Composed by Joseph Achron, arranged by Leopold Auer. Set of performance parts fo...(+)
Composed by Joseph
Achron, arranged by
Leopold Auer. Set of
performance parts for
violin and piano. With
bowings and fingerings.
12 pages. Published by
Carl Fischer.
(Op. 33). By Joseph Achron. Arranged by Jascha Heifetz. For Violin, Piano. The J...(+)
(Op. 33). By Joseph
Achron. Arranged by
Jascha Heifetz. For
Violin, Piano. The Jascha
Heifetz Series. Standard
notation. 12 pages.
Published by Carl Fischer
Viola Series, 2013
Edition. Composed by
The Royal Conservatory.
Viola Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VA6. Published
by The Frederick Harris
Music Company (FH.VA6).
ISBN
978-1-55440-568-8.
This groundbreaking
series for viola offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
virtuoso. Representing
all major style periods
and a variety of genres,
Viola Series, 2013
Edition offers all the
music and tools needed to
support a comprehensive
course of study from the
beginner to advanced
levels. A rich and varied
selection of music in
each of these nine
progressive volumes of
repertoire appeals to
violists of all ages.
From the Preparatory
Level through Level 8,
students will be exposed
to quality selections
originally written for
viola, fun arrangements
of traditional fiddle and
folk tunes, as well as
contemporary pieces by
notable composers such as
Violet Archer, Carey
Cheney, and Fritz
Kriesler. Concertos:Concerto in B flat
Major - Hoffmeister,
Franz Anton arr. Alison
A. Copland - First
Movement Premier Solo,
op. 77, no. 1 - Dancla,
Charles Concerto in C
Major - Schmitt, Joseph
arr. Bernhard Pauler -
First
Movement Sonatas: S
onata in E Minor, HWV 375
- Handel, George Frideric
arr. Harold Birston -
Second Movement -
Third Movement Solo
per alto viola (The
Billiard Sonata) -
Giardini, Felice arr.
Christine Donkin -
Second Movement -
Third Movement Sonata
in B flat Major -
Stamitz, Carl - First
Movement Concert
Repertoire: Couplets
de folies - Marais, Marin
arr. Paul
Doktor Hebrew Melody
No. 1 - Joachim,
Joseph Air with
Variations (The
Harmonious Blacksmith) -
Handel, George Frideric
arr. Watson
Forbes Orientale -
Granados, Enrique arr.
Christine
Donkin elegie, op. 44
- Glazunov,
Aleksandr Unaccompanie
d Repertoire: Fantasia
No. 1 in E flat Major,
TWV 40:14 - Telemann,
Georg Philipp - First
Movement - Second
Movement Suite No. 1
in G Major, BWV 1007 -
Bach, Johann
Sebastian - First
Movement: Prelude -
Second Movement:
Gigue.
By Marty Parks. For SATB choir. LEONI, Hymntune, Christ the King, Praise, Saints...(+)
By Marty Parks. For SATB
choir. LEONI, Hymntune,
Christ the King, Praise,
Saints, Trinity, General,
Sacred. Octavo. 8 pages.
Published by Hope
Publishing Company
The Definitive Collection of Jewish Songs. Transcontinental Music Folios. Size 8...(+)
The Definitive Collection
of Jewish Songs.
Transcontinental Music
Folios. Size 8.5x11
inches. 406 pages.
Published by
Transcontinental Music
Publications.
Walk By Faith! Chorale SATB SATB [Octavo] Hope Publishing Company
By Joel Raney / J. Williams. For SATB choir with optional Rhythm. Scripture Refe...(+)
By Joel Raney / J.
Williams. For SATB choir
with optional Rhythm.
Scripture Reference:
Hebrews 11:1-39. Blues,
Gospel, Spirituals,
Sacred. Choral octavo. 12
pages
This medley
of musical memories is
arranged for success and
filled to the brim with
joy and praise! Great for
homecoming services or
any time you want to put
a smile in the heart of
your people.
Lo Yisa Goy Chorale SSAATTBB SSAATTBB, Piano Theodore Presser Co.
Choral SSAATTBB choir, Piano (for rehearsal) SKU: PR.312419090 Composed b...(+)
Choral SSAATTBB choir,
Piano (for rehearsal)
SKU: PR.312419090
Composed by Stacy Garrop.
16 pages. Duration 5
minutes. Theodore Presser
Company #312-41909.
Published by Theodore
Presser Company
(PR.312419090).
