Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Guitare Guitare classique [Partition] - Intermédiaire TRO - The Richmond Organization
(The Music of Jobim, Bonfa, and Baden Powell for Solo Guitar). Arranged by Bria...(+)
(The Music of Jobim,
Bonfa, and Baden Powell
for Solo Guitar).
Arranged by Brian Hodel.
For classical guitar.
Guitar Solo. Bossa Nova
and Samba. Difficulty:
medium. Instrumental Solo
Songbook. Standard guitar
notation and fingerings.
32 pages. Published by
TRO - The Richmond
Organization
A Comprehensive, Easy-to- Approach Guide for the Everyday Musician. Explained....(+)
A Comprehensive, Easy-to-
Approach Guide for the
Everyday Musician.
Explained. Chords,
Instruction, Music
Theory.
Softcover Audio Online.
80
pages. Published by Hal
Leonard
The Definitive Paul Simon Songbook by Paul Simon. For Melody Line, Lyrics and Ch...(+)
The Definitive Paul Simon
Songbook by Paul Simon.
For Melody Line, Lyrics
and Chords. Music Sales
America. Folk Rock.
Softcover. 560 pages.
Paul Simon Music
#PS11594. Published by
Paul Simon Music
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy an...(+)
Piano - Grade 5
SKU:
FA.MFCD017B
By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Christmas.
Score. Musik Fabrik
#MFCD017B. Published by
Musik Fabrik
(FA.MFCD017B).
8.27 x
11.69
inches.
Contains Le
Roi Lear:
Prelude,Premiere Fanfare,
and La Mort de
Cordelia,Toomai des
elephants, Rodrigue et
Chimene: Prelude a l'acte
1p. Le Martyre de Saint
Sebastien: La Passion ,
and No-ja-li ou Le Palais
du Silence
From
Robert Orledge's
notes:
My interest
in the wonderful music of
Claude Debussy began in
the 1980s when I
researched and published
a book with Cambridge
University Press entitled
Debussy and the Theatre.
During the course of my
studies in Paris, I was
amazed to discover that
Debussy planned over 50
theatrical works but only
finished two of these
entirely by himself (the
opera Pelleas et
Melisande in 1893-1902
and the ballet Jeux for
Diaghilev's Ballets
Russes in 1912-13). Of
the rest, many were never
started musically (like
Siddartha and Orphee-roi
with the Oriental scholar
Victor Segalen, 1907);
some had a few
tantalising sketches
(like the Edgar Allan Poe
opera Le Diable dans le
beffroi, 1902-03); some
were half-finished (like
his other Poe opera La
Chute de la Maison Usher,
1908-17); while others
were musically complete
but had their
orchestrations completed
by other composers (like
Khamma, by Charles
Koechlin, 1912-13; or Le
Martyre de Saint
Sebastien and La Boite a
joujoux by his 'angel of
corrections' ['l'ange des
Corrections'] Andre
Caplet in 1911 and 1919
respectively).
For
it has to be admitted
that what some scholars
call Debussy's
'compulsive achievement'
could equally well be
viewed as laziness,
especially as far as the
minute detail required
for calligraphing his
orchestral scores was
concerned. It was as if
creating the music itself
was of greater importance
than controlling its
final sound, even if
Debussy was an
imaginative orchestrator
when he found the time
and energy to do it. It
also seems true that
Debussy also preferred
inventing ideas to
turning them into
complete pieces. However,
despite the lack of
detail in many of his
sketches (missing clefs,
key signatures, dynamics,
phrasing, etc.) the notes
themselves are
surprisingly accurate,
whether or not they can
be compared with a later
draft. Thus, a large
number of sketches exist
for his Chinese ballet
No-ja-li ou Le Palais du
Silence and it is not too
difficult to see which
parts of Georges de
Feure's 1913 scenario
(see below) inspired
which ideas. But Debussy
hardly made any attempt
to join them together
after the first few
bars.
It was
usually up to his
publisher, Jacques
Durand, to find solutions
when Debussy risked a
breach of contract.
Debussy was supposed to
supervise the
orchestrations completed
by others, but this
supervision was usually
very light and restricted
to quiet, sensitive
moments in which problems
were easier to spot. Far
from jealously guarding
every one of his created
notes, as Ravel did,
Debussy once even went as
far as to ask Koechlin to
'write a ballet for him
that he would sign' on 26
March 1914 when he was
hard-pressed to fulfil
his lucrative contract
for No-ja-li with Andre
Charlot at the Alhambra
Theatre in London. In the
end, Debussy (through
Durand) sent Charlot the
symphonic suite Printemps
instead, whose
orchestration had been
completed by Henri Busser
in the Spring of
1912.
So, when I
was offered early
retirement as Professor
of Music at Liverpool
University in 2004, I
seized the opportunity it
would give me to spend
time trying to
reconstruct some of
Debussy's lost potential
masterpieces from his
existing sketches and
drafts--then
orchestrating them in
Debussy's style when this
was appropriate. I had
begun this mission in
2001 with the most
promising project, the
missing parts of Scene 2
of La Chute de la Maison
Usher and the sheer joy
it gave me at every stage
persuaded me to tackle
other projects,
especially when Debussy
experts were unable to
identify exactly where I
took over from Debussy
(and vice versa) in
Usher.
