Fanfare Band - Grade 3

SKU: BT.DHP-1002022-120

Composed by Jacob De Haan. Inspiration Series. Concert Piece. Score Only. Composed 2000. De Haske Publications #DHP 1002022-120. Published by De Haske Publications (BT.DHP-1002022-120).

Jacob de Haan ist zu Gast in der Region Veluwe und vertont auf seine eigene Weise das jährliche Dorffest - ganz im Zeichen des Brauchtums in Lunteren. Als Thema wählte ich ein niederländisches Volkslied, Wien Nederlans bloed. Mit einem anderen Text ist dies das Lied von Lunteren. Glockengeläut und Trommeln eröffnen das Werk. Fetzen des Volkslieds sind dann unmittelbar schon zu erkennen.“ Es folgt ein bewegliches Allegro. Pferde erscheinen auf der Bildfläche und laufen unter Peitschenschlägen ihre erste Runde. Volkstheater und Tänze im Renaissance-Stil, die traditionelle Auktion, der Weckruf der Herolde am nächsten Morgen. Pferdewagen, ein paar Pferde gehen durch! Einwirbelnder Walzer von einer Volkstanzgruppe, marschierende Musikanten. Bis spät in die Nacht hört man sie noch in den Straßen spielen“ erzählt ein begeisterter Jacob de Haan. Aber dann... erklingt das Volksliedthema in einer Choralvariation in Moll. Und dann wieder festlich. Die frommen Dorfbewohner sind auf dem Weg zur Kirche und denken voller Zufriedenheit an das Fest zurück. Festa Paesana: Jacob de Haan lässt den Zuhörer an einem stimmungsvollen Dorffest teilhaben. Man glaubt, selbst dabei gewesen zu sein...!

Choir Secular. Women's Choir. Choral Octavo. Choral Designs. Christmas; Sacred; Winter. 12 pages. Published by Alfred Music Publishing

Choir Secular (SAB choir/3-Part choir Mixed)

SKU: AP.48874

Composed by Arr. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Carol Arrangement; Christmas; Sacred. Choral Octavo. 12 pages. Alfred Music #00-48874. Published by Alfred Music (AP.48874).

UPC: 038081561981. English. Ben Cohn.

A Renaissance-era carol brought up to date in a fresh contemporary setting. Veteran Broadway music director and conductor Ben Cohn brings a modern musical theatre sound to this traditional English song. A serenely sparse piano part (during two opening alto solos) gradually grows to a full and glorious accompaniment as more voices join. Listen closely for the juxtaposed stillness/motion and minor/major that symbolize the cold of winter versus the warmth of the season. The entire piece garners edge-of-your-seat wonder, but the greatest chills will come when brief strains from four additional carols trickle in. Simply stunning.

About Alfred Choral Designs

Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.

SATB Choir (SATB) - Intermediate-Advanced

SKU: HL.14008368

Composed by Hywel Davies. Music Sales America. 20th Century, Sacred, Choral. Sheet Music. With Text language: Latin. Music Sales #NOV161370. Published by Music Sales (HL.14008368).

UPC: 884088593575. 6.75x9.75x0.01 inches.

A sustained and stately choral chant in a quasi-Renaissance style, for SATB chorus, that combines today's evocative harmonic possibilities with the devout textures of early church music.

By Thomas Weelkes (1576-1623). Edited by Patrick M. Liebergen. For SSA choir unaccompanied (opt. keyboard) (SSA). Shawnee Press. Choral. 8 pages

Oboe, bassoon and piano - difficult

SKU: HL.49016219

Composed by Benjamin Schweitzer. This edition: Saddle stitching. Sheet music. Misc. Score (also performance score). Composed 2006. 73 pages. Duration 10'. Schott Music #ED 20121. Published by Schott Music (HL.49016219).

ISBN 9790001146449. UPC: 884088202538. 9.0x12.0x0.195 inches.

The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of 'twilight': air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds.The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this 'motto-like' opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning.The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, 'arcane' bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the 'elastic' character of the middle section.Benjamin Schweitzer.

(22 Full Band Arrangements Correlated to Accent on Achievement (Tuba)). Arranged by John O'Reilly and Mark Williams. Concert Band. For Tuba. Band Supplement; Book; Masterworks. Accent on Performance. Masterwork Arrangement. 24 pages. Published by Alfred M

Piano Solo - Medium

SKU: BU.EBR-A047

Composed by Felicien David. This edition: French Edition. Classique. Anacrouse. Partition Biographie Notes sur l'oeuvre. Score. Editions Bourges #EBR-A047. Published by Editions Bourges (BU.EBR-A047).

ISBN 9790560151205. 8.58 x 12.48 inches.

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.

Proposer tout à la fois des « incontournables  Â» du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces Å“uvres.

Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.



En 1836, le compositeur Félicien David édite les « Mélodies orientales ». Elles comptent au total vingt et une pièces dont dix-huit ont été rééditées en 1845 sous le titre « Brises d'Orient » et trois autres sous le titre « Les Minarets ».
A leur sortie, ces mélodies n'obtiennent pas un grand succès. Deux raisons peuvent l'expliquer. D'une part, un incendie détruit une partie des stocks de partitions imprimées. D'autre part, le public, qui avait aimé les « Orientales  » du poète Victor Hugo et les « Pestiférés de Jaffa » du peintre Eugène Delacroix, ne semblait pas être attiré par l'orientalisme musical.
Les brises d'Orient possèdent la puissance des charmes orientaux plutôt doux. Le compositeur traduit à merveille l'atmosphère orientale en marquant les rythmes par des basses étonnantes.
Plus que des formes traditionnelles, ce qu'il faut retenir de ces pièces est le fait qu'elles racontent de belles histoires avec toujours une dynamique très réussie de passages lents et de passages vifs et rapides.
L'écriture de Félicien David ne manque pas de couleurs. Cependant il n'essaie pas d'appliquer l'exotisme du Moyen-Orient. Les mélodies chantent naturellement à travers ses pièces.
En écoutant « à une Smyrniote » comme dans les autres pièces se révèle un orientalisme assez peu oriental pour nous aujourd'hui. A l'origine, l'orientalisme est un mouvement artistique, ce qui signifie qu'il ne peut être fidèlement lié à la reproduction de la réalité.
Dans cette pièce, la mélodie est liée sans nul doute à la basse harmonique très mise en valeur par des accentuations rythmiques qui constituent une assise solide. Des reprises de passages musicaux dans l'enchaînement de l'œuvre révèlent des atmosphères complètement différentes, suggérant au pianiste un nouveau fil conducteur dans l'interprétation.

Easy to intermediate arrangements. Composed by Various. Arranged by Barbara Gisler-Haase. Score, parts and CD. With Standard notation. 72 pages. Universal Edition #UE36692. Published by Universal Edition (PR.UE036692).

For Voice and Guitar. By Various. EMB. 28 pages. Published by Editio Musica Budapest.

Violin 1 (solos: SATB - choir: SATB - 0.0.0.0. - 0.3.0.0. - timp - str - bc)

SKU: BR.OB-4515-15

As BWV 15 ascribed to J. S. Bach. Composed by Johann Sebastian Bach. Stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Renaissance/early Baroque; Baroque. Part. 4 pages. Duration 25'. Breitkopf and Haertel #OB 4515-15. Published by Breitkopf and Haertel (BR.OB-4515-15).

ISBN 9790004312858. 9 x 12 inches.

((Choral Collection)). By Giovanni Croce, Giovanni Pierluigi da Palestrina (1525-1594), Giuseppe Ottavio Pitoni, Jacques (Jacob) Arcadelt, and Michael Praetorius (1571-1621). Edited by John Leavitt. Arranged by John Leavitt. TTBB A Cappella. Treasury Choral. 24 pages. Published by Hal Leonard

Chorus a cappella

SKU: BR.CHB-5168-02

Composed by Hans Leo Hassler. Edited by Anton Reinthaler. Choir; stapled. Chor-Bibliothek (Choral Library). Motet; Renaissance/early Baroque. Choral score. 16 pages. Breitkopf and Haertel #ChB 5168-02. Published by Breitkopf and Haertel (BR.CHB-5168-02).

ISBN 9790004412114. 7.5 x 10.5 inches.

Piano Solo - Easy

SKU: BU.EBR-A071

Composed by Cesar Auguste Franck. This edition: French Edition. Classique. Anacrouse. Partition + Biographie + Notes sur l'oeuvre. Score. Editions Bourges #EBR-A071. Published by Editions Bourges (BU.EBR-A071).

ISBN 9790560151434. 8.58 x 12.48 inches.

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.

Proposer tout à la fois des « incontournables  Â» du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces Å“uvres.

Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.



Seule exception dans les 40 années où César Franck tient le piano à l’écart, cette séduisante pièce date de 1865. Écrite dans le ton de sol majeur, elle se divise en 3 parties bien distinctes. L’écriture est sobre, presque grave, malgré son apparente ingénuité. La mélodie, très expressive, est jouée par la main droite alors que la main gauche se contente de l’accompagnement selon le principe de la « basse d’Alberti ». La partie centrale, en sol mineur, déroge cependant à cette règle avec son motif chromatique de caractère plus tourmenté. Morceau fétiche des musiciens amateurs, « Les plaintes d’une poupée » a l’immense mérite d’allier qualité d’écriture et simplicité d’exécution. Pour le bonheur de tous….

