The King's Singers. By The King's Singers. Arranged by Stacey V. Gibbs. King's Singers Choral. Concert, Festival, Spiritual. Octavo. 12 pages. Published by Hal Leonard

Composed by Peter-Anthony Togni. Sacred. Octavo. Published by Cypress Choral Music (C3.CP1365).

Guitar - Level 2

SKU: LM.26556

Composed by Raphael Fays. Delia Estrada. Classical. Score. Editions Henry Lemoine #26556. Published by Editions Henry Lemoine (LM.26556).

ISBN 9790230965569.

Prel ude No. 1 en mi mineur - Prelude No. 2 en do mineur - Prelude No. 3 en la mineur - Zapateado - Etude en re majeur - Valse No. 1 en re majeur - Valse No. 2 en mi mineur - Valse No. 4 en re mineur - A l'aube d'une nuit d'ete - L'Ultime adieu.

17 Estonian Wedding Songs. By Veljo Tormis. (SATB A Cappella). Boosey and Hawkes Secular Choral. Size 8.2x11.75 inches. 30 pages. Published by Boosey & Hawkes.

Composed by William Bradley Roberts. For SATB choir, a cappella, soprano voice solo. Published by Augsburg Fortress

The Oxford Book of Spirituals by Moses Hogan. For SATB choir accompanied and a cappella. Mixed Voices. Spirituals Collection. Vocal score. 236 pages. Published by Oxford University Press

Composed by don macdonald. Advanced/Collegiate. Secular, 21st Century. Octavo. Published by Galaxy Music Corporation (EC.1.3432).

Chorus SSA chorus a cappella

SKU: XC.SSAA2402A

Arranged by Jamey Ray. Prelude Grade .5. Octavo. Excelcia Music Publishing #SSAA2402A. Published by Excelcia Music Publishing (XC.SSAA2402A).

10.5 x 6.75 inches.

Irving Berlin's Can't Help Lovin' that Man unfolds as a stunning SSAA choral arrangement, perfect for concert or festival, showcasing rich harmonies and lush melodies. The song, originally from the musical Show Boat, captivates with its timeless beauty, delivering a poignant exploration of deep, enduring love through the expressive voices of the SSAA ensemble.

Composed by Various. Arranged by Various. Choral Collection. A Cappella, Concert, Festival, Pop. Softcover. 196 pages. Published by Hal Leonard

By Nancy Wertsch. (SATB A Cappella). Choral Collection. 30 pages. Published by G. Schirmer.

((Collection)). By The King's Singers. Arranged by Philip Lawson. SATB Divisi Collection. King's Singer's Choral. 40 pages

For SAATB Choir (CHORAL SCORE). Music Sales America. Choral, Sacred, Renaissance. 6 pages

(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.

SSAATTBB a cappella Choral (SATB divisi a cappella)

SKU: HL.1224747

By Jacob Collier. By Henry Mancini and Johnny Mercer. Arranged by Paul Langford. Pop Choral Series. A Cappella, Advanced Choir, British, Movies, Pop. Octavo. Duration 485 seconds. Published by Hal Leonard (HL.1224747).

UPC: 196288143659. 6.75x10.5x0.052 inches.

If you aren't aware already, Briton Jacob Collier has firmly established himself as the preeminent composer, theorist, improviser, multi-instrumentalist, and vocalist of the modern era. Collier's Grammy-winning arrangement of “Moon River” is a thrilling exercise in form and style. A cappella arranger extraordinaire Paul Langford has taken Jacob's iconic arrangement and has meticulously set it to eight-to-twelve vocal parts on the page. While this would be one of the most difficult arrangements your choir could tackle, it would also turn out to be one of the most rewarding!

By KT Tunstall. Arranged by Robert Rund. Barbershop Harmony Society. A Cappella, Barbershop, Standards. Octavo. 16 pages. Contemporary A Cappella Publishing #211526. Published by Contemporary A Cappella Publishing

Composed by Claudio Casciolini. Arranged by Timothy Flynn. A beautiful, yet easy addition to your choir's Eucharistic repertoire, this motet by the former Maestro di cappella at the church of San Lorenzo in Damaso (Rome) features comfortable vocal ranges and primarily homophonic textures with some imitative count. Communion, General. Published by CanticaNOVA Publications (C5.7085).

By Richard Kingsmore. Christmas and Sacred. 12 pages. Published by Lillenas Music.

By Elizabeth Alexander. For Women's Choir (SSAA choir, a cappella). Collegiate Repertoire, Community Chorus, Concert Music. Freedom, Slavery, Secular, Choral. Moderately Advanced. Printed music. Duration 7 minutes. Published by Seafarer Press

Recorder (all) - beginning

SKU: MB.3802404658

Composed by Martina Holtz. Style, Wire bound, Tunebook, CLEARANCE: OTHER, Children and Young Beginner, Folk, Method, Saddle-stitched. Children. Book. 112 pages. Voggenreiter #3802404658. Published by Voggenreiter (MB.3802404658).