Chamber Music Flute, Percussion, Piano, Zheng SKU: PR.114409470 For Fl...(+)
Chamber Music Flute,
Percussion, Piano, Zheng
SKU: PR.114409470
For Flute, Zheng,
Piano, and
Percussion. Composed
by Chen Yi. Christmas and
Holiday. World Premiere:
Boston. Contemporary. Set
of Score and Parts. With
Standard notation.
Composed 1993. 15+2+2
pages. Duration 8
minutes. Theodore Presser
Company #114-40947.
Published by Theodore
Presser Company
(PR.114409470).
UPC:
680160014200. 8.5 x 11
inches.
The idea of
Song in Winter came from
the imagination of the
pine and the bamboo. They
are so persistent and
dauntless. Standing in
the frigid winter, they
are evergreens. In
Chinese paintings, they
are featured characters;
in Chinese literature,
they are praised as
symbols against evil
influences and unhealty
trends. Chen Yi admires
their beautiful
appearances and their
strong spirit and
expresses their feelings
through their music,
which combines Chinese
and Western musical
materials and medium. The
silence between the
gestures is like the
space in brush painting
and calligraphy. Song
in Winter is a trio
written for harpsichord,
dizi (bamboo flute) and
zheng (Chinese
zither). My idea for
this piece came from the
pine and the bamboo.Â
Such persistent and
dauntless trees!Â
Standing in the frigid
winter, they are
evergreens. In
Chinese paintings, they
are the featured
characters, while in
Chinese literature, they
are praised as symbols
against evil influences
and unhealthy trends.Â
I admire their beautiful
appearances and their
strong spirit. I
express my feelings
through my music, which
combines Chinese and
Western musical materials
and media. Using the
harpsichord, an old
Western instrument, and
the zheng and dizi, two
old Chinese instruments,
I mix keyboard, plucking
and blowing instruments
into a whole. The
silence between the
gestures is like the
space in Chinese brush
painting and
calligraphy. Although
I have been living in a
western society for seven
years, I have found my
thinking closely linked
with Chinese arts. I
merged them into my
musical language in the
trio. Song in Winter
was commissioned and
inspired by Prof. Joyce
Lindorff, the winner of
the Pro Musicis
Foundation's
international
competition, for her
March 23, 1994 concert at
Weill Recital Hall at
Carnegie Hall in New
York, sponsored by the
Foundation. It is
dedicated to Ms. Lindorff
and Ms. Susan Cheng, the
founder and executive
director of Music From
China, who has been
enthusiastically
supporting Chinese new
music in New York for
many years. The work
has been recorded on the
album “Sparkle:
Chamber Music of Chen
Yi†on CRI,
released in New York in
1999. The trio has
also been adapted for
quartet: flute, zheng
(Chinese zither), piano
and percussion, for ALEA
III, for the premiere
concert in Feb. 4, 1994,
in Boston.—Chen
Yi(born in China,
1953).
Choral (Studiotrax CD) SKU: HL.35031818 Composed by Joseph M. Martin. Sha...(+)
Choral (Studiotrax CD)
SKU: HL.35031818
Composed by Joseph M.
Martin. Shawnee Sacred.
Easter, General Worship,
Lent, Sacred. CD.
Duration 290 seconds.
Published by Shawnee
Press (HL.35031818).
UPC: 888680711399.
5.0x5.0x0.15 inches.
Daniel 2:19, I
Corinthians 2:7, Job
34:29, Lamentations 3:28,
Mark 4:11, Romans
16:25.
A very
interesting poetic
perspective is explored
in this anthem that
considers the silence,
shadows and mystery of
faith, reminding us that
truth is sometimes
revealed in moments of
quiet contemplation and
in times of seeking. The
American folk hymn Jesus,
My Song in the Night
clarifies the Source of
our answers, and arching
melodic gestures with
lush harmonies infuse
this piece with a
theatrical sweep that
really connects. Score
and Parts (fl 1-2, ob, cl
1-2, bn, hn 1-2, tpt 1-3,
tbn 1-3, tba, perc 1-2,
timp, pno, hp, vn 1-2,
va, vc, db) available as
a digital download.
By Paul Simon. For guitar. Little Black Songbook. The little book with all the B...(+)
By Paul Simon. For
guitar. Little Black
Songbook. The little book
with all the BIG songs.
Folk. Level: Easy. Lyric
and Chord Book. 224
pages. Published by Music
Sales.
For
Chamber Orchestra.
Composed by Narong
Prangcharoen. Full score.
64 pages. Duration 10
minutes. Theodore Presser
Company #416-41542.
Published by Theodore
Presser Company
(PR.416415420).
UPC:
680160632312.
Echoe
s of Silence was
commissioned by the
Albany Symphony Orchestra
for the American Music
Festival of 2012 as part
of the Capitol Region
Heritage Commissions
project. The work takes
as its inspirations the
Troy Savings Bank Music
Hall in Albany, NY, and
the Albany Symphony
Orchestra. The Troy
Savings Bank was founded
in 1823 and was one of
the more important music
halls in
early-twentieth-century
America. It was honored
with performances by many
world-renowned artists,
such as Vladimir
Horowitz, Yehudi Menuhin,
and Arthur Rubinstein.