By John Bull (1562-1628). Arranged by Elgar Howarth. Brass Ensemble. For 10-Piece. A gem from the English Renaissance. Baroque. Medium. Score and parts. Standard Notation. Duration 2:00

Adagio and Fuge. By Various. Arranged by Jacques Chandonnet. For guitar solo. Level: 2.5. 24 pages. Published by Les Productions d'OZ. (DZ 107)

By Arthur Jacobs (Translator); Claudio Monteverdi; Francesco Sacrati; G.F. Busenello (Lyricist); Alan Curtis (Editor). For Opera. Opera, Renaissance. Sheet Music. 294 pages. Published by Novello and Co Ltd.

By Peter Warlock (1894-1930). Arranged by David Marlatt. For Double Brass Quintet. Brass Ensemble - Quintet. 20th Century. Duration 00:09:40

CME In High Voice. Composed by Raffaella Aleotti. Edited by Meredith Bowen. In High Voice. Festival, Renaissance, Concert, Sacred. Octavo. 12 pages. Boosey and Hawkes #M051484010. Published by Boosey and Hawkes (HL.48023896).

(22 Full Band Arrangements Correlated to Accent on Achievement (Percussion 2)). Arranged by John O'Reilly and Mark Williams. Concert Band. For Percussion 2. Band Supplement; Book; Masterworks. Accent on Performance. Masterwork Arrangement. 28 pages. Publi

Voice and Guitar. Arranged by Benko. EMB. Size 9x12 inches. 32 pages. Published by Editio Musica Budapest.

Band Concert band - Grade 1.5

SKU: CF.FPS112F

Composed by Richard Summers. First Plus Performance Band. Full score. With Standard notation. 16 pages. Duration 2 minutes. Carl Fischer Music #FPS112F. Published by Carl Fischer Music (CF.FPS112F).

ISBN 9780825896187. UPC: 798408096182. 9 x 12 inches.

New to Carl Fischer Music, composer Richard Summers gives us a stunning concert overture based on Renaissance and early music styles. Students will find that Epoch Fantasy is pleasantly reminiscent of music from current video games. The modal first theme is contrasted nicely with a sweet lyrical middle section that will highlight the budding musicianship of your developing band.

by William Bay and Mike Christiansen. For all guitars. Mastering Guitar. All styles, solos and exercises. Level: Beginning-Intermediate. Book/CD Set. Method. Size 8.75x11.75. 144 pages. Published by Mel Bay Pub., Inc.

By Lukas Foss. Arranged by Carol Wincenc Steven Mercurio. For Flute and Piano. Published by Carl Fischer.

Scores Contrabass, Viola, Violin, Violin 1, Violin 2, Violoncello

SKU: PR.44641282L

For Solo Violin and String Orchestra. Composed by Ellen Taaffe Zwilich. Premiere: New Century Chamber Orchestra, Nadja Salerno-Sonnenberg, violin. Contemporary. Large Score. With Standard notation. Composed 2011. 40 pages. Duration 17 minutes. Theodore Presser Company #446-41282L. Published by Theodore Presser Company (PR.44641282L).

UPC: 680160607501. 11 x 14 inches.

Given the opportunity to create a concertante work for violinist Nadja Salerno-Sonnenberg and the spirited New Century Chamber Orchestra, violinist-turned-composer Ellen Taaffe Zwilich looked to the commedia dell’arte tradition for a special theatrical program. With movements depicting the Harlequin, Columbine, and Captain characters from Italian Renaissance romantic comedies, Zwilich has created a playful, charming, and dramatic work, also adding percussion surprises for extra color in the string orchestra. For advanced players. Parts are available on rental.

Composed by Donald Moore. Octavo for SSA choir (A Cappella). With piano rehearsal part. G Major. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

Flute and Piano, Level 2-3 Flute; Piano Accompaniment (Score and Solo Part) - easy to intermediate

SKU: HL.49045505

Schott Student Edition Repertoire Level 2-3. Composed by Wilhelm Popp. Edited by Edmund Waechter and Elisabeth Weinzierl. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. 24 pages. Schott Music #SE1016. Published by Schott Music (HL.49045505).

ISBN 9790001162579. UPC: 841886028999. 9.0x12.0x0.101 inches. (ed. Edmund Waechter & Elisabeth Weinzierl) Schott Student Edition Repertoire.

This edition contains three beautiful and rather easy performance pieces which have been selected from the large number of pieces by Wilhelm Popp in a Romantic concert style. Cantabile and virtuoso passages were always arranged specifically for the instrument by the court flutist (and pianist) of the court theatre of the Duke of Saxe-Coburg-Gotha. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty.

About Schott Student Edition

Th e Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.

Th e repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.

Ev ery work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.