By George Frideric Handel. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).

Sonatas and Partitas, 4 Concertos, and Arioso. Composed by Johann Sebastian Bach (1685-1750). String Solo. Softcover. 88 pages. Published by G. Schirmer

Piano Solo. By Johann Sebastian Bach. Arranged by Stan Applebaum. Piano Collection. Size 9x12 inches. Published by G. Schirmer, Inc.

Composed by Johann Sebastian Bach (1685-1750), edited by Rudolph Steglich. Collection for Piano (Harpsichord), 2-hands. With introductory text, performance notes and fingerings. Urtext edition-paper bound. 124 pages. Published by G. Henle.

With Comments in English. By Johann Sebastian Bach. Edited by Georg Von Dadelsen. Piano (Harpsichord), 2-hands. Pages: VI and 138. Urtext edition-paper bound. Published by G. Henle.

Schott Piano Collection. Composed by Johann Sebastian Bach (1685-1750). This edition: Paperback/Soft Cover. Sheet music. Schott. Softcover. 64 pages. Schott Music #ED 5180. Published by Schott Music (HL.49005499).

Keyboard and Organ Works from Copied Sources Partitas and Partita Movements, Part 1b. By Froberger, Johann Jacob. Edited by Rampe, Siegbert. For Piano/ Organ. Johann Jacob Froberger: Neue Ausgabe s0mtlicher Werke III.2. Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import).

By Johann Sebastian Bach (1685-1750). Arranged by John Bullard. For Banjo (5-String). Solos. Baroque. Intermediate-Advanced. Book. 72 pages

Little Chorale Arrangements for Organ op. 8, no. 3 and individually transmitted Chorale Arrangements. By Hugo Distler. Edited by Armin Schoof. For Organ. This edition: Urtext Edition; Paperbound. Neue Ausgabe samtlicher Orgelwerke, Band II. Score. 45 pages. Published by Baerenreiter Verlag (German import).

Piano Solo. By Johann Sebastian Bach. Arranged by S Heinze. Piano Collection. Size 9x12 inches. 44 pages. Published by G. Schirmer, Inc.

(Haydns Klavierkonzerten und Sonaten). By Paul Badura-Skoda. For piano. Keyboard music. 28 pages. Published by Doblinger Music Publishers

Cello

SKU: HL.49001532

Composed by Peteris Vasks. This edition: Saddle stitching. Sheet music. Cello-Bibliothek (Cello Library). Classical. Composed 1974/2001. 44 pages. Duration 17'. Schott Music #CB 171. Published by Schott Music (HL.49001532).

ISBN 9790001131346. UPC: 073999353754. 9.0x12.0x0.159 inches.

Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. CD-ROM. Published by Hal Leonard

Solo Book with Online Media. Edited by H. Voxman. Concert Band Method. Rubank Book/Audio Products. Softcover Media Online. 24 pages. Published by Hal Leonard

Piano

SKU: HL.50496770

Composed by Bernardo Pasquini. MGB. Score Only. Composed 2002. Editions Salabert #SLB3212. Published by Editions Salabert (HL.50496770).

Flute and piano - Level 5

SKU: LM.C05147

Composed by Vincent Paulet. Classical: 20th Century (Contemporary). Score. Editions Combre #C05147. Published by Editions Combre (LM.C05147).

ISBN 9790230351478.

Plus the Bach Partita "Ghost" to Be Played As A Duet with the Partita in A. By Gary Schocker; Johann Sebastian Bach. Arranged by Gary Schocker. For Piccolo I, Flute II. Solo part. Composed 1997. BWV 1013. 7 pages. Published by Theodore Presser Company.

Composed by Johann Sebastian Bach (1685-1750). Edited by Ida Elkan. Masterworks; Solo; Solo Small Ensembles; String - Violin and Piano. Kalmus Edition. Baroque; Masterwork. Book. 40 pages. Kalmus Classic Edition #00-K03023. Published by Kalmus Classic Edition

Miscellaneous Suites and Pieces. By George Frideric Handel. Edited by Terence Best. For KLav. Playing Score; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import).

Organ

SKU: CA.2906600

Chorale partita III. Composed by Helmut Bornefeld and Martin Luther. This edition: Complete edition. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Cp 3 Nun Komm, Der Heiden Heiland. Organ music based on hymns, Advent. Full score. Composed 1949. BoWV 66. 16 pages. Duration 7 minutes. Carus Verlag #CV 29.066/00. Published by Carus Verlag (CA.2906600).

ISBN 9790007203245. Language: all languages.

Movement s: I. Toccatina, II. Kanon, III. Bicinium, IV. Ricercar.

