Organ (Organ) SKU: HL.48180057 [Concert Variations for Organ]. Com...(+)
Organ (Organ)
SKU:
HL.48180057
[Concert Variations
for Organ]. Composed
by Joseph Bonnet. Leduc.
Classical. Softcover. 11
pages. Alphonse Leduc
#AL14123. Published by
Alphonse Leduc
(HL.48180057).
UPC:
888680795702.
9.0x12.0x0.075
inches.
Composer
and organist, Joseph
Bonnet (1884-1944) is
considered one of the
most major French pipe
organ players. It is no
surprise, therefore, that
his Concert Variations
for Organ are very well
informed. Following his
studies at the Paris
Conservatoire, Bonnet
took over as concert
organist at the
institution. Concert
Variations for Organ was
compiled in 1906, soon
after his graduation. The
work begins with a
helpful index of the
organ registrations and
performance directions.
Concert Variations begins
with a virtuosic,
cadenza-like theme in E
minor. Following this,
four variations are
heard, all containing
contrast in organ sound,
tonality and exploited
melody and rhythm. For
all advanced, aspiring
organists, Bonnet's
Concert Variations is an
essential addition to the
repertoire.
Composed by Ludwig van Beethoven (1770-1827). Edited by Frank Buchstein and Hans...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Frank Buchstein
and Hans Schmidt. For
Piano Four Hands. Henle
Music Folios. Softcover.
76 pages. G. Henle
#HN568. Published by G.
Henle
14 In-Depth Lessons for Players of All Levels. String Letter Publishing. Book an...(+)
14 In-Depth Lessons for
Players of All Levels.
String Letter Publishing.
Book and CD Package. With
notes and tablature.
Published by String
Letter Publishing.
Band concert band - Grade 5 SKU: KJ.GB893F Composed by Thomas Root. Conse...(+)
Band concert band - Grade
5
SKU: KJ.GB893F
Composed by Thomas Root.
Conservatory Editions.
Score. Neil A. Kjos Music
Company #GB893F.
Published by Neil A. Kjos
Music Company
(KJ.GB893F).
Festive
Variations on Lasst uns
Erfreuen, is based freely
on the German chorale
melody more commonly
known as All Creatures of
Our God and King. In five
variations, this work
begins with an Allegro
introduction in 6/8,
followed by a serene
statement of the theme.
The first variation
reflects the 6/8 optimism
of the introduction. The
second has a more
majestic texture in 3/4
time, featuring brass and
percussion. The third
variation is a scherzo,
fairly fragmentary and
more disjunct than the
others. This is the most
academic of the
variations. The fourth is
a gentle ballad freely
based on the first four
notes of the melody. The
fifth variation returns
to the complete melody,
found in a fugato with
variations within. Before
the work concludes, the
original introduction and
theme are restated in
their first form,
followed by a coda based
on the introductory
motive.
Performed by Ludwig van Beethoven (1770-1827), edited by Blake Neely, Richard Wa...(+)
Performed by Ludwig van
Beethoven (1770-1827),
edited by Blake Neely,
Richard Walters. For solo
piano. Format: piano solo
book. With standard
notation and introductory
text. Classical period
and romantic period. 224
pages. 9x12 inches.
Published by Hal Leonard.
Concert Band (Score) - Grade 6 SKU: HL.4008721 Concert Band Grade 6, 1...(+)
Concert Band (Score) -
Grade 6
SKU:
HL.4008721
Concert
Band Grade 6, 18:00
Score. Composed by
Rob Goorhuis. De Haske
Concert Band. Classical,
Concert Band, Variations.
Softcover. Gobelin Music
Publications
#GOB000590140. Published
by Gobelin Music
Publications
(HL.4008721).
UPC:
196288193135.
Rob
Goorhuis wrote his
Variations on a
Pentatonic Theme (1987)
for the Royal Wind band
of Thorn, conductor Jan
Cober.7The work consists
of five character
variations on a
pentatonic (five-tone)
theme. The basic elements
of the theme are the
descendingminor third and
the descending major
second, which in the
course of the composition
build up to a broad
melody, unfolding itself
in the final variation.
