Piano, Voix et Guitare [Feuillet] - Intermédiaire Hal Leonard
Performed by Billy Joel. For voice, piano and guitar chords. Format: piano/vocal...(+)
Performed by Billy Joel.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
single. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Soft rock
and pop rock. G Major. 5
pages. 9x12 inches.
Published by Hal Leonard
Performed by Billy Joel, arranged by Kirby Shaw. Octavo for TTBB choir (a cappel...(+)
Performed by Billy Joel,
arranged by Kirby Shaw.
Octavo for TTBB choir (a
cappella). G Major.
Series: Hal Leonard
Choral. 8 pages.
Published by Hal Leonard.
Performed by Billy Joel, arranged by Phillip Lawson. Octavo for SATTBB choir (A ...(+)
Performed by Billy Joel,
arranged by Phillip
Lawson. Octavo for SATTBB
choir (A Cappella). With
piano rehearsal part. G
Major. Series: Hal
Leonard King's Singer's
Choral. 8 pages.
Published by Hal Leonard.
Arranged by Nigel Jones. Octavo for 3 Part Treble choir and piano accompaniment....(+)
Arranged by Nigel Jones.
Octavo for 3 Part Treble
choir and piano
accompaniment. With
performance notes and a
translation. Eb Major.
Series: Celtic Voices.
Text language Welsh and
English. 8 pages.
Published by Boosey and
Hawkes.
By Alice Rose Denny, arranged by Bruce Trinkley. Octavo for SATB choir (a cappel...(+)
By Alice Rose Denny,
arranged by Bruce
Trinkley. Octavo for SATB
choir (a cappella). Eb
Major. Series: Alfred
Choral Designs. 8 pages.
Published by Alfred
Publishing.
Composed by Leroy Anderson (1908-1975). Trumpet solo single for trumpet solo and...(+)
Composed by Leroy
Anderson (1908-1975).
Trumpet solo single for
trumpet solo and piano
accompaniment. With
standard notation, solo
part and piano
accompaniment. F Major.
Series: Belwin
Instrumental Solos. 6
pages. Published by
Alfred Publishing.
Prairie Lullaby Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5).
ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Choral SAB Choir, Piano SKU: CF.CM9701 Composed by Reginal Wright. Mjts. ...(+)
Choral SAB Choir, Piano
SKU: CF.CM9701
Composed by Reginal
Wright. Mjts. 12 pages.
Duration 3 minutes, 6
seconds. Carl Fischer
Music #CM9701. Published
by Carl Fischer Music
(CF.CM9701).
ISBN
9781491160091. UPC:
680160918690. Key: E
major. English. Louisa
May Alcott.
Evening
Lullaby is based on the
poem Lullaby by Louisa
May Alcott. This poem
describes nature's
response to the evening
and narrates how various
creatures are soothed to
sleep by the evening's
quiet melody. When
performing, please bear
in mind the lilting feel
of the 3/4 time
signature. Placing
emphasis on the strong
beat (beat 1) should
create the soothing,
rocking motion needed for
the lullaby. Within each
phrase, connect the lines
while performing the rise
and fall of the dynamics.
In respect to dynamics,
be careful not to exceed
mezzo-forte while always
maintaining energy in the
tone. Regarding the
harmonic texture, be
intentional to blend and
balance each section with
tall vowels and steady
vibrato as suspensions
are prevalent throughout
the piece.
 . Evening Lullaby
is based on the poem
Lullaby by Louisa May
Alcott. This poem
describes nature's
response to the evening
and narrates how various
creatures are soothed to
sleep by the evening's
quiet melody.When
performing, please bear
in mind the lilting feel
of the ¾ time
signature. Placing
emphasis on the strong
beat (beat 1) should
create the soothing,
rocking motion needed for
the lullaby. Within
each phrase, connect the
lines while performing
the rise and fall of the
dynamics.  In
respect to dynamics, be
careful not to exceed
mezzo-forte while always
maintaining energy in the
tone.Regarding the
harmonic texture, be
intentional to blend and
balance each section with
tall vowels and steady
vibrato as suspensions
are prevalent throughout
the piece. .
Christmas Lullaby Chorale SATB SATB, Piano - Intermédiaire GIA Publications
SATB choir, piano accompaniment - Intermediate SKU: GI.G-7474 Composed by...(+)
SATB choir, piano
accompaniment -
Intermediate
SKU:
GI.G-7474
Composed by
H. Leslie Adams.
Christmastide, Christmas
Vigil, Christmas Night,
Christmas Dawn, Christmas
Day. African American
Church Music Series.