Composed by Alfred V. Fedak. Organ Recital Music, Offertories, Preludes, Partita/Variations, Postludes. Reformation, Church Anniversary, Commitment/Discipleship. Published by MorningStar Music Publishers (MN.10-653).

SKU: GI.G-10291

Composed by Anthony J Cirone & Tammy Chen. Music Education. 48 pages. GIA Publications #10291. Published by GIA Publications (GI.G-10291).

ISBN 9781574635317.

Alth ough many of the greatest composers from the Baroque, Classical, and Romantic periods did not write for marimba, their works are still available and are perfectly suited for this instrument. Many of these works were written for violin and contain bowings and fingerings that assist in the stylistic interpretation for violin but do not apply to marimba. To that end, Tammy Chen has arranged a collection of outstanding pieces that work perfectly for marimba. To aid the performer in developing a musical interpretation of these master works, she added stylistic markings including phrasing, articulations and musical directives. Below are the compositions included from the Violin Sonatas and Partitas by one of the world’s greatest composers, Johann Sebastian Bach. Giga from Partita No. 3 Double #1 from Partita No. 1 Giga from Partita No. 2 Presto from Sonata No. 1 Allegro from Sonata No. 2 Allemanda from Partita No. 2 Preludio from Partita No. 3 Allegro Assai from Sonata No. 3 Menuetto I. from Partita No. 3 Menuetto II. From Partita No. 3 Corrente from Partita No. 1 Bourrѐe from Partita No. 3 Bourrѐe from Partita No. 1 Gavotte en Rondeau from Partita No. 3 Corrente from Partita No. 2 Largo from Sonata No. 3 Double #2 from Partita No. 1 Double #4 from Partita No. 1 Sarabanda from Partita No. 2 Double #3 from Partita No. 1 Fuga from Sonata No. 1 Andante from Sonata No. 2 Cantabile from Sonata No. 1 Siciliano from Sonata No. 1 Ciaccona from Partita No. 2 Learn more about this new resource from the authors in this short video below:  .

Chamber Music Violin

SKU: PR.144407530

Composed by Lauren Bernofsky. 12 pages. Duration 10 minutes, 30 seconds. Merion Music #144-40753. Published by Merion Music (PR.144407530).

ISBN 9781491136614. UPC: 680160687992.

A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is.
My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.

Piano

SKU: SU.00220518

For Piano. Composed by Wolfgang Amadeus Mozart. Keyboard, Piano/Harpsichord. CD (PDF Scores). CD Sheet Music #00220518. Published by CD Sheet Music (SU.00220518).

This CD Sheet Music™ collection makes available Johann Sebastian Bach's numerous works for solo keyboard (excluding organ); plus 371 four-part chorales. Includes: English Suites, French Suites, Partitas, Toccatas, Two and Three-Part Inventions, Well-Tempered Clavier (Books I & II), Chromatic Fantasy & Fugue, Goldberg Variations, Italian Concerto, Overture in the French Style; also Anna Magdelana Bach Notebook, WF Bach Clavier Book, and miscellaneous pieces Also includes composer biographies and relevant articles from the 1911 edition of Grove’s Dictionary of Music and Musicians 1100+ pages

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

Piano

SKU: BO.B.3288

Composed by Jordi Cervello. Duration 7:00. Published by Editorial de Musica Boileau (BO.B.3288).

ISBN 9790350303760.

Engl ish comments:
ARABESQUE: Is a subtle and smooth movement of a virtuous disposition based on fast uses of triplets. These oscillate weaving a parabolic picture within a romantic atmosphere. The music disappears gently and mysteriously. PRELUDIANDO: Is the adaptation for piano of the famous prelude of the III Partita for solo violin by J. S. Bach. Staccato and legato, vigour and softness freely run through the Prelude which is integrated through a dramatic pedal before its end. Recording: Columna Musica.

Comentarios del Espanol:
ARABESQUE Es un sutil y escurridizo movimiento de caracter virtuosistico basado en rapidas figuraciones de seisillos. Estos oscilan tejiendo un dibujo parabolico dentro de una atmosfera romantica. La musica desaparece suave y misteriosamente. PRELUDIANDO Es la transformacion pianistica del celebre preludio de la III Partita para violin solo de J. S. Bach. Staccato y legato, vigor y suavidad recorren libremente el Preludio que se instalara en un dramatico pedal antes de su conclusion. Grabacion: Columna Musica.

For Church Services and Concerts. Edited by Gross, Uwe-Karsten; Gottsche, Gunther Martin. For Organ. Collection. Published by Baerenreiter Verlag (German import).