ISBN 9783802404658. 8.5X5.75 inches.

This book features some of the most popular childrens songs and folksongs for the descant recorder in the key of C. All songs have been arranged for the beginning recorder player and -if necessary- slightly simplified to make playing them even more fun. There are even fingering diagrams for the recorder in the appendix.

133 Songs from Around the World. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 128 pages

54 Songs, including 8 Cycles or Sets - Medium/Low Voice. By Gerald Finzi. This edition: M051934010. Boosey and Hawkes Voice. Softcover. 224 pages. Published by Boosey and Hawkes.

4 Part Variable Wind Ensemble with Percussion - intermediate

SKU: BT.DHP-1216326-070

Arranged by Wil van der Beek. Music Box. Folk Music. Set (Score & Parts). Composed 2021. De Haske Publications #DHP 1216326-070. Published by De Haske Publications (BT.DHP-1216326-070).

ISBN 9789043162067. English-German-French-Dut ch.

1. Emerald Isle, in this part, the musical spotlight focuses in on the green island of Ireland and its great wealth of traditional folk music. The piece opens with the air ‘My Lodging Is on the Cold Ground’, also known under the title ‘Believe Me, If All Those Endearing Young Charms’ (bars 5-24). Next, we hear another well-known air ‘The Minstrel Boy’ (bars 29-44). Finally, the air ‘The Groves of Blarney’, possibly better known as ‘The Last Rose of Summer’ (bars 53-68) is heard. Each air is heralded by a short introduction and brought to an end by a short conclusion. 2. Old Kentucky Memories, following an introduction of 14 bars all attention is claimed by the song ‘My Old Kentucky Home’. As the piece goes on, snippets of memories emerge, fleetingly, surfacing fast, but quickly disappearing again: this is musically featured by way of small motifs and themes from other songs. These can be heard briefly, and then they disappear, musing on Old Kentucky until the introduction returns to end the piece. 3. Uppland, is a province in Sweden that had a rich folk music culture, like the whole of Sweden, that boasts many songs and dances. A notable amount of these songs and dances have been composed in minor keys, three of which feature in this part. First, we hear ‘Svensk folkvisa’(bars 1-38), followed by the famous ‘Värmlandsvisan� �€™ (bars 39-67) and then brought to an end by ‘Vexelsang’ (bars 68-end). 4. Ratatouille, in this part, no folk songs of just one country or one province are featured. This piece is a mishmash (or ratatouille), a hotchpotch of three folk songs with no significant relation at all. In succession, we hear a song from Russia (bars 1-30), one from Japan (bars 31-58) and one from Australia (bars 59-end). The composer of the Russian song titled ‘The Nightingale’ is Alexander Alyabyev (1787 1851), but the composers of the Japanese song titled ‘Sakura’ and the Australian ‘Waltzing Matilda’ are unknown.

1. Emerald Isle, in dit deel zijn de muzikale schijnwerpers gericht op het groene eiland Ierland, op de grote rijkdom aan traditionele volksmuziek. Het werkje opent met de air ‘My Lodging Is on the Cold Ground’, ook bekend onder de titel ‘Believe Me, If All Those Endearing Young Charms’ (maat 5-24). Daarna volgt de bekende air ‘The Minstrel Boy’ (maat 29-44). En ten slotte horen we nog de air ‘The Groves of Blarney’, misschien beter bekend als ‘The Last Rose of Summer’ (maat 53-68). Elke air wordt voorafgegaan door een korte inleiding en beëindigd met een korte afsluiting. 2. Old Kentucky Memories, na een inleiding van 14 maten (deels ook als afsluiting van dit deel gebruikt) wordt alle aandacht opgeëist door de song ‘My Old Kentucky Home’. Al gauw doemen er echter flarden van herinneringen op, vluchtig, snel opkomend, maar ook weer snel verdwijnend: dit krijgt muzikaal gestalte door middel van motiefjes en thema’s uit andere songs. Deze zijn even hoorbaar en dan weer vlug verdwenen... Mijmeren over Old Kentucky dus... 3. Uppland, is een provincie in Zweden met een rijke muziekcultuur, zoals heel Zweden trouwens ruim bedeeld is met volksliederen en volksdansen. Opvallend veel van deze liederen en dansen zijn gecomponeerd in mineurtoonsoorten. Dit is ook het geval met de drie voor dit deel uitgekozen songs: als eerste ‘Svensk folkvisa’(maat 1-38), gevolgd door het bekende ‘Värmlandsvisan� �€™ (maat 39-67) en tot besluit ‘Vexelsang’ (maat 68-slot). 4. Ratatouille, in dit deel worden geen volksliedjes van één land of één provincie belicht. Dit werkje is een ‘ratjetoe’ (ratatouille), een allegaartje van drie folksongs die onderling geen enkel verband met elkaar hebben: de enige overeenkomst is dat ze alle drie als volksmuziek bestempeld kunnen worden. Achtereenvolgens klinkt er een lied uit Rusland (maat 1-30), uit Japan (maat 31-58) en uit Australië (maat 59-slot). Van het Russische lied met de titel ‘De nachtegaal’ is de componist bekend: dat is Aleksandr Aljabjev (1787 1851). Van het Japanse lied ‘Sakura’ en de Australische song ‘Waltzing Matilda’ kennen we niet de componist niet.

