Jackson Browne. For piano, voice, and guitar (chords only). This edition: Piano/Vocal/Chords. Personality Book. Book. Published by Alfred Publishing.

C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard

C Instruments. Composed by Various. Fake Book. Pop. Softcover. Published by Hal Leonard

Easy-to-Use Drum Charts for 15 Complete Songs. Arranged by Kennan Wylie. Drum Book. Method. Softcover Audio Online. Published by Hal Leonard

Cello and Piano

SKU: BT.EMBZ14779

Composed by Franz Liszt. Book Only. Composed 2011. 16 pages. Editio Musica Budapest #EMBZ14779. Published by Editio Musica Budapest (BT.EMBZ14779).

The arranger of this work (a well-known Hungarian composer living in Romania) writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration ofstubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece in Transylvania. At that time, I asked the composer, Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartókian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.

The arranger of this work, the well-known Romania-based Hungarian composer Cs ky Boldizsár writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinateone, may refer to its ostinato character, this is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the lattersuggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubbornresistance , defiance to the point of exhaustion, was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece here in Transylvania (Romania).

Der Bearbeiter des Werkes, der renommierte ungarische Komponist aus Rumänien, schreibt: Dieses Stück reizte immer schon meine Phantasie, sogar in vielerlei Hinsicht. Als erstes sein Name. Der deutsche Titel ‚Hartnäckiger' kann auf den ihm innewohnenden ostinativen Charakter hinweisen, was der Liszt'schen Programm-Konzeption näher kommt, das französische ,obstiné' steht jedoch eher dem Wort ‚dickköpfig' nah. Das sind nur geringfügige Unterschiede, mir ist das dennoch wichtig, weil aus Letzterem die Darstellung eines Verhaltens, der in Tanzgesten ausgedrückte, zur Bewegung abstrahierte innere emotionale Zustand eines Tänzers durchscheint, und das ist eine überaus beeindruckendeErklärun g. Die Demonstration des bis zur Erschöpfung reichenden Trotzes, der störrischen Kraft erscheint bei Liszt selten. Der zweite Aspekt: Zu Beginn der 70er Jahre spielte bei uns Zoltán Kocsis das Stück. Schon damals (und seitdem) frage ich den Komponisten:.

Complete Lyrics for 200 Songs. Performed by Various. Lyric Library. Size 6x9 inches. 220 pages. Published by Hal Leonard.

Composed by David Leisner (1953-). Sws. Duration 10 minutes. Theodore Presser Company #144-40721. Published by Theodore Presser Company

By Various. Super Easy Songbook. Pop, Rock. Softcover. 120 pages. Published by Hal Leonard (HL.233770).

Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 496 pages. Published by Hal Leonard.

Selections from MTV's. Performed by Various. Easy Guitar (Simplified arrangements for guitar). With notes and tablature. Size 9x12 inches. 374 pages. Published by Hal Leonard.

By Kevin Olson And Julia Olson. For Piano. Composers In Focus. Simply Silly is an imaginative collection of solo pieces that is sure to get your young students singing and laughing as they learn the piano. The music and lyrics encourage creative performance, and inspire students to become story tellers at the piano. Contents include: A Rhyme for Orange; Mr. Wumpy Zumpy; Ned's Messy Room; My Singing Fish; A Dinosaur in My Backyard; My Own Tongue Twister; Mrs. Boggs Who Chases Dogs; Rolling Peas. Original. Level: Early Elementary. Book. Published by The FJH Music Company, Inc.

Orchestra string orchestra - Grade 1.5

SKU: XC.HSO2205FS

Composed by Bruce W. Tippette. Contest/Festival. Harmony. Score. Excelcia Music Publishing #HSO2205FS. Published by Excelcia Music Publishing (XC.HSO2205FS).

12 x 9 inches.

An intriguing part of our living ecosystem, forests are filled with mysterious and mystical elements. Mystic Forest is a musical imagining of those themes.

Orchestra string orchestra - Grade 1.5

SKU: XC.HSO2205

Composed by Bruce W. Tippette. Contest/Festival. Harmony. Contest/Festival. Contest/Festival. Score and set of parts. Excelcia Music Publishing #HSO2205. Published by Excelcia Music Publishing (XC.HSO2205).

12 x 9 inches.

