; Puttin' on the
Ritz; Sesame Street
Theme; Sway (Quien Sera);
25 or 6 to 4; What'd I
Say; and You've Got a
Friend in Me.
Volume
2. Arranged by John
Berry, Michael Sweeney,
Paul Murtha, and Rick
Stitzel. Discovery Jazz.
Jazz, Pop. Softcover. 32
pages. Published by Hal
Leonard (HL.7013616).
UPC: 840126915136.
9.0x12.0x0.138
inches.
Here is an
economical collection of
15 complete arrangements
in a variety of styles.
Perfect for quickly
building a library of
great sounding charts.
Includes: Ain't No
Mountain High Enough;
Baby, It's Cold Outside;
Blue 'n' Moody; Blue
Train; Come Fly with Me;
Final Countdown; Green
Onions; Hawaii Five-O
Theme; Livin' on a
Prayer; Puttin' on the
Ritz; Sesame Street
Theme; Sway (Quien Sera);
25 or 6 to 4; What'd I
Say; and You've Got a
Friend in Me.
Volume
2. Arranged by John
Berry, Michael Sweeney,
Paul Murtha, and Rick
Stitzel. Discovery Jazz.
Jazz, Pop. Softcover. 32
pages. Published by Hal
Leonard (HL.7013615).
ISBN 9781705156865.
UPC: 840126915129.
9.0x12.0x0.115
inches.
Here is an
economical collection of
15 complete arrangements
in a variety of styles.
Perfect for quickly
building a library of
great sounding charts.
Includes: Ain't No
Mountain High Enough;
Baby, It's Cold Outside;
Blue 'n' Moody; Blue
Train; Come Fly with Me;
Final Countdown; Green
Onions; Hawaii Five-O
Theme; Livin' on a
Prayer; Puttin' on the
Ritz; Sesame Street
Theme; Sway (Quien Sera);
25 or 6 to 4; What'd I
Say; and You've Got a
Friend in Me.
Volume
2. Arranged by John
Berry, Michael Sweeney,
Paul Murtha, and Rick
Stitzel. Discovery Jazz.
Jazz, Pop. Softcover. 32
pages. Published by Hal
Leonard (HL.7013618).
UPC: 840126915150.
9.0x12.0x0.14
inches.
Here is an
economical collection of
15 complete arrangements
in a variety of styles.
Perfect for quickly
building a library of
great sounding charts.
Includes: Ain't No
Mountain High Enough;
Baby, It's Cold Outside;
Blue 'n' Moody; Blue
Train; Come Fly with Me;
Final Countdown; Green
Onions; Hawaii Five-O
Theme; Livin' on a
Prayer; Puttin' on the
Ritz; Sesame Street
Theme; Sway (Quien Sera);
25 or 6 to 4; What'd I
Say; and You've Got a
Friend in Me.
Top Hits Solo 1 Saxophone - Intermédiaire De Haske Publications
Saxophone - intermediate SKU: BT.DHP-0991655-401 Arranged by Robert van B...(+)
Saxophone - intermediate
SKU:
BT.DHP-0991655-401
Arranged by Robert van
Beringen. Educational
Tool. Book Only. Composed
1999. 44 pages. De Haske
Publications #DHP
0991655-401. Published by
De Haske Publications
(BT.DHP-0991655-401).
ISBN 9789043105217.
English-German-French-Dut
ch.
This exciting
contains easy
arrangements for solo
flute of well known pop
songs including Bohemian
Rhapsody (Queen), Big Big
World (Emilia), I Just
Called To Say I Love You
(Stevie Wonder) and Baby
One More Time (Britney
Spears), together with
many traditional tunes.
Inhoud: Banana
Boat Song •
Guantanamera • Big
Big World • Baby
One More Time •
Bohemian Rhapsody •
I Just Called to Say I
Love You • Cockles
and Mussels • Go
West • Friends for
Life • The Gal I
Left behind Me • In
That Land ofDopy Dreams
• Jamaica Farewell
• La Cucaracha
• La Paloma •
Nostalgia • A Song
for You • The Final
Countdown •
He’s Got the Whole
World • The Second
Waltz • Time to Say
Goodbye • Macarena
• Matrimony •
I Will Always Love You
• TheMillennium
Song
Absolute
Tophits aus 3 Jahrzehnten
Pop-Geschichte selbst
spielen können - das
ist Motivation pur für
jeden Bläser!
