Organ SKU: KU.OCT-10028_ORG Composed by Giovanni Battista Sammartini. Edi...(+)
Organ
SKU:
KU.OCT-10028_ORG
Composed by Giovanni
Battista Sammartini.
Edited by Max Alberti.
DIN-A4. Staple Bound.
Part. 12 pages. Edition
Kunzelmann
#OCT-10028_ORG. Published
by Edition Kunzelmann
(KU.OCT-10028_ORG).
Cello, double bass SKU: KU.OCT-10028_VCKB Composed by Giovanni Battista S...(+)
Cello, double bass
SKU:
KU.OCT-10028_VCKB
Composed by Giovanni
Battista Sammartini.
Edited by Max Alberti.
Bach format (230 x 302).
Folded. Part. 8 pages.
Edition Kunzelmann
#OCT-10028_VCKB.
Published by Edition
Kunzelmann
(KU.OCT-10028_VCKB).
Viola SKU: KU.OCT-10028_VA Composed by Giovanni Battista Sammartini. Edit...(+)
Viola
SKU:
KU.OCT-10028_VA
Composed by Giovanni
Battista Sammartini.
Edited by Max Alberti.
Bach format (230 x 302).
Folded. Part. 8 pages.
Edition Kunzelmann
#OCT-10028_VA. Published
by Edition Kunzelmann
(KU.OCT-10028_VA).
Mixed choir SKU: KU.OCT-10028_SP Composed by Giovanni Battista Sammartini...(+)
Mixed choir
SKU:
KU.OCT-10028_SP
Composed by Giovanni
Battista Sammartini.
Edited by Max Alberti.
Letter format (190 x
270). Staple Bound.
Choral score. 20 pages.
Edition Kunzelmann
#OCT-10028_SP. Published
by Edition Kunzelmann
(KU.OCT-10028_SP).
SKU: HL.50489409 Voice and Piano. Composed by Max Jacob. Edited by...(+)
SKU: HL.50489409
Voice and Piano.
Composed by Max Jacob.
Edited by Lamartine.
Vocal Collection.
Classical. Editions
Salabert #SRL11810.
Published by Editions
Salabert (HL.50489409).
Vocal Duet (Vocal) SKU: HL.50570284 Two Equal Voices. Composed by ...(+)
Vocal Duet (Vocal)
SKU: HL.50570284
Two Equal Voices.
Composed by Henri
Martinet. Max Eschig.
Classical. Score Only.
Composed 2001. Hal
Leonard #CA100. Published
by Hal Leonard
(HL.50570284).
Choral (digital production kit) SKU: HL.35028867 Composed by Joseph M. Ma...(+)
Choral (digital
production kit)
SKU:
HL.35028867
Composed
by Joseph M. Martin.
Harold Flammer Christmas.
Advent, Cantata,
Christmas. Published by
Shawnee Press
(HL.35028867).
UPC:
884088888633. 5.25x7.5
inches.
From the
composer of Festival
of Carols and The
Winter Rose comes a
cantata that celebrates
the legacy of early
American carols and
hymnody. Composed in the
spirit of folk music, the
cantata combines
traditional sounds with
more rustic elements
creating a blend that is
fresh and pleasing.
Popular American carols
like Away In a
Manger and O
Little Town of
Bethlehem dance with
traditional spirituals
such as Children, Go
Where I Send Thee and
Go, Tell It on the
Mountain. Sacred Harp
tunes are re-tooled for
Advent and stand
alongside new versions of
Shaker hymns and
Appalachian melodies.
Thoughtful narration
weaves the movements
together in a meaningful
tapestry of song and
Scripture. Two orchestral
options are available
allowing maximum
flexibility in
performance. A full line
of support products is
also available. Available
separately: SATB, CD-ROM
Full Orchestration (Score
& Parts for Flute 1 & 2,
alto recorder,
Oboe/English Horn,
Clarinet 1 & 2, Bassoon,
Horn 1 & 2, Trumpet 1-3,
Trombone 1 & 2, Bass
Trombone/Tuba, Timpani,
Percussion, Acoustic
Guitar, Banjo, Harp,
Piano, Synth, Solo
fiddle, Violin 1 & 2,
Viola, Cello, Double
Bass), Printed Full
Orchestration,
Appalachian Consort
Orchestration (Score &
parts for Flute, Violin,
Cello, Mandolin, Guitar,
Percussion and Piano),
StudioTrax CD
(accompaniment only),
SplitTrax CD, Listening
CD, 10-Pack Listening
CDs, Preview Pack
(Book/CD combo),
RehearsalTrax CDs (part
predominant,
reproducible), Digital
Resource Kit (PowerPoint,
Choir Devotionals,
Poster, Program, Flyers,
Children's Program PDFs).
Duration: approx. 40
min.
Choral (SATB) SKU: HL.1108587 Composed by Joseph M. Martin. Daybreak Chor...(+)
Choral (SATB)
SKU:
HL.1108587
Composed
by Joseph M. Martin.
Daybreak Choral Series.
General Worship, Sacred.
Octavo. Duration 165
seconds. Published by
Daybreak Music
(HL.1108587).
UPC:
196288103325.
6.75x10.5x0.019 inches.
II Corinthians
13:14.
A New
Testament blessing flows
in a stream of lovely
melodic lines and
graceful harmonies.
Creative vocal
progressions provide a
fresh spirit in the
soundscape, and two
endings are provided for
maximum flexibility.
Gran Torso Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.KM-2261 Music for String Quartet(+)
String Quartet
(2vl,va,vc)
SKU:
BR.KM-2261
Music
for String Quartet.