An intriguing part of our living ecosystem, forests are filled with mysterious and mystical elements. Mystic Forest is a musical imagining of those themes.

Keyboard - Early intermediate

SKU: GI.G-8864

Composed by Rory Cooney. Christmastide. Sacred. Collection. GIA Publications #8864. Published by GIA Publications (GI.G-8864).

UPC: 785147886433. English.

New from Rory Cooney comes a glorious collection of music for the Advent and Christmas seasons. Many of the selections in this collection use tunes gathered from the traditions of various European cultures. Rory arranges these beautiful melodies and adds his own evocative texts, creating nostalgic yet new expres- sions of the Christmas story. The jewel in this Christmas crown is surely Rory’s SAB arrangement of “In the Bleak Midwinter.” It begins gently, quoting the first stanza of the Christina R ossetti text, then branches out into Rory’s own moving exploration of Christ’s incarnation. The “Christmas Gloria”— based on the familiar French carol “Angels We Have Heard on High”—employ s the text from the 2010 R evised Order of Mass. In this arrangement the third stanza of the prayer soars above the final refrain as an exhilarating soprano descant. Much of the newer music in this collection can be done a cappella. To enhance the texture, include the piano accompaniment, strings, and flute. Perfect for any choir large or small, the songs in Like No God We Had Imagined will add sparkle to your holiday liturgies. Contents: Friends in Christ, Rejoice, My Soul Gives Glory, The Advent Herald, Sing We Maranatha, In the Bleak Midwinter, Tomorrow Shall Be My Dancing Day, Still, Still, Still, In the Stillness of the Night, Christmas Gloria, Psalm 96: Christmas Midnight, Song at the Manger, Carol of the Stranger, Lullaby, Little One, Rise Up, Shepherd, and Follow, I Saw Three Ships, Light in the Darkness.

Piano, Vocal and Guitar

SKU: HL.14006045

Composed by Debbie Campbell. Music Sales America. Musical Education. Book and CD. Composed 2015. 50 pages. Golden Apple Productions #GA11125. Published by Golden Apple Productions (HL.14006045).

ISBN 9780711981652. English.

The dramatic story of a drug dealer in modern day Hamelyn Town. Ideal for school and youth group performance, and an inspiring classroom resource to support Drug Education projects. A lively musical which will inspire and capture the imagination of pupils and teachers. Play and song words are available in the (Pupil's Book). Script available in student book. If you need to license a school/youth theatre performance of this product, please use the online application form.

Cello; Piano Accompaniment

SKU: HL.50512037

Cello and Piano. Composed by Franz Liszt. Edited by Csiky Boldizsar. Arranged by Csí, ky Boldizsá, and r. Romantic. EMB. Classical. Softcover. 14 pages. Editio Musica Budapest #Z14779. Published by Editio Musica Budapest (HL.50512037).

ISBN 9790080147795. UPC: 884088668723. 9.0x12.0x0.079 inches. Ferenc Liszt; Boldizsar Csiky.

The arranger of this work (a well-known Hungarian composer living in Romania) writes: +This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstine' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltan Kocsis played the piece in Transylvania. At that time, I asked the composer, +Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartokian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.+.

Piano

SKU: FV.FUE-10360

Composed by Ann Helena Schlüter. Contemporary. Score. Furore Verlag #FUE 10360. Published by Furore Verlag (FV.FUE-10360).

ISBN 9790501826605.

In my music I represent the colors of my imagination and also real experiences in sound – glittering or lamenting, wild or wistful, impulsive or meditative. The spectrum of my emotional world is large and accordingly my sound colors.

Bass Clef Edition. By Various. Fake Book (Includes melody line and chords). Softcover. 464 pages. Published by Hal Leonard.

Bb Edition. By Various. Fake Book (Includes melody line and chords). Size 8.5x11 inches. 464 pages. Published by Hal Leonard.

C Instruments. By Various. Fake Book (Includes melody line and chords). Size 9x11 inches. 464 pages. Published by Hal Leonard.

E Flat Edition. By Various. Fake Book (Includes melody line and chords). Softcover. Size 9x11 inches. 464 pages. Published by Hal Leonard.

Second Edition C Instruments. By Various. Fake Book (Includes melody line and chords). Softcover. 464 pages. Published by Hal Leonard.