Book/Online Audio Jazz
Ensemble (Conductor) -
Grade 3
SKU:
HL.7013614
Volume
2. Arranged by John
Berry, Michael Sweeney,
Paul Murtha, and Rick
Stitzel. Discovery Jazz.
Jazz, Pop. Softcover
Audio Online. 156 pages.
Published by Hal Leonard
(HL.7013614).
UPC:
840126915112.
9.0x12.0x0.333
inches.
Here is an
economical collection of
15 complete arrangements
in a variety of styles.
Perfect for quickly
building a library of
great sounding charts.
Playable with 3 saxes, 2
trumpets, 1 trombone,
piano, drums. Includes:
Ain't No Mountain High
Enough; Baby, It's Cold
Outside; Blue 'n' Moody;
Blue Train; Come Fly with
Me; Final Countdown;
Green Onions; Hawaii
Five-O Theme; Livin' on a
Prayer; Puttin' on the
Ritz; Sesame Street
Theme; Sway (Quien Sera);
25 or 6 to 4; What'd I
Say; and You've Got a
Friend in Me. Full-band
demo recordings are
included. Audio is
accessed online using the
unique code inside the
book and can be streamed
or downloaded. The audio
files include PLAYBACK+,
a multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet...(+)
By Jamey Aebersold. For
singers, vocalists,
drums, bass, guitar,
flute, clarinet, violin,
viola, piano, keyboard,
organ, saxophone,
trombone, trumpet,
harmonica. Play-Along
series with accompaniment
CD. Finally, a "steps"
method to learning "Giant
Steps" and "Countdown.".
Play-Along Categories:
Improvisation. Level:
intermediate, advanced.
Book with 2 CDs.
Published by Jamey
Aebersold Jazz.
By Jamey Aebersold. For singers, vocalists, drums, bass, guitar, flute, clarinet...(+)
By Jamey Aebersold. For
singers, vocalists,
drums, bass, guitar,
flute, clarinet, violin,
viola, piano, keyboard,
organ, saxophone,
trombone, trumpet,
harmonica. Play-Along
series with accompaniment
CD. Finally, a "steps"
method to learning "Giant
Steps" and "Countdown.".
Play-Along Categories:
Improvisation. Level:
intermediate, advanced.
Book with 2 CDs.
Published by Jamey
Aebersold Jazz.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Single
Part, basso continuo. 28
pages. Duration 63
minutes. Carus Verlag #CV
50.705/14. Published by
Carus Verlag
(CA.5070514).
ISBN
9790007224462. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and part
available separately -
see item CA.5070500.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Single
Part, Violin 1. 32 pages.
Duration 63 minutes.
Carus Verlag #CV
50.705/11. Published by
Carus Verlag
(CA.5070511).
ISBN
9790007224431. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and part
available separately -
see item CA.5070500.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Single
Part, Viola. 28 pages.
Duration 63 minutes.
Carus Verlag #CV
50.705/13. Published by
Carus Verlag
(CA.5070513).
ISBN
9790007224455. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and part
available separately -
see item CA.5070500.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. 32 pages.
Duration 63 minutes.
Carus Verlag #CV
50.705/12. Published by
Carus Verlag
(CA.5070512).
ISBN
9790007224448. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and part
available separately -
see item CA.5070500.
Composed by Johann Adolf
Hasse. Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Single
Part, Organ. 44 pages.
Duration 63 minutes.
Carus Verlag #CV
50.705/49. Published by
Carus Verlag
(CA.5070549).
ISBN
9790007224479. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and part
available separately -
see item CA.5070500.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Choral
Score. Duration 63
minutes. Carus Verlag #CV
50.705/05. Published by
Carus Verlag
(CA.5070505).
ISBN
9790007162597. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score available
separately - see item
CA.5070500.
Composed by Johann Adolf
Hasse. Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. 1x 50.705/21
flute 1, 1x 50.705/22
flute 2, 1x 50.705/23
oboe 1, 1x 50.705/24 oboe
2, 2x 50.705/25 bassoon
1, 1x 50.705/31 horn 1,
1x 50.705/32 horn 2, 1x
50.705/33 trumpet 1, 1x
50.705/34 trumpet 2, 1x
50.705/41 timpani.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Duration
63 minutes. Carus Verlag
#CV 50.705/09. Published
by Carus Verlag
(CA.5070509).