ISBN
9781491135778. UPC:
680160687848. English,
Hebrew.
In Stacy
Garrop’s inspired
hands, divisi mixed
chorus provides a rich
palette of texture and
color. Her setting
intermingles three
versions of the Hebrew
folk tune, taking
artistic advantage of
contrasts between solo
and tutti, homophony and
grand antiphony, divisi
men and divisi women, and
the gradual braiding and
unbraiding of Hebrew and
English texts. LO YISA
GOY is the explicitly
anti-war Scriptural text
better-known in its
English translation that
begins, “And they
shall beat their swords
into plowshares... nation
shall not lift up a sword
against
nation.â€. When
Jonathan Miller asked me
to write two pieces for
Chicago a cappella, I
knew right away that I
wanted to choose two
songs from my own
past.The first piece,
Hava Nagila, is a
celebratory song full of
joy. I wanted the second
work to contrast the
first, and to this end, I
chose the somber text of
Lo Yisa Goy, a prayer for
peace. I remember singing
this song as a young
child in Hebrew school
and synagogue, always in
context (at least in my
congregation) of praying
for the state of Israel.
I think we’re at a
particular point in which
people in a lot of
different nations could
use such a prayer. For
this reason,
you’ll hear the
words in both Hebrew and
English.In my research of
previous versions of the
melody, I discovered
three variants for the
tune, all of which I have
incorporated into my
piece.
Choir Sacred SKU: AP.48364 Arranged by Matt Podd. This edition: SoundTrax...(+)
Choir Sacred
SKU:
AP.48364
Arranged by
Matt Podd. This edition:
SoundTrax CD. Choral
Octavo; Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Chanukah; Sacred;
Traditional. CD. Alfred
Music #00-48364.
Published by Alfred Music
(AP.48364).
UPC:
038081551876. Hebrew.
Traditional Hebrew
Song.
Originally
penned for the Young
People's Chorus of New
York City, this
contemporary
pop-influenced
arrangement puts a new
spin on the traditional
Hanukkah song. A gentle
piano groove provides a
fresh framework for the
treasured melody, which
is elongated and echoed
part to part the second
time around. A Hebrew
pronunciation guide and
translation are
included.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Arranged by Matt Podd. Performance Music Ensemble; Single Titles. Alfred Chora...(+)
Arranged by Matt Podd.
Performance Music
Ensemble;
Single Titles. Alfred
Choral
Designs. Chanukah;
Sacred.
Choral Octavo. 8 pages.
Alfred Music #00-48363.
Published by Alfred Music
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short su...(+)
Guitar - Intermediate
SKU: OT.26114
Composed by Ariel
Lazarus. A short suite
for classical guitar
based on themes from the
Spanish and Portuguese
tradition. Classical.
Score. OR-TAV Music
Publications #26114.
Published by OR-TAV Music
Publications (OT.26114).
ISBN 9789655051049.
8.27 x 11.69
inches.
Ariel
Lazarus Guitarra
Liturgia Two pieces
based on music from the
Spanish and Portuguese
tradition.
Contents: Jerusalem
de Sefarad - Suite for
Guitar Contrapunto
Sefardi The composer
writes: For many
years I wanted to compose
a piece for guitar which
would inspire interested
students to expand their
repertoire in the
direction of Jewish
music. The most natural
thing for me was to write
a suite based on themes
from the synagogue in
which I grew up –
the Spanish and
Portuguese synagogue of
Gibraltar. My beloved
grandfather served all
his life as hazzan
(cantor) of this
synagogue, and I always
felt as a composer and
educator that I had a
special obligation to
continue his tradition
and pass it on to a new
generation. In this
composition, I let the
guitar echo the piyyutim
(semi-liturgical poems)
that were part of my
childhood: Adon Olam,
Sh'charchoret, Achot
K'tana, Yigdal, Borei ad
Ana, all of which are
sung in the Spanish and
Portuguese tradition from
Gibraltar to London, and
from New York to
Jerusalem. I let myself
dream the piyyutim, take
them apart and
reconstruct them as a
short suite for guitar,
the results of which you
are invited to hear here.