Sacred. Octavo. 8 pages.
GIA Publications #7474.
Published by GIA
Publications (GI.G-7474).
UPC: 785147747406.
English. Text by H.
Leslie Adams.
An
interesting Christmas
piece from the
African-American series.
It begins as a quiet
lullaby in G-flat major
and gradually goes into a
brief triumph praise
section in E major. Then
back again to the quiet
G-flat lullaby.
Choral SAB choir, keyboard, soprano voice SKU: CF.CM8439 Composed by Craw...(+)
Choral SAB choir,
keyboard, soprano voice
SKU: CF.CM8439
Composed by Crawford R.
Thoburn. Christmas and
Holiday. Octavo. With
Standard notation. 8
pages. Carl Fischer Music
#CM8439. Published by
Carl Fischer Music
(CF.CM8439).
ISBN
9780825822957. UPC:
798408022952. 6.875 X
10.5 inches. Key: Eb
major.
Arranged by Michael Neaum. Vocal score for soprano voice solo, SSAA chorus and p...(+)
Arranged by Michael
Neaum. Vocal score for
soprano voice solo, SSAA
chorus and piano
accompaniment. With vocal
score notation, piano
accompaniment and solo
part. D Major. Text
language Spanish and
English. 10 pages.
Published by Oxford
University Press.
From Considering Matthew Shepard. Composed by Craig Hella Johnson. Craig Hella...(+)
From Considering Matthew
Shepard. Composed by
Craig
Hella Johnson. Craig
Hella
Johnson Series. Concert,
Festival, Inspirational.
Octavo. 20 pages.
Published
by Hal Leonard
Piano 4 hands - Easy and Intermediate SKU: YM.GTP01097952 Piano Pop and V...(+)
Piano 4 hands - Easy and
Intermediate
SKU:
YM.GTP01097952
Piano
Pop and Vocal. Score.
Yamaha Music Media
#GTP01097952. Published
by Yamaha Music Media
(YM.GTP01097952).
ISBN
9784636979527.
Let'
s make the routine
mechanical exercises more
fun piano duet
performances and enjoy
practicing the fingers
while having fun! The
accompaniment (as a
secondo, a second part)
is arranged in various
styles, like Ballroom,
Bossa Nova, Tango, Waltz,
and more! In addition to
the reference
performance, there is
also a karaoke soundtrack
for the accompaniment
only, so it is also
enjoyable even for one
person.
ISBN
9781491154199. UPC:
680160912698. 6.875 x
10.5 inches. Key: F
major.
English.
This
expressive medley
combines two beloved
Christmas carols,
creating a gentle
lullaby. Even so, it has
moments of joy that are
sung forte, and
lots of dynamic contrasts
that help the lyrics come
to life. As you work on
this piece, try to
remember the volume level
that is indicated in the
score. Its very easy to
sing everything
mezzo-forte while
you are learning words,
notes, and parts, then
add the dynamics in
later. However, when you
practice this way, you
will have to un-learn the
medium dynamic level. Be
sure to follow your
director very carefully,
so that the tempo changes
are accomplished
together. These subtle
variations will create a
moving experience for you
and for your listener.
Let the celebration of
this joyous season be
seen on your face and
heard in your
voice!. This
expressive medley
combines two beloved
Christmas carols,
creating a gentle
lullaby. Even so, it has
moments of joy that are
sung forte, and
lots of dynamic contrasts
that help the lyrics come
to life. As you work on
this piece, try to
remember the volume level
that is indicated in the
score. Itas very easy to
sing everything
mezzo-forte while
you are learning words,
notes, and parts, then
add the dynamics in
later. However, when you
practice this way, you
will have to aun-learna
the medium dynamic level.
Be sure to follow your
director very carefully,
so that the tempo changes
are accomplished
together. These subtle
variations will create a
moving experience for you
and for your listener.
Let the celebration of
this joyous season be
seen on your face and
heard in your
voice!. This
expressive medley
combines two beloved
Christmas carols,
creating a gentle
lullaby. Even so, it has
moments of joy that are
sung forte, and
lots of dynamic contrasts
that help the lyrics come
to life. As you work on
this piece, try to
remember the volume level
that is indicated in the
score. It's very easy to
sing everything
mezzo-forte while
you are learning words,
notes, and parts, then
add the dynamics in
later. However, when you
practice this way, you
will have to un-learn the
medium dynamic level. Be
sure to follow your
director very carefully,
so that the tempo changes
are accomplished
together. These subtle
variations will create a
moving experience for you
and for your listener.