The first variation
resembles minimal music
in its repetitive
rhythmic motives. The
second variation is
explosive in character:
rapid broken chords
provide a background for
soft solo motifs. The
third variation is a
quiet intermezzo on a
slow chorale theme,
creatingtwo contrasting
moods. The fourth
variation is a
light-hearted scherzo.
The final variation is a
brilliant finale with all
the necessary
ingredients, or, in the
composer's words, “the
works”.
Composed by Peter Ilyich Tchaikovsky. For solo piano. Format: piano solo book. R...(+)
Composed by Peter Ilyich
Tchaikovsky. For solo
piano. Format: piano solo
book. Romantic period.
Series: The World's Great
Classical Music. 216
pages. 9x12 inches.
Published by Hal Leonard.
The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo....(+)
The Piano Bench of Easy
Classical Music arranged
by Amy Appleby. For Piano
Solo. Music Sales
America. Classical.
Softcover. 400 pages.
Music Sales #AM967549.
Published by Music Sales
Symphonic Variations Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-0960790-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-0960790-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 1996. De
Haske Publications #DHP
0960790-010. Published by
De Haske Publications
(BT.DHP-0960790-010).
This
composition is based on a
passacaglia theme, in
which artistic
perfection, symphonic
drama and oriental melody
lines play a role. The
passacaglia is originally
a dance made up of a
series of variations
above a bass line
constantly present as an
ostinato. It is not in
this sense that the
Symphonic Variations are
in the passacaglia form
but in the sense of the
open form of the
variations. Jacob de
Haan, himself originally
an organist, took his
inspiration for this
piece from the famous
passacaglia for organ in
C-minor by J.S. Bach.
Following the
introduction of the
passacaglia theme (in the
bass) the entry by the
trumpets and trombones
forms the majestic start
to amusical adventure, in
which this theme (often
fragmentary) returns in
variations. Then there
follow two faster
movements with dramatic
contrasts and virtuose
passages. Particularly
striking here is the use
of two characteristic
intervals from the
beginning of the theme
namely the minor second
and the augmented fourth.
An apause in the
composition comes in the
slow bridge where a
syncopated bourdon
(perfect fifth) is
constantly repeated. The
tension grows in dynamics
and harmony, and the
oriental-flavour becomes
obvious in the melody. We
arrive at a faster
movement via an
accelerando, in which a
perpetuum mobile based on
the passacaglia theme is
central. Finally the
whole flows into a
martial theme, in which
the ostinato
accompaniment n the
descant derives from the
passacaglia theme.
Harbor Music Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String Quartet SKU: PR.16400222S Composed by Dan Welcher. Full score (stu...(+)
String Quartet
SKU:
PR.16400222S
Composed
by Dan Welcher. Full
score (study). With
Standard notation.
Duration 11 minutes.
Theodore Presser Company
#164-00222S. Published by
Theodore Presser Company
(PR.16400222S).
UPC:
680160037841.
This
work follows my Quartet
No. 1 by five years. In
terms of style and
aesthetic aim, however,
it seems light years
away. Where the first
work, a 28-minute,
four-movement piece, took
aim at cosmic conflicts
and heroic resolutions,
the present work is
intended as a kind of
divertissment. Harbor
Music lasts a mere eleven
minutes, is cast in a
single movement with six
sections, and should
leave both performers and
listeners with a feeling
of good humor and
affection. The
title comes from my
experience as a guest in
the magnificent city of
Sydney, Australia. One of
its most attractive
features is its unique
system of ferry boats:
the city is laid out
around a large,
multi-channeled harbor,
with destinations more
easily approached by
water than by land.
Consequently, inhabitants
of Sydney get around on
small, people-friendly
boats that come and go
from the central docks at
Circular Quay. During a
week's visit in 1991, I
must have boarded these
boats at least a dozen
times, always bound for a
new location - the resort
town of Manley, or the
Zoo at Taronga Park, or
the shopping district at
Darling Harbour.
In casting about for a
form for my second string
quartet, a kind of loose
rondo came to mind. Each
new destination would be
approached from the same
starting-out point
(although there are
subtle variations in the
repeating theme; it's
always in a new key, and
the texture is never the
same). The result, I
hope, is a sense of
constant new information
presented with
introductory frames of a
more familiar nature.