The title, Echoes of
Silence, refers to the
echoes of these and other
artists' great
performances, which one
might imagine still
resonate in the hall. If
the hall had a voice, it
would also sing of the
all the wonderful
masterpieces that were
performed there in the
past. The main idea of
this piece is to reflect
the sounds that were
absorbed by the walls of
this concert hall during
the past century of live
performance. Some of the
main pitch materials are
derived from Alexander
Borodin's Symphony No. 2,
a masterpiece that was
composed in 1823, the
same year as the founding
of the Troy Savings Bank.
The main thematic
materials of Echoes of
Silence are developed
from many small musical
motifs found in Borodin's
symphony. Another source
of material is Igor
Stravinsky's Symphony of
Psalms, composed in 1930,
the year in which the
Albany Symphony Orchestra
was founded. These
borrowed materials are
used as the main elements
in maintaining the
structural unity of
Echoes of Silence.
Because this concert hall
has absorbed so much
wonderful music from so
many great performances,
we can imagine even the
smallest corner of the
hall filling its silence
with echoes.
For
Chamber Orchestra.
Composed by Narong
Prangcharoen. Large
Score. 64 pages. Duration
10 minutes. Theodore
Presser Company
#416-41542L. Published by
Theodore Presser Company
(PR.41641542L).
UPC:
680160632329.
Echoe
s of Silence was
commissioned by the
Albany Symphony Orchestra
for the American Music
Festival of 2012 as part
of the Capitol Region
Heritage Commissions
project. The work takes
as its inspirations the
Troy Savings Bank Music
Hall in Albany, NY, and
the Albany Symphony
Orchestra. The Troy
Savings Bank was founded
in 1823 and was one of
the more important music
halls in
early-twentieth-century
America. It was honored
with performances by many
world-renowned artists,
such as Vladimir
Horowitz, Yehudi Menuhin,
and Arthur Rubinstein.
The title, Echoes of
Silence, refers to the
echoes of these and other
artists' great
performances, which one
might imagine still
resonate in the hall. If
the hall had a voice, it
would also sing of the
all the wonderful
masterpieces that were
performed there in the
past. The main idea of
this piece is to reflect
the sounds that were
absorbed by the walls of
this concert hall during
the past century of live
performance. Some of the
main pitch materials are
derived from Alexander
Borodin's Symphony No. 2,
a masterpiece that was
composed in 1823, the
same year as the founding
of the Troy Savings Bank.
The main thematic
materials of Echoes of
Silence are developed
from many small musical
motifs found in Borodin's
symphony. Another source
of material is Igor
Stravinsky's Symphony of
Psalms, composed in 1930,
the year in which the
Albany Symphony Orchestra
was founded. These
borrowed materials are
used as the main elements
in maintaining the
structural unity of
Echoes of Silence.
Because this concert hall
has absorbed so much
wonderful music from so
many great performances,
we can imagine even the
smallest corner of the
hall filling its silence
with echoes.
Guitar SKU: BT.MUSAM996996 Arranged by Russ Shipton. The Complete Guitar ...(+)
Guitar
SKU:
BT.MUSAM996996
Arranged by Russ Shipton.
The Complete Guitar
Player. Pop & Rock. Book
with CD. Wise
Publications
#MUSAM996996. Published
by Wise Publications
(BT.MUSAM996996).
ISBN
9781849380140.
English.
Th
e Complete Guitar
Player series
has taught hundreds of
thousands how to play and
the accompanying
songbooks have featured
hits by Paul Simon, Elvis
Presley, The Beatles,
John Denver and many
othertopartists.
N
ow these songbooks are
available in super value
omnibus editions like
this one. The songs are
still graded by ease of
playing and everything is
there... standard
notation, Guitar chord
boxes, full lyrics
andevenstrumming
patterns!
Over 180
great songs! Perfect for
all players and
singers!
The bonus
CD contains backing
tracks to 16 of the songs
in the book.
By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Redi...(+)
By Nicolas Horvath. By
Robert Orledge and Claude
Debussy (1862-1918).
Rediscoverd Debussy.
Christmas. Score. Musik
Fabrik #MFCD017A.
Published
by Musik Fabrik
SATB choir SKU: LO.10-2363LA Composed by Joseph M. Martin. Choral. Sacred...(+)
SATB choir
SKU:
LO.10-2363LA
Composed
by Joseph M. Martin.
Choral. Sacred Anthem,
General, Pentecost.
Octavo. Laurel Press
#10/2363LA. Published by
Laurel Press
(LO.10-2363LA).
UPC:
000308048803.
SATB-
Optional C-instrument,
Handbells (3 octaves)-
Gleaned from the
best-selling cantata Come
To The Table, this joyous
outburst of glad
Hosannas!ö will begin
you church's Passion Week
with suitable
celebration. The optional
instruments add an extra
degree of festivity.
