(from the Opera Hansel und Gretel). By Engelbert Humperdinck (1854-1921). Arrang...(+)
(from the Opera Hansel
und Gretel). By Engelbert
Humperdinck (1854-1921).
Arranged by Jos van de
Braak. For two soprano
voices, mezzo-soprano
voice and concert band.
Baton Music Vocal Series.
Grade 4. Score. Duration
5:00. Published by Baton
Music
String Quartet (2vl,va,vc) SKU: BR.PB-5622-07 Urtext. Composed by ...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.PB-5622-07
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library).
With
his first String Quartet
in D minor, op. 77,
composed in 1855, the
native Swiss composer
Joachim Raff (1822-1882)
bid a brilliant farewell
to Weimar.
Romantic
period. Study Score. 176
pages. Breitkopf and
Haertel #PB 5622-07.
Published by Breitkopf
and Haertel
(BR.PB-5622-07).
ISBN
9790004215197. 6.5 x 9
inches.
With his
first String Quartet in D
minor, op. 77, composed
in 1855, the native Swiss
composer Joachim Raff bid
a brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
String Quartet SKU: BR.PB-5622 Urtext. Composed by Joachim Raff. E...(+)
String Quartet
SKU:
BR.PB-5622
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5622. Published by
Breitkopf and Haertel
(BR.PB-5622).
ISBN
9790004215197. 6.5 x 9
inches.
With his
first String Quartet in D
minor, op. 77, composed
in 1855, the native Swiss
composer Joachim Raff bid
a brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. This
edition: Urtext. Chamber
music; Folder. Edition
Breitkopf.
Orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern:
The two captivating
quartets are now
available as Urtext
editions. Romantic
period. Set of parts. 88
pages. Breitkopf and
Haertel #EB 8939.
Published by Breitkopf
and Haertel (BR.EB-8939).
ISBN
9790004186084.
With
his first String Quartet
in D minor, op. 77,
composed in 1855, the
native Swiss composer
Joachim Raff bid a
brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
Concert Band - Grade 1 SKU: AP.81-CB224472 Composed by François-Olivier ...(+)
Concert Band - Grade 1
SKU:
AP.81-CB224472
Composed by
François-Olivier Fortin.
Concert Band. Score and
Part(s). Duration 2:25.
Eighth Note Publications
#81-CB224472. Published
by Eighth Note
Publications
(AP.81-CB224472).
ISBN
9781778930386. UPC:
685462030392.
English.
We travel
back in time to the land
of Sumer (modern-day
Iraq) to relive the tale
of the mighty king
Gilgamesh. He was an
arrogant an abusive king,
and the Gods decided to
send the creature Enkidu,
half-man and half-beast,
to deal with him. After
an epic battle, both
opponents find themselves
in awe of one another.
Respect then brings a
strong sense of
friendship between them
and they become like
brothers, off to some
mighty adventures. Check
out The Epic of Gilgamesh
by François-Olivier
Fortin! (2:25).
Composed
by Marten Jansson.
Stapled. Choral score. 28
pages. Baerenreiter
Verlag #BA07417_00.
Published by Baerenreiter
Verlag (BA.BA07417).
ISBN 9790006561469. 27
x 19 cm inches. Text
Language: Swedish,
English. Preface:
Jansson,
MÃ¥rten.
“I
asked my friend, the poet
Einar Askestad, if he
could write a poem for me
about love between father
and son, brothers and
God. I felt that these
forms of love are seldom
sung about. The poem
moved me greatly and I
have tried to put music
to these words which is
simple yet full of
beauty. In the four
movements of this
suite-like piece, various
aspects of these
relationships are
conveyed.†(Marten
Jansson)
â€
œMy music is my own and
I have never tried to be
original. That has always
been my motto and I have
only tried to use music
to express all the
feelings which life has
to offer. This has led
people to describe my
music as ‘so sad
that it sounds like birds
who have lost their
wings‘ but also as
‘the happiest
classical music that we
have ever
heard’. My
compositions are almost
all sacred. They express
not only my own faith but
also my appreciation and
respect for the timeless
texts that have been used
for centuries and
centuries.â€
MÃ¥rten Jansson (b.
1965), elected member of
the Föreningen svenska
tonsättare (the
Society of Swedish
Composers), graduated
from the Royal College of
Music, Stockholm (KHM)
with an MFA degree in
Music Education, Dalcroze
Eurhythmics and Voice.
For more than ten years
he was the music director
and conductor of
“Carmenâ€, one
of the most prominent
womens’ vocal
ensembles in Sweden. He
currently teaches choral
conducting and music
theory as well as giving
vocal tuition at the
Bolandgymnasiet and
Musikskolan in his home
town of Uppsala.
Piano - easy SKU: BT.EMBZ14564 Sixteen little piano pieces - Sechzehn ...(+)
Piano - easy
SKU:
BT.EMBZ14564
Sixteen little piano
pieces - Sechzehn
Klavierstücke
für
Anfänger.
Composed by Lajos Papp.
Educational Tool. Book
Only. Composed 2006. 20
pages. Editio Musica
Budapest #EMBZ14564.
Published by Editio
Musica Budapest
(BT.EMBZ14564).
Hungarian-English-Germ
an-French.
In this
work the well-known
composer presents the
events of a story by the
brothers Grimm in the
form of very easy piano
pieces. This unusual,
incomplete story has
inspired an unusual
musical work: the young
players can make up
titles for the last eight
pieces, and they are also
encouraged to note down
their thoughts and
feelings inspired by the
music, or express them in
drawings, in the score.
Diesmal stellt
der bekannte ungarische
Komponist und
Klavierlehrer, dessen
ÃÅbungs- und
Vortragsstücke
für Klavier
überaus beliebt
sind, die Handlung eines
Grimm-Märchens in
Form von ganz einfachen
kleinen
Klavierstücken
dar. Das
außergewöhn
liche, nicht vollendete
Märchen
inspirierte ihn zu einem
etsprechend
aussergewöhnlichen
Musikstück: den
Titel der letzten acht
Stücke
können sich die
Kinder selber ausdenken.
Darüber hinaus
werden sie auch dazu
ermutigt, ihre, von der
Musik inspirierten
Gedanken, Emotionen in
die Noten hinein
zuschreiben oder zu
zeichnen.