The embarkation
theme, which begins the
piece, is a sort of
bi-tonal fanfare in which
the violins are in G
major and the viola and
cello are in B-flat
major. It is bold, eager,
and forward-looking. The
first voyage maintains
this bi-tonality,
beginning as a 9/8 due
for second violin and
viola in a kind of
rocking motion -much as a
boat produces when
reaching the deeper water
in the harbor. A sweet,
nostalgic theme emerges
over this rocking
accompaniment. This music
is developed somewhat,
then transforms quickly
into a much faster and
lighter episode, filled
with rising and falling
scales (again, in
differing keys). A
scherzando interlude in
short notes and changing
meters provides contrast,
and the episode ends with
a reprise of the scales.
The second
embarkation follows, this
time in A major/C major.
It leads quickly into a
very warm and slow theme,
in wide-leaping intervals
for the viola. This
section is interrupted
twice by solo cadenzas
for the cello, suggesting
distant boat-horns in
major thirds. The end of
the episode becomes a
transition, with
boat-horns leading into
the final appearance of
the embarkation music,
this time in trills and
tremolos instead of
sharply accented chords.
The nostalgic theme of
the first episode makes a
final appearance, serving
now as a coda. The
rocking motion continues,
in a lullaby fashion,
leaving us drowsy and
satisfied on our homeward
journey. Harbor
Music was written for the
Cavani Quartet, and is
dedicated to Richard J.
Bogomolny. Commissioned
by his employees at First
National Supermarkets as
a gift, it represents a
thank you from many of
the people (including
this composer) who have
benefitted from his
vision and generosity. An
ardent advocate of
chamber music (and a
cellist himself), Mr.
Bogomolny has for many
years been Chairman of
the Board of Chamber
Music America. -- Dan
Welcher.
(Clarinet and Piano Charles Neidich 21st Century Series for Clarinet). By Gioach...(+)
(Clarinet and Piano
Charles Neidich 21st
Century Series for
Clarinet). By Gioachino
Rossini (1792-1868).
Edited by Charles
Neidich. For Clarinet,
Piano Accompaniment
(Score and Solo Part).
LKM Music. 31 pages. Hal
Leonard #S131012.
Published by Hal Leonard
By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin in C. Quartet...(+)
By Various. Arranged by
Daniel Kelley. For Flute
or Oboe or Violin in C.
Quartets. Intermediate
Music for Four.
Classical. Level:
Intermediate. Part 1.
Published by Last Resort
Music Publishing.
By Various. Arranged by Daniel Kelley. For Violin in C. Quartets. Intermediate M...(+)
By Various. Arranged by
Daniel Kelley. For Violin
in C. Quartets.
Intermediate Music for
Four. Classical.
Intermediate. Part 3.
Published by Last Resort
Music Publishing
A Complete Overview of Contemporary Jazz Drumming Book with Online Audio and ...(+)
A Complete Overview of
Contemporary Jazz
Drumming
Book with Online Audio
and
Video. Percussion. Jazz
Instruction. Softcover
Media
Online. 80 pages. Hudson
Music #HDBK51. Published
by
Hudson Music
Intermediate to Early Advanced Works by 37 Composers. Edited by Maurice Hinson. ...(+)
Intermediate to Early
Advanced Works by 37
Composers. Edited by
Maurice Hinson.
Masterworks; Piano
Collection. Alfred
Masterwork Edition. 20th
Century; Masterwork.
Book. 208 pages. Alfred
Music #00-21442.
Published by Alfred Music
Piano seul [Partition] - Intermédiaire Music Sales
For piano. Music For Millions: Volume 37. Format: piano solo book. With fingerin...(+)
For piano. Music For
Millions: Volume 37.
Format: piano solo book.
With fingerings. Baroque,
classical period,
romantic period and 20th
century. 160 pages. 9x12
inches. Published by
Music Sales
A Fun and Comprehensive Overview of Blues Bass Playing. By Matthew Liston. For B...(+)
A Fun and Comprehensive
Overview of Blues Bass
Playing. By Matthew
Liston. For Bass Guitar.
Bass Guitar Method or
Supplement. Blues. Book
and CD. 128 pages.
Published by Alfred
Publishing.