ISBN
9790007224424. Text
language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and parts
available separately -
see item CA.5070500.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition, linen
cover. Complete editions
/ Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Full score
(complete edition /
selected edition).
Duration 63 minutes.
Carus Verlag #CV
50.705/00. Published by
Carus Verlag
(CA.5070500).
ISBN
9790007144951. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves.
Composed
by Johann Adolf Hasse.
Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Paperbound, Complete
edition. Complete
editions / Selected
works: Johann Adolf
Hasse. Selected Works.
Missa In G (1783). Sacred
vocal music, Masses,
Latin. Vocal score.
Duration 63 minutes.
Carus Verlag #CV
50.705/03. Published by
Carus Verlag
(CA.5070503).
ISBN
9790007145194. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score available
separately - see item
CA.5070500.
Composed by Johann Adolf
Hasse. Edited by Wolfgang
Hochstein. Arranged by
Paul Horn. This edition:
Complete edition.
Complete editions /
Selected works: Johann
Adolf Hasse. Selected
Works. Missa In G (1783).
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Duration
63 minutes. Carus Verlag
#CV 50.705/19. Published
by Carus Verlag
(CA.5070519).
ISBN
9790007145798. Language:
Latin.
After Johann
Adolf Hasse had ended his
career as a composer for
the opera stage and
finally settled down in
Venice, he wrote a number
of sacred works. Since he
had long been obligated
to the Saxon Court, where
he served as a composer
for three decades until
1763, these works were
originally intended for
the Catholic Court Church
in Dresden. The
solemn-pathetic Missa in
G minor (1783), with the
inserted movement Ad te
levavi, is Hasse's final
work: a crowning
conclusion to an oeuvre
whose significance in
music history has only
recently begun to be
recognized and has now
received the fitting
acknowledgement it
deserves. Score and parts
available separately -
see item CA.5070500.
By Tomaso Giovanni Albinoni (1671-1751). Arranged by Sean F. Biehn. For Trombone...(+)
By Tomaso Giovanni
Albinoni (1671-1751).
Arranged by Sean F.
Biehn. For Trombone and
String Quartet. Baroque.
Advanced. Score and
parts. Published by
Cherry Classics
Maple Leaf Overture Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-322-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-322-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2011. 24
pages. Anglo Music Press
#AMP 322-140. Published
by Anglo Music Press
(BT.AMP-322-140).
9x12
inches.
English-German-French-Dut
ch.
Named after the
leaf displayed on
Canada’s flag,
Maple Leaf Overture
was composed
specifically to open a
Canadian school’s
symphonic band tour of
England. A short fanfare
during the overture
smoothly transitions to a
jazzy, syncopated
section. The main theme
is first played by the
horns and saxophones, and
then by the entire
ensemble. This lively
theme then alternates
with a slower second
theme, building momentum
before a brisk coda
culminates in a rousing
finale!
Maple Leaf
Overture gaat natuurlijk
over het bekendste
herkenningsteken van
Canada: het blad van de
esdoorn, in de vlag.
Sparke componeerde dit
openingswerk speciaal
voor een Canadees
schoolorkest uit Calgary,
voor hun tour door
Groot-Brittannië.Een
korte fanfare gaat in
deze ouverture naadloos
over in een jazzachtig,
syncopisch vivo. Eerst
nemen de hoorns en
saxofoons het hoofdthema
voor hun rekening. Daarna
speelt het hele orkest
dit thema. Spanning
ontstaatwanneer het
snelle hoofdthema een
langzaam tweede deel
afwisselt. Daarna keert
het snelle hoofdthema
weer terug. Een snel coda
beëindigt de
ouverture. Maple Leaf
Overture: feestelijk en
sprankelend!
Ma
ple Leaf Overture
trägt das kanadische
Wahrzeichen, das
Ahornblatt im Titel. Eine
kurze Fanfare geht in
dieser Ouvertüre
nahtlos in eine jazzig
synkopiertes Vivo
über. Das
Hauptthema dürfen
erst die Hörner und
Saxophone vorstellen,
dann spielt das gesamte
Blasorchester. Es
entsteht Spannung durch
den Wechsel zwischen dem
schnellen Hauptthema,
einem langsameren zweiten
Thema und zurück,
bevor eine schnellere
Coda das Werk
beendet.