Composed by Helmut
Lachenmann. This edition:
2 Violins, Viola, Cello.
Chamber music; Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere: Bremen
(pro musica nova), May 6,
1972Have a look into KM
2261. Music post-1945;
New music (post-2000).
Set of parts. Composed
1971/78/88. 112 pages.
Duration 23'. Breitkopf
and Haertel #KM 2261.
Published by Breitkopf
and Haertel (BR.KM-2261).
ISBN 9790004501658.
16.5 x 11.5
inches.
Gran Torso,
for string quartet, was
composed in 1971 and
revised in 1978. It
belongs to a series of
works, including Air,
Kontrakadenz, Pression
and Klangschatten, whose
concept of material
attempts to free itself
from convention. That is,
instead of using the
sound itself as a point
of departure, structural
and formal hierarchies
are derived from the
mechanical and physical
conditions present during
the process of sound
production. It is clear
that such a radical break
with tradition is not
easily achieved: the
instrument, the given
means, the resonating
body itself (as the
embodiment of convention)
all work against such
attempts (with the
extended performance
techniques representing
only the tip of the
iceberg of deep-seated
contradictions where the
bourgeois artist is
concerned). Implicit in
such a challenge,
however, is a claim to
aesthetic pregnance: an
offer, if one would have
it, of uncomprosing
beauty.(Helmut
Lachenmann,
1978)CDs/LPs:Berner
StreichquartettCD col
legno 0647 277Berner
StreichquartettLP col
legno 5504Societa
Cameristica ItalianaLP
ABT ERZ 1003Arditti
String QuartetCD KAIROS,
0012662KAIstadler
quartettCD NEOS 10806The
JACK QuartetCD mode
267Stadler Quartett, Rg.
Caroline SiegersDVD NEOS
51001Bibliography:Alberma
n, David: Abnormal
Playing Techniques in the
String Quartets of Helmut
Lachenmann, in: Helmut
Lachenmann Music with
matches, hrsg. von Dan
Albertson, Contemporary
Music Review 24 (2005),
Vol. 1, pp.
39-51.Dulaney, Maxwell:
Continuing the Tradition
Untraditionally: Helmut
Lachenmann's
Restructuring of Musical
Dialectic through an
Analysis of his Three
String Quartets, and an
Original Composition,
Harmonic Concerto, Diss.
Brandeis University, MI
2013.Egger, Elisabeth:
Kontinuitat, Verdichtung,
Synchronizitat. Zu den
grossformalen Funktionen
des gepressten
Bogenstrichs in Helmut
Lachenmanns
Streichquartetten, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 155-171.Hermann,
Matthias: Helmut
Lachenmann - Gran Torso,
in: Analyse Musik XX.
Jahrhundert (2).
Postserielle Konzepte
Klangflachen Aleatorik (=
Materialien zur
Musiktheorie 4),
Saarbrucken: Pfau 2002,
pp. 134-152.Hiekel, Jorn
Peter: Die
Streichquartett Gran
Torso und Grido von
Helmut Lachenmann, in:
Lucerne Festival, Sommer
2005 Neuland,
Konzertprogramm 6, pp.
65-69.Houben, Eva-Maria:
Helmut Lachenmann: Gran
Torso ..., in: dies.,
Musikalische Praxis als
Lebensform (= Musik und
Klangkultur 27),
Bielefeld: Transcript
2018, S. 208-212Lehmann,
Harry: Erhabenheit -
Ereignis - Ambivalenz.
Zur Asthetik der Neuen
Musik, in: Neue
Zeitschrift fur Musik 176
(2015), Heft 5, pp.
22-27.Mosch, Ulrich:
Kunst als Medium der
Ungeborgenheit.
Streichquartette und
soziale Funktion des
Komponierens bei Helmut
Lachenmann, in:
Positionen 81 (November
2009), pp. 37-39.ders.:
Was heisst Interpretation
bei Helmut Lachenmanns
Streichquartett ,,Gran
Torso?, in: Wessen
Klange? Uber Autorschaft
in neue Musik, hrsg. Von
Hermann Danuser und
Matthias Kassel (=
Veroffentlichungen der
Paul Sacher Stiftung 12),
Mainz u.a.: Schott 2017,
S. 163-186Nonnenmann,
Rainer: Werke als
Schlussel zu Werken? Zur
umstrittenen Kategorie
,,Schlusselwerke der
neuen Musik, in:
MusikTexte, Heft 147
(November 2015), pp.
35-46.Stork, Astrid:
Materialbegriff und
Strukturdenken.
Untersuchungen zu den
Streichquartetten von
Helmut Lachenmann,
Magisterarbeit
Ruhr-Universitat Bochum
1992Tsao, Ming: Helmut
Lachenmann's Sound Types,
in: Perspectives of New
Music 52 (2014), Heft 1,
pp. 217-238.Velazquez,
Rossana Lara: Composicion
y escucha burguesa:
Principios de continuidad
y ruptura en el cuarteto
Gran Torso de Helmut
Lachenmann, Diss.
Universidad Nacional
Autonoma de Mexico
2011.Zenck, Martin: Die
mehrfache Codierung der
Figur: Ihr defigurativer
und torsohafter Modus bei
Johann Sebastian Bach,
Helmut Lachenmann und
Auguste Rodin, in: de
figura. Rhetorik Bewegung
Gestalt, Text und Bild,
hrsg. von Gabriele
Brandstetter und Sibylle
Peters, Munchen 2003, pp.
265-288.
World
premiere: Bremen (pro
musica nova), May 6,
1972.