1. Emerald Isle, in diesem Abschnitt richtet sich die musikalische Aufmerksamkeit auf die grüne Insel Irland mit ihrem großen Reichtum an traditioneller Volksmusik. Das Stück beginnt mit der Melodie My Lodging Is on the Cold Ground“, auch bekannt unter dem Titel Believe Me, If All Those Endearing Young Charms“ (Takt 5-24). Anschließend erklingt die bekannte Melodie The Minstrel Boy“ (Takt 29-44). Schließlich ist The Groves of Blarney“, vielleicht bekannter unter dem Titel The Last Rose of Summer“ (Takt 53-68), zu hören. Jede Melodie wird durch eine kurze Einleitung angekündigt und mit einem kurzen Nachspiel beendet. 2. Old Kentucky Memories, nach einer 14 Takte dauerndern Einleitung tritt das Lied My Old Kentucky Home“ in den Mittelpunkt. Im weiteren Verlauf des Stücks erscheinen bruchstückhafte Erinnerungen, die fast so schnell wieder verschwinden, wie sie auftauchen. Dies wird musikalisch durch kleine Motive und Themen aus anderen Liedern dargestellt. Diese sind kurz zu hören und verschwinden dann, während man über Old Kentucky nachdenkt, bis die Einleitung wieder erklingt, die zum Schluss des Stückes führt. 3. Uppland, ist eine schwedische Provinz, die wie ganz Schweden eine reiche Volksmusikkultur mit vielen Liedern und Tänzen hat. Eine große Anzahl der Lieder und Tänze, von denen drei in diesem Abschnitt enthalten sind, stehen in Moll-Tonarten. Zuerst hören wir Svensk folkvisa“ (Takt 1-38), darauf erklingt das berühmte Värmlandsvisan“ (Takt 39-67) und am Ende Vexelsang“ (Takt 68-end). 4. Ratatouille, in diesem Abschnitt werden nicht die Volkslieder eines einzigen Landes oder einer einzigen Provinz vorgestellt, sondern das Stück ist ein Mischung (oder Ratatouille“) aus drei Volksliedern, die keinerlei Beziehung zueinander haben. Zunächst erklingt ein Lied aus Russland (Takt 1-30), dann eines aus Japan (Takt 31-58) und zum Schluss eines aus Australien (Takt 59-Ende). Der Komponist des russischen Liedes mit dem Titel The Nightingale“ ist Alexander Alyabyev (1787 1851). Die Komponisten des japanischen Liedes Sakura“ und der australischen Melodie Waltzing Matilda“ sind unbekannt.

1. Emerald Isle (Île d’émeraude), cette première partie met en vedette la verdoyante île d’Irlande et son riche patrimoine de musique folklorique traditionnelle. Elle s’ouvre avec « My Lodging Is on the Cold Ground », un air également connu sous le titre « Believe Me, If All Those Endearing Young Charms » (mesures 5-24). Vient ensuite un autre air célèbre, « The Minstrel Boy » (mesures 29-44), lui-même suivi de « The Groves of Blarney », peut être mieux connu sous le titre « The Last Rose of Summer » (mesures 53-68). Chaque air est annoncé par une courte introduction et s’achève avec une courte conclusion. 2. Old Kentucky Memories (Souvenirs du vieux Kentucky), après une introduction de 14 mesures, toute l’attention se porte sur la chanson « My Old Kentucky Home ». A fil de la pièce, des fragments de souvenirs fugaces émergent, disparaissant aussi vite qu’ils se présentent : cette impression est créée par le biais de courts motifs et thèmes empruntés d’autres chansons. On les entend brièvement puis ils s’estompent, comme de lointains souvenirs du vieux Kentucky, jusqu’ une reprise de l’introduction pour conclure la pièce. 3. Uppland, est une province suédoise aux riches traditions musicales, tout comme l’ensemble de la Suède, qui compte de nombreuses danses et chansons. Beaucoup sont en tonalité mineure, et cette partie en comprend trois. La première est « Svensk folkvisa » (mesures 1-38), qui est suivie de « ‘Värmlandsvisan » (mesures 39-67), et la pièce s’achève avec « Vexelsang » (mesure 68 jusqu’ la fin). 4. Ratatouille, cette dernière partie ne comprend pas d’air provenant d’un seul pays. C’est un méli-mélo, une « ratatouille » de trois chansons folkloriques sans aucun lien. Il y a d’abord une chanson russe, « Le Rossignol » (mesures 1-30), puis « Sakura », originaire du Japon (mesures 31-58) et, enfin, « Waltzing Matilda », venue d’Australie (mesure 59 jusqu’ la fin). La chanson russe est d’Alexander Alyabyev (1787-1851), mais nous ignorons les auteurs des deux autres chansons.