As a conceptual idea for
the suite, I choose to
suggest about the
cultural continuation
between the Diaspora and
the land of Israel by way
of referencing the
well-known melody of
Naomi Shemer, which is
also popular among the
hazzanim. Dr. Ariel
Lazarus is a unique voice
among Israeli
composer-performers
today. Brought up in a
family with Jewish
musical roots both in
Gibraltar and Westphalia,
he began composing and
playing the guitar in his
teens, and has been
committed to developing
his own compositional
language ever since,
always maintaining an
open dialogue with his
traditions. Lazarus
received his BMus and
MMus degrees from
Oklahoma City University
in classical guitar
performance and
composition where he
studied with American
composer Dr. Edward
Knight. He earned his PhD
from Bar Ilan University,
studying composition with
Prof. Betty Olivero and
Prof. Gideon Lewensohn
and conducting research
under the supervision of
Prof. Edwin Seroussi from
the Hebrew University.
His symphonic works have
been premiered by the
Raanana Symphonette
Orchestra, and his
chamber works have been
performed by various
ensembles in the United
States, Central Europe,
Portugal, Gibraltar,
Scandinavia and Israel.
Lazarus performs
regularly as Art
Ambassador on behalf of
the Israeli Ministry of
Diaspora affairs Amiel
BaKehila program. His
solo album A Hebrew
Capriccio was released by
the German boutique label
SmoothFactor and was
awarded critical acclaim,
among others, in Haaretz,
and Neue Westfalishe.
Dr. Lazarus is the
musical director and
co-founder of the Israeli
Ladino Orchestra. His
work with the orchestra
has been recognized by
the official Carta de
España. He teaches at
the Academic College for
Education Givat
Washington, and the Rimon
School of Music.
Lazarus’s work has
been awarded by the
Israeli Pais Art council
and ACUM.
Edited by Cheryl Friedman and Joel N. Eglash. For Piano/Vocal/Guitar. Transconti...(+)
Edited by Cheryl Friedman
and Joel N. Eglash. For
Piano/Vocal/Guitar.
Transcontinental Music
Folios. Softcover with
CD. 66 pages.
Transcontinental Music
#993515. Published by
Transcontinental Music
Hine Ma Tov Chorale 3 parties [Octavo] - Facile Alfred Publishing
Arranged by Sally K. Albrecht. For Choir. (3-Part (any combination)). Choral Oc...(+)
Arranged by Sally K.
Albrecht. For Choir.
(3-Part (any
combination)). Choral
Octavo. Multicultural;
Patriotic, Jewish. Level:
Level 2 (grade L2).
Choral Octavo. 8 pages.
Published by Alfred
Publishing.
Hava Nagila Ensemble de cuivres - Intermédiaire Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-396-030 Arranged by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-396-030
Arranged by Philip
Sparke. Anglo Music
Midway Series. Original
Light Music. Set (Score &
Parts). Composed 2013.
Anglo Music Press #AMP
396-030. Published by
Anglo Music Press
(BT.AMP-396-030).
9x12
inches.
English-German-French-Dut
ch.
Hava
Nagila (the title
means ‘let us
rejoice’) is
perhaps the best known
example of a style of
Jewish music called
‘klezmer’.
Klezmer music originated
in the
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages.‘Klezmerâ€
is a Yiddish term
combining the Hebrew
words ‘kley’
(instrument) and
‘zemer’
(song) and the roots of
the style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned by the
‘Hasidim’
(orthodox Jews).Since the
16th century, lyrics
hadbeen added to klezmer
music, due to the
‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’
(the play of Esther at
Purim) and to traditions
of the Yiddish theatre,
but the term gradually
became synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
The melody of Hava
Nagila was adapted
from a folk dance from
the Romanian district of
Bucovina. The commonly
used text is taken from
Psalm 118 of the Hebrew
bible.
Hava
Nagila (de titel
betekent ‘laat ons
gelukkig zijn’) is
misschien wel het
bekendste voorbeeld van
klezmer, een Joodse
muziekstijl.De
klezmermuziek komt van
oorsprong uit de sjtetls
(dorpen) en de
getto’s van
Oost-Europa, waar
rondtrekkende Joodse
troubadours, bekend als
klezmorim, al sinds de
middeleeuwen hadden
opgetreden bij
feestelijkheden, en dan
met name
bruiloften.Klezmer is een
Jiddische term waarin de
Hebreeuwse woorden kley
(instrument) en zemer
(lied) zijn samengevoegd.