Maple
Leaf Overture, il cui
titolo riporta
all’emblema della
bandiera canadese (la
foglia di acero), è un
brano commissionato a
Philip Sparke
dall’Orchestra
Sinfonica di un liceo di
Calgary che l’ha
eseguita in occasione di
una serie di concerti
tenutisi in Inghilterra.
Il brano apre con una
fanfara maestosa che
alterna fraseggi affidati
alle varie sezioni della
banda. Questa successione
omogenea in un tempo vivo
introduce
progressivamente ritmi
sincopati in stile jazz.
Un tema principale,
all’inizio
eseguito dai corni e dai
sassofoni, sar in seguito
ripreso da tutto
l’organico. Segue
un motivo più dolce
che si intercala
progressivamente verso
un’apoteosi nella
qualeviene riproposto il
tema principale. Il brano
si conclude con un breve
richiamo alla fanfara di
apertura, seguita da una
rapida coda.
Maple Leaf Overture Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-322-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-322-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2011.
Anglo Music Press #AMP
322-010. Published by
Anglo Music Press
(BT.AMP-322-010).
9x12
inches.
English-German-French-Dut
ch.
Named after the
leaf displayed on
Canada’s flag,
Maple Leaf Overture
was composed
specifically to open a
Canadian school’s
symphonic band tour of
England. A short fanfare
during the overture
smoothly transitions to a
jazzy, syncopated
section. The main theme
is first played by the
horns and saxophones, and
then by the entire
ensemble. This lively
theme then alternates
with a slower second
theme, building momentum
before a brisk coda
culminates in a rousing
finale!
Maple Leaf
Overture gaat natuurlijk
over het bekendste
herkenningsteken van
Canada: het blad van de
esdoorn, in de vlag.
Sparke componeerde dit
openingswerk speciaal
voor een Canadees
schoolorkest uit Calgary,
voor hun tour door
Groot-Brittannië.Een
korte fanfare gaat in
deze ouverture naadloos
over in een jazzachtig,
syncopisch vivo. Eerst
nemen de hoorns en
saxofoons het hoofdthema
voor hun rekening. Daarna
speelt het hele orkest
dit thema. Spanning
ontstaatwanneer het
snelle hoofdthema een
langzaam tweede deel
afwisselt. Daarna keert
het snelle hoofdthema
weer terug. Een snel coda
beëindigt de
ouverture. Maple Leaf
Overture: feestelijk en
sprankelend!
Ma
ple Leaf Overture
trägt das kanadische
Wahrzeichen, das
Ahornblatt im Titel. Eine
kurze Fanfare geht in
dieser Ouvertüre
nahtlos in eine jazzig
synkopiertes Vivo
über. Das
Hauptthema dürfen
erst die Hörner und
Saxophone vorstellen,
dann spielt das gesamte
Blasorchester. Es
entsteht Spannung durch
den Wechsel zwischen dem
schnellen Hauptthema,
einem langsameren zweiten
Thema und zurück,
bevor eine schnellere
Coda das Werk
beendet.
Maple
Leaf Overture, il cui
titolo riporta
all’emblema della
bandiera canadese (la
foglia di acero), è un
brano commissionato a
Philip Sparke
dall’Orchestra
Sinfonica di un liceo di
Calgary che l’ha
eseguita in occasione di
una serie di concerti
tenutisi in Inghilterra.
Il brano apre con una
fanfara maestosa che
alterna fraseggi affidati
alle varie sezioni della
banda. Questa successione
omogenea in un tempo vivo
introduce
progressivamente ritmi
sincopati in stile jazz.
Un tema principale,
all’inizio
eseguito dai corni e dai
sassofoni, sar in seguito
ripreso da tutto
l’organico. Segue
un motivo più dolce
che si intercala
progressivamente verso
un’apoteosi nella
qualeviene riproposto il
tema principale. Il brano
si conclude con un breve
richiamo alla fanfara di
apertura, seguita da una
rapida coda.
Flute & basso continuo SKU: HH.HH443-FSP Composed by Simon Balicourt. Edi...(+)
Flute & basso continuo
SKU: HH.HH443-FSP
Composed by Simon
Balicourt. Edited by
Michael Talbot. Flute &
Basso Continuo. Full
score and parts. Edition
HH Music Publishers
#HH443-FSP. Published by
Edition HH Music
Publishers
(HH.HH443-FSP).