Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116400 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116400
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun.
Full score. Composed
1725. BWV 164. 32 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/00. Published by
Carus Verlag
(CA.3116400).
ISBN
9790007187170. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116449 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116449
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Organ. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Organ. Composed 1725. BWV
164. 16 pages. Duration
17 minutes. Carus Verlag
#CV 31.164/49. Published
by Carus Verlag
(CA.3116449).
ISBN
9790007209070. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun.
Single Part, basso
continuo. Composed 1725.
BWV 164. 12 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/14. Published by
Carus Verlag
(CA.3116414).
ISBN
9790007209056. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 2. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/12. Published by
Carus Verlag
(CA.3116412).
ISBN
9790007209032. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
The companion MP3 CD to book 5 of the bestselling series Piano Gefällt Mir! b...(+)
The companion MP3 CD to
book 5 of the bestselling
series Piano Gefällt
Mir! by Hans-Günter
Heumann features
demonstration tracks with
recorded Piano, Bass and
Drums, as well as backing
with the Piano part taken
out, allowing you to play
along. **Please note: The
CD included with this
title can only be played
through an MP3 compatible
program.**
Band Concert Band - Grade 2 SKU: CF.YPS167 Composed by Andrew Balent. Set...(+)
Band Concert Band - Grade
2
SKU: CF.YPS167
Composed by Andrew
Balent. Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+2+12 pages.
Duration 2 minutes, 12
seconds. Carl Fischer
Music #YPS167. Published
by Carl Fischer Music
(CF.YPS167).
ISBN
9781491143964. UPC:
680160901463. 9 x 12
inches. Key: Eb
major.
As the title
suggests, your saxophone
section will get a good
workout in this clever
section feature. Andrew
Balent's original tune is
taken through several
variations including a
nice little swing
section. There are many
opportunities for the
other instruments to
shine as well in some
nice interplay between
the saxes and the rest of
the band. Highlight your
budding saxophonists with
this fun little
piece!
By Request Piano seul - Facile De Haske Publications
Piano - easy SKU: BT.DHP-1053813-401 All Time Piano Hits. Arranged...(+)
Piano - easy
SKU:
BT.DHP-1053813-401
All Time Piano
Hits. Arranged by
Andy Newland. Pop & Rock.
Book Only. Composed 2005.
28 pages. De Haske
Publications #DHP
1053813-401. Published by
De Haske Publications
(BT.DHP-1053813-401).
ISBN 9789043122276.
9x12 inches.
English-German-French-Dut
ch.
The following
situation may be familiar
to you: You’re at
a party, visiting friends
or hosting relatives and
someone asks you to play
something on the piano.
It’s best to
choose a song that people
know, but it is often
difficult to choose one
that is suitable. You are
expected to perform on
the spot and impress your
audience. This book
contains thirteen pieces
written especially for
such occasions. From
Lambada to Beethoven,
from The Muppet Show to
Sting, you’re sure
to find familiar songs
for your impromptu
performances. And best of
all, these pieces can be
played by anyone who has
taken piano lessons for
just a few
years.
Een stuk
spelen op verzoek - van
klassiek tot populair? In
dit boek staan dertien
bekende stukken waarmee
de pianist voor de dag
kan komen bij diverse
gelegenheden. Van de
Lambada tot
Beethoven en van The
Muppet Showtot Sting:
By Request is
geschikt voor iedereen
die een paar jaar les
heeft gehad.
Die
folgende Situation ist
sicherlich vielen
vertraut: Bei einer Party
oder einem Familienfest
wird man gebeten, etwas
Nettes auf dem Klavier
vorzuspielen. Da ist es
oft schwer, das Passende
zu finden. Dieses Buch
enthält dreizehn
leichte Stücke, mit
welchen auch Spieler mit
wenig Erfahrung bei
solchen Gelegenheiten
groß herauskommen
können. Ob vorgetragen
oder zu Hause zum eigenen
Vergnügen gespielt: Es
ist für jeden Anlass
und jede Stimmung etwas
dabei!
Quando alla sera
fra amici o in famiglia,
vi viene domandato di
mettervi al pianoforte e
di suonare una piccola e
simpatica musica, la
difficolt risiede nella
scelta del brano. By
Request contiene 13
brani adatti a questo
genere di situazione:
dalla Lambada a Ludwig
van Beethoven, da Muppet
Show a Sting, tutti i
brani presenti in questa
raccolta sono celebri e
accessibili a tutti i
pianisti con qualche anno
di pratica
strumentale.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116405 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116405
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun.
Choral Score. Composed
1725. BWV 164. 2 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/05. Published by
Carus Verlag
(CA.3116405).
ISBN
9790007187194. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score available
separately - see item
CA.3116400.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116409 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116409
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. 1x
31.164/21 flute 1, 1x
31.164/22 flute 2, 1x
31.164/23 oboe 1, 1x
31.164/24 oboe 2.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Cantatas, Whitsun.
Set of Orchestra Parts.
Composed 1725. BWV 164.
Duration 17 minutes.
Carus Verlag #CV
31.164/09. Published by
Carus Verlag
(CA.3116409).
ISBN
9790007209018. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and parts
available separately -
see item CA.3116400.
(Traditional Shaker). Arranged by Frank Ticheli. For SATB choir (a cappella). Fr...(+)
(Traditional Shaker).
Arranged by Frank
Ticheli. For SATB choir
(a cappella). Frank
Ticheli Series. Main Key:
F Major. Folk, Secular.
Difficulty: Medium
(Adult). Octavo. 8 pages.
Duration 2 minutes 50
seconds. Published by
Hinshaw Music Inc.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116419 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116419
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Whitsun. Set of Orchestra
Parts. Composed 1725. BWV
164. Duration 17 minutes.
Carus Verlag #CV
31.164/19. Published by
Carus Verlag
(CA.3116419).
