| Remember His Passion Chorale SATB Shawnee Press
Composed by John Parker and Patti Drennan. Shawnee Sacred. Communion, Holy W...(+)
Composed by John Parker
and
Patti Drennan. Shawnee
Sacred. Communion, Holy
Week,
Lent. Octavo. 11 pages.
Shawnee Press #A8704.
Published by Shawnee
Press
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Let All Mortal Flesh Keep Silence Chorale SATB Shawnee Press
Choral (SATB) SKU: HL.811415 Arranged by Heather Sorenson. Shawnee Sacred...(+)
Choral (SATB) SKU:
HL.811415 Arranged by
Heather Sorenson. Shawnee
Sacred. Advent,
Christmas, Christmas
Sacred, Christmas/Advent
Sacred. Octavo. 12 pages.
Duration 310 seconds.
Published by Shawnee
Press (HL.811415).
UPC: 196288087120.
6.75x10.5x0.029 inches.
Colossians 3:1-2,
Habakkuk 2:20, Psalm
33:8. The echoes of
ancient worshippers are
heard in this
time-honored text that
conveys the mystery and
majesty of our faith. A
fully engaged choir will
luxuriate in the
harmonies and choral
textures while the
orchestral accompaniment
provides splendid options
for larger scale
performances. Score and
Parts (fl/pic, ob, cl,
bn, tpt 1-3, hn, tbn 1-2,
tbn3/tba, perc 1-3, hp,
vn 1-2, va, vc, db)
available as a digital
download. $2.15 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Yo Sé Que Sé / I Think I Know Chorale 3 parties SAB, Piano - Facile GIA Publications
SAB choir, keyboard accompaniment, guitar - Early intermediate SKU: GI.G-7020...(+)
SAB choir, keyboard
accompaniment, guitar -
Early intermediate
SKU: GI.G-7020
Composed by Pablo Sosa.
Arranged by Homero R.
Perera. Oramos cantando
series. Sacred. Octavo.
With guitar chord names.
12 pages. GIA
Publications #7020.
Published by GIA
Publications (GI.G-7020).
UPC: 785147702009.
English, Spanish.
Translation: Mary Louise
Bringle. Text by Juan
Damián. The
milonga is a song-dance
developed around 1870 by
the cultures co-existing
in Buenos Aires at the
time. This piece, with a
Mary Louise Bringle
translation, explores the
mystery of God: “I
think I know, but barely
grasp it . . .†and
calls for greater faith.
The music is slow,
rhythmic, richly
harmonic, and
mesmerizing. Slow,
rhythmic, richly
harmonic, and
mesmerizing. $1.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Acoustic Guitar Tab White Pages
Guitare notes et tablatures [Partition] Hal Leonard
150 Songs * Over 1,000 Pages. Guitar Collection. With notes and tablature. Size ...(+)
150 Songs * Over 1,000
Pages. Guitar Collection.
With notes and tablature.
Size 8.5x11 inches. 1024
pages. Published by Hal
Leonard.
(10)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Introductions, Harmonizations, Accompaniments, Interpretations, Vol. 6 Orgue Concordia Publishing House
By Jeffrey Blersch. For organ. Collection. 32 pages. Published by Concordia Publ...(+)
By Jeffrey Blersch. For
organ. Collection. 32
pages. Published by
Concordia Publishing
House
$16.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Contemporary Christian
Fake book [Fake Book] Hal Leonard
Fakebook for voice, piano and guitar. With vocal melody, lyrics, chord names and...(+)
Fakebook for voice, piano
and guitar. With vocal
melody, lyrics, chord
names and guitar chord
diagrams. Series: Hal
Leonard Paperback Songs.
255 pages. Published by
Hal Leonard.
(2)$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| '80s & '90s Rock Fake Book [Fake Book] Hal Leonard
Fakebook for voice and C instrument. With vocal melody, lyrics, leadsheet notati...(+)
Fakebook for voice and C
instrument. With vocal
melody, lyrics, leadsheet
notation and chord names.
Series: Hal Leonard
Paperback Songs. 255
pages. Published by Hal
Leonard.
$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| World Carols For Choirs Chorale SATB SATB [Vocal Score] Oxford University Press
By Bob Chilcott and Knight. For Choral Collection: Mixed Choir. Published by Oxf...(+)
By Bob Chilcott and
Knight. For Choral
Collection: Mixed Choir.
Published by Oxford
University Press.
$28.50 - Voir plus => Acheter | | |
| Everything For The Church Soloist Piano seul [Partition] Hope Publishing Company
| | |
| E-Z Play Today #270. The Christian Christmas Songbook Clavier [Partition] - Facile Hal Leonard
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy
big-note right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. Published by Hal
Leonard.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Christmas Praise Piano, Voix [Partition] Hal Leonard
| | |
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