De wortels van de stijl
liggen in wereldlijke
melodieën,
volksdansen, de
joods-liturgische hazanut
en ook de nigunim, de
woordeloze melodieën
zoals die worden
voorgedragen
doorchassidische
(orthodoxe) joden.Sinds
de 16e eeuw zijn er aan
de klezmermuziek ook
teksten toegevoegd,
dankzij de badchen (de
ceremoniemeester bij
huwelijken), het
poerimspel (het verhaal
van Esther tijdens
Poerim/het Lotenfeest) en
tradities binnen het
Jiddische theater, maar
de term werd geleidelijk
synoniem aan
instrumentale muziek met
een hoofdrol voor de
viool en klarinet.De
melodie van Hava
Nagila is afkomstig
van een volksdans uit de
Roemeense regio
Boekovina. De meest
gebruikte tekst voor het
lied kom uit psalm 118
van de Hebreeuwse Bijbel.
Hava
Nagila (auf Deutsch
‚Lasst uns
glücklich
sein’) ist
vielleicht das
bekannteste Beispiel
für den jüdischen
Musikstil namens
‚Klezmer’.
Klezmermusik hat ihren
Ursprung in den
Shtetls“
(Städtchen) und den
Ghettos Osteuropas,
woumherziehende
jüdische Troubadours,
die man
‚Klezmorim’
nannte, schon seit dem
frühen Mittelalter auf
Feiern, vor allem
Hochzeiten, zu spielen
pflegten. Klezmer ist ein
jiddischer Begriff, der
sich aus den
hebräischen Wörtern
‚kley’(Instr
ument) und
‚zemer’
(Lied) zusammensetzt. Die
Wurzeln des Musikstils
liegen in weltlichen
Melodien, populären
Tänzen, jüdischem
‚Chasanut’
(Kantorengesang) und auch
‚Niggunim’,
Melodien ohne Text,
vorgetragen von
den‚Chassidimâ€
(orthodoxen Juden).
Seit dem 16. Jahrhundert
wurden die
Klezmermelodien mit
Texten versehen, was auf
die
‚Badchan’
(Zeremonienmeister bei
Hochzeiten), auf das
‚Purimshpil’
(Das Esther-Spiel zum
Purimfest) und
aufTraditionen des
jiddischen Theaters
zurückgeht. Der
Begriff Klezmer wurde
jedoch mit der Zeit
gleichbedeutend mit
Instrumentalmusik, im
Besonderen mit den
Instrumenten Violine und
Klarinette. Die Melodie
von Hava Nagila
ist eine Adaption
einesVolkstanzes aus der
rumänischen Bukowina.
Der üblicherweise
verwendete Text stammt
aus Psalm 118 der
hebräischen Bibel.
Hava Nagila Ensemble de cuivres - Intermédiaire Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-396-130 Arranged by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-396-130
Arranged by Philip
Sparke. Anglo Music
Midway Series. Original
Light Music. Score Only.
Composed 2013. 24 pages.
Anglo Music Press #AMP
396-130. Published by
Anglo Music Press
(BT.AMP-396-130).
9x12
inches.
English-German-French-Dut
ch.
Hava
Nagila (the title
means ‘let us
rejoice’) is
perhaps the best known
example of a style of
Jewish music called
‘klezmer’.
Klezmer music originated
in the
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages.‘Klezmerâ€
is a Yiddish term
combining the Hebrew
words ‘kley’
(instrument) and
‘zemer’
(song) and the roots of
the style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned by the
‘Hasidim’
(orthodox Jews).Since the
16th century, lyrics
hadbeen added to klezmer
music, due to the
‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’
(the play of Esther at
Purim) and to traditions
of the Yiddish theatre,
but the term gradually
became synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
The melody of Hava
Nagila was adapted
from a folk dance from
the Romanian district of
Bucovina. The commonly
used text is taken from
Psalm 118 of the Hebrew
bible.
Hava
Nagila (de titel
betekent ‘laat ons
gelukkig zijn’) is
misschien wel het
bekendste voorbeeld van
klezmer, een Joodse
muziekstijl.De
klezmermuziek komt van
oorsprong uit de sjtetls
(dorpen) en de
getto’s van
Oost-Europa, waar
rondtrekkende Joodse
troubadours, bekend als
klezmorim, al sinds de
middeleeuwen hadden
opgetreden bij
feestelijkheden, en dan
met name
bruiloften.Klezmer is een
Jiddische term waarin de
Hebreeuwse woorden kley
(instrument) en zemer
(lied) zijn samengevoegd.