Let the celebration of
this joyous season be
seen on your face and
heard in your
voice!. This
expressive medley
combines two beloved
Christmas carols,
creating a gentle
lullaby. Even so, it has
moments of joy that are
sung forte, and lots of
dynamic contrasts that
help the lyrics come to
life. As you work on this
piece, try to remember
the volume level that is
indicated in the score.
It's very easy to sing
everything mezzo-forte
while you are learning
words, notes, and parts,
then add the dynamics in
later. However, when you
practice this way, you
will have to un-learn the
medium dynamic level. Be
sure to follow your
director very carefully,
so that the tempo changes
are accomplished
together. These subtle
variations will create a
moving experience for you
and for your listener.
Let the celebration of
this joyous season be
seen on your face and
heard in your
voice!. This
expressive medley
combines two beloved
Christmas carols,
creating a gentle
lullaby. Even so, it has
moments of joy that are
sung forte, and lots of
dynamic contrasts that
help the lyrics come to
life.As you work on this
piece, try to remember
the volume level that is
indicated in the score.
It’s very easy to
sing everything
mezzo-forte while you are
learning words, notes,
and parts, then add the
dynamics in later.
However, when you
practice this way, you
will have to
“un-learnâ€
the medium dynamic
level.Be sure to follow
your director very
carefully, so that the
tempo changes are
accomplished together.
These subtle variations
will create a moving
experience for you and
for your listener. Let
the celebration of this
joyous season be seen on
your face and heard in
your voice!
Asian Edition. By piano accompaniment performed by Kuang-Hao Huang, violin ...(+)
Asian Edition. By piano
accompaniment performed
by
Kuang-Hao Huang, violin
performed by Augustin
Hadelich, and Dr.
Shinichi
Suzuki. This edition:
International. MakeMusic
Cloud;
Method/Instruction;
String - Violin (Suzuki);
Suzuki. Suzuki Violin
School.
Book and CD. 32 pages.
Alfred
Music #00-50633.
Published by
Alfred Music
International Edition. By Kuang-Hao Huang. This edition: Performance/Accompa...(+)
International Edition. By
Kuang-Hao Huang. This
edition:
Performance/Accompaniment
CD;
International.
Method/Instruction;
String -
Violin (Suzuki); Suzuki.
Suzuki Violin School. CD.
Alfred Music #00-50107.
Published by Alfred Music
Composed by 17th Century
English Lullaby. Arranged
by Carl Strommen. SWS FS.
First-Plus String
Orchestra (FAS). Set of
Score and Parts. With
Standard notation.
5+8+8+2+5+5+2+8 pages.
Duration 2 minutes, 48
seconds. Carl Fischer
Music #FAS100. Published
by Carl Fischer Music
(CF.FAS100).
ISBN
9781491146415. UPC:
680160903917. 9 x 12
inches. Key: G
major.
Golden
Slumbers is based on the
poem Cradle Song from the
Thomas Decker 1603 comedy
Patient Gissel. The poem
was set to music by Peter
Warlock in 1918 as a
lullaby. Carl Strommen
pushes the beauty and
lyrical nature of the
song in his arrangement.
There are interesting
changes in color and
texture with good use of
solo instruments to
contrast the full
ensemble statements. A
perfect vehicle to teach
phrasing and musicianship
to developing
musicians. Golden
Slumbers is based on the
poem Cradle Song from a
Thomas Decker 1603 comedy
Patient Gissel. The poem
was then set to music by
Peter Warlock in 1918.
Golden Slumbers should be
treated as a lullaby with
the following lyric as a
guide:Golden Slumbers,
Kiss your eyes, smiles
awake you when you rise,
Sleep pretty maiden, do
not cry. and I will sing
a lullaby.
(Piano Solos). Composed by Koji Kondo, Toru Minegishi, Kenta Nagata, Asuka O...(+)
(Piano Solos). Composed
by
Koji Kondo, Toru
Minegishi,
Kenta Nagata, Asuka Ohta,
and Hajime Wakai. For
Piano
Solo. This edition: Piano
Solos. Book; Piano
Collection; Piano
Supplemental. Video Game.
Early Advanced; Late
Intermediate. 80 pages.
Published by Alfred Music
(Viola Part). Composed by Dr. Shinichi Suzuki. For Viola. This edition: Re...(+)
(Viola Part). Composed by
Dr. Shinichi Suzuki. For
Viola. This edition:
Revised. Book; CD;
Method/Instruction;
String -
Viola (Suzuki); Suzuki.
Suzuki Viola School. 32
pages. Published by
Alfred
Music