ISBN
9790007209063. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and parts
available separately -
see item CA.3116400.
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Whitsun. Single Part,
Viola. Composed 1725. BWV
164. 4 pages. Duration 17
minutes. Carus Verlag #CV
31.164/13. Published by
Carus Verlag
(CA.3116413).
ISBN
9790007209049. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Vl, Va, Bc SKU: CA.3116403 Cantat...(+)
Soli SATB, SATB Choir, 2
Fl, 2 Ob, 2 Vl, Va, Bc
SKU: CA.3116403
Cantata for the 13th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frieder Rempp. Arranged
by Paul Horn. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Whitsun.
Vocal score. Composed
1725. BWV 164. 28 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/03. Published by
Carus Verlag
(CA.3116403).
ISBN
9790007187187. Language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score available
separately - see item
CA.3116400.
Cantata
for the 13th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun. Single
Part, Violin 1. Composed
1725. BWV 164. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.164/11. Published by
Carus Verlag
(CA.3116411).
ISBN
9790007209025. Text
language:
German/English.
Thi
s six-movement cantata
was performed for the
first time on 26 August
1725 in Leipzig. The text
was written by Bach's
Weimar cantata poet
Salomon Franck and had
been published earlier in
1715 in his collection
Evangelisches
Andachts-Opffer. Here,
Bach bases his work
around the form of the
Weimar cantatas which
take their texts from
Franck's printed
collection (BWV 132, 152,
161-163, 165): movements
1-5 are performed by
vocal soloists, whilst
only the final chorus is
given to the chorus. The
key concepts of the text
are Barmherzigkeit
[compassion], Erbarmen
[mercy] and wahre
Christenliebe [true
Christian love]; the
chamber music arrangement
of the cantata
corresponds with this.
The two arias for tenor
and alto, and the duet
for soprano and bass do
not contain da capo
sections, but repeat the
entire text in a
condensed form. The
instruments do not
contrast as a rule, but
are treated as a string
group (movements 1, 4),
duetting (movement 3),
and as full unison
(movement 5). What is
remarkable in all three
movements is the thematic
linking of the
instrumental ritornello
parts with the vocal
parts through which Bach
achieves a kind of unity
of form. Score and part
available separately -
see item CA.3116400.
Keyboard - easy SKU: BT.MUSAM965976 Composed by Kenneth Baker. The Comple...(+)
Keyboard - easy
SKU:
BT.MUSAM965976
Composed by Kenneth
Baker. The Complete
Keyboard Player. Tuition.
Book with Online Audio.
Wise Publications
#MUSAM965976. Published
by Wise Publications
(BT.MUSAM965976).
ISBN
9780711983571.
English.
The
Complete Keyboard
Player series will
teach you everything you
need to know to get the
most out of your
electronic keyboard, in a
fraction of the time it
takes to learn a
conventional instrument.
Based on popularsongsand
with easy-to-follow text
and diagrams, this
excellent course assumes
no prior knowledge of
keyboards or music. All
three books are available
with an optional
professional-quality CD,
with full-band backing
tracksanddemosntrations
of all songs. Book two
contains:
Grade 1 SKU: CL.032-4609-00 Arranged by P. Clark. Jazz Ensemble. Jazz Sta...(+)
Grade 1
SKU:
CL.032-4609-00
Arranged by P. Clark.
Jazz Ensemble. Jazz
Starters! Score and set
of parts. Composed 2018.
Duration 2 minutes, 4
seconds. C.L. Barnhouse
#032-4609-00. Published
by C.L. Barnhouse
(CL.032-4609-00).
Your young
jazzers will love this
funky version of Jolly
Old Saint Nicholas from
the Barnhouse Jazz
Starters! series! Written
solos are included, but
since the solo section
only uses two chords,
this would be a great way
to get some improvisation
going on. Pass out the
Santa hats and take it to
the house at your next
holiday performances!
Grade 1 SKU: CL.032-4609-01 Arranged by P. Clark. Jazz Ensemble. Jazz Sta...(+)
Grade 1
SKU:
CL.032-4609-01
Arranged by P. Clark.
Jazz Ensemble. Jazz
Starters! Extra full
score. Composed 2018.
Duration 2 minutes, 4
seconds. C.L. Barnhouse
#032-4609-01. Published
by C.L. Barnhouse
(CL.032-4609-01).
Your young
jazzers will love this
funky version of Jolly
Old Saint Nicholas from
the Barnhouse Jazz
Starters! series! Written
solos are included, but
since the solo section
only uses two chords,
this would be a great way
to get some improvisation
going on. Pass out the
Santa hats and take it to
the house at your next
holiday performances!
SKU: TL.TCL-018076 Strings. Book. Trinity College London #TCL 018076. Pub...(+)
SKU: TL.TCL-018076
Strings. Book. Trinity
College London #TCL
018076. Published by
Trinity College London
(TL.TCL-018076).
ISBN
978-0-85736-728-0.
Take Your Bow is a
collection of 20 concert
pieces for beginner
string players written by
Celia Cobb and Naomi
Yandell. Years of string
teaching have given them
the inspiration to
produce pieces which will
both delight and engage.
Their imaginative writing
strengthens rhythmic and
stylistic concepts,
whilst employing a
variety of adventurous
playing techniques that
students will find to be
a fun and achievable
challenge. Each piece is
compatible with any of
the other instruments in
the series, in any
combination, making it an
excellent resource for
individual or group
teaching. Take Your Bow
is available in 4
individual editions --
for violin, viola, cello
and double bass, each
with piano accompaniment
-- and as a separate full
score.