De wortels van de stijl
liggen in wereldlijke
melodieën,
volksdansen, de
joods-liturgische hazanut
en ook de nigunim, de
woordeloze melodieën
zoals die worden
voorgedragen
doorchassidische
(orthodoxe) joden.Sinds
de 16e eeuw zijn er aan
de klezmermuziek ook
teksten toegevoegd,
dankzij de badchen (de
ceremoniemeester bij
huwelijken), het
poerimspel (het verhaal
van Esther tijdens
Poerim/het Lotenfeest) en
tradities binnen het
Jiddische theater, maar
de term werd geleidelijk
synoniem aan
instrumentale muziek met
een hoofdrol voor de
viool en klarinet.De
melodie van Hava
Nagila is afkomstig
van een volksdans uit de
Roemeense regio
Boekovina. De meest
gebruikte tekst voor het
lied kom uit psalm 118
van de Hebreeuwse Bijbel.
Hava
Nagila (auf Deutsch
‚Lasst uns
glücklich
sein’) ist
vielleicht das
bekannteste Beispiel
für den jüdischen
Musikstil namens
‚Klezmer’.
Klezmermusik hat ihren
Ursprung in den
Shtetls“
(Städtchen) und den
Ghettos Osteuropas,
woumherziehende
jüdische Troubadours,
die man
‚Klezmorim’
nannte, schon seit dem
frühen Mittelalter auf
Feiern, vor allem
Hochzeiten, zu spielen
pflegten. Klezmer ist ein
jiddischer Begriff, der
sich aus den
hebräischen Wörtern
‚kley’(Instr
ument) und
‚zemer’
(Lied) zusammensetzt. Die
Wurzeln des Musikstils
liegen in weltlichen
Melodien, populären
Tänzen, jüdischem
‚Chasanut’
(Kantorengesang) und auch
‚Niggunim’,
Melodien ohne Text,
vorgetragen von
den‚Chassidimâ€
(orthodoxen Juden).
Seit dem 16. Jahrhundert
wurden die
Klezmermelodien mit
Texten versehen, was auf
die
‚Badchan’
(Zeremonienmeister bei
Hochzeiten), auf das
‚Purimshpil’
(Das Esther-Spiel zum
Purimfest) und
aufTraditionen des
jiddischen Theaters
zurückgeht. Der
Begriff Klezmer wurde
jedoch mit der Zeit
gleichbedeutend mit
Instrumentalmusik, im
Besonderen mit den
Instrumenten Violine und
Klarinette. Die Melodie
von Hava Nagila
ist eine Adaption
einesVolkstanzes aus der
rumänischen Bukowina.
Der üblicherweise
verwendete Text stammt
aus Psalm 118 der
hebräischen Bibel.
Hava Nagila Chorale 3 parties TTB/TBB Alfred Publishing
Choir Secular (Men's Choir) SKU: AP.48355 (Let Us Rejoice). Arrang...(+)
Choir Secular (Men's
Choir)
SKU:
AP.48355
(Let Us
Rejoice). Arranged by
Lon Beery. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Chanukah; Folk;
Secular; Traditional.
Choral Octavo. 12 pages.
Alfred Music #00-48355.
Published by Alfred Music
(AP.48355).
UPC:
038081551784. Hebrew.
Traditional Israeli Folk
Song.
An awesome
selection for training
newly changed voices from
a trusted expert in the
field. This traditional
Hebrew song of
celebration has been
smartly set for young
men's voices, with each
part staying within a
narrow tessitura. Your
guys will be motivated by
the fun of a tempo that
grows faster and faster
throughout! Flexible
voicing options allow for
doubling of the melody at
the octave.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Concert Band (SCORE+PARTS) - Level 2.5 SKU: HL.4006202 Composed by Jan de...(+)
Concert Band
(SCORE+PARTS) - Level 2.5
SKU: HL.4006202
Composed by Jan de Haan.
De Haske Concert Band.
Concert. Softcover.
Duration 425 seconds. De
Haske Publications
#DHP1196179. Published by
De Haske Publications
(HL.4006202).
UPC:
888680970499. 9.0x12.0
inches.
The title
of this work is based on
the name of the
commissioning band: Music
Society Asaf (Dutch for
Asaph). In the Hebrew
Bible, the poet, singer
and seer Asaph is in
charge of the choir in
the house of King David.
Various psalms, including
Psalm 81, which is used
in this work, are
attributed to him. The
melody of this psalm is
flanked by a march-like
initial part, and the
traditional klezmer
melody “Uri
Tzion†features as
a spectacular finale.